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Grouchy Greg
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Grouchy Greg

I am Grouchy Greg. I founded AllHipHop in 1996. In addition to running the site, I enjoy breaking news stories. My stories have been cited in The LA Times, NY Times, NY Post, TMZ, Yahoo, Billboard, The Associated Press, CNN, and more.

http://staging.allhiphop.com

50 Cent Gets His Own Race Car

50 Cent is backing race car driver Steve Hobday, who will drive the 50 Cent race car at Days of Thunder, the UK’s equivalent to the United States’ NASCAR. The rapper will square off against rock group Darkness’ Team Darkness driver Shaun Richardson. 50 Cent headlines his only outdoor concert in the UK this year when he takes the Rockingham stage during the Days of Thunder race. "50 is a big fan of NASCAR and this style of racing and I’m sure we will give him something to cheer about before he goes out on the Rockingham stage," Hobday said. The Days of Thunder takes place June 6th.

Goodie M.O.B.: Still Standing

More than four years after their last album, Goodie M.O.B. is back, and this time they’re out to prove a point. Cee-Lo or no Cee-Lo, Goodie M.O.B. (Khujo, T-Mo, and Big Gipp) is still standing, still relevant and out to show why One Monkey Don’t Stop No Show. In the 90’s, Goodie M.O.B. blessed the hip hop community with two unquestionably exceptional albums in Soul Food and Still Standing. But with an early ninety’s hip hop community still largely segregated by regions, dialects, and production taste, the superlative consistency and overall dopeness of Goodie’s work went largely underappreciated by hip hop communities outside the Dirty. But as with anything great, neighboring hip hop fans began to take notice and the Goodie—along with brethrens Outkast—found themselves truly becoming usher’s of Southern hip hop’s soul and dexterity. Unlike Outkast, whose propensity to speak of social ills with wit and clarity came more with maturation, Goodie stepped into the game with a depth that placed them above mere rhymers. But with any group (See The Beatles or Tribe Called Quest) it’s not long before the public begins to love one member above the rest and when Goodie’s second album, Still Standing hit stores in 98’, it became clear to some Goodie fans that the short, stocky guy with the high-pitched voice had a special talent. More and more Cee-Lo became the public face of Goodie M.O.B., despite the irrefutable talents of Big Gipp, Khujo, and T-Mo. Then when fans and critics alike were put off by 1999’s World Party, the typical tensions of a music group ballooned into irreconcilable proportions. A devastating car accident involving member Khujo, the defection of Cee-Lo from their ranks, and being dropped by their label left Goodie M.O.B. seemingly in the burial ground along side many of hip hop’s forgotten finest. Big Gipp hollered at Allhiphop.com to drop some science on Goodie’s relationship with Cee-Lo and the state of the Union in the ol’ U.S.A. AllHipHop.com: Everybody is familiar with Goodie Mob being pretty aware of the things going on in their community and in the country, what do you think about this upcoming presidential election? Big Gipp: It’s not really what I think about it, it’s about what we gone do. I don’t think neither one of the men really represents us. The close thing I could say is the dude, the Kerry guy. I think I’d try anybody besides Bush right now. First of all, Bush got into the White House on some farce s**t. Second of all, his family is an oil company. His father was one of the people who helped put Saddam Hussein in power, his family also put their oil company’s in control of saving the oil out of Iraq, it’s political dawg. So to a certain extent our war against Irag is really a family business that the country has been put in the middle of. So right now I think the biggest thing that we have to do is to get Bush out of office. At the end of the day Bush is a punk, he’s a punk cause anybody who could just go to war, and ain’t never been to war before…ya know, soldiers don’t go to war over money and he’s not a soldier, so at the end of the day I can’t really be led by a dude who never experienced combat himself. We deal with that whole situation on the album on a song called “Shorty Wanna be A Gangsta,” just asking people what’s really gangsta? Is it the folks that’s out here in these streets that will shoot you over this crack rock, or is it the muthaf**ka that’ll sit up in a house and send bombs and s**t and kill your whole family, then take your oil and then tell everybody you a terrorist…what’s really gangsta? Or these other folks out here like Enron who can steal 300 and 400 million dollars and the folks still walking around here out of jail. It ain’t gangsta when you got a gun, it’s gangsta when you can destroy a persons whole way of life. AllHipHop.com: In reference to getting Bush out of office, could the minority community’s even unite to mount such and effort? Big Gipp: I think so, but what you gotta understand is that the next person who gets in office might not be there long. It’s almost time for another assignation. AllHipHop.com: Wow. Big Gipp: That’s as real as I can give you, that the climate is setting up for another assignation because of the way the cards are falling right now. The Bush family is gone have to do something to stay in power, it’s something that’s gone have to happen to somebody that they feel is powerful enough to take them out of their position. AllHipHop.com: Are you gonna vote? Big Gipp: Yeah, probably for that Kerry guy. Democrats to me just a lot safer then them republicans any day folk. Them what I call crackers man, them crackers folk. Them crackers don’t give a damn about none of us folk. Them crackers about keeping they people and they family in power and f**k black folk, f**k Hispanics and f**k all us. And ya know, white folks is becoming the minority, so the only thing they got is they power, they money, and they f**king property. But at the end of the day in man power, oh they short as macaroni man. AllHipHop.com: What would Big Gipp do you were elected president? Big Gipp: [Long pause] Uhh, If I was elected president, man first of all…the only thing I would change about the United States is that I would give everybody education for free man. Then it wouldn’t be nobody’s excuse why they couldn’t make it. To a certain degree I can’t fault a dude that came up around nothing and had nobody really to teach them. I got sympathy for a person who comes up and may get caught up […]

We Can’t Give What We Don’t Have: Peace

The savage murder of Nick Berg has shocked and horrified many Americans, regardless of their stance on the war. For many Americans this registers as a new “high” or “low” depending on how the war affects them emotionally. I have tried to debate the various reasons why I have been against this “fight for liberation” countless times. Eventually I came to a simple conclusion, and my position is not a “conservative” or “liberal” one, as I am not speaking as a Democrat or a Republican. I am speaking as a man, tired of the violence before him. I speak as a man working hard to ensure that there is peace for the youth in this day and the days to come. Simply stated, we cannot give what we don’t have. We cannot export that which we don’t create. This is the American dilemma in our quest for “peace” and “democracy.” Recently a homeless man asked me for a few extra bucks. I normally would have given him some, but times are hard and I had just bought my kids lunch. I had nothing to give him and hated that fact, but had to be honest with myself. Similarly, America has not been able to bring peace and economic stability to the Bay View Hunter’s Point section of San Francisco. It has not been able to do it in South Central Los Angeles, Houston, Boston, New Orleans or the South Bronx. Now America is going to give a people that it has numerous linguistic, cultural, dress code, religious, historical and philosophical barriers with – PEACE? How is this possible? America has more in common with Bloods and Crips with regards to language, dress code, religion, history, etc. than it does with Iraqis. How can we give the Israelis and Palestinians a peace we cannot give the Bloods and the Crips, or Big Block and Westmob? We can’t stop violence between Nortenos and Sur sets, but we will stop the ugly clashes between Shiite and Sunni Sects? Unarmed Black men are murdered by police without justice being rendered but we will lead the cause for justice over seas? Obviously the American government’s arrogance has overridden its clarity of thought. This incredible mistake of vision and lack of authentic follow-through will cost this generation and possibly several after untold amounts of lives and dollars. We have failed to see that true peace cannot manifest from looking at poster images of past injustice. It does not come about by regurgitating clichéd lines from past movements and outdated icons. True peace begins inside each one of us. Most of us find it through faith in something greater than ourselves. This peace radiates out to those we love and those within our communities, and hopefully, if we are blessed enough, throughout our nation. Only by achieving this peace can we go abroad and have the moral authority and the hands-on know-how to give another people anything good that we may have to share. Start your peace movement today, within yourself. I will try to start mine. If we can begin to do it personally, eventually, we will be able to give it out globally. While we are working on the above, let’s make sure we vote Nov. 2nd and GET BUSH OUT!!! Adisa Banjoko is host of "One Mic Radio", downloadable at www.iciclenetworks.com . He can be contacted at soulpolisher2001@yahoo.com .

Illogic: Got Lyrics?

Performance Poetry can be a lot like Stand-Up Comedy: Great for an evening out, not what you really want to hear in your CD player. In the mainstream, it’s worked. Kanye’s appearance on "Def Poetry" was priceless promotion for his album. One of the only memorable elements of Nastradamus, may’ve been the intro and outro from Jessica Care Moore. But the underground isn’t so lucky. Acts like Anticon and Scienz of Life have struggled to grow acceptance for almost a decade. Critics and fans alike hold a red flag that accuses many efforts as “pretentious” off the bat. One person that seems to have found that difficult balance between MC and poet is Illogic. Ohio’s own golden child is releasing his third (and most exciting) studio album. Illogic and AllHipHop decided to chop it up – on poetry, the difficulties in making an emotional album, and we even got on dude’s case for not pressing the vinyl. Without albums like Celestial Clockwork, and artists like Illogic, groups like The Last Poets would never see their foundation applied in Grassroots Hip-Hop. Now, imagine that! AllHipHop: In your mind, how is Celestial Clockwork a progression from your other two albums? Illogic: I think it’s a lot more personal, and it really shows my growth as an artist. To do an album that’s as consistent as Celestial [Clockwork] is, in comparison to my other albums, it’s a lot of personal experiences on there. A lot of real personal, introspective stories of things that really happened in my life. It’s a good release for me and it’s really good to see that people are enjoying it and taking it for what it is and not expecting some grandeous thing. AllHipHop: When I listened to the album the first time, there was a sense of urgency in it. Like, ‘Now or Never’, is that the case in your overall attitude? Illogic: Not really a sense of urgency. Originally, Celestial Clockwork was supposed to be the follow-up to Unforseen Shadows. But we did Got Lyrics? And some other things happened in the meantime. It was more, we really took our time with it to get it right. We made sure all the production matched the concepts. We really wanted to take our time and not rush it. I wanted it to have as much power as it could possibly have. It was one of things where we had to let it age a little bit and wait a little time to drop it to the world, and now’s the right time. AllHipHop: “Hate in a Puddle” was the joint that really made a big impression for you. It’s just so potent. How did that gem come about? Illogic: At the time, I was in college. I was dealing with a lot of things – trying to learn who I was as a person, trying to find myself. In doing that, I went to Cincinnati for school, which is where my biological father lived – who I had no relationship with whatsoever. I didn’t really meet him til’ I was thirteen years old. So I went there to build a relationship with him, which didn’t happen. That kinda got me really down. Plus, I had a girlfriend at the time that was acting crazy. I was at a loss. I needed some kind of therapy – and writing is my therapy. One day on the walk home from Dose One’s [of Anticon] house, it was raining. I stopped and I saw my reflection in a puddle. I saw at on the balcony of my dorm room in the rain and wrote the song. It was one of those things that I needed to do to get out of a rut that I was stuck in. AllHipHop: Out of curiosity, why don’t you press your albums on vinyl? Illogic: Well, Got Lyrics? Was pressed on vinyl. It sold out. I think we maybe only pressed up two thousand copies. And we sold out. One, being that we’re a self-funded label, vinyl is extremely expensive. Celestial Clockwork is gonna be on vinyl though. We really want to get everything on vinyl. That’s an area we need to touch. AllHipHop: How do you find balance between Hip-Hop and spoken word? Illogic: Personally, I don’t try to find a balance. Because I think they’re one and the same. The difference is the beat aspect of it, of course. But the words is really the power of anything. You can tell an MC is really dope as an MC when they take his beats away and his words are still powerful. That’s how I always have looked at Hip-Hop and viewed myself as an artist. AllHipHop: What does Ohio offer to Hip-Hop. What’s an Ohio B-Boy like? Illogic: I think the benefits is that we’re in the middle of New York and the West Coast. We have all of that convergence on us. The drive in us to become more than what we see on television, or [hear] from anywhere. I think it’s given people like us in Columbus a drive to become more what they think we are. I think a good example of that is RJD2, Blueprint, and I coming from Columbus. We just have a nice view of the entire spectrum of Hip-Hop. It gives a good balance to build on. It’s encouraged here, to be yourself and not sound like this dude or that dude. AllHipHop: The album’s out. What’s next? Where do you go from here? Illogic: Well, right now we’re trying to get some different tours and things together. Nothing’s solidified. I’ll be doing a week with the Eyedea & Abilities Tour down the East Coast. That’s gonna be the second week of May. Everything else is being still worked out. I’ll be all over the country in the next six months. AllHipHop: How hard is it to be fulltime? Illogic: It is hard. Every tour is a dice roll. You hope people show up. You […]

DJ Muggs Makes Hip-Hop Mash-Ups

DJ Muggs of Cypress Hill will be producing an untitled CD that melds Hip-Hop with rock-n-roll, a style called Mash-Ups. A Mash-Up, an English/ Jamaican term, blends two seemingly dissimilar music types into one that is designed to outshine each original. With blends like 50 Cent and Nirvana, the veteran West Coast producer told AllHipHop.com that he hopes to break down barriers with the CD. “For some reason, hip-hip cats want to keep you in this box and want you to keep drawing inside the lines. But can we be creative, man? I never want to work in a box,” he said. In addition, Muggs is developing a syndicated radio show called Mash-Up Radio that he said would continue to expose the genre-melding music. “It would open up for the format on radio to allow rock stations to start playing more hip-hop and hip-hop stations to play more rock. So this is the best way I went about it to make it feasible for both to understand it and digest it.” And, Muggs admitted, with the legacy of DJs like Ron G, the concept of Mash-Ups is hardly revolutionary to Hip-Hop. He did state that there are differences. “Because a lot of stuff [in England], they’ll mix Britney Spears with like Blink-182. So I decided to put my own twist on it like this. Blends has been used, there would have been nothing new. Run DMC opened the doors a long time ago,” he said. “But [with a] Mash-Up somebody is going to be like ‘What’s this?’” As far as his album, Muggs said that he would be using largely original composition from Interscope Records, his label home. “We got all the clearances worked out. We just going to use all Interscope rock bands and all Interscope rap artists. That way we’ll have no problem clearing [samples],” he said. “The real album is going to have like 75 percent original vocals on it and different bands stuff.” Muggs currently has a mixtape that features his Mash-Ups with mixes that includes 50 Cent, Nirvana, Eminem, Jimi Hendrix, Jay-Z, Tupac, Biggie and many more.

The Ill Street Blues: To Unnerve and Arrest

The word’s out! New York’s beloved Police Department has finally admitted to the existence of a surveillance task force targeting our culture’s hip-hop icons. You know what this means, right?!! Perhaps we can finally bring some closure to hip-hop’s greatest unsolved murders in what has become a growing epidemic of iconic martyrs. Or maybe this just means that the police no longer have to deny the existence of covert operations that take racial profiling to even higher degrees of civil violations. Let’s go with the latter of these two assumptions. Without getting too deep, consider the following. What if crack was introduced into this nation to control certain populations of people? Police don’t orchestrate large scale moves like that; they merely enforce them. For that reason, beefin’ with police has become a favorite past time for many of us. But don’t get it confused – it does not pay to be either too naïve or too suspicious of conspiracies embedded in this nation. Nor is it fair to assume that all cops are out to brutalize and harass our own. However, for the ones that do enforce such heinous injustices, we’ve had our eyes on you, too: "The Black and Blue Beat" a.k.a. "Dark Blue Streaks" This is for those cats in the blue coats and flak jackets misusing their posts. Who kick back on cruise and coast only to track and confuse folks, Then attack with abusive tones that pack the sting of being smacked on a bruised nose. This goes to those who dish out crap about do’s and don’ts when it comes to crack for losers who smoke, But snatch packets to redistribute and use coke. Who act tough when cuffs are bruisin’ bones, Crackin’ the back of subdued domes with bats and brutish holds. This is for rats who infuse Judas quotes by forcing men to stab backs with maneuvered notes. Forming pacts that are usually revoked once the facts have backed their duty’s goal – Tearing the backs out of Black community homes by inducing attacks that produce distrust of our own. This is for those that invoke black and blue toasts by packing Gats that are used too close. Thus, evoking black and blue funeral notes composed for dudes in caskets with suits too soon disclosed being stacked and viewed from pews in hues that host ghosts – floating and decomposing in ashes – gone with a wind that blew too close. This represents Blacks whose fuses are blown – I combat for you with truest prose like facts from Jewish scrolls. I’m jackin’ Jake up with this fluid poem. I’m takin’ back what he stained up and truly stole… The pride of Blacks – a beauty to behold.

John Singleton Taps Ludacris For “Hustle & Flow”

Next month in Memphis Tennessee, rapper Ludacris will start filming a new movie called “Hustle & Flow,” which is produced by Oscar-nominated filmmaker John Singleton.Singleton expressed excitement about his new movie, which stars Terrence Howard (“Big Momma’s House”) as a pimp who has a unique problem stemming from the fast life.Singleton revealed to AllHipHop.com. “It’s about a hustler, a pimp that has a mid-life crisis at the age of 28. He knows there’s no future in being a pimp ’cause he aint even that good of a pimp. So he up and decides he wants to be a rap star.”Additional performances come from Anthony Anderson (“Barbershop”).DJ Qualls (“Road Trip”), Taryn Manning, (“8 mile”) and Taraji Henson (“Baby Boy”).”This film is hot. It’s what’s going on the dirty South today,” Singleton continued.Ludacris will play the role of a local artist that recently struck it rich in the rap game. He comes back to his hometown of Memphis, Tennessee, looking down on all of the local acts that seek his assistance in getting into the music business, including Howard’s pimp/rapper character.Howard is spending time among the local rap community in Memphis, hoping to give an air of authenticity to his role. Meanwhile, Ludacris was tapped to play a character to bring a bit more humor to the movie.”Ludacris plays a cat that has some new money,” Singleton said. “He comes back to town and is an a**hole. He’s one of them ni**as that been to Europe and thinks he’s seen the world and he’s just a basic artist, but everyone wants to get put on by him.”The movie is being shot over a four-week period on a budget of $2.8 million dollars and will be directed by Craig Brewer. Brewer directed “The Poor and Hungry,” also shot in Memphis and eventually won the best Digital Feature Award at the 2000 Hollywood Film Festival.”Hollywood doesn’t know what to do with these kinds of movies,” Singleton added. “We had to do it independent. I hope this movie does for the South what ‘Boyz-n-the Hood’ and ‘Baby Boy’ did for Los Angeles. Terrance Howard plays the pimp. Anthony Anderson plays the church going married man trying to help him make a record. It’s funny and dramatic like all my films and gonna be an instant hood classic.”The accompanying soundtrack will be released on Ludacris’ DTP imprint and will feature performances by Ludacris, 36 Mafia, Al Kapone, Frayser Boy and other local Memphis acts.Singleton said he is aiming to have “Hustle & Flow” in theaters in Spring of 2005.

Diplomat’s Freekey Zeekey Locked Up

Diplomat Records President Freekey Zeekey is well known for disappearing for weeks on end, keeping only his Dip-Set brethren aware of his whereabouts. Again, Zeeky is missing from the Dip-Set limelight, this time due to a relatively new incarceration. Sources say, after Zeekey was shot twice in an April 2003 incident where associate Eric Mangrum was murdered, the attention brought awareness of past unresolved charges. “When he got shot, some stuff from down south came up and it all came back out,” Dip Set A&R Duke Da God said. Both Cam’ron and Jim Jones confirmed Zeeky’s status, stating that he wouldn’t be home until 2006. “Freaky Zeeky right now is on a little vacation,” Cam told AllHipHop.com. “I don’t get into too much detail about it, but he is alright and he gives everybody his love.” Jim Jones also remained tightlipped about details on Zeekey. “I’m not really liable to talk about the whole Zeke s**t. Let’s just say that my ni**a Zeke is on vacation and when he comes home he’s going to be a rich motherf**ker.” Zeke’s fun-loving personality is exemplified in the Diplomat videos, but Jim Jones said the president had a duality to his persona comparable to another character. “Joe Pesci was funny in all his movies,” Jones explained “Do you understand the whole picture? Joe Pesci was a hell of a comedian in all of his movies. And he also did all the motherf**king’ killing, ya dig?” Cam has finished recording Purple Haze, his fourth album, and recently released Sizzurp Purple Punch, a 32-proof liquor, with Jim Jones. To read more on Freekey Zeekey prior to his incarceration: https://staging.allhiphop.com/features/?ID=657 https://staging.allhiphop.com/features/?ID=656

Ruff Ryders Launches Ruff Pop, Aims For Mainstream

Ruff Ryders Records is expanding their musical horizons and hopes to have the same impact they have on Hip-Hop in the world of pop with a new label, Ruff Pop. Female singer LT is the first pop act signed to the Ruff Pop imprint, which is part of the empire founded by the Samsi-Dean family 15 years ago. "LT is one of the rawest breeds of pop and is one of the most unique artists that I have heard in a long time," Ruff Ryder co-CEO Waah Dean told AllHipHop.com in a statement. "She writes, sings very well and her stage performance is incredible. The Ruff Ryders and LT partnership is going to be a long lasting musical marriage. We anticipate big things from her in the future." LT said that she was excited to be signed to a label with such a strong reputation for bringing forth talent. Eve, Jadakiss nd DMX are some of the Hip-Hop stars that are signed to the "Double R." "Being the first signed pop artist to Ruff Ryders, I look forward to bringing those same qualities to the label and the listeners, in my own unique style," LT said. Ruff Ryders have been quietly expanding their business. In addition to the Ruff Ryders label and the new Ruff Pop division, the company is involved in film and video production and an apparel line. No release date was given for LT’s debut Ruff Pop debut album.

Raz-B: Break Up To Make Up

One year ago, B2K was arguably R&B’s hottest ticket. Countless interviews, endless television appearances, and various marketing schemes combined to make the quartet immortal amongst their legions of fans worldwide. No one, including B2K themselves, could possibly foresee that this would come to an end. Sighting creative differences, disillusionment with management, and an urging to take on solo projects, B2K went from hot to not seemingly overnight. Although fans are still loyal and carry the flag of B2K months after their highly publicized break-up, many wonder if the group can ever be resurrected. According to former member Raz-B, it can (and will) happen sooner than most people think. He believes God is the sole reason the group was put together, and with that attitude firmly in place, it will only be a matter of time before the group will return. In a candid interview with Allhiphop.com Alternatives, he discusses their imminent return and the many projects he has placed his stamp of approval on. Allhiphop.com Alternatives: You have a clothing line coming out. Can you tell us anything about it? Raz-B: I got a clothing line coming out called MonteMariance. The line is real different; it’s not like the average sweat suit type of thing. If anybody saw the Soul Train Awards or saw the shirts we were wearing with the little button patches on it, that’s one of the first shirts coming out. Look out for that maybe later this year, early next year. AHHA: Last time we spoke you said that you were going to move to China. Is that still going to happen? Raz-B: Yeah, I might actually have to move there because of the success I’m having over there right now. I’m actually going to be the Youth Ambassador for China. I’m also performing on the Great Wall of China in September. They’ve already got Microsoft as a sponsor, Clear Channel Corporate as a sponsor, American Express, and Coca-Cola. It’s huge, so look out for that real soon AHHA: Are you in a position to tell us about your record label? Raz-B: RazBeatz Entertainment is definitely up and running. We’ve been in the studio, and we’ve just cut a record with 3LW that I produced. It’s real hot and real controversial. The album will be out this summer. It has that Timbaland joint on there, called “Shake That.” We are getting ready to shoot the video for it. We are also getting ready to shoot the video for the B2K-3LW record and the video for the “Boyz For Life” remix that I went back in the studio and remixed for the fans. AHHA: Word has it that you are about to put out a gospel CD as well. Can you speak on that for a moment? Raz-B: I am doing a gospel album, and it probably won’t come out for about another year or so. I want to take my time on this album due to the message that I have to put out there. I have to put an indirect message out there. Since the world is materialistic, as powerful as these Jews are, as powerful as these companies are, and all these billions of dollars they got, they could not keep the movie “The Passion of the Christ” from coming out. Why? Because it’s the Lord’s will! So, I’m going to be talking about positive and negative stuff. I’ve been spiritual my whole life. I recommend that everybody go read five minutes of the Bible, and I guarantee you’re going to like everything that you read. You’re going to read more and you’re going to continue to read more, because all the information is right there from marriage to everything. AHHA: What is your opinion of the music business as a whole right now? Raz-B: Honestly, it’s corrupt. It’s a mess. That’s why God has been giving me so much knowledge to be able to maneuver around the system that I’m caught in, as far as being able to release my records, and give my records away and have my fans support it. I just think the record business is negative, a demonic business. I don’t recommend it to anybody. AHHA: Have you and B2K discussed bringing the group back together? Raz-B: Yeah, we have actually had a meeting and have been talking, but there is still a roadblock. I was sitting back, listening to these radio interviews, and I was saying we are sorry about the group. I’ve been trying to orchestrate this and put the group back together, but I had to go public. I can’t do it by myself; it’s a team effort. You helped me build B2K, so I need your help on building it back up. If the fans put enough pressure into the “Boyz For Life” song and video, it’s going to put a big demand on B2K. The power relies on the fans. AHHA: You also have a foundation in the works. Get into that as much as you can. Raz-B: I just applied for it about four weeks ago. It’s called “The RazBeatz Foundation.” It’s a universal foundation willing to do anything to help anything that’s needed. I want everybody to write letters when it’s all set up. It will be attached to my website, www.razbeatz.com. We’re going to try and meet as many as possible, from kids around the world just trying to make a change and just having people around the world signed up. I will be doing other things with other foundations, such as Make-A-Wish, and different things. AHHA: Lastly, what do you have planned for the future? Raz-B: Definitely completing this record and getting it out this summer. Kicking off a tour with me, Ray-J, 3LW, 4-Deep, a new artist by the name of K-Young, and also putting the group back together. We will be back together in the next three or four months with the help of the fans. That’s what’s up right now. Tiffany-Ann Tilley is the 15-year-old stepdaughter of […]

Andre 3000 Snags Starring Role In New Film

Outkast member Andre 3000 will start production and star in a movie tentatively titled the "Untitled Andre Benjamin Project," an effort with Element Films. The rapper is currently negotiating with two-time Emmy Award winning Director Paris Barclay, who is responsible for "NYPD Blue" and "City of Angels." The movie is set in the mid-1970’s and follows the story of an upper-middle-class musical wizard named ‘Valentine’ (Benjamin) and his lower-class friend ‘Chevron.’ Tension grows, as the families are opposed to their interracial relationship as lovers. The plot takes a turn when an accidental shooting by Chevron’s brother, who is a police officer is blamed on Valentine. "This is a story that I have been passionate about being a part of for a long time," Benjamin said via statement. "This project is coming to life at a perfect time in my theatrical career." The film will be executive produced by Element’s CEO Sam Nazarian, while Element partners Adam Rosenfelt and Stavros Merjos will produce. Andre has been featured in several movies including "Be Cool," the sequel to 198’s comedy "Get Shorty," "Hollywood Homicide" and hopes to play guitar legend Jimmy Hendrix in an upcoming Hughes Brothers film.

Twista’s Tour Bus Dumps 200 Gallons Of Sewage On Street

Officials in Indianapolis, Indiana are considering filing charges against Twista’s tour bus driver, after some 200 gallons of sewage flowed out of the rapper’s tour bus. Twista was in town performing at the Murat Theatre yesterday (May 16). Indianapolis police and fire officials were called to McCrea Street where the bus was parked, after someone with the tour emptied the bus’ sewage tank. The sewage, which police said was mostly liquid, flowed down the gutter toward the nearby Omni Hotel. The smell was so bad, employee’s notified the police. Firefighters arrived on the scene and said the liquid could have been a biohazard. A firefighter called local health and public safety officials in order to obtain the best method available to clean up the sewage. A county health representative decided it was safe for firefighters to hose the mess off the street, which they did.

Russell Simmons, Eminem, 50 Cent To Host Detroit Hip-Hop Summit

Eminem and 50 Cent will come together in a show of unity for the Hip-Hop Summit Action Network’s Detroit Hip-Hop Summit. The summit will make its second stop in Detroit at the Fox Theater on May 22, 2004, with the goal of registering 50,000 additional voters. "I know people been down on Eminem, but all I ever see is him giving back," HSAN founder Russell Simmons told AllHipHop.com. "They can talk about me, but Eminem is a giver and I’m proud to work with him." Simmons was referring to the backlash that came about after he publicly stood by Eminem after he used the N-word on tapes that surfaced before the rapper was famous. "This is a big event. The last summit in Detroit was a huge success. Governor Jennifer Granholm , Mayor Kwame Kilpatrick and a lot of other artists are scheduled to be at this one in addition to Eminem and 50 Cent." Another Hip-Hop Summit was scheduled for May 15 in Denver, Colorado, but was canceled due to unforeseen problems. "We remain committed to convening the Denver Hip-Hop Summit at a future date, Simmons said. "We salute the evolution of Hip-Hop in Denver and we look forward to coming to Denver at a time when all of the necessary elements are in place to produce a successful gathering." Loon, Rev. Run, D12 and others are also expected to make appearances at the Detroit Hip-Hop Summit.

50 Cent Not Welcome ‘In Da Club’

Despite being a chart-topping recording artist, 50 Cent’s music isn’t always welcomed “In Da Club.” Fearing an outbreak of fights ignited by the rapper’s songs, a Connecticut bar owner has banned 50 Cent from the play list during hip-hop nights at his establishment. "Anything too hardcore or an anthem-type song that pumps the crowd up is not something I really want played," Robert Peterson, owner of Longshot Sports Bar & Grill, told the New Britain Herald. Since many of the songs from 50 Cent’s catalogue rely heavily on chorus and melodies, such as “What Up Gansta” and “Many Men (Wish Death),” Peterson decided to exclude those selections, which he felt could incite violence. Instead, Peterson focuses on playing music that is more upbeat and positive. "I try to mix it up and really play music people can dance to, stay busy," he said. Rather than blame the raucous activity on the patrons, however, Peterson squarely placed the burden on the music. "It’s really not about who’s in the crowd. It’s the music today; most of it is really not about respect," he asserted. Notwithstanding his contempt for the G-Unit soldier, Peterson admitted he has no reservations about hip-hop specifically. It’s not the genre he has a problem with more so than the incendiary elements—regardless of the type of music. "I know I can listen to hardcore rap or rock and be fine,” he said. “But I’ve seen some individuals who can’t handle that kind of stimulation." Ten days ago, 50 Cent was involved in a melee at a small club in Springfield, Massachusetts. After being hit in the head by a water bottle during his performance, the rapper jumped into the crowd after the antagonist. A brawl ensued and currently police are still investigating the incident.

Eve Relaunching Fetish Clothing Line

Eve will unleash and expand her Fetish clothing when the the Fall 2005 line debuts. Having teamed with Marc Ecko to re-launch the Fetish brand, Eve will introduce a new line of women’s sportswear, headwear, footwear and luggage. "It’s an ideal match working with Marc and his organization on the re-launch of Fetish," Eve said. "I’ve always appreciated Marc’s design sense and he seems to have a sophisticated understanding of me as a person and as a brand. I expect the new Fetish will offer consumers the same high caliber as the other products I’ve brought to market." Eve had originally partnered with Innovo Group in 2003 to design her line, but ended the union, stating that the clothing that was being produced did not reflect her personal style. "She’s got an amazing fashion approach and vision, which will be reflected in the new Fetish line," Marc Ecko said. Despite Eve’s dissatisfaction with her last partner, Fetish Clothing raked in over $50 million dollars in clothing and accessory sales last year, according to Anthony Ottino, President of Fetish Clothing.

Bang ‘Em Smurf Aligns With Suge Knight

The rumor mill worked overtime when reports circulated that Bang ‘Em Smurf and Domination (Silverback Guerillaz) were signing to Death Row Records. However, those reports have been somewhat misconstrued, according to the Smurf. “When they mean sign, I signed a distribution deal – not like an artist deal or nothin’. Gangta Flip Records signed through Koch and Tha Row,” Bang ‘Em Smurf told AllHipHop.com. “I’m running my company.” Smurf affirmed, when asked about the influence of Death Row. “Where Suge [Knight] comes in, him and Alan Grunblatt [Executive Vice President of KOCH Records], is business partners. So he’s been looking for some New York cats that got street credibility. And you know, I’m going at the same people [that] he got drama with, that’s how [Suge] got involved,” Smurf added. In addition, Smurf said that an association with Suge would help him clear a posthumous song recorded with Tupac Shakur. However, while Suge Knight and Bang ‘Em Smurf may share mutual disdain for 50 Cent and his associations, don’t expect a war on wax. Of the street predictions, Smurf stated, “Everybody think it’s gonna be goin’ at 50. Nope! We’re not even thinking about [him]. We’re making music now. The mixtapes, that’s cool. But the album, we are capturing reality, what we go through in life, songs about [mothers], hood music.” Good Giveth and God Taketh Away will be released in late Summer, although fans can expect a video in the near future. On (May 14), Smurf held a free concert/party in honor of slain Lost Boyz member Freaky Tah. Tah is cousins with Domination, Smurf’s partner in the Silverback Guerillaz.

Fred of Da Band: Lord Willin

On the final episode of MTV’s “Making The Band 2.” the world saw Fred just quit, refusing to return from his Florida home to venture back to New York. In a profanity-laced blaze of glory, the Miami-native cursed out P.Diddy’s handlers (and Da Band’s manager) in a way that truly oozed exasperation and frustration. Things are often different they they seem, especially in reality TV, he maintains. Through the power of editing, he feels as if his (and the entire band’s) image has been distorted unfairly. Nevertheless, the appeal of the show cannot be denied and its popularity translated into Da Band’s “Too Hot For TV” moving roughly 800,000 units strong. Much of that success grew into emptiness to Fred, who was known for his gritty rhymes and animated stage presence. In an exclusive with Allhiphop.com, Fred speaks on his former band mates, why he feels the show was ended, and the possibility of life after Bad Boy. AllHipHop.com: Tell the world your side of the story with Puff breaking up Da Band. Fred: Basically, it was nothing. It is what it is. It’s a show and they did what they had to do. The reason for me leaving is I got my own issues, you know what I’m saying? Everybody in Da Band had somebody that took care of them. I ain’t never came up like that, dog. I’m came up a different kind of way, man. All the issues them motherf**kers have, you know what I’m saying? It’s like, it’s all love and you grow fond of a motherf**ker like they are your brother or sister, but in reality, it’s not. Therefore, why am I suffering for these problems? That’s how I felt. I’m through with that s**t, man. On top of that, the money wasn’t right. Ni**as should be halfway millionaires, but everybody’s getting f**ked. Everybody in the f**king band had problems. The only problem I had was being away from my family. AllHipHop.com: Rumor has it, the first contract you signed was for something like $8,000? Fred: Man, that s**t was crazy. We signed contracts before we met Puff. So either way it goes, we was f**ked. We wound up having to get [Diddy’s manager] Phil Robinson [as Da Band’s manager], which was kind of a bad idea and kind of a good idea. In the long run, it hurt us, but at the time we needed him. That kept a lot of money from coming our way. Shows were getting canceled and all types of s**t. I’m the type of ni**a that feels like if I got to get it like that, I’d rather get it on the street. I don’t need to be hustlin’ for another motherf**ker who’s getting way more money than I am off a project. But it’s all love. A ni**a ain’t got no hate. What more can he do for me but take from me? I’m focused on my own project. I got a clothing line called “Eddie Kane.” The name of my group is “Hardheadz.” My diapers and pacifier game is about to hit the streets in a minute. I’m fittin’ to do it different. A ni**a can’t hold me down. I’m rich. I didn’t make more than $65,000 with Bad Boy, but I’m rich. Not with money, just my face. My face can generate money at any time. I got a couple of deals on the table now, but I’m looking for the major label deal. I got this album fittin’ to come out called Life’s What You Make It. The streets need to know about that. AllHipHop.com: What did the whole Bad Boy experience teach you about the game and the music industry? Fred: I learned a lot from Puff. He didn’t teach us nothing, but we watched from the outside. You’ve got some CEOs who’ll teach you about the game and want to see you do good. Then you got some ni**as that’s only about business. We didn’t even have a budget; you know what I’m saying? We don’t know what was spent. We didn’t do too much spending because MTV paid for everything. They was paying Puff rent for us staying in the house and they was making money off the show. Money was generating everywhere for them. I feel them, though, because when you look at something like that, it’s an opportunity. [Puff] looked at it like there was more money to be made. He didn’t know us from a hole in the wall. In the beginning when he took a crack at it, I could see he was pimpin’ us the first season. He got off hard. The second season, I could still see he was doing it, but he was looking out for ni**as. His whole intention was to show the world that he brought these ni**as from the hood, did something for them, and he didn’t have to. That’s the whole thing they are trying to get the world to believe. If your heart was really like that, around the second season, you would have made sure ni**as was straight. Due to the success we brought them, I would have made sure Da Band was halfway millionaires. You would think he would have the audacity to at least look out for a motherf**ker, but it’s all good. He brought me where I’m at. And he can’t take that from me. That’s something God took me through. I had to go through that to get here. AllHipHop.com: Talk about some of the portrayals of the band members and if all of what we saw on TV was actually true. Fred: How could you tell the world you are going to kick out somebody like me? They convinced the world that Dylan is a rebel, Babs starts s**t, Chopper is immature, and they tried to convince the world that Ness was quiet, but due to the second season, we all know that he has another side. But I respect that; I respect all […]

Rappers Win At First Arabian Music Awards

An Egyptian rap star said that Hip-Hop is becoming increasingly popular among youth in oppressive environments. In a Reuters report, Egyptian rapper Takki of MTM said "There are a lot of people doing Arab rap who didn’t feel before that they had much of a chance. " The article stated that youth in Arab countries are bound by strict conventional methods. A United Nation’s Arab Human Development Report noted that age discrimination was one of several problems in the Arab world. Takki and MTM won best modern Arabic act at the first Arabian Music Awards in Dubai. "The best thing about rap is that it is a form of music that criticizes, so it discusses the issues of young people," Takki said at the Awards. "It’s really close to young people because it speaks their language and it speaks about their real-life problems and social life from their point of view. We really needed this in the Arab world." The music is so new in the Arab world, performers have thus far avoided strong language and curse words. In the past, fans of heavey metal were arrested and accused of "devil worshipping." MTM’s#### "Ummi Musafra" which translates to "My Mother’s Away" was about a teenager who has a party when his mother goes out of town, only to be surprised when she returns early and crashes the party.

Torture, Rap Music Connect Allege Prison Abuse In Iraq, Cuba

Two British men who were detained at the US prison camp at Guantanamo Bay, Cuba, allege they were tortured and forced to listen to Eminem at deafening levels. Shafiq Rasul and Asif Iqbal described their abuse in an open letter to George Bush released by the New York-based Center for Constitutional Rights, which is providing legal counsel for the men. The men say they were forced to squat with their hands chained between their legs for hours, blinded with strobe lights and were forced to listen to loud rap music, particularly Eminem, in an attempt to extract information from the prisoners. As early as last year, a Lebanese man who was in Iraq on a pilgrimage to Islamic holy sites and was mistakenly detained by U.S. troops, made the same accusations. "They didn’t torture us physically, but they did psychologically by raising the volume of rap music all day until it became unbearable and by withholding food," Mohammed Jaber said in December of 2003.” These allegations come in the face of similar accusations in Iraq’s Abu Ghraib prison. Pictures of naked prisoners in compromising positions have prompted outcries from humanitarian organizations worldwide. The men also claim Major General Geoffrey Miller, who was in charge of the Guantanamo operation from November of 2002 until this year, created new forms of torture, including "short-shackling," which shackled a prisoner to a hook in the floor to limit movement. Miller is now in charge of the prisons in Iraq, where he has promised to reform the system. Around 600 prisoners are still being held in Guantanamo, on suspicion of having ties to the ousted Taliban regime or the al-Qaida network. None have been charged with crimes and have not been allowed to see lawyers. Some have been held in the prison for over two years.

P. Diddy Breaks Da Band Apart; Dylan Unhappy With Editing

Sean “P.Diddy” Combs finally made good on his word and dismantled Da Band, the group of six individuals that were followed on MTV’s “Making the Band 2.” But, former member Dylan disputes the televised version of the finale show last night on television. On the show, Diddy was seen talking harshly to Dylan, but the dancehall artist refuted the portrayal of him being removed from the rap mogul’s residence, where the group lived for the season. “Get the f**k out my house,” Diddy said repeatedly to Dylan. “On the show, they showed Diddy kicking me out of the house, but they took a clip of him bugging out before and made it look like it was the time that he kicked me out,” Dylan said to AllHipHop.com. “You can’t talk to me any way. There is so much editing on that s**t. He didn’t even kick me out like that.” (Click here to see the full feature on Dylan.) But, on a whole, Diddy said that Da Band devalued the vast possibilities that stood before them. “The moral of the story is you have to take advantage of your opportunities and you have to give love to your craft,” he told the Associated Press. “If you don’t, you can achieve a dream, but it can also be dissolved.” On Thursday, the mogul said that he broke the group apart because he was weary of the bickering, fighting and lackadaisical attitude towards their music. “Initially my goal with Da Band was to make sure the world saw realistically how serious Hip-Hop was. So at times it was kind of embarrassing to me the way they were portraying themselves, not taking it as serious as most artists take this art form,” he said. “The venture with Da Band was successful because it had the TV backing. But at the end of the day, it’s not worth me getting money for something I think misrepresents what Bad Boy and Hip-Hop is about.” The group sold an impressive 800,000 on their first musical outing, Too Hot For TV, but there will be no sophomore album from Da Band. Some shows featured a record number of bleeped curse words, but the show frequently dominated its nightly time slot. Two members of Da Band, Babs and Ness, were kept as Bad Boy solo artists, Fred refused to return from his home in Florida and Sara was home with her husband and children. Young City (aka Chopper) has also been reportedly retained on Diddy’s Bad Boy South imprint. Diddy may produce another “Making The Band” with MTV in the future, but has not confirmed such plans.