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Grouchy Greg
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Grouchy Greg

I am Grouchy Greg. I founded AllHipHop in 1996. In addition to running the site, I enjoy breaking news stories. My stories have been cited in The LA Times, NY Times, NY Post, TMZ, Yahoo, Billboard, The Associated Press, CNN, and more.

http://staging.allhiphop.com

Cam, Jim Jones & Mase Square Off On Radio

In an interview with Hot 97’s Morning Show staff, Mase, Jim Jones and Cam’ron engaged in a heated debate, with the two Dip Set members questioning Mase’s authenticity. On air, Mase recalled the cause of his split with Cam’ron, with whom he once rapped with. The incident started when Mase claimed he offered to split a $50,000 fee for appearing in Cam’s 1998 hit song “Horse-n-Carriage,” instead of him doing the song for free. Diplomat CEO Jimmy Jones called the show enraged. “I will do it to you duke," Jones said. "I don’t like you. You shouldn’t have came out your mouth. I’ll put some dentures in your mouth. Go back down south with your congregation. Tell the truth. For you to sit there and lie…you are a reverend.” Jones also charged that Mase left the game due to pressures from individuals in Harlem who extorted him. Mase eventually gathered himself and denied the charges that he was forced out of Harlem. Mase explained that he had already purchased land in Atlanta, Georgia and was planning to move. Continuing, he stated, in his slow tone, that after a close friend was stabbed, he headed down south and that it had nothing to do with unsavory characters forcing him to leave. “People grow up, I don’t have time for that,” Mase said. “[During commercial break] I was praying for Jimmy, I love them dudes. It’s just sad when people don’t understand.” Angry like Jones, Cam’ron called in shortly afterwards, questioning Mase’s motives for returning to the rap game. “I’m just not into the lies I’m into the truth and that’s it. The only thing you did was took me to counseling, you broke out on everybody and left. That’s what you do, you did it before and you’re gonna do it again,” Cam stated on air. “I’m not a chump like that. [Mase], tell them how you called me and asked me to do an album last week,” Cam told Mase. “[Diplomats are] gonna make $150 million off the liquor. There aint no money in this rap game. I just do the music because I am nice. I wish you the best, but tell the truth.” Cam’ron even called Mase a fraud and said that he had a tape of one of Mase’s sermons, where he said rap music “is the devil.” “You’re a reverend lying. I was there," Cam said. "You said rap is the devil at your speeches in church. I got it on tape…and [now] you’re rapping [again],” he said. “The reverend is up there lying. I wish you the best of luck, stop lying.” Mase rebutted, calling the rappers thin-skinned. Mase did admit to Cam’ron’s accusations surrounding his statements about rap but said, “When I think about how the people need what I have to say [I changed my view]. It’s just like money. The same money that buys marijuana, buys bibles. Rap is not really of the devil, it’s what people say in it. “I cannot not express the truth because they’re sensitive,” Mase said. “I don’t have any problems with them. Even in the bible when a person knows that you come to say something powerful, they try to discredit your name. One word from God can wipe out years of wrongdoing.” Mase, who said that he was going on the road with Usher to promote his new album, closed his appearance on the Hot 97 show with a prayer: “In the name of the Heavenly Father, I thank you today for forgiving me for all my wrong doing and shortcomings. I thank you for dying on the cross for all of my sins. I am healed, I am delivered and I am rich. Amen.” Incidentally, Mase and Jim Jones will release albums on the same day, August 24.

Lil Kim Trial Delayed, Business Manager Indicted

Kimberly "Lil’ Kim" Jones’ perjury trial was delayed after a judge gave her lawyers more time to review evidence presented by the prosecution. Jones is accused of lying to a grand jury about her knowledge of a daylight shooting in 2001 that occurred in front of Hot 97’s New York offices. Prosecutors objected to the delay, which was moved from November to February 28. On Wednesday, Jones again pleaded not guilty to the charges the government has levied against her. She is free on $500,000 bond and has called the charges baseless. Prosecutors claim the shooting stemmed from a dispute between her and rapper Foxy Brown, who was not present at the scene of the shooting that left one man wounded. Also charged were Jones’ manager Damion Butler, bodyguard Suif Jackson and a friend, Monique Dopwell, who all pleaded innocent. Prosecutors also argued that Lil’ Kim created a conflict of interest when she paid for Dopwell’s lawyer. Additionally, prosecutors indicted Kim’s business manager, Hillary Weston, 32, of destroying records. Weston is free on $50,000 bail. A hearing pertaining to the issue will be held next week.

Exclusive: Big Hutch Speaks On Drug Indictment

Gregory “Big Hutch” Hutchinson a.k.a.Cold 187um from pioneering Hip-Hop group Above the Law has been indicted for conspiracy to traffic almost 1,000 pound of marijuana. Hutchinson turned himself in yesterday, to begin serving an unspecified amount of time for violating federal drug laws. In an exclusive interview with AllHipHop.com before he started serving his time, Hutchinson explained how his simple association with the wrong people landed him in the hands of federal authorities. Hutchinson said that unidentified men he had once been in contact with were arrested by federal agents in a drug sting. The men claimed that Hutchinson had financed their drug operation, a charge he denies. “I knew them through mutual friends,” Hutchinson told AllHipHop.com. “It was a situation where guys who were working with my company and doing their thing. I had knowledge of what was going down, but that’s it. They decided to put me in it and I was hit with a conspiracy charge. That’s just the way it played out. I confess up to my wrong doing. It’s just that you don’t know who your friends are.” According to Hutchinson’s account, an employee of his record label was being monitored by federal agents and that is how he came to the attention of law enforcement. Authorities claim that Hutchinson financed the drug operation and that his label was the recipient of the drug proceeds, a charge the rapper/producer vehemently denied. Hutchinson recently finished his second solo album, Live from the Ghetto on his West World Records and is preparing another album that will be released during his incarceration titled Only God Can Judge Me. "Sometimes we try to help people too much and you can’t really play that anymore," Hutchinson said. "They are putting us legit guys trying to help get guys off the street in a stronghold.” This is not the first time a group member has come under the eye of federal authorities. In February of 2002, group member Anthony “Total K-Oss” Stewart pleaded guilty to drug and child-endangerment charges after police found rock cocaine in his Corona, California apartment. According to court documents, the drugs had a potential street value of $250,000. Above The Law was signed to Eazy E’s Ruthless imprint and in the early 90’s released their ground breaking album, Living Like Hustlers. The album is hailed as one of the groundbreaking releases of the era, due to the involvement of a young producer named Dr. Dre, who helped produced the album with Above The Law. The group was also signed to Suge Knight’s Death Row Records for a period of time.

AHH Stray News: LL Cool J, Loon, Shyne

Bad Boy rapper Loon will appear in Beverly Hills for a September 8 preliminary hearing for an assault case that occurred earlier this year. In February, the rapper allegedly stabbed a security guard when a group of men attempted to forcefully enter the House of Blues in Los Angeles, California during a release party for Lil Jon. Police said that in the ensuing fracas, the security guard was injured. Loon reportedly missed an initial court date on June 3 and a warrant was issued for his arrest. He and his co-defendant William Reyes appeared before a judge soon after. Singer/ rapper Lauryn Hill has reportedly upset organizers at “Rock The Vote,” an initiative backed by MTV. The singer was tapped to perform at a pre-Democratic National Convention in Boston. However, the singer only performed one song, according to a story by the New York Daily News. She played one acoustic song and departed, reports say. According to “Rock The Vote” planners, Hill was supposed to play for a longer, unspecified period of time. LL Cool J has jumped into the 59Fiftyat50 fray and designed his own cap like other Hip-Hoppers before him. LaLa of MTV fame is the most recent cap designer, but others like Cam’ron, Fabolous and Spike Lee have already crafted their own. Cam’ron’s hat was made in his trademark colors pink and purple. Def Jam has reportedly moved up the release date of incarcerated rapper Shyne’s album, Godfather Buried Alive, to August 10 in order deter online piracy and bootlegging. A new single will follow the release of the album. Sean ‘P.Diddy’ Combs has been the victim of a high-end heist. About 7.2 million in jewelry was stolen from his New York office, according to a number of published sources. No suspects have been found at press time, but those close to the situations feel the thief/thieves have access to the mogul. Bad Boy employees have been rumored to be taking polygraph lie detector tests. Method Man is reportedly extremely unhappy with the script and writers behind the “Method & Red” show. The show, which he serves as an executive producer, has been criticized for being stereotypical. Meth however had stated that the show isn’t “ghetto” enough and has gotten writers ousted to redirect the show. “Method & Red,” has seen a decline in viewers since it premiered.

Chuck D., Wordsworth, Medusa Team Up To ‘Slam Bush’

Contrabandit.com has teamed with an organization called Slam Bush and the League of Independent Voters PAC to create a national MC battle and poetry series created to allow the Hip-Hop generation to take a stand against President Bush and help oust him from office. Starting in August, contestants in Slam Bush will compete in regional battles held in key swing states across the country. The winners will move on to the finals in September in Miami, with the aim of taking home the grand prize of $5,000. Chuck D., Wordsworth, Joshua "Fahiym" Ratcliffe and Medusa will serve as the judges of the contest. The final battle that takes place is will coincide with the presidential debate that is slated to take place in late September. "Slam Bush is an opportunity for the Hip-Hop generation to use its own voice to stand up against George W. Bush," organizer Rob "biko" Baker told AllHipHop.com in a statement. "For years Hip-Hop has been an informal political voice, now it’s time to show we can make change at the polls." For more information on how to participate and/or organize an event visit www.slambush.net or contact Robert "biko" Baker at 213-925-1545/biko@contrabandit.com.

Rocksteady Anniversary: Still Steady Rockin’

July 24, 2004: Even when the birthplace tried to shut them down, the Rocksteady Crew managed to hold their annual free concert across the water in Newark, New Jersey. Representatives from the Hip Hop community, ranging from the mainstream down deep into the underground, came to support and honor the roots of Hip Hop. Performances varied from Pumpkinhead to the Beatnuts, as well as the commencement battle of the End of the Weak and of course, the Rocksteady Crew. AHH caught up with several revered Hip Hoppers, and here’s what they had to say about Rocksteady: AllHipHop.Com: After 27 Years, how does Rocksteady represent for Hip Hop today? Wordsworth: Rocksteady definitely means unity. People fly from all around the world to come to Rocksteady. People save up their money just to come here for this one particular day. It should be next to the definition; when people say Hip Hop, Rocksteady should be there. Punchline: …That there still is Hip Hop today. That’s what it represents for everybody that feels that the culture is going to the left or we’re losing touch of the Hip Hop roots. It’s still here annually doing their thing. And it still gives us a floor to go up there and spit and do our thing. Masta Ace: Rocksteady is Hip Hop. When you talk about b-boys and DJ’s and MC’s and graffiti, Rocksteady epitomizes everything that is Hip Hop. Every cat in the crew represents one level or another of Hip Hop and that’s why the event is always a special thing. Pep Love (Hieroglyphics): I think of Hip Hop’s beginnings in the South Bronx and the fact that people said it wouldn’t last this long, but it’s still forever growing and evolving. The roots of Hip Hop are still being represented. I think the reunion basically makes people remember where real Hip Hop came from in the beginning in the streets. The creativity is not from what you see on television and videos. It’s right here in the community. Domino (Hieroglyphics): Rocksteady represents where it all started. They are a piece of history because they were down from the beginning, but they’re a piece of the present as well because they’re always trying to promote all of the essential things that are real in Hip Hop. Even with all the jiggy stuff and the mainstream radio and corporate control of Hip Hop, they’re still pushing the same ideals of Hip Hop that were around 27 years ago and bringing all cultures together to do it. For me, this is the blood. This is the root of what I came from as well so I’ll always be down regardless with the Rocksteady Crew. Hiero came from this. We were 3,000 miles away and it still reached us and influenced us. Casual (Hieroglyphics): Rocksteady represents Hip Hop itself. This is what it’s all about. The true essence of Hip Hop from graff to breakin’ to straight underground MC’s to commercial MC’s. It’s great for Hip Hop. Pumpkinhead: It’s what we need. It’s pure Hip Hop from the root. It’s like, we don’t have anything like this and every year Rocksteady brings this to us so we can enjoy our culture and let our culture flourish. Instead of all the wackness you see on TV and you hear on the radio, Rocksteady is the opposite of that. Rocksteady is the pure form of Hip Hop. Tonedeff: It’s the last bastion of traditional style Hip Hop left in the United States. In terms of festivals, in terms of just the overall event, in terms of b-boying – keeping the tradition alive, it’s the last thing we’ve got. In New York City it’s the last thing we have in terms of traditional Hip Hop. At Summer Jam for Hot 97, the turnout there is huge. Here, we have people who really really love Hip Hop music. They’re not here because it’s on the radio. They just love Hip Hop music and that’s the real difference. PackFM: To me, Rocksteady represents exactly what it says – rock steady -like it’s not stopping. It just shows that the people who started this still care about it and want it to go into the right direction it started. They make sure every year people recognize what real Hip Hop is. Just to keep people aware that it’s a real art form, even when they were shut down by the city. Poison Pen: Without Rocksteady, Hip Hop wouldn’t be what it is. It’s a crying shame how New York City gives them the key to the city and then at the same time kicks them out and we have to go to Jersey. I mean it’s not a far trip, but it’s a disrespect to Hip Hop as a whole. How can you disrespect Hip Hop when it started in NYC and generates millions and millions of dollars worldwide? Rocksteady is the backbone of Hip Hop period. Planet Asia: They’re still keeping it young. Crazy Legs still looks like he’s 18. It’s 2004 and people are still Hip Hoppin’. I don’t think it’s different, the clothes have just changed. Tony Touch: Rocksteady’s reppin’ Hip Hop on an international level. All over the world, we’re still touring. Whether it’s the DJ’s, the b-boys, it’s probably the most vintage Hip Hop crew in existence and that’s what’s up. Real recognizes real and that’s why I’m with the Crew. I’m just honored to be a part of it and a fan before anything; before being a member. Much respect to Crazy Legs and all of the pioneers. Carmelita Sanchez (LA Wake Up Show): Rocksteady represents the Hip Hop family. That’s what I love about Rocksteady. You come out here, you see shorties, grandpas, grandmas, you see everybody. I grew up with Rocksteady and now my kids are growing up with Rocksteady. Respect to our elders, respect to the young ones coming up. I love Rocksteady, because Rocksteady is family. Bonz Malone: We’re still taking on […]

Kimora Lee Simmons Arrested

Kimora Lee Simmons, wife of mogul Russell Simmons was arrested in New Jersey and charged with a series of drug and traffic violations, after she was stopped and marijuana was allegedly found in her vehicle on Sunday (July 25). According to reports, Kimora was driving near her home in Saddle Brook, New Jersey when officers attempted to pull her over. Police allege Kimora made no attempt to stop and did not pull over until she reached her home. Kimora was charged with eluding a police officer, possessing marijuana, careless driving, operating a vehicle while possessing a controlled substance, tail-gating and having a taillight out. She and her clique charge that she was a victim of excessive force as well, as she claims to have bruises on her wrists. Hip-Hop tycoon Russell Simmons, Kimora’s spouse, said the arrest and subsequent “abuse” shocked him. Simmons said that his wife may have also been the victim of racial profiling. “When my wife noticed the police were behind her, she put on her hazard lights and drove a short distance because there was no shoulder on the road,” Russell told AllHipHop.com. “She drove to her home where the entire illegal search and abuse was filmed by our home security cameras. The first question they asked was ‘is Russell home?’” Similarly, Kimora’s attorney accused the police of illegally searching the car and also stated that any unlawful drugs in the automobile belonged to an unidentified passenger. Furthermore, her attorney also said that her arrest was another example of police targeting prominent members of the Hip-Hop community. “We’ve had a great relationship with the police chief and most of the Saddle River Police Department,” Russell told AllHipHop.com. “The arresting officer was one we don’t know. I guess we enjoy a privileged life in that community, but my guess is that other people of color who drive through are not afforded the luxury we have. I am always looking for new material for my new show on Court TV, but I didn’t think my family would be candidates to be featured on it.” In related news, Baby Phat Fashions, the company headed by Kimora, recently dropped a new extravagant shoe called the Diva Sneakers, which is designed to motivate inspire young women.

True Story

Artist: Terror SquadTitle: True StoryRating: 4 StarsReviewed by: Martin A. Berrios History will tell you that keeping a Rap crew together is a tough undertaking, and no one understands this better than Fat Joe. With the release of their first project Terror Squad: The Album five years ago, the click had a formidable line up and the momentum to take them to the next level. Following the unfortunate passing of the late great Big Pun, Terror Squad began to disband. Cuban Link bounced and Triple Seis soon followed, leaving Joe to regroup. The squad is now Fat Joe, Remy Ma, Armageddon, Prospect and singer Tony Sunshine. The Bronx collective is back; focused and re-polished. True Story instantly gives you flashbacks of Rap during the early 90’s with its concise album structure. Featuring only twelve tracks and no skits, the margin of error is slimmed down. Lyrically the crew steps up their game to make up for the loss of their departed members. Joe sets the tone on the introductory “Nothing’s Gonna Stop Me.” Crack flows smoothly over the dark DJ Khaled production with ease. The intensity is quickly cranked up on “Yeah Yeah Yeah.” Joe and the newly crowned Queen of New York Remy Ma trade fiery verses on a horn flavored Scram Jones banger. Their chemistry reaches an apex on “Lean Back”, undeniably the summer anthem of 2004. True Hip-Hop heads will also appreciate the resurrection of BIG L and Big Pun’s voices on the appropriately named “Bring Em’ Back”. The two legends sound like they never left on the bass filled Lord Finesse track. Additional highlights include the crew’s LL Cool J influenced “Take Me Home” (Peep the “Going Back To Cali” delivery) and Fat Joe’s Jay-Z slight on “Yes Them To Def.” (I hear a couple of you rappers wanna retire/such liars.) In regards to the production, the album’s sound can be generic at times due to the lack of originality. The heavy usage of the sped up soul samples found on five tracks, could disappoint some that have grown weary of the fad. Furthermore, Cool & Dre’s production on “Let Them Things Go” is a blatant attempt at a Neptunes hit. The Pharrel influenced hook provided by Dre’ makes the biting even more flagrant. Other featured producers included are DITC associate Buckwild (“Pass Away”) and newcomer LV (“Thunder In The Air”). With any crew album, some members will always get more shine on the microphone than others. Fat Joe and Remy Ma efficiently carry most of the weight, while the very underrated Prospect, the gruff voiced Armageddon and crooner Tony Sunshine are only featured on two or three songs respectively. Even though the group chemistry is not as tight as it should be, True Story still bangs. The borough that mothered this Rap ish hasn’t been repped correctly as of late so Bronx, stand up.

Banks & Buck: Pop & Politics Pt. 1

Over fifteen years ago, rap deity Dr. Dre helped birth N.W.A., one of the most radically active groups of all time. The Compton-based collective was armed with “street knowledge” and so are their descendents Young Buck and Lloyd of 50 Cent’s G-Unit. N.W.A. and G-Unit’s intellect manifests itself in different ways, but don’t assume these emerging gangstas rappers don’t grasp the world they live in. And the pair talked about this strange reality that never seems to resonate in the jovial alternate universe portrayed on your typical Hip-Hop song. AllHipHop.com: Lloyd, let me ask you this? How old are you now? Lloyd Banks: 22. AllHipHop.com: You and Buck both fall into the whole war and the government seems to be thinking about bringing the draft back. Do you have any views about going to war personally? Lloyd Banks: As far as the war goes, like, it was a different war going on where I come from. So it was really hard, for me to really, like…I had knowledge of certain things. But there was the things that I had no choice to see. Things that was in my face with no choice, like the Twin Towers falling and things like that. Certain things I had knowledge of. Young Buck: I’m not going [to war], straight up. You can put me in jail, forget it. That’s just me. I feel like it’s a war going on everyday [in the street]. A constant war. I lost my best friend and a few other friends last year. That’s the war that I’m concerned about. If I can change my n***as, their lifestyle, that’s a war in itself. AllHipHop.com: That’s a little different than Iraq though. Do you have any opinions on the war in Iraq? Young Buck: Yeah, I think it’s bulls**t. I think we really fighting over dope and we going over there taking them people’s oil. If dude [George Bush] get into office this year, we might not be here again to be all the way real with the you. AllHipHop.com: I was talking to friends about G-Unit as a strong force in hip-hop and we were asking what if G-Unit suddenly flipped the script and was talking heavy politics in their rhymes? Young Buck: You getting that from me, man. You gonna get that from me right now, out of this album. My inspiration was the ‘Pac era. I’m 23 years old and I could tell you about all the s**t where I heard the Kool Moe Dee’s and the D-Nice’s, I could hear it, but I didn’t know what it was. I didn’t understand the music. Pac had me on that politic s**t. You realize some of the s**t that he touched on is s**t that is going on right now today. To me he was a prophet, because he telling you what’s going on right now. We all should just start reading up on politics and paying attention. Lloyd Banks: If we got political, we’d probably be assassinated. And that’s just being real with you. The message that dead prez puts out there is real strong. Also, they’re not able to get out there in the mass because of the message. Think about what Tupac was saying. The things he was saying is like whoa. It’s a difference if you got Tupac saying it and you got… Afroman saying it. If Afroman says F the police, the police probably would laugh at that. If you got 2Pac saying f**k the police, then it’s like… “f**k the police!” And that could really be enough to make somebody go out and feel that way in their day to day. That’s what it is. I have no intentions of being political. My thing is bettering myself and things for my moms and my brother and everyone else is straight. And then I’ll start thinking about everyone else’s problems. AllHipHop.com: Buck, I’m sure you’re from a real hot bed of political turmoil. You’ve got the Bible Belt and the unfed mouths in the ghetto. What’s life like in Tennessee? Because a lot of people don’t know anything about it, especially on the east side. Young Buck: You know what? I think that the first thing that come to a city n*gga mind or anybody mind when you say Nashville, Tennessee, is Country music or something Country. But when you get there you realize the Hip-Hop scene overshadows all that sh*t. Period. Point blank. And everything else, it’s like we popping just as much as any other big city would be. We really popping harder than a lot of big cities, you understand? Representing that is real important to the kid. I really wanted to make my album like a Down South [mixed with] everything else, you feel me? I feel like we covering everything with Banks, 50 and Yayo from the East. Now Game with the West, so representing that South is really important. I worked with a few producers from the South like Lil Jon, DJ Paul, to add that true dirty sound. You’ll probably get more Southern features out of this record than you will any G-Unit record. I got Lil Flip, David Banner, Stat Quo, a cat I’m bringing to the table from my city, another Young Buck, his name is D-Tay, T.I., Ludacris, as well as everybody in the family, in the G-Unit, and Snoop and DPG. So you get a lot of features in this record, but you get a lot of Buck. I know it be a lot of albums where it’s a lot of features and damn near the features make the record. So I really stretched my s**t out so they could feel me and they feel them, too.

De La Soul Signs With Sanctuary, Prep New CD

De La Soul is set to release their eighth album, The Grind Date, with a high-end signing to the Matthew Knowles-headed Sanctuary Urban Records Group. The album is slated for release on September 28. De La Soul member Pos said that Knowles was attracted to De La because of their proven durability, consistency and their built-in fan base. “We have shown a steady pace of longevity. Nowadays, people are so quick to want to blow up, but they burn themselves out very quickly instead of moving slow and steady. I’d like to think that De La Soul is like incense that’s burning slow and even by the time it’s fizzed out, it’s left a great aroma,” Pos stated. DJ Mace said that the album’s title is indicative of their mantra after 15 years in the rap game and the industry’s mentality overall. “To get to the point of releasing this new album it’s been a grind, but as a group we have never stopped working,” Mace said. “Over the past three years we have been busy traveling the world taking hip hop to places like Prague, Ireland, and Poland, as well as continuing to play in the mainstays such as London and the U.S.” The Grind Date features a cornucopia of guest appearances like filmmaker Spike Lee, Bonz Malone, crooner Carl Thomas, Common, MF Doom, Sean Paul, Ghostface Killah. Production is being handled by JayDee of Slum Village fame, Dave West, Madlib, and Jake1. Additionally, for those that thought De La was dormant, Maceo revealed that the group had a few extraordinary dealings slightly outside of Hip-Hop’s conventional boundaries. He said, “We have also been busy designing a new limited edition shoe with Nike called the ‘De La Dunk’ that is due to arrive in stores in the fall, and we are gearing up to teach a class a NYU (New York University) this fall on Hip-Hop, as well as working on our new album.” Furthermore, the new deal with SURG also coincides with the group’s new record label, AOI Records. Knowles, who is also Beyonce’s father, said that he was thrilled at the reality of joining forces with such a mainstay in Hip-Hop. “Hip Hop’s dominance in the marketplace is sprinkled with a handful of creative, envelope-pushing artists, and De La Soul is one of them. I am happy to begin our foray into the Hip-Hop industry with veterans such as De La Soul…we are going to be very successful together,” Knowles said. Concluding, Dave (aka Trugoy) concluded,” The most important thing to us is respect. We’ve never compromised ourselves or our artistic point of view and we, as people are just everyday people. You are never going to see us doing anything other that what we do. Being Dave, Pos, or Mace.”

One Day Everything Changed

Artist: Wale OyejideTitle: One Day Everything ChangedRating: 4 StarsReviewed by: Paine Wale Oyejide is the real name of the artist formerly known as Science Fiction. Last year his spring release of Walls Don’t Exist, made for a fabulous album. Rich musical texture with strong emotion proved it a true jumping off point for Radiohead and Nirvana fans to find their way into a new breed of instrumental Hip-Hop Wale coined as “broken Jazz.” A short EP followed, with a remix featuring one of MF DOOM’s finest verses in fifteen years, and the hardcore Hip-Hop also turned to look to Wale’s art. Now, a year and a half later, the update and next chapter in Wale’s musical commentary on life comes with a title reflecting perhaps a new emotional side. <br? A native Nigerian, this album almost immediately reveals that nationalist sense in Wale’s work. The percussion and complex rhythms found in this album dabble with Afro-Beat, and simply reek of a nativity that few other producers can add to their work. “There’s a War Going On”, featuring one of Jay Dee’s finest appearances in ages, has an outstanding commentary on wars in general, and perhaps on modern American society. The singing-which Wale did a little of on his debut-is outstanding. The Roots and Djinji Brown fans need to check this out. Other messages and issues are addressed such as “Third World Anthem” which not only represents Africa to the fullest, but features uplifting female singing that projects the kind of positive spirit of classic Reggae and Dub. A stronger Rock stance is tucked in places like, “Damn James.” If the tempo were slower, this gem could easily be classified to many as Funk. However if the tempo dropped, it wouldn’t be Wale. “This is Dedicated To” reunites Wale and DOOM. The effort serves as a fabulous follow-up, with DOOM’s verse dedicated to KMD partner and brother, Subroc. Also look for a fabulous singing effort from Wale. The only moments where the music grows uncertain are places like, “Give It Up” which is a bit awkward song of seduction, that’s very improvisational sounding. Not to be overlooked are the hidden remixes on the album, from Jay Dee on the beat. Musically, Wale’s taken broad steps in honing his broken Jazz sound. Wale doesn’t hesitate to update parts of an older track too. “Ever After (Part 2)” adds some strut to the very vulnerability that Wale revealed on the last album. A much funkier drum arrangement and organ accents bring this update to life. The title track even uses the same percussion Quik used Truth Hurts’ “Addictive” single, to create a much more obvious Hip-Hop sensibility. The singing that glides through the tracks from Wale reflects much stronger devotion to the culture, while still using altered mediums of Soul, Rock, and Funk. Clubbers and lovers should have no problem putting the rhythms and hooks of this album to use. Roy Ayers will be proud when he hears this. While Walls Don’t Exist was at times a dark, bitter, record of strong release and avenging spirit, this is not. It’s almost as if Wale has climbed to the top of the mountain to tell others how to overcome. From his issues of unity and celebration, to his stance on war and loss, this is an evolved man and a sound taken with him. “Wasting Time” and “Ibadan Sunrise” also reveal a sense of rejoice and pleasure with life that conventional Hip-Hop seems to lack all too often right now. “One Day Everything Changed” has a mature sensibility that makes it appealing to many age groups, many attitudes, and many spirits. This is a Hip-Hop album for the spirit, and ill at that.

Jay-Z, Outkast, Kanye West MTV’s Top Nominees

Jay-Z, Outkast, Black Eyed Peas, Kanye West and Missy Elliot were all nominated for multiple awards at the 2004 MTV Video Music Awards. The awards show is being held in Miami, Florida, the first time the event has been held in a city outside of New York or Los Angeles. Jay-Z led the pack with a total of six nominations for his video “99 Problems.” Outkast, Usher, Beyonce and No Doubt earned five nominations each, Kanye West earned four for “All Falls Down,” Black Eyed Peas scored three nominations and Missy Elliot earned two. D-12, 50 Cent, Ludacris, Nelly, Twista and Chingy were also nominated for awards. It was also announced that Kanye West and Usher have been added today to perform during the annual awards ceremony. "We’ve brought in the heavy hitters," said Van Toffler, President, MTV & MTV2. "These artists put on incredible live shows, which combined with the heat of Miami, some surprise collaborations, and a stage like no other seen on television will make for an unforgettable night." The 2004 MTV Video Music Awards take place at Miami’s American Airlines Arena on August 29 and will be broadcast live at 8 p.m. EST.

Africa Bambaataa Protests Kool Mixx Championships

A group of protesters that included Hip-Hop legend Africa Bambaataa boycotted the Kool Mixx DJ Championship in Chicago on Saturday (July 24). The majority of states that make up the United States of America have filed lawsuits against Brown & Williamson, makers of the Kool brand of cigarettes. Attorney Generals in various states including Illinois claim that Brown & Williamson violated a 1998 billion dollar settlement agreement between the U.S. and cigarette makers to stop targeting potential underage smokers. "Your body is your first temple, your first mosque, your first church," Bambaataa said in front of the Vic Theatre. "We’ve got to respect what goes in our bodies." The competition has gone on for six years, but this is the first year that the Kool cigarettes came in packages featuring brown-skinned people. That bolsters claims that Brown & Williamson are marketing the cigarettes to African-American and Hispanic youth. Brown & Williamson said the packaging was a mistake and discontinued the line. In an affidavit accompanying a lawsuit filed against Brown & Williamson in Baltimore, Maryland, a professor at the University of Southern California labeled Brown & Williamson’s Kool campaign effective marketing to a select group of people. “Hip-Hop is one of the music genres most preferred by the youth culture, and the popularity of this genre declines as the age group increases," Kamins said. "As a result, linking one’s marketing strategy to Hip-Hop is an extremely effective approach if a company wishes to sell its product to youth." Another professor, Richard Daynard of Northeastern University, labeled Brown & Williamson “particularly reckless.” A spokesman for Brown & Williamson defended the marketing campaign, claiming Hip-Hop was popular in the 25-34 demographic. The spokesman also said magazine advertisements are only included in publications sent to adult subscribers. "When we say it is brand merchandise, they say it is not,” Marlene Trestmen, special assistant to Baltimore’s attorney general relating to tobacco issues told the Baltimore Sun. "When we say it is youth-targeting, they say they did not. To have any certainty in the state of Maryland, we were really left with no choice but to proceed with this enforcement action."

AHH Stray News: Fat Joe, Andre 3000, Black August

Today, a scheduled appearance by Fat Joe’s Terror Squad was suddenly cancelled by the South Street Seaport in New York City. The venue gave no reason for the cancellation, which was supposed to take place on TS’s Tuesday release date (July 27). Even though no reason was sited, Fat Joe said that it based on unfounded fear of violence on the part of the city. He charged that organizers had enormous levels of insurance to comfort the South Street Seaport. Nevertheless, those in Philly can check out the “Exclusive Lean Back Party” at club Transit on Thursday, July 29 with appearances from Fat Joe and Terror Squad. Viktor Vaughn, alter personality of super-villain MF Doom is set to drop a new CD entitled Venomous Villain set for release August 3 from Insomniac Music. It features cutting edge production from a number of notable beat makers and appearances from various artists including Kool Keith. Producer Iz-Real describes the album “progressively thugged-out, new era rap.” Reebok International announced a drop in second-quarter earnings by 15%, despite being linked to rappers like 50 Cent Jay-Z and others. Hip-Hop related apparel saw and incredible sales leap, as high as a reported 350 percent according to published reports. Reebok will hope to add the Hip-Hop related income by launching a line of footwear with Pharrell Williams of The Neptunes. Organizers recently announced the 7th annual Black August Celebration with Talib Kweli and Common headlining. The event will take place at B.B. Kings Bar and Grill in New York for the benefit concert™. The event is described as a “celebration of Hip Hop,” which aids political prisoners. Black August 04 will also feature the talents of Jean Grae, Flo Brown, Saigon and others. M1 of dead prez will host the event. Organizers promise that there will be other special appearances. Previous Black August alumni include Erykah Badu, Fat Joe, Mos Def, The Roots, Goapele, Keith Murray, dead prez and many others. Andre 3000 of OutKast is using his knack for shocking people to good use in a new ad campaign to encourage voting. Famed photographer Dave LaChapelle shot the ATLien with a tie shoved in his mouth symbolizing silence. His ad is a part of the “Only You Can Silence Yourself” voting movement and it also features others like Christina Aguillera, who is featured with her mouth “stitched” shut.

Ja Rule Facing Assault Charges

Ja Rule surrendered to a Toronto court this morning to face assault charges, stemming from an altercation at a nightclub. Police refused to release details on the incident, which took place June 5 at Tornoto’s La Rouge nightclub. They did say the multi-platinum rapper was charged with assault causing bodily harm. On July 1, Ja Rule ran afoul of the law when he was pulled over for driving erratically in Manhattan. A search of his Mercedes Benz revealed a small amount of Marijuana. He was arrested due to an outstanding warrant from 1996 for resisting arrest, fined $100 dollars and released. The marijuana charges were later dropped.

Lil’ Mo Signs with Cash Money

Cash Money has further bolstered their R&B repertoire with the signing of R&B songstress Lil’ Mo. Sighting a lack of support from her former label, the defunct Elektra Records, the New York native said she intends to refocus her musical career. Lil Mo’ joins the legendary Teena Marie as another leg to the R&B component of the largely Hip-Hop label and according to unnamed sources, may release the first single “Hot Girls,” which features rapper Fabolous. Her Cash Money debut is tentatively titled Syndicated: The Lil’ Mo Hour is scheduled for an early 2005 release. The 27-year-old R&B veteran is best known for her two gold selling albums, “Based On A True Story,” and the highly touted “Meet The Girl Next Door.” She has also lent her vocal talents to a plethora of popular artists, such as Keith Sweat, BLACKStreet, Missy Elliot, Next, and Joe Budden.

Country Star Tim McGraw Uses Rapper In 2004 Tour

Hip-Hop music has been meshed with almost every musical genre. Country music star Tim McGraw is breaking ground and incorporating the art form into his live stage show. McGraw’s 2004 tour is being hailed as a milestone event due to the inclusion of an African-American rapper named Cowboy Troy, who rhymes during McGraw’s set. Troy, who is 6’5 and 260 pounds, performs with McGraw on the song “She’s My Kind of Rain” complete in cowboy hat, boots jeans and a large belt buckle. “CTB” is no stranger to rapping. He started his career in 1989 and honed his rhyming skills in bars around the Dallas, Texas area before heading for the bright lights of Country music capital, Nashville, Tennessee. He has released three independent albums, Hick-Hop Hysteria (2001), Beginner’s Luck (2002) and Vintage (2003). “One day in the future, people might point to the current Tim McGraw tour as the start of something big,” music critic Jim Harrington wrote. “I’m not talking about McGraw’s career. That’s already plenty big enough. I mean the mainstreaming of a new musical trend: hip-hop country. In five years, if not sooner, when rap mingles as easily with country as it now does with rock, scholars will see McGraw’s 2004 tour as a milestone event.” And despite purists’ objections to the mixing of the two art forms, the crowd that attended McGraw’s show at the Shoreline Amphitheatre in Mountain View, California embraced the concept. “I’m a country girl and my husband is more rap and rock,” Brianne Critchley told the Alameda Times Star. “But I really liked it.”

Papoose: Focused Lyrically

It’s commonly understood that first impressions are of the utmost importance. This old adage can easily be applied to new MCs hoping to make names for themselves in this fickle rap climate. Coming with simple punchlines and on-beat freestyles are a thing of the past, especially after hearing ‘Alphabetical Slaughter” by Brooklyn resident Papoose. Running through the entire alphabet, Papoose incinerates the track by spitting bars with each word beginning with the respective letter being yelled out. The track, which appears on DJ Kay Slay’s latest album, The Streetsweeper Vol. 2: The Pain From The Game, is surrounding Papoose with high levels of buzz and anticipation, with listeners awaiting his next lyrical innovation. What many don’t know about this confident lyricist is that he has been putting in work for years, populating the New York City mixtape scene with freestyles while forming alliances with heavyweights such as Kool G Rap. Years of focus seem to finally be paying off for Papoose in 2004, with Kay Slay making him the premier artist for his Street Sweepers Entertainment, and a debut album in the works. Record execs better wake up, because Papoose is an amazing talent just waiting for the right platform to distribute his rich lyrics to the masses. Allhiphop: Explain who Papoose is, and what you’re bringing to the game? Papoose: Well, basically man, just to be straightforward, Papoose is a lyricist. A lyricist straight out of Bed Stuy, Brooklyn. I’m from the streets, it goes without sayin’. I represent hip-hop. Straight up lyricist. Allhiphop: What does the name Papoose mean exactly? Papoose: Actually, the word “papoose” is Indian, and means an Indian baby. When they refer to their babies, the Indians will say “papoose.” My grandmother gave me that name as a child. She used to say that I resembled an Indian baby, and the name just stuck with me throughout my whole life. Allhiphop: Yourself being a straight lyricist, who are some of the lyricists that you look up and that have influenced your style? Papoose: Kool G Rap, Big Daddy Kane. All the old school cats. Rakim, Notorious B.I.G., you know, I came up listening to the greats. Allhiphop: Speaking of Kool G Rap, how did you connect with him in the past when he put you on his Roots Of Evil album? Papoose: G Rap had heard some of the stuff that I was putting out at the time. Back then, I was in the streets all the time, doing the battle thing and all that. He heard some of my material, and someone I knew that knew him reached out to him. He got me in the studio, and was like, “Yo, I want you on my album.” Allhiphop: You still keep in contact with G Rap? Papoose: Yeah, yeah. He just reached out to me not too long ago, actually. I’ve been so busy that I haven’t hit him back yet, but definitely much love to G Rap. Allhiphop: Now let’s talk about “Alphabetical Slaughter.” That song is a crazy concept that you definitely flipped nicely. Is it true that you actually had that song done back in 1999? Papoose: Yeah, I had that s### done awhile back. Honestly, I started working on it back in like 1994, 1995. Just running around in the streets and rhyming. I used to spit it from A to C, because I had started on it but never really finished it. I used to air cats out with that, just from A to C. As time went on, I decided to wrap that s### up and take the time to finish it. I had it done, you right, probably about 1999, with it completed from A to Z. Allhiphop: What made you come up with that concept, because it’s really something creative that has never been attempted before? Papoose: Coming up with that concept came from just hearing people doing the same thing all of the time. I said, “You know what? I’m gonna do something different.” Took some time out, put my mind to it, and that s### made history. Nobody ever did it like that. I wanted to do it to the fullest. Allhiphop: How did it feel when the Kay Slay album dropped, and you had your own track alongside people like 50 Cent, Eminem, Ghostface, and Scarface. Not featured on a track, your OWN track? Papoose: That was a hell of a privilege. Growing up loving hip-hop, watching it and listening to it and now actually being a part of it is amazing. I want to go way further with it now. Allhiphop: So what is your goal with rap music? Papoose: My goal is to make history. To go down in history as one of the greatest of all time. Allhiphop: Do you think that being a new artist and coming out of the gate with a song like “Alphabetical Slaughter” will make people hold you to a much higher lyrical standard than the rest of these new MCs? Papoose: Yeah, definitely, and I’m not going to let them down. I know people will expect a lot, especially when you hear somebody go from A to Z with such vocabulary like I used. I’m not gonna let them down. That’s what I do all day. Allhiphop: Explain how you linked up with DJ Kay Slay. Papoose: I’ve been on the grind for years. I got on my grind even harder at one point, and pressed my own CD. I brought it to Kay Slay, and him and me went back and forth with words. You know, cats run up on him all the time with their CDs. He listened to my s### and felt it. I’m just a regular kid in the hood, and my phone rings one day and it’s Kay Slay. He told to come down to the studio, and from there everything else is history. Allhiphop: What’s going on with you and Street Sweepers Entertainment? Papoose: Yeah, Street Sweepers Entertainment […]

Just Blaze Joins Scion In Search For Talent

New car company Scion is offering upcoming rap artists or musicians an opportunity to help realize their dream, by offering a chance to win a $50,000 marketing deal. The promotional deal is one that includes three industry heavyweights judging the work of the 10 finalists. TVT executive Bryan Leach, radio personality Eric Cubiche and producer Just Blaze are the judges scouting for talent. “This is one of the few opportunities for aspiring artists from all over to have their music listened to and judged by the people who are actually doing it, without it being hokey or turned into some dramatized ploy for ratings,” Just Blaze told AllHipHop.com. The winner of the contest will receive a fully produced music video and live performances at Scion’s monthly Hip-Hop events, which take place in various cities across the United States. If it’s hot it’s hot and if it’s not… Next,” Just Blaze exclaimed. “No crying artists, no beef, no walking for cheese cake, just music.” Entries to the contest must be submitted by August 2, 2004. For more information on the contest, visit http://www.scionnextup.com or email chuck@runllc.com.

C-Murder Indicted On 2001 Attempted Murder Charges

A Baton Rouge, Louisiana grand jury has indicted Corey "C-Murder" Miller on attempted second-degree murder charges, stemming from an incident in at a local New Orleans nightclub three years ago. The incident occurred in August of 2001 when the owner of Club Raggs refused to allow the platinum selling rapper into the establishment without a proper search. The incident allegedly sent Miller into a violent rage and he drew his pistol in an attempt to shoot the owner in the back. When the gun jammed, Miller allegedly fixed it and fired a shot in the floor. He allegedly attempted to fire a second shot and when the gun malfunctioned again, he fled the scene in a 2001 Ford Excursion. Miller faces a 50-year sentence if convicted of the second-degree attempted murder charges. Prosecutors refused to answer why it took almost three years to bring the case to the grand jury. Miller is already awaiting a second murder trial in Jefferson Parish. He was found guilty of shooting a 16-year-old to death inside of a now defunct nightclub. The mandatory life sentence was never imposed because the D.A. withheld evidence and expunged the criminal records of prosecution witnesses. A second trial is set for September 13, 2004.