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Grouchy Greg
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Grouchy Greg

I am Grouchy Greg. I founded AllHipHop in 1996. In addition to running the site, I enjoy breaking news stories. My stories have been cited in The LA Times, NY Times, NY Post, TMZ, Yahoo, Billboard, The Associated Press, CNN, and more.

http://staging.allhiphop.com

Tony Yayo Released From Prison

Original G-Unit member Tony Yayo was released from a federal jail facility in New York yesterday, his second release from prison this year.The rapper had been in federal prison since early January for carrying a fake passport, which is a federal violation. The incident occurred one day after he was released from jail after serving one year for bail jumping.After being arrested for a weapons-possession charge on New Year’s Eve 2002, it was discovered Yayo already had an outstanding weapons-possession charge.The Queens native spent the entire year of 2003 locked down while 50 Cent skyrocketed to success, bringing Lloyd Banks and G-Unit newcomer Young BucK with him.Yayo was featured on 50’s record-breaking debut Get Rich Or Die Tryin’, but his vocals were sparse on the G-Unit album.While Interscope Records had planned to release new albums by Banks and Buck this summer, it has also been reported Yayo’s debut album will also be out this year.An attorney for Yayo told MTV the rapper went straight to the studio upon his release to record new songs. A spokesperson for Interscope could not confirm the information.Look for Tony Yayo to appear alongside 50 Cent and the rest of the G-Unit next month at Summer Jam ’04, New York radio station Hot 97’s annual concert.

DJ’s Honor DJ Threat At Dinner, Awards Ceremony

Becky Campbell, mother of the deceased DJ Threat, remembers her son and wants others to continue to honor him as she hosts a yearly dinner on the date of his death. While on the rise, the DJ was tragically killed in a 2001 motorcycle accident. The non-profit Jason Campbell Foundation held the event at the Westbury Manor in Long Island, New York to help send four lucky scholarship recipients to music school. "We have a bigger dinner May 12 every year, the day of his accident," Mrs. Campbell told AllHipHop.com. "We gather as many celebrities together to give away scholarships in our community to people who follow their musical dreams. Producers, engineers, DJ’s, musicians, we help everyone in our community." As an aspiring executive, Threat had accepted a position at Hot 97 and held executive positions with Ruff Ryders and Atlantic Records when he was killed. Four $1200 scholarships are given in his honor and were handed out the evening of the dinner. Mrs. Campbell said that money for the scholarships was provided in part by funding from the music industry. "Most of the records labels donate," she said. "Enuff, The Heavyhitters, Rene Mclean and RPM Marketing, Atlantic Records, Jive Records, Shady Records and others make this and our other events possible." The evening the foundation also bestowed DJ Smooth Danali with the "DJ Threat Heart Award," because his success has been reminiscent of the late DJ, organizers was. "Jason [was] doing three big things (DJing, Hot 97 and Atlantic Records), so we recognized Smooth Denali because he is making big moves like Threat was," Campbell said. In addition to the dinner, the scholarships and the award ceremony, the Jason Campbell Foundation sends 165 kids from Long Island to a summer music course, that also teaches the use of turntables. The non-profit organization hosts an all-age day in the park. I was so devastated by the whole thing, but I didn’t want to bury his dream," Campbell lamented. "But I promised him ‘I will bury your body because I don’t have a choice, but I won’t bury your heart or the work of your hands." For more information on the Jason "DJ Threat" Campbell Foundation call 631-273-4274.

M.O.P: Rocksteady Pt. 2

AllHipHop.com: What you think about Hip-Hop in general not taking any risks? BD: I mean trends is dope, but it got to be something that really means something. Like who really cares, I was just telling a homie the other day: I got a lot of respect for B.I.G., always had a lot of respect for B.I.G. he’s a good dude. B.I.G. brought us ‘Fasache.” After a year had died out, the people that was buying [it], was dudes and females that wanted to the clubs and flash and show chicks that they had a $600 sweater on and the year was all over. But realize that $600 for a sweater is a lot of money. That was a lot of money. I’ve been making money all my life and I’ve never paid $600 for a sweater, that’s not me. It ain’t going to happen. For one, I don’t want to look like you. For two, I got these kids at the house, what the f**k I look like with a $600 sweater on that sh*t? Don’t make sense. We continue to do it our way, we do it for the street. Not only the street but we do it for other people who don’t know how it is in the street. The street don’t go nowhere, my father was there, God bless him, my brothers, god bless them, all the other homies god bless them, whatever, I was there, I just try to prevent my kid form going there but it’s still going to be there. The street will never die. AllHipHop.com: What made you guys tour with Pharaoh Monche and Scratch? BD: You ever seen Pharaoh rock? Pharaoh rocks, gets down. Scratch, you ever seen Scratch rock? We just want to make good music. And tour with people that really down for it, that go out there and give it their all, even if their all ain’t banging, you still give it your all. Like don’t come on the stage, you not coming on the stage all dolled up and sh*t, this is Hip-Hop, and this is the bottom, and that’s how you got to bring it, you got to give all your effort. And I know that Scratch and Pharaoh do that. So that’s why we ride with them. AllHipHop.com: What about the Indie route, do you guys think you’ll take that route? BD: It can be Turkey and Cheese Records, it doesn’t even matter. As long as I can get to where I need it to be, and I need it to be global. It don’t make a difference. We can work something out right now. I got the burner at the crib, we go out and burn a thousand copies, ship them s**ts out, whatever, as long as it can get there. AllHipHop.com: How’s Teflon [crew member]? BD: Tuff chilling, I was listening to some joints, like two, three days ago. AllHipHop.com: He coming out again? BD: Yeah. He f**king with Black ass Def Jam, of course. AllHipHop.com: What do you mean? BD: I don’t know. That’s wack ass Def Jam. Tef been signed to Def Jam for like two years though. And Tef got smokers though, smokers, see they don’t know Def Jam personally. I ain’t afraid to say it, I don’t give a f**k who’s who. I’ll stomp a n***a the f**k out. So like them fa**ots at Def Jam, them is not, like we’re not friends at all. Like I don’t want to have no meeting with none of ya’ll none of that, don’t act like we cool none of that, let’s just act, a s#### is a s####. F**ker you don’t like me, and I don’t like you, that’s it. I don’t try to stop. AllHipHop.com: How come you didn’t like them? BD: You know what, and this is any label that’s like this, it’s not just them, but you take Onyx, Boss, everybody over there, even Ja Rule now, major millions, now you can’t pick up the phone fool. Cause their s**t ain’t smoking no more, I don’t like that s**t. This wavy bastard should be stabbed. Stabbed, I’m talking about in the back and ripped down to their ass. All of them, I don’t care who the f**k it is. Any disloyal n***a I don’t f**k with them. So that’s why I don’t like them. AllHipHop.com: How are things with the Roc? BD: Roc-A-Fella is good; I mean you know the history on them. They know how to go get it, they put your music where it need to be, that’s all I can ask them for. I don’t ask for nothing else. AllHipHop.com: What’s been the hold up? BD: Man what else? You got to be comfortable. You got to really be so comfortable that it’s so comfortable with talking about the deal. So it doesn’t really get comfortable with it. Like as of right now, there’s no other artist on Roc-A-Fella on the M.O.P. album. AllHipHop.com: Not even that Jay-Z joint [“Throw It In The Air”]? BD: No, well that’s it. But that s**t probably won’t make the album. Hopefully. I didn’t like the song. Not because Jay is on it, just because of the tempo on the song, I didn’t like the song. They good at what they do, and like every time I get the question, “So, how’s Roc-A-Fella treating you?” We don’t know, we haven’t put an album out yet, don’t ask me that. As a person, I think Dame is a good business man you can’t front on him. He got out and did it. Biggs, real good dude, Jada, homie from back in the day, always good to work with him. But as far as the M.O.P. album coming out on Roc-A-Fella, I don’t know yet. AllHipHop.com: I guess some people have heard Fame saying things on mixtapes. BD: Like what? AllHipHop.com: On the song lyrics about your album not coming out yet… BD: Oh yeah, but if we was mad, we’d […]

M.O.P: Rocksteady Pt. 1

The Mash Out Posse, aka M.O.P., is one of the few hip-hop products that continues to live up to the rugged ideology that embodied the 90’s. But while the M.O.P. grinded for years, plowing through the underground, they didn’t meet the mainstream face-to-face until “Ante Up,” from their Warriors CD. Now, M.O.P. will take their audio street fight to heavy metal with an album backed by rock band Shiner Massive. The Brownsville team has always given way to unstoppable energy and aggression, which often manifests itself in mass mosh pits. During a rehearsal, M.O.P.’s Billy Danz steps speaks on the rock album, (listen to 2 new tracks, Raise Hell and Conquerors), that elusive Roc album and how they plan to rock the industry off its high horse. AllHipHop.com: What made ya’ll do a rock album? Billy Danz: Well that’s us. We make a lot of aggressive music. We did a joint a few years back called, “Handle Ur Business” a lot of screaming guitars in it. People took a liking to it and we wasn’t uncomfortable with it. And it’s a sound like [that], we don’t reach, if it don’t work – it just don’t work. So this is something that worked for us. So we put a couple joints together see how it happened, if people don’t catch on to it, I’ll still like it, I’mma still listen to it. AllHipHop.com: For the EP ‘Handle Ur Business,” that was more of an in the studio type of guitar right that wasn’t live? BD: Yeah, well no, on a couple of them joints we had a live guitar, I think it was ‘The Way of The World’. We had live guitar on that joint. But most of it was trinity. It came out banging though, I’m really proud of it. AllHipHop.com: As far as the group can you talk about how you got together? What’s their name? BD: You know what; I don’t even know how it happened. They came out of the blue, Laze [group manager] hooked up with them. They name, I don’t even know the name of the group, I just know they’re dope as hell. I’ve really sat down with them and see how the way they play with each other. That’s it, you got to be dope to be playing with another dude, another dude on drums, three guitars, I mean they smoking. We smoking. AllHipHop.com: [They are rehearsing] How’s the show going? BD: We have fun. Just another regular M.O.P. show and they tight with they s**t. It’s like working on the turntable, we play anyway. Them dudes is just dope, it’s a pleasure to work with them, whoever the f**k they is. But they dope. AllHipHop.com: Do you guys think this will broaden your market with this project? BD: Maybe it would, but our concern is not that. Our concern is just, we try to let people know how it is, where we from and why we make music the way we make music. So it’s real obvious with the rap and roll stuff that we doing, that’s really not going down in the Brownsville, up in the Bronx. And it’s something that works for them, the guitars and the loud drums and all of that that works for them and we still comfortable with doing our thing. AllHipHop.com: Do you think people in Brownsville will go cop the album or will they feel it even if they buy the bootleg? BD: Of course we yelling and screaming all on it, cursing all on it, violent, everything is still the same. And that’s what people here listen to, where we from. AllHipHop.com: So this was something that ya’ll also did in the mean time with the album coming up… BD: Yeah. Well, we need to keep something in your face. Like when you think about the greats, all the dudes that really helped us, helped Hip-Hop to get to where it is right now, people don’t even speak about them, people forgot about them. And you still put them on the mic today, with the newest, most sellinest dudes and they’ll blow them off. So some people hurt themselves by not being out there. We ain’t them kind of people, we ain’t out there out there like that, we ain’t in every club, at every party and all of that, but as far as just music goes, we got to keep it going.

The Lotus Of…

Artist: ShambhalaTitle: The Lotus Of…Rating: 3 1/2 StarsReviewed by: Dev 1 For many of us, the extent of our knowledge of the Washington D.C. music scene circulates around the musical art form known as Go-Go. Let me tell you, of all places, don’t sleep on the Mid-Atlantic! Simply put, the region that encompasses Virginia, Maryland, and Washington, DC has been cooking up something marvelous for the avid HipHop, Neo-Soul, and Afro-Soul listener. Over the last 8 to 10 years, the mid-Atlantic region has delivered an interesting brand of the music we love. We have witnessed the likes of 7Heads Entertainment affiliated act Unspoken Heard and we have seen Poemcees grace the stage of Def Poetry Jam. On the low, Infinite Loop and Fertile Ground have made their mark. In a cinch, the synthesis of Hip Hop and “Neo-Soul” has developed thoroughly in this area of the world. If this development has been enough for you, then too bad! Prepare yourselves for Shambhala and their debut LP The Lotus of… Comprised of the two immensely hungry artists and talented Lyricists, (Agua and Born Infinite), Shambhala was formed approximately one and a half years ago and is positioning themselves to make a distinct mark in the world of Hip-Hop. The Lotus of… combines lyrical intellect, powerful voice, rugged wordplay and sharp verbal panoramas with the Buddhists ideology. Reminiscent of early nineties acts such as The Boogie Monsters and Wu-Tang Clan and similar to Jeru and Afu-Ra, Shambhala humbly provide the listener with crafty lyricism and a hardcore enlightened spiritual experience without sounding overly self-righteous. “The Lotus of…” opens and closes with Buddhists mantras or chants. The fact that they use these mantras exemplifies a uniqueness in creativity that’s lacking in much of today’s Hip-Hop. Hip-Hop is an art form that, at it’s very core, explores every way of expression imaginable. Many of today’s artists have been using the same played out mold in their production and lyrical substance. Shambhala clearly breaks that mold and steps toward taking Hip-Hop forward in a progressive evolutionary manner. Following the intro, the Axiom produced “Monastery Gladiators” is the ideal opening track for this album as they spit flames at all malevolent beings. The track itself depicts the western movie ominous guitar type appeal. Agua and Born both rip the mic heavily and ride the track with crafty cadences. In “Monastery Gladiators”, a track that can be likened to “Hard Margin” by Black Star; Born Infinite says, “Television, radio clones could never notice; the thief in the night coming quick when heaven opens. Study the I Ching, read the book of five rings and you can find things beyond the vision that your sight brings.” On “Enlightenment”, produced by Young Raven, Aqua clearly states, “How many hoes you bendin means nothing to me, reluctant to see the science behind them sista’s mystery.” Young Raven provides a military type cadence on this track, which serves perfect for lyrics centered on the mental warfare. The Lotus of… is a complete album through and through; other songs to be mentioned are “African Sunflower” (a HipHop ballad), “Kithikai’s Song” (depicting a safe haven for the troubled mind), and “The Wind” (depicting a seen but unseen force). The soundscapes provided range from hard-hitting boombap, to tantric patchworks, to the beautiful jazz aesthetic. And you best believe that Agua and Born lace the tracks with heartfelt lyrics that address many of the issues that Hip-Hop needs to address. This makes The Lotus of… a completely dynamic and vividly constructed album. One might ask, how was the album constructed as opposed to composed? Well, this album illustrates a lesson receiving instruction from top down and on building from the ground up. The Lotus of… contains tracks like “African Sunflower” that could receive notoriety on any Hip-Hop station across the country. However, it lacks the crossover appeal that could take it to the next level. I still dug the album upon first hearing it, and after multiple playbacks; I am convinced that Born Infinite and Agua have stumbled upon something prolific. With continuous effort, there is no reason that heads across the country should not be bumping their music. All in all, please believe it; this album is something to reckon with. If you are sick of sorry music with no substance that addresses the same superficial issues; then, by all means, breathe fresh air. Shambhala will probably receive a bulky underground fan base, by which it is well-deserved. Unfortunately, the five entities that run the industry will be reluctant to see the necessity for an album such as The Lotus of….. Quite honestly, you can’t deny the truth and we shall see if this well-crafted piece of art can do as their song “Leaving Everything Else Behind” says and stand the test of time….divine. For more information on Shambhala go to www.199records.net and check it for yourself.

Missy Elliott Cancels Concert Due To Terror Concerns

Entertainer Missy Elliott canceled a concert in Indonesia after warnings about terrorist attacks in the country. The U.S. Embassy in Jakarta warned Americans about the potential attacks in Indonesia, which has been the site of two major bombings. "We’ve sent out another warden message, which is a message to American citizens residing in Indonesia, about the need to be continuously vigilant and careful in their movement in Indonesia, to continue to be aware of their surroundings, to be aware of the continued potential for terrorist attacks against Americans or American interests," said Stanley Harsha, a spokesman for the U.S. Embassy in Jakarta. Elliott was to perform in Jakarta on Wednesday during her international tour. Other acts, such as Korn and Enrique Iglesias ignored warnings issued in the past, but Elliott and company decided not to take the risk, like many other performers. In December of 2002, a popular tourist section on the island of Bali was bombed, killing 202 people, mostly foreigners. In August of 2003, a powerful bomb exploded outside the JW Marriott Hotel in the Mega Kuningan business complex in Kuningan, South Jakarta, killing 13 people. The alleged mastermind of the Bali bombings, a member of extremist group Jemaah Islamiyah, was arrested and charged in connection with the attacks. Yesterday, three alleged accomplices of the Bali bombings were acquitted of aiding in the attack. The promoter of the show apologized and said that ticket holders will be entitled to a full refund.

Snoop Dogg Files To Divorce Wife

Snoop Dogg and his wife of eight years are calling it quits according to published reports and divorce papers filed in Los Angeles late last week. According to the Associated Press, the rapper/actor officially filed for divorce from wife Shante Broadus in Los Angeles Superior Court on Friday. The rapper seeks joint custody of their three children who are aged 9, 7 and 4. In court papers, Snoop stated “irreconcilable differences” as the chief reason for the abrupt break. Robert Nachshin, Snoop’s lawyer told The AP, “The only thing I want to say is Mr. Broadus hopes that the divorce can be as amicable as possible.” In the recent past, Snoop said that his wife was working with rapper Rage on unspecified projects. Neither Shante Broadus nor her lawyers were available at press time. The 32-year-old Snoop will make his latest acting appearance in the movie “Soul Plane,” a comedic take on the 70’s#### “Airplane.” Snoop, who began rapping with a gangbanger image, has more recently adopted a pimp-like lifestyle and has a close friendship with real pimp Bishop Magic Don Juan. Snoop once declared his love for his wife in a song,”I Believe In You.” In the tune, he rapped “I believe in you/ See can’t nobody make me do what you do/ I mean I’m so in love with you, boo/ I never thought a girl could make me/ Take me To a whole new world/ Re-shape me, love me, hate me.”

Hands On

Artist: DJ Nu-MarkTitle: Hands OnRating: 3 1/2 StarsReviewed by: Paine DJ Nu-Mark doesn’t get much credit. As one of the best DJ’s in Hip-Hop, Nu-Mark shares duties with DJ Cut Chemist as part of Jurassic 5. Together, that makes a team as strong as Wyclef and Jerry “Wonder” Duplesis. Nu-Mark maintains the lower profile of the two, especially after the “Brainfreeze” hype. With a live album, and a few bootleg rare groove releases, Hands On is Nu Mark’s first official mixtape – a weave of mid 90’s sleepers, rare funk grooves, and independent Hip-Hop from all over the planet. This mixtape is very well sequenced. Mark opens with a rare groove set that is likely to introduce vintage translations of your favorite classic Hip-Hop cuts. The drum break and wah-wah’s on “Laying Eggs”, from the Paz archive is a real standout for slow rockers everywhere. Held together by the timeless groove of Organized Konfusion’s “Fudge Funk”, Nu Mark touches some bases for DJ Premier’s large base of die hard fans. Rather than high profile classics or new breaking records, Nu-Mark links together classic interlude beats from Premo’s mid 90’s period å la Group Home and Jeru. If only today’s artists were making throw-away beats that can endure this well. With a strong, solid, sense of yesterday, Nu-Mark takes risks in the tracks he mixes of the future. While overseas many Hip-Hop acts make great money touring and selling records, America rarely gives back. Nu-Mark validates the hard work that foreign acts are doing by including them in his set. “Samauri” by Shurik’n is a nice French offering, while Schlechta Umgang’s “Crew Song” represents the Scandanavian lovely. These tracks might startle Americans at first, but while we might not completely understand it, it’s nice to see Hip-Hop’s universal manifest destiny in action. Nu-Mark made two new exclusives specifically for this album. One with J5 front-man, Charli 2na, the other with J-Live. The track with J, “Brand Nu Live” is a remarkably mellow track that in sound is reminiscent of J5’s debut EP, but in theory is proof that J-Live makes some of the best cool-out Hip-Hop today. But of all the exclusives, the most alarming may very well be “Melody” by the Blendcrafters. This track is a highly experimental fusion of piano, uptempo percussion, and stage-show style singing. Without a doubt, Nu-Mark’s sense of production is one of the finest and most daring in the culture today. Hands On was a challenging mix for the DJ. He didn’t use any certified hits. Instead, he pulled many elements together for an abstract Hip-Hop collective. The album has several movements – from funk, to Hip-Hop, to experimental, and back. Nu-Mark never talks on the record, and the quality is high. Basically, this is a great CD to fill in for lack of a DJ at any party, for any crowd. In the same token, this is one of the finest overall mixes to be released in a year, without pushing into one specific direction.

Wyclef Introduces Clef Records, Explains Why He Won’t Sign Dylan

With technology revolutionizing the music industry, Wyclef Jean looked to the past in order to figure out the future of the billion-dollar business. “I read the Russell Simmons book, the Berry Gordy book,” he told AllHipHop.com from Platinum Studios. “And I was like ‘What’s the next level?’ “Focus,” he said, answering his own question. Clef explained focus is the organization of music and business. With that in mind, the Refugee All-Star started Clef Records, an independent venture that is as close to being vertically integrated as possible. Wyclef and long-time collaborator Jerry Wonder produce everything, which is recorded at Clef’s studio, and then they press it up themselves and shop it to a distributor. As a musician and artist, Wyclef stated he can’t do everything and that’s why he will still shop for distribution. “The distribution game is not what we do,” he clarified. “I don’t want to be in the distribution business, that’s a headache within its own. I’m gonna pay you a fee to get it from here to Japan quicker than me.” The first acts on Clef Records that will require distribution are female rapper Trini Don and Bronx R&B group 3 on 3, whose father is former Harlem Globetrotter Clarence “Mugsy” Leggett. Wyclef boasted how his artists write their own lyrics, which presents their authentic point of view. “They got a whole side of the BX that’s like Motown now,” he said of his crooners’ residence. “That side is not expressed.” One person who Wyclef won’t allow to help express himself is Dylan of the Da Band, who speculated on his future with the hit-making producer. Clef was also featured on “Making of the Band II” giving advice to the young dancehall artist. “You never know what can happen. Wyclef is a big supporter of everything that I do. He co-signed the first song, ‘Dear Diddy’” Dylan told AllHipHop.com in a recent interview. “Me and Clef chill every other day if I’m in New York.” While Wyclef did acknowledge the track, he also said it was highly unlikely he would recruit the dancehall artist to his label. “It’s a crazy record,” he admitted. “But my relationship with Puffy—Puffy’s just too powerful. Really powerful. “Then he’s my friend,” Clef added, explaining how Diddy specifically called him and asked him to appear on “Making of The Band II” because he hadn’t had much exposure recently. “I can’t sign Dylan.” Wyclef previously had a deal for his Yclef Records (a different label from Clef Records) imprint through J Records, but the only release was the soundtrack to Dr. Doolittle 2. Wyclef is still signed to J Records and will release his next solo album on the label. No date has been set at press time.

Trina: Strictly Business

Right now, one could argue that Trina is leading the pack of female rappers, if only by default. But, regardless of what side you might debate for, the fact is, the Miami native is on her grind and focused on making things pop even though she is now a seasoned connoisseur of getting all eyes firmly focused on her. As a visual example, just peer into the pages of some of your favorite rap magazines. Sonically, she is expanding her repertoire as well with her latest, The Glamourest Life (that’s not a typo). The lead single “I’m Leaving You,” has gotten those ears listening like her 1998 Trick Daddy collaboration “Nann N***a.” See what tricks Trina has in story this year. AllHipHop.com: Talk about the album, what kind of album is The Glamourest Life? Trina: The album is really great, it is very versatile. It’s different. It’s actually like the upgraded version of [Da Baddest B*tch]. It’s just my form of expression. Everything I feel like saying, however I wanted to say it. I didn’t go as far to worry about what other people was going to think. Whether it was too explicit, whether it was too raw. With [Diamond Princess], I got a little twisted with worrying about what people kind of expect and want to see a certain side of you and see this and see that. But really they don’t care they want you to just be who you are. Either they going to like it, love it, or they not going to listen to it at all. That’s basically my whole agenda and persona about it. I got a classy side and I also got that extra crunchy raw sexual side as well. You can have two different classes of people. Everybody don’t understand Chanel, Roberto Cavalli and [people who] still can only afford Nike and Reebok. A lot of my fans is like, “You know what, you really kind of left us so far behind because you elevated so fast.” I wanted to make it equal for everybody. You got the classy sophisticated girls but you still got the ghetto girls that’s going to come to the shows and be real wild and stuff. AllHipHop.Com: What about people that are coming up after you. Do you feel those people will take away from what you’re doing because you really are kind of leading these days? Trina: I just think that people that’s coming up after I don’t think that [they] could ever take away from you. I think it’s what you make of it. You have to stay up on your game. The whole industry is competitive. Everything is based on competition and then comparing you to this person. Me myself personally I don’t mind being compared to somebody if they’re a classic, if it’s somebody that has a good rep to follow. Like Kim to me, I think she paved the way for a lot of female rappers to come in and feel free to say whatever they want to say and not really hold back. As far as people that’s coming up behind me, I send love or wish them the best. I just think you have to have the originality about yourself and how you do it. AllHipHop.Com: Why do people seem to want to keep beef going on between the females like you and that [Miami rapper] Jacki-O? Trina: Actually, I’ve been in this business for 6 years and I’ve never had beef with anybody and I think anybody new comes into the game they always compare them to somebody else. I think there’s going to be beef. [We] are from the same city. They want to compare [us] which is cool. I don’t care and I don’t get involved in that. That’s really not my repertoire and I’m too fly for that. I don’t have time to do that. AllHipHop.Com: What about you on the business side, I know you wanna get more into acting? Trina: I’m working on a sitcom right now, it’s called With Friends like These, it’s basically a comedy. It’s like a beauty salon and it’s just about the day in a life of a girl, like what a girl goes through as far as just sitting up hanging around her girls – the drama, the gossip, girl’s man sleeping with other girls. It’s like a whole bunch of girly life but it’s really funny and it’s really interesting and that’s something that we’re working on. I have some movie offers that just came in. I didn’t really have time to sit down and go over the scripts yet. I’ll grab on something that I really, really like. I did this one DVD movie down in Miami, and it’s out now in Blockbuster. I was the lead person in the movie but it was a small movie and I did it just to gain the experience of it and to see what it would be like. It’s a lot of things that I’m doing now that I’m looking forward to coming up within this year and the future. AllHipHop.Com: Now I know this is sensitive subject with a lady, but we heard that you have a new diet and fitness regiment, a lot of people want to know, “Why?” Trina: For myself, it wasn’t more so what people was saying oh she gained weight. I had to really say you know what, I want to wear this when I perform. I want to look like this. I know I can walk on the stage and have my whole stomach and body out because I did it before and know if you get on stage and you feel kind of uncomfortable you don’t want to do that. I definitely would not walk on the stage if you got a stomach that’s hanging over some low jeans, that’s very not sexy so you definitely need to cover that up. I just think about self-confidence and just taking time […]

Shyheim Launching Online Reality Series

Shyheim, an affiliate of Wu-Tang Clan, will launch an online reality series this week that will feature Hip-Hop luminaries like RZA, Method Man, Redman, Easy Mo Bee and others. On May 28, the reality show titled "Real Talk," will allow to watch Shyheim behind the scenes, in clubs, the studio, record company offices and his Staten Island home. "I want to show everyone from New York to Yugoslavia what it’s like for a Hip-Hop artist to be on the grind," Shyheim said. "It ain’t gonna be like no Makin’ Da Band…it’ll be more real." "Real Talk" will promote his upcoming release The Greatest Story Never Told and will web-cast three times a week every Monday, Wednesday and Friday. Shyheim is also planning an autobiographical film, also called The Greatest Story Never Told, and it will be lensed by D-Don, who also directed 2002’s cult classic "Shottas." Shyheim was 15 when the gritty single "On and On" went as high as #7 in 1994. The film is an account of his rise as a child rap star, his burgeoning acting career and the setbacks he experienced along the way. Recently, Shyheim was released from prison after two and a half years for probation violation, gun charges and armed robbery. "I got caught with a cop’s gun," he told AllHipHop.com in a previous interview. "Then on top of that, I had an armed robbery in the first degree. It started off on some beefing s**t. That’s just the way the ‘hood goes. So, that’s what turned it into an armed robbery with a deadly weapon. I owe [the State of New York] three years on parole. I learned a lesson from that. That was Allah’s way of telling me, ‘Look, slow down.’ " The Greatest Story Never Told features production from DJ Quik, RZA and Easy Mo Bee. The album drops July 13 on Shyheim’s label, Bottom Up Records. "It’s time that Shyheim show and prove he’s the youngest veteran in the rap game," said Easy Mo Bee, who produced the first single off the album, "21st Century Crisis." "He needs to bring back Hip-Hop where it should be right now.” The reality series can be viewed at www.shyheim.tv

Suge Knight Ordered To Pay

Suge Knight’s Death Row Records was ordered to pay $162,000 to a man that claimed Knight and a crew of bodyguards attacked him at a recording studio three years ago.The verdict was issued last Tuesday by a Jury in Los Angeles that did not hold Knight personally liable for the attack, but ruled that Death Row was accountable for the actions of the security guards they employ.Baudy said he became involved in an altercation with Knight’s head of security, Reggie Wright Jr. At the Con Am studios in November of 2001.As a result of the altercation, Baudy suffered a ruptured disc and now walks with a cane. Wright claimed Baudy and a friend of his flashed guns after they were prevented from entering a restricted area of the recording studio.Knight testified he was not present at the studio during the altercation. Death Row was ordered to pay almost $60,000 in hospital bills and over $100,000 for Baudy’s pain and suffering and lost income. Knight was freed from prison last month, after serving 10 months in prison for violating his probation.Sources have stated that Knight and Wright had a falling out since the altercation occurred.

Diddy To Challenge Kerry And Bush On New MTV Show

Sean "P. Diddy" Combs is creating a show for MTV that will air this summer, with people directing questions towards presidential candidates John Kerry and George W. Bush. The show, tentatively titled "Project Change," differs from MTV shows in the past due to the more aggressive line of questioning and according to Combs, the questions will come from "real" people from across the country. "I’m going to make Kerry and Bush squirm," Combs told the New York Post. "The people who usually ask the candidates questions are screened, and I’m going to use real people off the streets to get their questions out there." Combs said his goal with the MTV show was to generate the highest voter registration for youth and minorities in American history. "My vote is only one vote, so I’m going to make sure a record number of youth and minorities register to vote this year. I’m asking them to hold their vote hostage until these candidates answer questions in real terms that people can understand. I want to be disruptive because it seems Kerry and Bush are already counting their votes, but I’m going to pull the rug out from under them – they need to work." Combs said that as part of the campaign, various actors and rappers would challenge Kerry and Bush to a town hall meeting, answering tough questions from people who have not been prepared by their cronies. Kerry’s spokesman said Kerry would debate Bush "anytime," while Bush’s spokesman said he was looking forward to a "robust debate" with Kerry.

Local Rapper Arrested For Threatening Lyrics

A rapper in Cleveland, Ohio was indicted last week after leaving what authorities allege were threatening CD’s on car windshields in a local high school’s parking lot in January. Kevin Beebe, 19, of Jefferson, left CD’s with just an email address on car windshields. Authorities allege the lyrics on the CD’s contained violent language, references to the Columbine school shootings, references to suicide and aggressive lyrics aimed at students, local police and the principle. Alarmed by the lyrics, schools in the surrounding areas were put on alert for three days as authorities attempted to apprehend Beebe. When Beebe learned authorities were attempting to find him, he turned himself in and was charged with two felony counts of inducing panic and two misdemeanor offenses of menacing. Beebe’s attorney maintained that the rapper was simply promoting his music and wasn’t out to harm anyone. Furthermore, Kurchasrski said that Beebe was protected by the First Amendment which ensures his freedom of speech and that he didn’t cause panic. Prosecutors maintain that the references to the grizzly Columbine shootings were the cause of the panic.

Foxy Brown Launching Fur Collection

The Hip-Hop masses have clamored about rhymestress Foxy Brown and her whereabouts. Now, the Brooklyn rapper will introduce a custom line of furs and possibly an accessory line called Champaign and Ice. Partnering with Alexis & Ganni for the collection, the exotic line will include pieces include mink and chinchilla, with prices ranging from $2000 to $12,000. A special show room for the collection will open in Manhattan next month. Incidentally, the name of the fur line has meaning to it. Champaign represents the life of a celebrity and elegance, while Ice signifies the opulent lifestyle sometimes associated with a person who decides to wear furs. To promote her latest venture, Foxy will do six in store appearances across the country to promote the line, which will be sold to most upscale clothing outlets in the United States. The rapper also has input as to the designs of the fur collection, which is scheduled to hit stores this year and via a website, www.foxybrownfurs.com.

I Won’t Hang Up My Jersey, Chump!

OK, HIP-HOP, ENOUGH IS ENOUGH IS ENOUGH. I am here to stand up for hip-hop heads across the nation and to state emphatically that we aren’t going to be railroaded out of our sense of style. I’ve been quiet lately watching the sweeping fashion changes that have unfurled this year. Yeah, I am not opposed to change, but you avant-garde ass knuckleheads are not going to force me into copping a closet full of stripped button-up s####. Please. At a recent SOB’s appearance, KRS-One, the self-proclaimed Teacha, was draped in a blazer with a graffiti scribed tee-shirt underneath. I got recent reports that Skillz (aka Mad Skillz) was also rockin’ a blazer as he embarked on the Okay Player tour. Let’s face it; it’s a phenomenon that’s sweeping the grown-man sector. Now, obviously this seemingly started with Jay-Z, who has adopted a grown-up attitude the more he creeps deeper into his 30’s. Jigga didn’t start it but, there is nothing wrong with being an adult, right? No, not inherently… The problem is this MOVEMENT of square pegs that are trying to tell me that WEARING A JERSEY IS WRONG. Now, wearing a sweat suit is wrong according to people like Farnsworth Bentley. OK, Bentley…I’m not hating, because I don’t knock the hustle. But truthfully, you can’t be Diddy’s manservant and have your jeans sagging. You have to play that role to the tea and you did that well. On the other hand, I live in Brooklyn, New York (BK STAND UP, PLEASE) and I’m not walking the streets wearing a suit, with the flower-looking hanky coming out of the pocket. I think it’s corny, to be frank with you. Moreover, that style IS NOT ME. That’s you guys. When Cam’ron decided he wanted to wear pink, he didn’t try to convince everybody that it was the cool thing to do. He didn’t sell it to hip-hop, but hip-hop bought it. Now, I walk into Dr. Jay’s and I see all this pink garb. Similarly, Andre 3000 has been successful in doing what he does (which can be straight weird!) without trying to push his agenda on us. BUT we value him much more for the way he manages his originality. So, why is a cat like Kanye defecating on jerseys and throwbacks. I don’t trip when he puts on a sweater with pink snowflakes and then tosses a suit over that with some jeans. When Bentley was using a pink and green Alpha Kappa Alpha Sorority Umbrella to demonstrate his style, I didn’t say a word. I said, “Duke is really doing his thing and has come a long way from Diddy’s manservant.” That’s respect. So, why the hate to what I do? “The gentleman movement has begun,” he told MTV.com, “throwback jerseys, I’m not impressed/ My attire stays pressed.” And Bentley raps, but he swears “I’m not a rapper, I am a renaissance man. You have to create a whole new category for me. What I do is dissertation over instrumental.” I’d say that quote is a probable candidate for XXL’s “Negro Please” segment. As for me, with all the peppiness going around, I pondered my position as a card carrying hip-hopper. I began to think what I was doing was wrong – for about 10 minutes. Then I said, “FUNK DAT” and I went out and copped MORE JERSEYS, MORE TIMS, MORE HATS. I admit I copped a couple button up for the spring and they are still hanging in the closet. On some points, I agree with Bentley – a gentleman movement is needed in hip-hop. I’m sick of all these maggots trying to push a certain type of rap on us, but at the same time I don’t think somebody like Bentley should necessarily distance himself from us. If you rap, say you rap, but represent a different chamber. When De La said “This is the Daisy Age,” they didn’t try to go head up with N.W.A. In fact, the people embraced both sides as that much-needed balance in our culture. Furthermore, a “gentleman movement” would include me despite my “dated” throwback, because I do all the things that a gentleman does – including opening the door for my lady, sending my mother roses and having good manners. So what if I wear Tim boots? If you look at history, you will see that what Kanye, Bentley and Hov are doing is hardly new. Way back, Dr. Jekyll & Mr. Hyde (of which mogul Andre Harrell was a member) ALWAYS rocked full suits. Slick Rick embodied style. Big Daddy Kane was quick to push the envelope even if he got chided for it from hip-hop. (If I am correct Mr. Bentley is down with Harrell.) I’m hip-hop…but… A few years ago, I would go to these snobbish First Friday’s with Black cigar-puffing, suit wearing buppies that thought they were a step up from the rest of us. While I loved to play “dress-up,” because I enjoyed it (and the attention from the ladies), I hated the attitudes that prevailed from these cats that went back to the daily grind on Monday just like me. I’m just like nobody, homey. But that’s the charm of hip-hop, it’s got the ability to allow the eccentricities of Farnsworth Bentley and the raw, hip-hop sentiment that I bring to the table. Jerseys, boots, hoodies, sneakers, sweat suits and other fashion statements are staples to hip-hop so be careful about distancing yourself from them – they’ll be here long after you are gone. To make a long editorial longer – I Won’t Hang Up My Jersey, Chump! The views expressed in this editorial are that of the writer but hit us up and let us know what you feel. Editorial@allhiphop.com.

Ness of Da Band: Holding It Down

While Dylan and Fred made names for themselves as memorable TV characters with their antics on the finale of Making the Band 2, Ness remained focused on his craft in hopes of becoming just as memorable, but in the music business. Because of his focus, he, along with Babs, was selected by P.Diddy to remain with Bad Boy, albeit on a probationary basis. “All I wanted was a chance,” Ness told AllHipHop.com of his being retained. But some band mates believed Ness was the recipient of unwarranted favoritism. “Diddy love Ness,” Sara remarked during one episode. He contends, however, it was his work ethic, coupled with his talent, which earned him the respect of the Bad Boy CEO. With numerous shots of the Philly-bred rapper in the studio, it appeared he worked harder than Donovan McNabb trying to find an open receiver in the NFC Championship Game. Here, Ness sets the record straight and talks about the show, Bad Boy Records and what’s next. AllHipHop.com: So what’s been going on with you since the show has ended? Ness: Just working on my album, trying to get Diddy to put out [my solo] album. It’s nothing official, right now everything’s just been words. In the midst of all that, I just dropped a mixtape called Rhyme or Crime: The Leak Vol. 1 Elliot Ness Presents. I jumped on a remix with Carl Thomas—the “Make It Alright” remix. They about to drop the single “My ‘Hood.” The album’s called Nessessary. So I got a lot of things cookin’, man. In between that I take care of my daughter. I just got my plate full. AllHipHop.com: On the last show, Diddy talked about keeping you and Babs, but on a probationary basis. Is that still the case or has it since been lifted? Ness: Just yesterday he hollered at me and told me that we’re just gonna start putting songs out there. Basically, Diddy gave me a chance; he gave me a shot. Whether you sink or fail is up to you. I think I got the material to sail off into the sunset. I don’t think that I’ve been putting mediocre stuff together. AllHipHop.com: I saw a DVD that had a bunch of Philly cats rhyming on it and you were on there going hard. Have you had a problem with the show where people see you as a character, rather than as someone who has skills? Ness: From the jump, people saw it as a TV show, they didn’t actually respect the fact that it was [the] actual recording [of an album] and s**t. Now I’m just trying to get all the votes up in my favor. I’m definitely a real Hip-Hop artist. I love doing it. I would be doing it even it I wasn’t signed to Bad Boy. I just love creating and coming out with hot music. All you can do it keep coming with that music and after a while they ain’t gonna be able to deny it. It’s the same thing Jigga said, “Come into the game they try to play you/ drop a couple of hits look how they wave to you.” So everybody’s time is coming. AllHipHop.com: You mentioned how MTV focused on the drama, we’ve already talked with Dylan and Fred and they both complained about the editing of the show— Ness: Man, I really…MTV is a TV show. [But] most of what you saw is real, so I can’t really be mad or complain about how they edit it. They chop up the situations and the comments about certain situations and try to stick it and paste it with another situation, which made it seem like we were talking about each other when we wasn’t. But in reality, these were the things that we said and these are the things that we did. Whether they showed a lot of the good parts or a lot of the bad parts, we signed a contract and really it was up to MTV. AllHipHop.com: What’s your take on Fred and his phone call in the last episode? Ness: I really didn’t feel no way about it. Fred talked like that all the time. That wasn’t the first time I heard Fred say that. Or that wasn’t the first time Fred told them he didn’t want to be in the group—to Bad Boy or to Puffy’s face. Fred, Chopper, they always go around saying they don’t want to be in the group no more, they tired of it, so it wasn’t new to me. AllHipHop.com: Have you heard Dylan’s song “Dear Diddy”? Ness: Nah, I’m not really focused on the negativity and all that with Dylan and Fred. Diddy gave us all the opportunity and it was up to us whether or not if we wanted to ride or fall off. Dylan is a grown man and chose to do what he wanted to do. He knew he had trouble with the system and you know you suppose to stay on point. Then again, I heard he left it up to Bad Boy to handle all his business, which is wrong because Bad Boy ain’t on probation he was. You can’t put your life and you future in the hands of another person. It was kinda like both sides tried to point the finger, but it was just a lack of communication. Dylan wasn’t communicating with his people, he left it up to Bad Boy. Bad Boy was telling Dylan everything was good and he was able to leave the city and perform with us. Then when he came back everything was screwed up. AllHipHop.com: I wanted to ask you about your experience from season to season. I believe it was during the second season that you were caught up fighting and then this past season, as Fred told us, you were the quiet one. Ness: Anybody who watched Making the Band they could see the growth. I’m talking about everybody. You seen other people get […]

Ice-T Producing David Hasselhoff Rap Album

Hard-core rapper Ice-T is grooming a new rapper, one that he says will astonish the rap world with his skills – David Hasselhoff. Ice-T recently revealed that he and Hasselhoff, star of 80’s action television show “Knight Rider” and the worldwide hit “Bay Watch” are working on a rap album. After striking up a friendship in Los Angeles due to the proximity of their residences, Ice-T agreed to produce Hasselhoff, who will reemerge as emcee "Hassel The Hoff." "The man is a legend and we are going to show a whole new side of him," Ice-T told UK newspaper The Sun. Hasselhoff, 51, is more than just a television actor. He is also a mega-star in Austria and Germany. He has released seven albums and the most recent, My America, went as high as #11 on the Austrian charts. "The Hoff will surprise people with his rap skills and humor," Ice-T said. Hip-Hop has had an unofficial relationship with David Hasselhoff for numerous years. The theme music to “Knight Rider” has been sampled by various rappers over the years.

Mobb Deep Move Forward To Future

As Mobb Deep prepares to release their highly anticipated seventh album Amerika’z Nightmare, the group already has their eyes set to the future. "I’m working on my solo album as soon as I get a chance to," group member Havoc told AllHipHop.com. “I’ll experiment a little bit more alone because it’s just me and my little project. You’ll see some things that won’t be on a Mobb Deep album, I’ll do that. I’m going to try to push the envelope a lil something, you know?” "P [Prodigy] is working on his as well. It’s going to be interesting, too. It’s not going to be what you used to. It’s going to be a little mixture of everything." Still the group is going to deal with matters at hand so to support the Amerika’z Nightmare release Havoc said the group would embark do extensive touring. "We’re either gonna create our own tour or hop on whatever is hot at the time. But we definitely gonna be in a town near where ever the fans is at," he said. Havoc said the current climate in Hip-Hop makes it an ideal time for a brand new Mobb Deep album and that he was satisfied with the current direction of Hip-Hop music. "Hip-Hop is going in the direction that it is suppose to even though it’s a lot of commercial [music] and all of that. But you gotta take the good with the bad. Hip-Hop is, right now, the most successful it’s ever been. You just gotta get in where you fit in. If your name is underground, you just gotta work that much harder to break through the surface.” The group has also established Infamous Records, which will put out their upcoming album in a joint venture with Jive Records. A bonus DVD will accompany Amerika’z Nightmare when the CD hits stores later this year. It features 50 Cent, Nelly and Nate Dogg, while the majority of the album is produced by Havoc with contributions from Kanye West and Red Spyda. Songs that featured Nelly and Lil’ Jon were reportedly cut from the album, but Mobb Deep weren’t available to confirm or deny the speculation at press time.

Jim Jones Talks Not Being On The Roc, New Liquor

They say it’s tough love over at Roc-A-Fella Records. Diplomat Capo Jim Jones knows this first hand. After staying behind the scenes to manage everything Dip Set, Jones stepped to the forefront last year as a rapper on the group’s debut album Diplomatic Immunity, which he thought would lead to a solo deal with the Roc. It didn’t. Roc-A-Fella execs didn’t even approach Jones about signing with the label— and the rapper felt it wasn’t his place to approach them. “I never stepped to them,” Jones told AllHipHop.com. “‘Cause I already did a whole [Diplomats] album and they had to listen to it everyday, so if that there didn’t show them what I was doing—and it was a double CD, so I felt I gave it everything I had because I wanted to be hot.” Instead, Jones chose to sign with Koch Records, which will release his as-yet-titled debut album later this summer. Going the independent route made more sense to him and his Harlem hustle anyway, according to Jones. “I did so much by myself, my own videos, my own marketing, just to get myself out there,” he said. Jones’ pull-yourself-up-by-your-own-bootstraps philosophy has been the main reason the Diplomats has become a household name in hip-hop the past few years. He cites Roc-A-Fella CEO Dame Dash and P.Diddy as influences on his business acumen. In fact, Jones sampled a hit from the ‘80s like Diddy when it came time to promoting his and Cam’ron’s latest venture, Sizzurp Purple Punch Liquor. Cam’ron said, “While I was working on my album, [Purple Haze] Jim Jones was making sure the liquor [deal] was straight.” Taking a page from the St. Ides Malt Liquor marketing campaigns that featured 2Pac, Ice Cube and Rakim rapping about the popular beverage, Jones and the Dips put together “Sippin’ on Sizzurp Vol. I: Getting Drunk on Music.” The mixtape includes a host of today’s rappers performing their own odes to alcohol. “You got to copy something to make it great,” Jones said of the campaign. Perhaps that then explains why he and Cam called their concoction Sizzurp, which is the Southern slang term for the mixture of cough syrup and a sweet beverage like fruit punch. “Yeah, I stole it from Down South,” Jones admitted. But he stated it simply was the first name that popped into his head when he tasted the product, which he described as resembling grape Kool Aid. The name, however, puts the rapper in the precarious position of defending against criticism from both southern rap acts and a probably rant from Bill O’Reilly regarding its influence on children. “First of all, kids aren’t supposed to be able to buy liquor from out the store, so they shouldn’t be confused (by the name) anyway,” Jones asserted. And as far as the reaction from the South, he boasted: “They love me for that.” He then joked, “My n***as Down South hit the syrup with the Sizzurp.” Jim Jones solo debut album is due August 10.