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Andrew "DaBoyAG" Barnett, Author at AllHipHop
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Who is our generation's Chuck D/Ice Cube/2Pac?

Where are the black leaders in hip hop? A question that has been asked repeatedly within the last few months, and many still have no answer for. We all are aware of the recent incidents that have resulted in riots and protests around the country due to blatant injustice involving black men. This has left many people and Hip Hop fans to wonder, “Where are our heroes?”, while in desperate search for a voice to speak out against injustice–especially within the black community. Rappers Chuck D, Ice Cube, and 2Pac are known not only for their great contributions to hip hop, but also for their militant, anti-government, upfront lyrics. These rappers took risks in their music to directly attack government officials, and public figures for their negligence to blacks and disrespect to hip hop. None of these guys had the smallest amount of fear in them at anytime to say what was on their minds and make sure that you knew exactly how they felt. They didn’t hide the lyrics within their albums, they made singles and videos with these messages clear for everyone to hear. In today’s Hip Hop there are a few rappers that actually have some of these same qualities, such as Killer Mike, David Banner, Lupe Fiasco and others. I am fully aware that there are many others that can also be mentioned but to avoid this article from turning into a book, I have condensed it to focus on those three.  In this article I will provide examples from Chuck D, Ice Cube, and 2Pac. Then I’ll show examples of the current rappers who do the same. Starting with Ice Cube, whose radical ways date back to his years with NWA in the late 80s. Coming out of the gates firing with songs like “F*ck The Police” and a solo debut album titled “AmeriKKKas Most Wanted.” Cube had no fear in his heart and it showed heavily in his harsh, unfiltered lyrics. In all of his first three albums Cube continuously attacked and called out many people by name, caring less what anyone felt about it. A strong example can be found in his verse on Scarface’s song “Hand of The Dead Body.” and also on his song “A Bird In The Hand” “Fresh out of school cause I was a high school grad Gots to get a job cuz I was a high school dad Wish I got paid by rappin’ to the nation But thats not likely, so here’s my application Pass it to the man at AT&T Cause when I was in school I got the A.E.E But there’s no S.C. for this youngsta I didn’t have no money, so now I got to punch the Clock, gotta slave, and be half a man But whitey says there’s no room for the African Always knew that I would clock G’s But welcome to McDonalds may I take your order please Gotta serve ya food that might give you cancer Cuz my son doesn’t take no for an answer Now I pay taxes that you never give me back What about diapers, bottles, and similac Do I have to sell me a whole lotta crack For decent shelter and clothes on my back? Or should I just wait for help from Bush Or Jesse Jackson, and Operation PUSH If you ask me the whole thing needs a d##### A Massengill what the hell crack will sell in the neighborhood To the corner house b###### Miss Parker, little Joe and Todd Bridges Or anybody that he know So I copped me a bird, better known as a kilo Now everybody know I went from po’ to a n#### that got dough So now you put the feds against me Cause I couldn’t follow the plan of the presidency I never get love again But blacks are too f*ckin’ broke to be republican Now I remember I used to be cool Till I stopped fillin’ out my W-2 Now senators are gettin’ high And your plan against the ghetto backfired So now you got a pep talk But sorry, this is our only room to walk Cause we don’t want a drug push But a bird in the hand is worth more than the bush” Chuck D, with Flavor Flav as his right hand man, also took the radical approach when addressing public figures and government officials. Public Enemy’s “It Takes A Nation Of Millions To Hold Us Back” and “Fear of a Black Planet” are both undeniable classics and viewed as significant milestones in black music. Chuck D’s strong tone and straight to the point lyrics proved to be a force to be reckoned with. Both of those albums are laced with passion driven lyrics about the wrongdoings of many in power. His 3rd verse on “Fight The Power” definitely ruffled the feathers of white society. Excerpt from 3rd verse from “Fight The Power” “Elvis was a hero to most, But he never meant sh*t to me you see Straight out racist that sucker was Simple and plain Mother f*ck him and John Wayne Cause I’m Black and I’m proud I’m ready I’m hyped plus I’m amped Most of my heroes don’t appear on no stamps Sample a look back you look and find Nothing but rednecks for 400 years if you check” 2Pac, rightfully considered one of the greatest hip hop artists of all time, had this same mentality. His first album 2Pacalypse Now was full of political songs where he addressed numerous issues within black culture. 2Pac had a “Don’t Give A F*ck” attitude and everyone knew it. He had no problem directly attacking his foes, and not just his fellow rappers either. 2Pac’s mentality is what made him so popular in the 90s. His song “I Don’t Give a F*ck” is an all-out attack on police brutality, racism, and all the evils that go against the black race. He even took the 2nd verse on one of his biggest radio singles […]

Freddie Gibbs & Madlib – Pinata Revisited

What do you do after you break a pinata open? You go through all of the stuff inside right? Well it’s the end of the year and it’s time for me to take Freddie Gibbs and Madlib’s “Pinata” album and break it open all over again. When the album was released on March 18, 2014, by March 23 I was already ready to call it album of the year with a 9.5/10 rating. The album is everything you can ask for from a pure hip hop album. Everything comes together in a beautiful sequence, the samples, the beats, the rapping, and the vibe. 9 months later I still have this album in my top 5 albums of the year. Never lost replay value for me over the whole year. Madlib’s production and sample placement on this album has captured my mind all year. Every beat is just intricately crafted into a sonic masterpiece, the way he chopped his samples, placed his sounds, and arranged his drum patterns are truly a work of art. As a lover of music, I thoroughly appreciated the attention to detail. So much so that I had to cop the instrumental version of this album just to hear how great the production was. On the song “Real” you can hear just how great this man’s production skills really are. That being said, Gibbs came through heavy with the rapping. Gibbs might not be the most lyrical rapper but his lyrics catch your ears and leave a sting. The album is full of quotables and gems laced within Gibbs’s superior flow. He was able to sound comfortable on every song while not limiting himself, because he did several different kinds of songs. There’s a song for everyone. I honestly don’t think any other rapper would have been able to use the beats on this album any better than Gibbs. He worked every beat perfectly. A few quotables: “Chefing up the crack, the heroin, and the weed a la carte, I call it Fast Freddie’s, I should own a f**kin’ restaurant. Cuz back when I was 12 threw some bells on a scale and I got a pager We broke them down and started selling nickels to the neighbors Eventually the penitentiary gon’ see me later Kiss my momma, told her if I die, then it was part of nature” – “Bomb” “This white devil society dare a n*gga to do drugs And dare yo ass to deal ’em, distribute and conceal ’em My n##### don’t got no boats or no ports, how you think we get ’em? Crack was black America’s cup of coffee in the beginning When it crept up where you at, guess you crackers couldn’t fight the feeling Motherf**k euthanasia, I’ll lace your food up with razors Make you gargle with saltwater, excuse yourself from my table” – “Sh*tsville” “I live on borrowed time, my expiration date I passed it So lock me up forever, but this sh*t is everlasting” – “Thuggin” This album has maintained it’s replay value over the course of the year and remains one of the best hip hop albums to be released this year.

AHH Album Review: Big K.R.I.T. – Cadillactica

Imagine yourself floating through space in a decked out Cadillac, with the bass echoing throughout the galaxy. That’s exactly how Big K.R.I.T. starts this album by creating the planet Cadillactica on the spacey, pimpish intro track “Kreation” This intro is not just a song it’s a total experience. Although just one verse, the song stands firm as a beginning to a journey through the universe. And K.R.I.T puts you in the passenger seat of his pimped out, intergalactic Cadillac throughout the duration of Cadillactica. While listening to Cadillactica, you may find yourself go through all kinds of emotions. You go from being zoned out in chill mode with “Kreation” to a state of serious thought-provoking moments and reevaluation of existence with “Life” to a series of uncontrollable head-nodding and high adrenaline bursts with the BANG of “My Sub Part 3.” On his 2nd album, Big K.R.I.T was able to deliver on all accounts with Cadillactica. His creativity level is at an all time, lyrically, sonically, and mentally. Every song sounds like more than just a song, each song is carefully crafted and arranged to bring the full potential out of the song. K.R.I.T.’s lyricism was brought to full potential throughout the album. His poetic background and writing style makes every word important. No word goes without purpose. He makes the type of southern music that is rarely heard, especially today in all genres of music, not just hip hop. The title track, Cadillactica is the epitome of exactly what a title track is supposed to sound like. The energy, lyrics, flow, delivery, and arrangement of that song is perfect. Even the interlude “Standby” is infectious with just a saxophone and K.R.I.T.’s stanzas. One of many examples of his intricate lyricism can be found on the song “Soul Food” “The acrobats on the corner and they flip/So when them white vans pull up shawty we dip out of view/Coulda been a track star at the school, but it took the police just to get that 4.4 out of you/ Dash, Sprint, Hurdle over those steel gates, They keep us in and keep folk out but we don’t feel safe” The production and engineering on Cadillactica is top-notch material. K.R.I.T. found a strong chemistry working with other producers on this album, while still carrying majority of the production duties. Throughout his career K.R.I.T.’s music has been highly sample-driven, but on this album we get to see just how talented K.R.I.T. is behind the boards, only using two samples on the entire album. The production is so soulful, organic, and precise with the perfect use of different drum patterns and sounds. You get songs that bang in the whip, along with songs where you can truly appreciate the use of sounds and melodies to create beautiful music. Raphael Saadiq, Terrace Martin, DJ Dahi, Jim Jonsin, and Alex Da Kid all contributed to making Cadillactica the best produced album this year. The album plays so smoothly, on first listen there’s no way that you could skip one song. It is organic music that we don’t get the privilege of hearing much in today’s music. Cadillactica is the one of the best albums released this year, and the best album from a southern hip hop artist in years. Lyricism 10/10 Production: 1010 Cohesiveness: 9/10 Replay Value: 9/10 Overall: 9/10 Standout tracks: “Cadillactica”, “King Of The South”, “Do You Love Me”, “Lost Generation”

Hip Hop By The States Part 3: Pennsylvania

The City of Brotherly Love, Steel City, some of the best cheese steaks in the world, sports fanatics, and some of the toughest crowds in the country can all be found in the state of Pennsylvania. Pennsylvania also has had a big impact on the hip hop industry. From battle rap to mainstream hip hop, there have been many artists from the state of Pennsylvania that have left their mark on hip hop culture. In the 80s, Philadelphia native, Schoolly D emerged as one of the pioneers of Gangsta Rap. His lyrics about the rough streets of Philly were among the first of their kind. Will Smith(AKA The Fresh Prince) and DJ Jazzy Jeff also had a good run during the 80’s and 90’s. They were the first ever Rap artists to win a Grammy. Will Smith was known for his clean rap lyrics and positive messages, and he later went on to have an incredibly successful acting career, winning many awards along the way. Legendary hip hop band, The Roots have cemented their spot as Hip Hop’s official band. Rapper Black Thought, and drummer ?uestlove act as the leaders of the group. The Roots have released a large amount of classic hip hop material over the years and they continue to consistently release music. Black Thought is often said to be one of the best lyricists of all time, and the Roots band provided him with some of the most soulful production you can find. The Roots have also been serving as the band for late night TV show Host Jimmy Fallon for several years now. Supergroup State Property is a collective of many talented rappers from Philadelphia. Their content mostly focused on the gritty lifestyle of Philly. The group consisted of Beanie Sigel, Freeway, Peedi Peedi, Oschino, Omillio Sparks, and the Young Gunz. They all spent time on Roc-A-Fella records, had some solo success and made 2 movies named after the group. Leader, Beanie Sigel, was the most successful out of the group. He dropped his first three albums, “The Truth”, “The Reason”, and the classic album, “The B. Coming.” He received high praise as a rapper and as an artist for his high skill level and pure talent. His beef with Jadakiss is one of the best back and forth, diss for diss battles in hip hop history. Sadly, due to continuous legal trouble, Beanie Sigel’s career fell off track, but he is often still regarded as one of the most talented rappers. Many rappers in Pennsylvania and especially Philadelphia are known for their incredible flow and rhyme scheme. They often use mufti-syllabic rhymes to form a very catchy flow, which later caught on to other rappers. Other rappers from Pennsylvania that had success during the 90s and 2000s include the Major Figgas, Cassidy, Cool C, DJ Drama, Gillie The Kid, Kurupt, Phillys Most Wanted, Jedi Mind Tricks, producer Scott Storch and more. Pennsylvania is the home of many talented female rappers including Eve, Lisa “Left Eye” Lopes, Ms. Jade, Charli Baltimore, Bahamadia, Lady B, and Santigold. Another part of the hip hop culture that was strong in Pennsylvania during the early 2000s was battle rap. Many Youtube videos of Philadelphia battles became popular in the early 2000s. Some of the most popular battlers during that time were Reed Dollaz, Quilly Millz, Tech 9, NH, Joey Jihad, Kaboom, Dose, Reignman, Cyssero, Hollowman, and others. Even Meek Mill, Cassidy, and Da Band’s E Ness got started in the Philadelphia battle rap scene. Through all of the different phases of the 80s, 90s, and 2000s, Pennsylvania has stayed true and provided hip hop with a lot of original talent. Rappers Meek Mill, Wiz Khalifa, Mac Miller, and Asher Roth have been holding it down for today’s hip hop in Pennsylvania. Meek Mill, after getting signed to T.I.’s Grand Hustle label in 2008, got locked up and was released from prison in 2009. Meek signed with Maybach Music in 2011 and released his debut album, “Dreams and Nightmares” in October of 2012, which sold over 100,000 copies within the first week. He prides himself on being one of the last street rappers left in mainstream hip hop. He is set to release his 2nd album, “Dreams Worth More Than Money” in September of this year. Wiz Khalifa, a Pittsburgh native, first made his presence felt in the industry in 2007 with his single “Say Yeah.” After that time, he released numerous highly rated mixtapes including Burn After Rolling, Flight School, and the classic Kush & Orange Juice in 2010. He signed with Atlantic Records in 2010 and his song Black & Yellow was a major hit. He has had tremendous success with the sales of his first 2 albums on Atlantic, “Rolling Papers” and “O.N.I.F.C” and is planning on releasing his third album “Blacc Hollywood” this year. His subject matter usually revolves around his love for weed, women, and Chuck Taylors, but mostly weed. He has also successfully released projects from his Taylor Gang record label, from artists like Juicy J, Ty Dolla $ign, Chevy Woods,and Berner. Mac Miller is also a Pittsburgh native and caught the attention of fans online with his “Nike’s On My Feet” video and K.I.D.S mixtape in 2010. His first album, “Blue Slide Park” was released through Rostrum Records and sold over 100,000 copies. His album debuted at number 1 on the charts. This feat was very rare for an independent album release. He also makes beats, and goes under the producer alias of Larry Fisherman. Asher Roth is from Morrisville, Pennsylvania. He released his debut album “Asleep in the Bread Aisle” in 2009, and had success with his lead single “I Love College.” the album has sold over 200,000 copies to date. Asher Roth has since released his 2nd album, “Retrohash” earlier this year. As far as the future of Pennsylvania is concerned, there are several rappers that are gaining buzz throughout the area. Rappers such as Tone Trump, Lihtz Kamraz, Chill Moody, Asia […]

Hip Hop By The States Part 2: Illinois

One of the most dangerous cities in the United States is Chicago, Illinois. Home to notorious criminals such as Al Capone and Larry Hoover. Illinois is also famous for it’s house music, Harold’s Chicken and the original foundation for many street organized gangs. But there is another side of Illinois and that is the music scene. Illinois has produced some of the most talented musicians in the world. In the 90s, many rappers from Illinois became known for their grimy content and double time flow. Rappers such as Twista, Psychodrama, Do or Die, and Crucial Conflict mastered the art of the speedy flow. This is something that became popular in the midwest as a whole (See Bone Thugs). Female rapper, Da Brat, made history becoming the first female rapper ever to have a platinum selling album. Much like other Illinois rappers Da Brat also used the speedy flow. Other rappers from Illinois that made a significant impact include Common, Rhymefest, Bump J, MC Juice, Snypaz, Triple Darkness, NO ID(producer) and Shawnna. Illinois is also home to arguably the greatest RnB artist of all time, R. Kelly. R. Kelly made a huge impact on the music industry, as a singer, producer, engineer, director and songwriter. He has sold millions of records, and written songs for many musicians, including the late great Michael Jackson. I could write an entire article on R. Kelly, but I’ll leave it at that. Illinois has truly provided us with some great artists over the last 30 years. Illinois has generated more than just street content in its hip hop. There is definitely a conscious side to Illinois hip hop and the proof is provided through artists such as Common, Kanye West, and Lupe Fiasco. Kanye West is arguably the greatest hip hop artist of our generation. From early beginnings with the Go Getters to producing for Roc a Fella records. He released his debut album College Dropout in 2003 and it was a classic and game changing album, then followed up with a 2nd classic album, Late Registration. His G.O.O.D Music record label is complied with some of the best talent in hip hop. Kanye also put on for a lot of Chicago talent. Artists such as Lupe Fiasco, GLC, Chief Keef, and King L are all Illinois artists that have benefited from the help of Kanye West. Kanye is a true musical genius and will go down as one of the greatest hip hop artists of all time. Lupe Fiasco has also made his name known in the mainstream as a super talented rapper. Much like Kanye, Lupe found a way to bridge the gap between lyrical hip hop and mainstream hip hop during an era where lyrical rappers were not prospering very well in the mainstream. His incredible metaphors and double entendres have been deciphered for years now and he has truly mastered the art of lyricism. His Fahrenheit 1st and 15 mixtapes are classics and attracted the attention of many people. Even Jay-Z wanted to sign Lupe for a long time and served as the executive producer for Lupe’s debut album, Food and Liquor. Lupe’s creativity, content, and song making abilities have earned him the respect of all lovers of music. Lupe will go down as one of the best lyricists of all time. Young rapper Chief Keef enjoyed some success in the mainstream due to his singles such as “Don’t Like” and “Love Sosa”. Chief Keef introduced the mainstream to a movement in Illinois called Drill Music, representing gritty and grimy songs accompanied by trap-influenced beats. RnB singer, Jeremih also has done his part in keeping Illinois relevant in the music industry. His unique voice makes him stand out amongst his peers. He has done his fair share of hooks for several rappers and also has released successful singles such as “Birthday Sex”, “I Like”, and “Down On Me.” The next generation of Illinois hip hop is filled with very young artists, many in their late teens. The drill movement is spread across almost all of their music. This drill music brings back some of the raw gutter sound of some of the early IIllinois rappers, just without the double time flow. Content varies from gang violence, drug selling, and other things that are happening in Chicago. Sadly, many parts of Illinois have had a high amount of violence and killing amongst young people. Rappers such as Lil Reese, Lil Durk, King L, Fredo Santana, Lil Herb, Lil Bibby and more all make drill music. Other young Illinois rappers such as Vic Mensa, Frenico, Rockie Fresh, and Chance The Rapper represent Illinois in a different kind of way. The young Chicago movement has gained a tremendous amount of notice. Illinois provided this year’s XXL Freshmen list with FOUR rappers: Lil Durk, Lil Bibby, Chance The Rapper, and Vic Mensa. Lil Herb and Lil Bibby first caught the attention of Drake with their “Kill Sh*t” collab. Both Herb and Bibby released great solo mixtapes recently, and Herb’s collab with Nicki Minaj, “Chiraq” has also become very popular. While Herb has a lyrical, aggressive style, Bibby has more of a gritty grimy Beanie Sigel type of flow, but they mesh together to make great collabs. Chance The Rapper brings some eccentric music to the table, with a Wyclef Jean type crooning voice and an unorthodox rap flow. Chance’s music is a break from the norm in hip hop, but it is still so soulful at the same time. His standout mixtape “Acid Rap” received high rated reviews and catapulted his career to new heights. From overseas tours to being booked for the Coachella stage, and even offered the chance to go on tour with Eminem. Chance has created a strong foundation for more success to be in his future. Neo-Soul singer BJ The Chicago Kid has been collaborating with many different rappers over the past few years. Rappers range from Freddie Gibbs, Ab Soul, Kendrick Lamar, Schoolboy Q, Chance The Rapper, Big K.R.I.T, and […]

Hip Hop By The States Part 1: Louisiana

Cajun Food, Partying, and Bourbon Street are all things that come to mind when we think about Louisiana. Music is also a huge part of the culture in Louisiana. The music that comes from Louisiana is so different from anything offered in any other state in America. With such a big cultural influence there’s no surprise that this is reflected in the music. Louisiana is the birthplace of Jazz, the home of Bounce Music, and record labels such as No Limit and Cash Money. All in all Louisiana is home of some of the most talented musicians in the world, and deserves to be appreciated for its original sound and culture. Starting in the early 90s, Louisiana became popular for its high energy bounce music and the local rap talent. Soon rap labels No Limit and Cash Money emerged and took the Louisiana hip hop scene to a nationwide level. Artists such as Master P, Soulja Slim, Mystikal, The Hot Boyz, Big Tymers, Mannie Fresh, C Murder, Silk The Shocker, and more began to be noticed on a level that would boost them to platinum selling success. Both labels enjoyed a significant amount of mainstream success and great album sales. They left their mark on 90s and early 2000s hip hop, not only in the south but everywhere. Their run will never be forgotten, and if you’re like me you remember just how big of a deal they were. Today, Louisiana artists such as Lil Wayne, Boosie, Curren$y and Frank Ocean are enjoying their success on a mainstream level. Louisiana is such a diverse state and all of these artists are successful in their own ways. Lil Wayne was able to carry on his success from the days with the Hot Boyz and became one of the most popular rap artists of all time during his run from 2006-2009. His album, The Carter 3, sold an outstanding 1.5 million copies in the first week in 2008. Since then he has been able to sign big name talents such as Drake and Nicki Minaj to his Young Money imprint. It’s safe to say that Lil Wayne has enjoyed more success than any other Louisiana hip hop artist to date. Boosie solidified his spot as a street legend. He took his life from the rough streets of Baton Rouge and expressed it in his music which connected with all of his fans. Boosie has accumulated an enormous amount of support throughout the south, and other parts of the country. With many comparisons to 2Pac, Boosie is loved and adored by his southern fans, and they all rejoiced when he was released from prison earlier this year. Curren$y truly has worked hard to get to where he is today. He was signed to both No Limit and Cash Money in the early stages of his career. Once he branched off from those labels he began his run as an independent artist, releasing numerous mixtapes, and eventually released several albums. He now has a huge online following, and is one of the most popular rappers on the internet. Curren$y has used his popularity to give exposure to other Louisiana talent such as Young Roddy, Trademark The Skydiver, Nesby Phips, Le$ and more. Jet life, right? Many people forget that Frank Ocean is also from Louisiana, and he has enjoyed large amounts of success, writing songs for artists such as Beyonce and collabing with hip hop heavyweights Jay-Z and Kanye West. Frank continues to build his career as a part of Odd Future and achievements such as his grammy winning album, Channel Orange. Now we have a new wave of Louisiana artists that are on the come up and have already started making a name for themselves. Jay Electronica may not be too young, but his debut album is highly anticipated, and drastically overdue. Ever since the release of “Exhibit C” in 2009, Jay E has built an enormous amount of buzz and attracted the attention of Diddy and even Jay-Z, who signed him to his Roc Nation label in 2010. His high amount of technical rap skill and lyricism has made him a popular rapper among hip hop heads as we “patiently” wait on his debut. August Alsina had a breakthrough year in 2013 with the release of his single “I Luv This Sh**” and got a huge amount of radio play nationwide. He was signed to Def Jam in 2012, and has been pushing forward ever since. His natural voice separates him from other R&B singers and his debut album “Testimony” dropped earlier this year and debuted at #2 on the billboard charts. Kevin Gates has been on a steady grind for a few years, from his popular song “Satelite” to now, Gates has established a name for himself. His mixtape “The Luca Brasi Story” was highly regarded as one of the best mixtapes from last year and led to him signing to Atlantic Records in 2013. Teedra Moses is a neo-soul songstress and spent some time on Rick Ross’s Maybach Music Group label. She has since continued to work on music and progress forward in her career. Female rapper 3D Na’Tee started building a buzz for herself last year with different radio appearances and music videos. She is a highly skilled rapper and is ready to take the industry by storm, She signed to Universal Records in April of this year. Universal Records is also the label that teamed with Cash Money back in the 90s. As we look back at where Louisiana music was and how it has progressed now, we see that time is filled with change and transition. The Louisiana artists of today all have different sounds, and are affecting the music industry in their own way. Homage is always paid to No Limit and Cash Money for paving the way for these artists to shine today. The legends will never be forgotten as Louisiana continues to make its impact on hip hop today and in the future.