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Grouchy Greg
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Grouchy Greg

I am Grouchy Greg. I founded AllHipHop in 1996. In addition to running the site, I enjoy breaking news stories. My stories have been cited in The LA Times, NY Times, NY Post, TMZ, Yahoo, Billboard, The Associated Press, CNN, and more.

http://staging.allhiphop.com

P. Diddy Takes Top Honor At Fashion Awards

Sean "P. Diddy" Combs’ Sean John clothing line landed him the prestigious Menswear Designer of the Year award, a first for an African-American in the world of fashion. The award was bestowed by the Council of Fashion Designers of America on Monday, June 7 at the New York Public Library. Combs beat out such fashion luminaries as Ralph Lauren and Michael Kors to take top honors. "I’m overwhelmed and humbled by the recognition the CFDA has given me," Combs said. "This award is especially meaningful because I am the first African-American ever to win it. This sends a signal to kids all over America…they too can be a successful fashion designer regardless of their race." "Every year I go, and every year I lose," said an excited Combs, who has been nominated four times in the past. ”I’m very happy.” Combs, sporting a white tuxedo jacket, playfully danced his way to the podium to accept his award. He said he was living the American dream, recalling a time when he saved his pennies to buy a Ralph Lauren Polo shirt. The CFDA awards show was opened by American Idol phenomenon Fantasia Barrino, who sang "New York State of Mind." "This year’s CFDA Fashion Awards are a testament to the artistry and vitality of the city of New York and the entire American fashion industry," said Peter Arnold, Executive Director of the Council of Fashion Designers of America. The awards show was attended by Ralph Lauren, Donald Trump, Alek Wek, Heidi Klum, Russell Simmons, Jay-Z, Donna Karan, Beyonce, Eve, Jill Hennessy and others.

Ray Charles, The Genius, Dead At 73

Pioneering African-American Icon Ray Charles passed away today at the age of 73 due to complications from liver disease. The 12 time Grammy Award winner passed away today at his home in Beverly Hills, California. Charles was diagnosed with liver disease last year after receiving hip-replacement surgery. On April 30, Charles made his last public appearance when his Los Angeles recording studio was designated a historic landmark. Charles was born Ray Charles Robinson in 1930 in Albany, Georgia. He lost his sight around the age of seven years due to congenital juvenile glaucoma. After several years attending a Florida state school for the deaf and blind, Charles headed to Seattle, Washington in 1948, where he dropped Robinson as a surname to avoid confusion with boxing great "Sugar" Ray Robinson and formed the McSon Trio. The group hit big in 1949 with "Confession Blues," on the Downbeat/Swingtime label, but due to a label error, the group’s name was listed on various records as the Maxine Trio or the Maxim Trio. By 1952, Atlantic Records, founded in 1947 by Ahmet Ertegun, was riding high on the strength of hits provided by Stick McGhee, Professor Longhair, Big Joe Turner, Ruth Brown, the Clovers and the first set of Drifters. Atlantic bought Charles’ contract from the Swingtime label for $2500 and soon hit big with "It Should Have Been Me" and "I Got a Woman," which showcased the beginnings of his future trademark sound. "Music was one of my parts… Like my blood," Charles said. "It was a force already with me when I arrived on the scene. It was a necessity for me – like food or water." That love took him to the Pop charts when he sought greener pastures and left Atlantic for ABC-Paramount Records in late 1959. ABC offered him a producer’s royalty and the ultimate ownership of his master tapes, a deal which Atlantic refused to match. Despite an addiction to heroin that started in the 1940’s and almost consumed him, Charles cranked out three number 1 pop hits between 1960 and 1962. "Georgia on My Mind" (’60), "Hit the Road Jack" (’61) and "I Can’t Stop Loving You" (’62) were all smash singles. Critics aside, Charles produced the Modern Sounds in Country and Western which yielded the smash singles "I Can’t Stop Loving You" and the haunting "You Don’t Know Me." Charles insisted Country & Western music was just as much a part of his musical heritage as Blues and Gospel. To prove his diversity, he released instrumental jazz albums like The Great Ray Charles and Genius + Soul = Jazz as well as traditional American standards. In 1973, Charles left ABC with his master recordings and started a new label, Crossover. Throughout the 80’s and 90’s Charles jumped from major label to major label until he had a major Country hit with "Born To Love Me" in 1982. Charles had his first major pop hit in over twenty years with 1989’s "I’ll Be Good to You," featuring Chaka Khan. The impact he had on several genres of music is undeniable. Charles is a member of the Georgia Music Hall of Fame, the Rock and Roll Hall of Fame and was awarded the National Medal of Arts, as well as a Lifetime Achievement Award from the Songwriters Hall of Fame Charles had recently completed Genius Loves Company, an album of duets featuring Willie Nelson, BB King, Norah Jones, Johnny Mathis, Bonnie Raitt and Gladys Knight.

Organized Konfusion Reunion Off

It was projected to be a monumentus return. Prince Po, Pharoahe Monche, and newly added member O.C. had planned to re-introduce Organized Konfusion. Buckwild, Large Professor, and DJ Premier were all rumored to be on the boards. Even AllHipHop.com was excited enough to make this album one of the Top 5 for 2004. But after speaking to Organized Konfusion member Prince Po over the weekend, all hopes are lost. "I’m not going to feed into that Organized s**t anymore," Prince Po told AllHipHop.com. "I feel I have a responsibility to my true fans to just keep making good music. [As] far as Pharoahe and O.C., they’re doing things and I wish them the best. O.C. always had some hidden problem with me and he has to face those demons that make him so angry at a person who put him on his first record. I met O.C. through Monch and I only tried to do positive things for him. I don’t owe him s**t and God knows everything I did for and with him was an act of loyalty and good faith. But he’s out for self and I’m good with that." But despite the disputes concerning added third member O.C., Prince Po seemed to have a softer regard for his partner of fifteen years. Prince Po added affirmation to the rumors of Pharoahe signing with Shady Records. "I really hope all goes well with Pharoahe and Shady," Po confessed. "I love Pharoahe because I seen him evolve from a beat boxer to an MC, damn near over night. He’s one of my favorite MC’s. He has an old soul that’s funky. See, it’s becoming too much of a political thing to make this Organized thing happen and it takes the fun out of making the actual music. Many fans await that album and it’s a blessing to have people demanding your material, but I think it’s a slap in the face of fans when you complicate the process of making music with all these petty demands, requirements and excuses." Prince Po has redirected his energies towards his solo album, The Slickness on the independent Lex Records. That album drops this month with appearances from Raekwon, Rell, and MF DOOM. Production is being handled by Madlib, J-Zone and Jemini. Next month, Po’s label, Nasty Habits will launch with the release of an untitled compilation.

Judge Rules In Favor Of Eminem In Source Copyright Case

On Tuesday, a judge ruled that The Source magazine failed to comply with a copyright order during their feud over controversial lyrics Eminem recorded years ago. Federal Judge Gerard E. Lynch said Source Enterprises violated an injunction to halt the publishing of the controversial lyrics when they posted them on their website. A small amount of damages were awarded to Shady Records, while the Source’s counterclaim was dismissed. In his decision, Lynch said The Source could damage Eminem’s credibility by publishing the lyrics, which the magazine defended as a journalistic expose. "Mathers is the most prominent of the handful of white Hip-Hop artists who have been artistically or commercially successful," Judge Lynch wrote. "Like other white musicians who have been successful in musical genres or forms pioneered by Africans or African-Americans, from Benny Goodman to Elvis Presley to Paul Simon, Mathers has been accused of exploiting black culture; he in turn has asserted his respect for his black role models and peers, and has maintained that he comes by his Hip-Hop success honestly, as a young man from a poor urban background who has long been associated with African-American friends, neighbors and mentors." While the ruling could be viewed as a set back for The Source, the magazine still has a larger case open verse Eminem, who’s label, Shady Records called the publishing of the recording and lyrics copyright infringement. That case is still being litigated. The judge almost viewed the publishing of Eminem’s lyrics as a deliberate attempt to disregard the injunction, stating "the degree of acrimony and lawyerly zeal in this litigation makes it inconceivable that Source was unaware that Shady would be vigorously monitoring its compliance with the order." In December, Lynch ruled The Source could release up to :20 seconds of the CD and stated that the usage of the snippets fall into fair use of copyrighted materials with the intent to criticize. Lawyers for The Source maintained they had the right to publish the material and to inform the public about the controversial recording, which features Eminem using the N word and making degrading remarks about African-American women.

Mario Van Peebles: Til Revolution

From his directorial debut in “New Jack City” to his latest role as the ultimate Badasss, actor/writer/director and producer Mario Van Peebles has portrayed many facets of Black life through his diverse characters. From street hustlers to cops and even grappling in the wild Wild West, Van Peebles never measured his success through the box office numbers. His gratification came simply from being a player in the game. His focus emerged at a young age. He got his fervor because his father began thugging Hollywood long before any of todays’ new jack’s were even a flicker in tinsel town. Melvin Van Peebles was a veteran filmmaker who wasn’t trying to hear what Hollywood had to say. In 1971, he independently crafted “Sweet Sweetback’s Baadasssss Song,” a rebellious film that jumpstarted the blaxploitaion era. In the current movie “Baadassss,” the younger Van Peebles recreates his revolutionary father’s journey to the big screen back in the early 60’s when quality roles for blacks were scarce to say the least. Mario talks to AllHipHop Alternatives writer Octavia Bostick and explained the rich cycle of Black filmmaking. ******************** I think what we’re seeing right now is a lot of folks are forgetting that we can be the HNIC that we can run stuff. You’ve got a new rise of the black entrepreneur in our culture that’s happening. You’ve got young folks coming out with their own clothing lines, and they starting to realize you vote with two things, you vote with your ballot and you vote with your dollars. They know you can go to movies and see [Black people] clown everyday ‘cause the studios will make a movie with us clowning and being ignorant and there’s a place for that. But for us to see a movie now about a brother who ran the show, about a brother who owned his own movie, about a brother who had a dream to have white folks, black folks, women, Hispanics and made it work. now you’ve started a whole thing where after that the studio’s made Shaft, Superfly and Coffey Brown and movies that changed the game for us to see that we could win and we could and we could do it as powerful with chemistry which they often don’t want us to know about. Truly there was no difference playing my father [in “Baadassss”]. I just put the shoes on and it spoke for itself. I didn’t have to mess with it. The story of one man who went up against this studio machine and instead of saying we shall overcome someday, he said no we shall overcome today. Malcolm said it best, “If they don’t want you in their restaurants, make your own restaurants, and they don’t want you in their movie make your own movie.” If you make movies for the studio your gonna just be hip-hop comedy but you make your film independent you can show strong brothers winning. Yes we can have humor but we can still be intelligent we can show we are all that, just by making a movie saying we are all that based on the truth and that’s all I was doing was trying to tell the truth. I saw it I grew up with it and I’m just sharing that truth with everyone else. Hollywood makes movies like “Casualties of War” and “Apocalypse Now” and all these Vietnam themed movies and eventually folks don’t go see those movies anymore. Hollywood keeps track of the economic negligence as folks just aren’t going to see Vietnam films anymore, but they don’t blame that on the color of the actors in the movies do they? But if they make “Shaft,” “Foxy Brown,” “Superfly,” and those movies in the “ghetto urban action pictures” stop making money, they won’t blame it on the genre they’ll say it’s because there’s black people in it. That’s black exploitation. “Sweetback” was about a brother who made being a revolutionary hip. Who made understanding the game and owning his s**t hip. The Black Panthers loved it because it made being a revolutionary hip. Then the studio’s co-opted the game and made “Shaft” into a black cop and then our subsequent films they often made being a cop or working for the white man hip or even being a drug dealer hip. You see the difference? Look here, spoken word starts with the Last Poets and Gil Scott (Heron) and moves up to Chuck D but when they took the mic from the folk that’s saying something relevant and gave it to the mic talking about guns and 40’s what are we dancing to? They take the revolutionary core out because it’s filled with the stuff they don’t want you to know and that’s what “Baadassss” is about. If the studio’s are making movies about us it will be us clowing on a boat on a plane in a car and that’s ok, as long as we can also show the flip side. I don’t care they can have “Dumb and Dumber” but where’s our “Lost in Translation?” The thing is we just don’t have a large spectrum. It’s a lack of choice so this year we have “Baadassss” opening. It has fun, it has the sexy aspect, but it also has us winning. It’s the truth and that’s what I’m about. You can be a part of sitting around complaining about they don’t do this or don’t do that or you can be a part of saying I’m gonna be a part of shedding the light. We want to shed the lights camera and action on how we can be because we can be beautiful. Like my dad said “Black is not only beautiful.. It’s bad too, it’s fine, classy, ass-kickin and name-taking too, that’s why they call us “Baadasssss!”

Cam’ron: Cult of Personality

Is Cam going to paint the world purple like he did with the color pink? If the Harlemite’s past influence is any indication that would be a resounding affirmative. With Purple Haze on deck, Cam revealed what’s really good in his life these days. AllHipHop.com: Cam can you speak on the new album and what you’re bringing to the table this time? Cam: The new album entitled Purple Haze is coming out this summer; I’ve been doing it for the past six, seven, eight months. I always grow every album and I talk about current events. Fifty percent of the album is about what’s going on right now. But as far as me growing, I’m around nice artists, Jim, JR, Juelz, and being around them is keeping me on my toes. It’s like tough love. Every album I grow. AllHipHop.com: What about the theme of this album? It seems like there is a story line. Cam: What we are basically doing is a short film to coincide with the album. So when you hear the album with out even seeing the video, I want you to have a visual just by listening to it. You don’t even have to see the movie because when you hear it, its like a book. That’s why I put a more theme to it. I put skits in between so that they keep you in track with each song so that you understand. AllHipHop.com: How would you say you have grown as an artist? Cam: If you do five albums and don’t grow you are just stupid. You are going to end up growing. At the end of the day, I don’t want to be in the game five or six years and still be a regular artist. I went from artist to CEO to selling cologne, to liquor, to clothing deals, to nightclubs, whatever I could get in to. You got to take advantage of the music. Even though I have longevity, who says I want to do this forever? AllHipHop.com: Can you speak on the new liquor you just came out with? What made you do that? Cam: Honestly, with the liquor, they came at us with the deal and I told Jimmy to take care of it while I was doing the music thing. We always said that if we got liquor we would name it "Sizzurp" for the simple fact that people are familiar with that name in the south because of the real Sizzurp. At the end of the day when you look at the numbers it wouldn’t make sense not to do it. I would be stupid to turn it down. AllHipHop.com: What’s this thing with you and purple? Cam: To tell you the truth all of that is coincidental. It doesn’t matter if I come out with the star spangled banner, it will be fly. AllHipHop.com: How much of your style is you? How much is it your stylist? Cam: I had no stylist that came here with me today. I’m Cam before the day start. Don’t get me wrong my girl Monica [his clothing stylist] knows what I like. No stylist can make me who I am, but Monica does help me out. AllHipHop.com: Are you still trying to patent your own shade of pink? Cam: We were working with this dude on trying to get our own color. I was mad on not patenting the color pink before putting it into the market place. If I could do it I’m going to try to do it. AllHipHop.com: Do ya’ll have a clothing line coming out? Cam: We talked to a couple of different people but at the end of the day, for me, the money has to make sense. Obviously people are going to follow what I do. AllHipHop.com: On that same tip of people who follow what you do, it seems like you have cults of kids, especially on the net. Do you know about these dudes? Cam: I don’t know every situation you are talking about, but I appreciate all the love. I’m not running a cult like David Koresh or nothing, but I guess people can relate to stuff I am saying. As long as they are putting their energy in a positive direction, I appreciate it. AllHipHop.com: So, those not in the Cam cult, what’s the difference between Purple City, The Taliban, and all the sub-Diplomats? Cam: We all from Harlem. Purple City is from 158th and Broadway, Taliban is from 145th and Broadway, Diplomats we just everywhere. It’s just a couple of guys. We all used to hang out on 145th and Broadway and it’s like 40 of us, we all had our little blocks, but not only that, like I said we had entrepreneurs. They had their own entertainment companies. It’s just a bunch of different crews hooking up with each other so we can all promote our stuff together. You know after we got stuff popping we branched off a little. Shiest got Purple City coming out, my man Luch got the Taliban Records. AllHipHop.com: Who is in Dip Set right now? Cam: Me, Jim Jones, Juelz, and Freeky Zeeky originally started the Diplomats. Now we got JR Rider, and Hell Rell comes out of jail Aug. 13th. AllHipHop.com: What happened with Freeky Zeeky? Cam: I don’t want to go into it but he will be home 2006. AllHipHop.com: Is Juelz coming out any time soon? Cam: Right now what we are doing is trying to put together the roster. Right know he has about 80 songs and he just finished building his own studio. We’re trying get Jim out there a little bit before Juelz. So we’re looking at the Jim in August and Juelz in October, then start the year off fresh with J.R. AllHipHop.com: Now that Jay-Z is sort of moving along, aside from DJ Clue and Kanye too, you are the only other artist on The Roc to go platinum. Where do you think […]

Outlawz Not Signed To Cash Money-Yet

Fans of the Outlawz are stirring feverishly with the speculation that Tupac’s rebellious protégé’s have signed to Cash Money Records. But, according to Outlawz rapper E.D.I., the group is still ironing out details and have not officially joined the Cash Money roster. “Honestly, this thing has leaked too early. The deal isn’t done yet,” E.D.I. told AllHipHop.com yesterday (June 8). “I’m getting questions from all over. We are definitely in negotiations and looking forward to nailing this s**t down.” Sources within the group confirmed the signing was official, but E.D.I. said the talk was premature even if it was rooted in fact. “Just off a little bit of talk, they are starting to talk about it on the radio. It’s all over the place,” he said. On the group’s official website, www.outlawrecordz.com, the general consensus of fans was that getting down with CMR was a good move for the group. “I’m first in line to congratulate them and I’m first in line to cop the album,” said Paradox, a fan of the group. “I’m just happy for them. You know they are already doing ok. They aren’t stupid rappers blowing their money.” Additionally, Outlaw Kastro said that the crew wouldn’t change their abrasive style regardless of their recording home. Simply, he said. “No need for alarm, ain’t nothing changed.” Fans have high hopes for the group if they ink a deal with Cash Money, hoping to see their videos on major outlets. Should both parties sign on the dotted line, the next release from the group will be titled Ghetto Gospel, which should be released later this year. “We got a lot of work to do and that’s that,” E.D.I. concluded.

Shaq Gets In Rap Battle With Skillz

The Los Angeles Lakers are embroiled in a highly competitive Championship Series against the Detroit Pistons, but that hasn’t stopped Shaq from engaging in a battle far more personal. The basketball juggernaut has turned his lyrical aggression to rapper Skillz even though he’s looking for yet another championship ring. Shaq went at the Virginia-bred rapper like he was a loose ball under the rim on a recent Sickamore mixtape titled “Drop Another Day. The exclusive track was produced by beat maestro JiCe of Sizzle Records for Shaq’s lyrical pleasure. ” “I dont care how “mad” your “skillz” is you cant serve me/ You don’t like these, take off my throwback jersey/ Lil’ ni**as better stay in their place/ hold you hostage in the toilet and s**t on your face…Matter of fact I don’t know what you look like/ you be spittin metaphors like you a geek Canibus studio book type/ I ain’t into f**kin’ beefs and battles/ I’m into smackin’ n***as back into playing with rattles…/Don’t respond, don’t reply, layoff/ Give this autograph to your mom and watch me in the playoffs.” A confused Skillz said people around him began to inform him of the dis, but he was unable to determine why the 7’ 1” hooper would want to battle. "I tried to give him the benefit of the doubt, like I kept telling myself he can’t be talking about me,” Skillz told AllHipHop.com. “Then [the speculation] turned into, ‘If it ain’t you then who’s he talking about?’ And it wasn’t any candidates left. I wouldn’t really pay attention to it if other people didn’t, you know?” Furthermore, Skillz said that this rap battle was much different than playing the Pistons on the basketball court and therefore in his favor. “It’s a lyrical mismatch; him going at me is like me coming down the [basketball] lane at him. It’s actually kind of funny,” Skillz exclaimed. “But the streets ain’t gonna stop talking about until I answer. Plus I talk too much s**t to not answer back,” he said. Because of Skillz admission, AllHipHop.com engaged in its own investigation. Shaq, who has dropped several platinum albums, might be coming to the defense of teammate and former rapper Kobe Bryant, who is currently accused of rape. In his “2003 Rap Up” freestyle, Skillz rhymed, “The dummy move of the year that would be Kobe Bryant/ y’all think she lyin’ that’s the second time Kobe been on TV cryin’ I’m like, ‘Damn Kobe in high school you was the man Kobe/ What the hell happened to you?” Also, Skillz once rapped with a crew called the Supafriends from Virginia and Shaq considers himself to be basketball’s Superman. He even dropped an album called Shaquille O’Neal Presents His Superfriends in 2001. [Click here to offer theories.] Next week, Skillz said he would have an answer record for Shaq.

Wu-Tang To Give Rare Performance At Festival

All members of the Wu-Tang Clan will be unified on stage during a rare performance at Rock The Bells, a day long Hip-Hop festival taking place in San Bernardino, California. RZA, GZA, Ol’ Dirty Bastard, Method Man, Ghostface, Raekwon, Inspectah Deck, Masta Killa, U God and close affiliate Cappadona will treat enthusiastic fans to a seldom seen group performance July 17 at the National Orange Show Pavilion. Chang Weisberg of Guerilla Union and founder of the year-old festival, said he was inspired by the lack of quality Hip-Hop shows. “At first we thought we could get some of the members of Wu-Tang together and that would be enough, but it became a mission to bring them all out for one special day,” Weisberg said. “All the members have expressed their excitement to let their alter egos mash the stage and represent the clan.” Redman, Dilated Peoples, Sage Francis, Eyedea + Abilities, Supernatural, Chali 2na and DJ Numark of Jurassic 5 are also confirmed for a day of Hip-Hop performances. Weisberg noted that Rock The Bells mission was to represent all aspects of Hip-Hop culture and that an entire North American tour was being organized for 2005 with acts that have yet-to-be announced. “Rock The Bells is a world-class Hip-Hop platform that celebrates diversity within the culture and I’m thrilled and honored to be a part of something like this,” Weisberg said. Tickets for the event range from $27-75 and go on Sale June 18 at the San Bernardino Orange Show Pavilion or through Ticketmaster.

Cornerstone Celebrates 60th Mixtape

The typical mixtape always says “for promotional use only,” but few DJ’s have monotized the genre like Cornerstone Promotions, a company that currently celebrates the release of its 60th Mixtape.Chris Atlas, Cornerstone’s VP of urban marketing and promotion, said thatthe nationally distributed mixtape is a platform to showcase DJ’s and celebrate Hip-Hop.“Number 60 is a milestone in continuing the commitment to breaking Hip-Hop,” Atlas told AllHipHop,com. “We plan to take the Cornerstone mixtape to new heights in the future. Television, radio and international outlets are in our sight.” Atlas was the former head of Tommy Boy’s Black Label Hip-Hop division.At the end of last month, Cornerstone held a formal celebration in honor of the 60th mixtape that featured performances from De La Soul, Smif-N-Wesson, Brand Nubian and Black Sheep. Nas and Maxwell also showed up to show support for the company’s milestone.”The Cornerstone Mixtape is very refreshing to Hip Hop, at the same time it keeps everyone abreast to what’s up and coming in the culture,” De La Soul’s DJ Maseo said of the tape.Atlas said that the success of the mixtape was due largely to the support it has received from the record labels, artists and DJ’s.“The artists and DJ’s that performed…appeared out of love not just for Cornerstone but we stand for and how we work to give back to the culture.”Cornerstone was founded in 1999.

New Trial For Beanie Sigel

Rapper Beanie Sigel celebrated a victory in his attempted-murder case in April, but the rapper has not escaped the clutches of the law yet. The Philadelphia district attorney’s office set a new trial yesterday at Common Pleas Court in a second attempt to convict Sigel for allegedly shooting a man outside of a West Philadelphia bar last July. The new trial will begin on January 12, 2005. During the first trial, the jury deliberated for a week but was unable to reach a verdict on any of the charges against Sigel. Terrance Speller said that Sigel shot him in the stomach and foot, but during the trial the defense pointed out Speller’s tainted past. Speller admitted to changing his story several times when speaking to authorities. Sigel, who is under light house-arrest, will make an appearance at a “Stop the Violence” Summer Jam in North Philadelphia tomorrow.

Common: When War Meets Peace

While most artist decide to dedicate 16 bars to Jacob’s pricey jewels or whatever reality lies in the street, Common reflects a more socially aware side of Hip-Hop.  Drawing from a more organic blend and shunning conformity, The Chicago native has carved his own niche – even if it causes critical chatter.  Obviously, being different (and very good) draws attention, but Com Sense has always managed to handle pressure. Chicago is now the new haven to harvest Hip-Hop talent, but even Hip-Hop’s present Golden Boy Kanye West puts his cocky swagger on hold for the hometown hero. We have a candid conversation with this enigmatic emcee on Ice Cube to Erykah. AllHipHop.com:  How did you get started rhyming? Common:  Actually, I used to go to Cincinnati with my cousin and these cats from his neighborhood. I was into Hip-Hop just for the break dancing, and just the way Hip-Hop was as a culture. It was so masculine and so raw and I was feeling that element of music. I always loved entertainment and the spot light; even if I was shy I still wanted to be a star. Hip-Hop was my vehicle, my way, and my vessel for me to become a star. And through Ajile, my cousin, I got into Hip-Hop. We started writing our first raps in 7th grade. That was my inspiration that sparked up my first rap, and through he travels I just pursued my dreams and I am here promoting the real hip hop movement. AllHipHop.com: You are such a well-rounded artist. Even Kanye told us that you are one of he people he admired, because you were "free."  He named Andre 3000, dead prez, and you.  Common: That is a big complement; Kanye built his own highway and continued on his highway of his own individuality. He really brought something pure and innocent into this music light. University people can really get into Kanye cause he enjoyable. You can tell the student of music and students of the game, and he a student of music and a student of hip-hop. When you find yourself, you going be like nobody else, cause God only created one you and if you can show that to the world. Your individuality is going to shine and its going to set its own lane. I believe in creating my own lane. I’m definitely going to get into my own lane if I gotta go on the shoulder and come back. I’m gonna take my way because I never felt good being somebody else. I mean I admire other people, I mean I always wanted to rap as good as KRS One, or Rakim, or Nas or whoever but I ain’t never want to be that person and I don’t want to move like them. If I did, I grew out of that stage. That was a stage when you kinda young.A lot of artist ain’t find their individuality. AllHipHop.com:  You have been in the game for a while so you kinda matured. On AllHipHop you and Cube’s battle was regarded as one of the top 10 list for beefs. Common: Yeah it was fun thing to do, but at the same time I was aware cause I didn’t know where we was gonna take it. In my heart, I felt like this was Hip-Hop so I’m gonna retaliate on a verbal level, but I don’t know who ignorant cats can get. But I felt to us like I had my guys to a point where they was just going to stand strong and not start nothing. But we didn’t know at the time that [beef in] Hip-Hop was escalating. Things escalated and got into physical confrontations and stuff, so it was a good battle cause it stayed on wax. I released that song and didn’t even put it on the album.  AllHipHop.com:  How do you get in tune with your music now? A battle is easy, what’s the draw now? Common: For me now, I’ve been drawing on the fact that I love life and I love Hip-Hop, and I really love Hip-Hop. I go to the things that I really love about Hip-Hop and the things that I don’t like, so I go to what did inspire me and what inspires me, and I go to the fact that I’ve been loving to do this and express myself for so long. I don’t let anything completely contaminate those feelings that I got for Hip-Hop. When it does, when I get real industry influenced, I shake it away and go into my own world so I just listen to music to inspire me. Whether it be Marvin Gaye, Kanye, Nas or John Coldtrain, I listen to music that inspires me. I get inspired by life. The creator give us all different gifts, different gifts that we can work with and develop and I believe that this definitely was a gift I needed to nurture and develop. I am still nurturing and that drives me a lot and I know that I got a mission and I know that I got things to say to enlighten myself and to enlighten my love ones and to enlighten the world. I am striving to do that, striving to just make good music that cats can enjoy.  Those things drive me and I know that Hip-Hop is a vehicle for me to support my family, but I can’t live off of the love. AllHipHop.com:  You and Erykah, y’all not engaged no more? Common:  No. AHH:  The song that you were on with Kanye and Malik Yusef "Would You Like to Ride" each of you were talking about 3 females. Was that female on your verse Erykah? Common:  Nah, a lot of people consider that. The irony of that whole thing was when I did that song which was about 2 years ago, I was going to see Erykah and we was in a relationship like, in a love relationship. It definitely wasn’t geared towards her. If you […]

Dame Dash Snags Pro-Keds, Aiming At Ipod

Consummate businessman Dame Dash recently revealed that Roc-A-Fella has purchased Pro-Keds Sneaker Company, a footwear staple that was founded in 1949. The State Property shoe, which was promoted by Beanie Sigel, was produced by Pro-Keds and experienced moderate success. Details and terms of the purchase were not available at press time, but co-CEO Kareem "Biggs" Burke told AllHipHop.com that Pro-Keds had been purchased a few months ago. He also stated that the acquisition would present several new styles in the near future. In February of 2004, Pro-Keds released the State Property Shoe line in colors to match the clothing line’s various outfits. Sigel said his initial interest in working with Pro-Keds was fueled by childhood memories of wearing the sneakers, which were popular in the Hip-Hop community during the 1970’s. "Pro-Keds are the original sneakers," Sigel said in February of 2004. "Back in the days everyone had Pro-Keds. We grew up with them. These joints are crazy. All kinds of different flavors." In addition to aspiring to top the sneaker industry, Burke said that Roc Digital, a Roc-A-Fella related enterprise, was developing an MP3 player designed to compete with Apple’s industry leading Ipod. Dash has been expanding his empire, having recently opened Planet Roc, a record label based in England that has already signed UK-based rap group SAS.

Nelly First Rapper To Drop Two Albums On Same Day

Nelly will become the first rapper to drop two albums on the same day, releasing Sweat and another album, Suit on September 14. While he is the first rapper to perform such a feat, Bruce Springstein and Guns ‘n’ Roses also have both dropped two albums on the same day in the past. "I had so much material that at first I thought about releasing a double CD, but then I thought it would be better to release two albums separately to show fans the best of both sides of Nellyville," Nelly said, According to Nelly, the Sweat album has more club oriented offerings, while Suit is more "grown and sexy," along the lines of his hit "Dilemma" with Kelly Rowland of Destiny’s Child. "When I first came out I was representing my city hard," Nelly added. "Now I’m trying to explain so much more. I think both albums show my growth creatively and personally." The lead single from Sweat will be Neptunes produced track "Flap Your Wings," while Suit‘s lead off single "My Place," a re-working of the Teddy Pendergrass hit "Come On And Go With Me." Sweat and Suit are Nelly’s third and fourth studio albums.

Protests Mount For Dip Set’s Liquor

Hip-Hop’s entrepreneurial spirit and its morality have clashed again. This time, Minister Paul Scott has stepped forward to speak out against Diplomats Cam’ron and Jim Jones’ new liquor, Sizzurp Purple Punch. The minister heads the North Carolina-based Messianic Afrikan Nation and he was also a thorn in Nelly’s business side when the St. Lunatic jumpstarted Pimp Juice, an energy drink. He found irony in this venture with The Diplomats crew. “Wasn’t a guy named ‘Jim Jones’ responsible for poisoning those people in Guyana with Purple Punch?” Minister Scott queried. “The entertainment industry wants to keep us drunk and dancing to our own destruction,” says Scott. “The want to turn getting drunk into a Hip Hop national past time.” In the past, Scott offered reasons for his opposition to the promotion of alcohol beverages to African Americans and others in urban communities. “Alcoholism is a major problem in Black America and its consumption can be traced to many health and other social problems that plague our community,” he said in past statements. “The liquor industry has long targeted the Black community …from the Schlitz Malt Liquor Bull busting through my TV after every video in the ‘90’s to the infamous St. Ides commercials.” Meanwhile, Cam and the crew are celebrating. The Diplomats released a Limited Edition Mixtape CD & DVD to commemorate the release of Sizzurp. The set features Kanye West, T.I, N.O.R.E, Fab, Game, Papoose, Trick Daddy, J.R. Writer and others. Scott has not announced any formal boycott. On the musical front, Cam’ron will hit with Purple Haze on July 20 and Jim Jones will release his untitled solo later this summer.

MTV Turns To Hip-Hop For New Pilots

After successful ratings behind urban television staples such as Making the Band 2 and Pimp My Ride, MTV has announced pilots for two more Hip-Hop headed programs, according to published reports. Former P.Diddy manservant Farnsworth Bentley will serve as host and executive producer of "Borrow My Crew." The Gentleman of Bad Boy and his "glam squad" will give viewers image makeovers ala’ an episode of Ricki Lake. The network is also developing a vehicle for Roc-A-Fella rap star Jay-Z. The show would bring artists from different musical genres together to mesh their styles into a new sound. No title has been announced for the Jigga hosted program at press time. Cameron Diaz, Wilmer Valderrama, Frankie Muniz, Stan Lee, Rob Zombie and former B2K front man Omarion are the other celebrities slated to star in upcoming MTV pilots for the 2004-2005 season.

Dizzee Rascal Reps Ecko, Announces U.S. Tour Dates

England rapper Dizzee Rascal will be one of the new faces for the popular Ecko Clothing brand in an upcoming advertising campaign. The East London rapper is set to start the campaign in this year’s fall/winter collection. According to Ecko’s international manager Justin Mingo, the company wanted to start recruiting up and coming artists from Europe. Mingo said Ecko has always promoted new faces from the entertainment world, however they now want to take an international direction. "England we are coming up," Dizzee Rascal told AllHipHop.com. "Sometimes though, people emulate what’s coming from the United States. There aren’t that many people in London doing anything original. There was a time where people were dressing up with the champagne and all that b#######, but n##### like me had hats, hoods, making our own beats doing our own s### and making our own way." It was only natural that Ecko singled out Dizzee for the campaign, as he was recently seen wearing the brand in his video "I Luv U." His debut album Boy in Da Corner made him the first rapper to win England’s prestigious Mercury Music Prize, The campaign was shot earlier this year in New York. The new collection is set introduce more hoodies and other casual clothing; a trademark of Ecko which has led them to be one of the leaders in the urban fashion world. Dizzee will land in the United States next week for a string of intimate dates with fellow UK rapper The Streets. "When I come over here, I don’t want to be known from just from MTV," Dizzie Rascal told AllHipHop.com. "I go to where the people are and show the locals that are a part of setting the foundation, that we are authentic." Dates are below: Fri June 11 Mountain View, CA Shoreline Amphitheater (with Dizzee Rascal) (Live 105 festival) Sat June 12 Los Angeles The Wiltern (with Dizzee Rascal) Tue June 15 Seattle Nuemo’s Fri June 18 Park City, UT Harry O’s Sat June 19 Denver Fox Theater Mon June 21 Minneapolis Fine Line Music Café Wed June 23 Chicago Metro Thu June 24 Detroit St. Andrew’s Hall Fri June 25 Toronto Mod Club Sat June 26 Montreal Club Soda Mon June 28 Boston Avalon Ballroom (with Dizzee Rascal) Tue June 29 New York City Irving Plaza (with Dizzee Rascal) Wed June 30 New York City Irving Plaza (with Dizzee Rascal) Thu July 1 Washington DC 9:30 Club (with Dizzee Rascal) Sat July 3 Atlanta Earthlink Live

P.E. Says ‘F**ck War’ With Moby

Public Enemy has teamed with Moby to record an anti-war song timed for release near this year’s summer Olympic games. The song, titled “MKLVFKWR” which is an acronym for “make love, f**k war,” features Chuck D. and Flavor Flav rapping about the current status of the world and in reaction to the war in Iraq. The song was recorded for an official Olympic compilation album titled Unity, which also features contributions from Xzibit, Black Eyed Peas group member will.i.am, Destiny’s Child and others. The 16-track album also includes artists from 15 other countries and was recorded under the theme of harmony and peace. “MKLVFKWR” will drop on the Mute label as a 12 inch single only, while the album is slated for a July 12 release date.

Young Buck: Efil4aggin

Young Buck has done more dirt in his tumultuous 21 years than, than most will endure in their entire life. Hell, one might think he’d be labeled “Old Steed” rather than Young Buck based on life experience. Regardless, as one of the celebrated factions in G-Unit’s lyrical militia, he’s the next bullet out the chamber to blast you with more of the patented gangsta we’ve come to expect from the crew that made bulletproof fashion vogue. Young Buck’s upcoming album, Straight Outta Cashville, is dropping soon and the Nashville native tries to kill any preconceived notions about his hometown. With dues paid, Buck is ready to reap the rewards as he tells AllHipHop why he deserves to be let in. AllHipHop.com: Ok, let’s start with the name, you’re 23 years old. How long are you gonna be a young buck? Young Buck: Till my dying day, I’m always gonna be young at heart. That’s why tattooed it on my chest over my heart. AllHipHop.com: When you get older are you gonna drop the young and just be Buck? YB: Then I’ll be Uncle Buck. Or you can call me Daddy Buck. (laughs) AllHipHop.com: Are you daddy buck right now? You have any kids? YB: Yeah I’m daddy buck, I have a little girl. AllHipHop.com: How does being a father affect your career? YB: With her being a little girl, she brings out a side of me I didn’t even know I had; ya know that ole sensitive side. AllHipHop.com: Thugs and gangstas aren’t supposed to be sensitive. So do you consider yourself a thug or a gangsta? YB: I consider myself as someone who handles his business, if that’s what a thug and a gangsta is, then it is what it is. I just get down. AllHipHop.com: To be so young you have been getting down for a while. Do you think it’s good for someone to start in this industry at such a young age. YB: Hell yeah the sooner, the better. AllHipHop.com: It hasn’t been easy on you personally or professionally. YB: No, I wouldn’t recommend the lifestyle I lived on nobody. It was far from f##### “Silver Spoons” or anything like that. I come from nothing. My father was a crack fiend and my mother was a single parent and she did whatever she could to provide for. Me and her two kids, plus she got custody of her sister’s kids because her sister was a crack fiend too. My house was always full from the beginning so there really wasn’t a childhood for Young Buck, it’s like you’re the man of the situation from the very beginning, so that’s where the whole drug selling thang and all that extra s### came from. AllHipHop.com: Knowing what drugs did to your family, why is that the way you chose to take care of your family? YB: That was the quickest way that I could take care of my family. You can work a 9-5 but you gotta wait a week for a paycheck. It only takes 24 hours for someone to starve to death, ya heard? AllHipHop.com: Do you regret having done it? YB: Naw, I don’t regret nothing, I don’t regret one piece of crack I sold, I don’t regret one n#### I shot at, and I damn sure don’t regret the m#### f#####’ police I ran from. I feel like the s### you go thru in life makes you who you are. AllHipHop.com: So who are you from having gone through all that? YB: I’m David Brown aka Young Buck. All the s### I done been through makes up who I am, all of that before the age of 21. Buck is about the situation. A lot of people are like damn that n#### was shot and everything. People think that s### is gangsta, that s### ain’t. AllHipHop.com: Is that what it takes to get street credibility these days is to get shot? YB: I think maybe people think to get credibility you gotta get shot but that ain’t the s###. AllHipHop.com: That’s because they’ve never been shot. YB: I think what’s gangsta is being able to overcome that, handling it from that situation and then coming back and taking care of your business, that’s gangsta. AllHipHop.com: Did you jump right back into the same thing that got you shot once you recovered? YB: Hell naw, I realized that that s### wasn’t really for me. It wasn’t like it was a life threatening shot or anything I only got shot in the arm and the leg, but the way that the s### happened caused me to say f### that I’m about to really get off into this music thing and see what’s up. AllHipHop.com: So that’s when you hooked up with Cash Money. Do you think if you had’ve stayed with CM as opposed to rolling with G-Unit that people would still label you as gangsta or would you be more of a party type artist? YB: People get that from my real life experiences, I’m not new to these streets or the street life period. I’m young I’m only 23 years old but in my life I’ve done some s### and I’ve maneuvered like a 29, 30 year old would all before I was even 21. The gangsta side was there even when I was with Cash Money, no matter what I’m gonna get that thug outlook because of the s### that I’ve been through so I’m always gonna be looked at like that. I’m not no n#### who ever had a job or nothing like that, I really sold drugs, I really did this s### and got down how I say so in a sense it’s thug or gangsta or whatever but I don’t like to label myself like that. I let you be the judge of calling me what you want. I’m just a n#### who handled his business. AllHipHop.com: What are you about if you’re not about the gangsta stuff? AllHipHop.com: I’m […]

Rev Run Honored With Protégé Award

Reverend Run will be honored with the "Protégé of the Year" award during a ceremony honoring Dr. Reverend Frederick Eikerenkoetter, popularly known as Reverend Ike. On June 12, Bishop E. Bernard Jordan, founder of New York City’s Zoe Ministries will honor Reverend Ike with a lifetime award for his mentoring work. Jordan will also present Run with the protégé award during the ceremonies, which take place at the Plaza Hotel in New Jersey. Reverend Ike was one of the most visible African-American’s in the United States in the 1970s. Weekly sermons are still broadcast every month on radio and television stations throughout the United States, Canada, Mexico, and the Caribbean. "Reverend Ike is the father. Before there was any prosperity teachers, Ike did it," Run told AllHipHop.com. "He’s the pioneer. For Reverend Ike to call me his grandson and for Bishop Jordan to call me his son is an honor." Run said he received a prophesy stating that he would be a successful businessman from Bishop Jordan, who was taught by Reverend Ike. Run subsequently took over Phat Farm’s sneaker division, leading the division to over $200 million in sales and feels that the prophesy was indeed true. "The principles they taught me, work," Run said emphatically. "I applied the principles to Phat Farm and look at the sneaker division now. Reverend Ike is my Daddy, Bishop Jordan is his son and I’m the grandson." The Reverend Al Sharpton will also attend the ceremonies and a silent auction is also planned for the event. "When I was just a boy coming to New York City for the first time, I saw my first Rolls Royce parked in front of the Plaza Hotel," the elusive Reverend Ike said. "At the time I had holes in my shoes and my socks were touching the ground. I was on the outside looking in, now I am on the inside looking out."