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Grouchy Greg
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Grouchy Greg

I am Grouchy Greg. I founded AllHipHop in 1996. In addition to running the site, I enjoy breaking news stories. My stories have been cited in The LA Times, NY Times, NY Post, TMZ, Yahoo, Billboard, The Associated Press, CNN, and more.

http://staging.allhiphop.com

Man Arrested For Impersonating Slick Rick- Again

A man arrested in April of 2002 and charged with seven counts of fraud for impersonating detained rapper Slick Rick, was arrested after calling Rick’s home and showing up across the street from the rapper’s house in the Bronx, New York. Steven Glenn, 29, of Raleigh, North Carolina, was picked up by officers from the 47th Precinct last Thursday, after police responded to a 911 phone call from Rick’s wife, Mandy Aragones. "I got a collect call from someone saying he was Rick," Aragones said. "As soon as I heard his voice I knew it was that damn Steven Glenn." Officers said Glenn identified himself as Slick Rick. Medical workers examined Glenn and transferred him to Our Lady of Mercy Medical Center in the Bronx, where he remains under psychiatric observation. After being arrested in April of 2002 for impersonating Slick Rick, Glenn was evaluated, charges against him were dropped and he was released from State custody. Aragones attempted to file a restraining order against Glenn on Friday but failed, after the Bronx Criminal Court decided she didn’t have enough evidence to prove Miller was a threat. On Friday, Aragones also learned that Glenn had registered his name in the hospital as Rick Walters, the rapper’s real name. "The justice system is broken," Aragones continued. "I should not be harassed at will by a crazy man and my husband should not be in jail." Walters has been held in a Federal prison since June of 2002 by the Immigration and Naturalization Services (INS). Slick Rick was convicted of attempted murder in the second degree in 1991. He was sentenced to three-and-a-third-to-ten years in prison. Rick ultimately served five years and twelve days, two days more than the law allows. U.S. law calls for the deportation of foreign nationals who commit a crime in America. Rick never obtained American citizenship, but the law was waived for Rick due to his recording career, the significant amounts of properties he owned, family ties and charitable work. Rick was released from prison in January of 1996 and was re arrested on June 1, 2002. He was charged with deporting himself and illegally re-entering the country. Rick has been denied bail four times and was labeled a "flight risk."

Nelly Robbed Of $1 Million In Jewels

Nelly was robbed of more than $1 million dollars in jewelry last night at the Aladdin hotel-casino in Las Vegas. The rapper was in Vegas for the 2003 Radio Music Awards and performed the hit "Shake Ya Tailfeather," with P.Diddy and Murphy Lee. The hotel room Nelly was staying in was burglarized. The theft was reported to police around 9:00 Monday evening and the incident was being investigated. Michelle Branch, who also stayed at the Aladdin, reported computer equipment stolen. Over the past months various rappers have had issues with their jewelry. Last month, Big V of the group Nappy Roots lost almost $20,000 worth of jewelry when he was forced to check it in before flying on Southwest Airlines. Trina was robbed of over $300,000 when a man posing as her manager entered her hotel room in Greensville North Carolina and Lil Kim lost, but recovered a necklace worth $250,000 in June.

Rapper Half-A-Mil Found Dead In Brooklyn Apartment

Brooklyn bred rapper Half-A-Mil was found shot to death in his apartment last week in the Albany Projects. Details are sketchy surrounding the shooting. Half-A-Mil released two albums, his debut Million and the follow up, Da Hustle Don’t Stop, which were released on Warlock Records. “We are sad over here at Warlock,” Kyle Christmas told AllHipHop.com. “He will definitely be missed. He was one of those outstanding, but underrated artists. He was a good dude.” The rapper had worked with such heavyweights as The Firm, AZ, Nas, Just Blaze, Trackmasters, Kool G. Rap, Capone-N-Noreaga and others. Half-A-Mil was working on his third album at the time of his death.

Eastsidaz Claim Snoop Owes $1 Million

A rift has opened between Snoop Dogg and his one time protege’s, Tha Eastsidaz. According to the group, Snoop never paid the group royalties on two platinum selling records. The group alleges that after they hired accounting firm Moss Adams LLP, the same accounting firm that Snoop uses, they discovered that they were owed in excess of $1 million dollars. "I won’t allow nobody to take my hard earned money," Big Tray Dee said. "If you want to take something, let’s go head up and winner take all." The group said that they were given a royalty rate of 2 percent and when they confronted Snoop about the unpaid money, he allegedly claimed that no money was made on their self titled debut and the follow up, Duces ‘N’ Trayz…The Old Fashioned Way. After the audit, The Eastsidaz allege they found that Snoop had charged them $142,000 for two gold chains worn during the "G’d Up" music video. The group claims the chains were gifts and that ten other people were given chains as well. On August 6, 2001, Tray Deee wrote a letter asking for the unpaid royalties. He said that he received a response from the law firm of Leibowitz, Roberts & Ritholz, stating that all of the royalties were given to Snoop Dogg. In November of 2001, The Eastsidaz and their manager Terry Carter met with Snoop at his Dogg House Studio. During the meeting the group alleges that they explained to Snoop how they trusted him and that Snoop himself had been cheated out of royalties while working for Death Row Records. Tray Dee maintains that Snoop agreed to give Tha Eastsidaz their own record label to release their third album through TVT Records and that Snoop would contribute three songs to the album at no cost. The Eastsidaz say that they are still waiting for Snoop and claim that his silence is "an attempt to sabotage Tha Eastsidaz project." Earlier this month the group says Tray Dee went to Snoop’s house to return the gold chains and to again ask for the back royalties. According to the group, security was alerted and Snoop "ran out the back door, hopped the fence, fell, busted his lip and ran into the mountains. The security guards opened fire on Tray Deee and left the premises before police could arrive, leaving Snoop alone on the mountain." "Let’s show the fans who you really are," Tray Dee continued. "Quit running like a coward behind your security."

Sean John Investigated For Sweat Shop Conditions

According to reports, P.Diddy’s Sean John clothing line is coming under fire for allegedly using sweatshop labor in the Honduras.An anti-sweatshop group, National Labor Committee, said that the Southeast Textiles factory in Choloma, Honduras where the clothes are made, subjects workers tod daily body searches, contaminated water, 12 hour daily shifts and a whopping 24 cents for every $50 shirt that is sewn.The report said that women were given mandatory pregnancy tests and if they were tested positive they were fired.The violations are illegal but the law is rarely enforced because the government is fearful that various corporations may leave.The executive director of the National Labor Committee, Charles Kernaghan, is currently traveling on a multi-city tour exposing the harsh working conditions in the factory. 80 percent of the factory is alotted to Sean John, while the other 20 percent produces Jay-Z’s Roc-A-Wear clothing company.It was not clear whether Roc-A-Wear was part of the National Labor Committee’s scrutiny.Officials for Sean John said they had no knowledge of the working conditions in the Honduras, but planned to launch an inquiry.

Santi White: Stiffed

Although the name Santi White may be unfamiliar to you, her emotions and lucid lyrical prowess are more known to you than you may know. As the scribe of 11 out of the 12 songs on the highly acclaimed How I Do album by Res, Santi White was instantly praised and acknowledged by the critical world as an authentic talent, while many fans of Res’ music remained ignorant of Santi’s existence, not to mention her contribution to How I Do. Inspired by the success of How I Do, Santi sought to find her own musical platform, from which her unique voice could be represented solely by herself, unfiltered and void of any middle man, thus, Stiffed was created. A Philadelphia native, Santi does not fall into the earthy trend of black musicians that Philly has become so well known for. No, Stiffed is a punk rock band, pure and simple. Boasting fun music and energetic live shows that promise to make you move and sweat, Stiffed is poised for success. Stiffed’s EP, Sex Sells, was released earlier this year and was received warmly by critics, while leaving fans hungry for a full helping. Before going into the studio to record Stiffed’s first full length LP, Santi spoke with Allhiphop Alternatives about the creation of Stiffed, what she thinks about being ‘that black punk rock chick,’ and how she really wants it to be all about the music. AllhipHop Alternatives: Talk a little about your background and how you got into music? Santi: Well…my father was really into a lot of music and he use to play music in the house all the time when I was little kid, so I guess that’s probable how I got into music in general. He use to be really into like jazz and reggae, and world music like Fela Kuti. He took me to see people like Fela and James Brown when I was seven. So we got to go to a lot of shows and stuff as kids. And then I guess when I was little I grew into hip hop from watching Beat Street and Breakin’ and all that stuff and me and my brother use to try and break dance. And I remember the first little piece of a song that I wrote was after I watched one of those movies, and I tried to write some song called City Streets (laughs), I think I was like eight. And then after that I started writing hip hop lyrics, from the time I was like 12 to about 19 to be honest. AHHA: Really? Santi: Yeah, that what I use to do, cause I use to write poems and I use to write rap lyrics all the time and I even wanted to produce beats so I bought a SP1200 and ASR-10. Then I think I felt like I wanted to do something more melodic, cause I was a music major is college, so I was exposed to whole lot of different stuff. I studied hand drumming, I studied West African Rhythms, Experimental, Classical, just all kinds of music. And I think after that I just wanted to add more melody and not do just hip hop stuff, not that I was actually ever performing it, I was just writing it (laughs). So then I just started writing songs after that just for fun and then very shortly after that I did the Res record. Res was somebody that I knew before because our parents were friends and I was working at Sony and Epic cause I thought I wanted to own a record company. And then Res called and said she wanted to put together a demo, so I ended up writing songs on the demo and I ended up quitting my job and just working her album. AHHA: Many people aren’t aware that you wrote 11 out of the 12 songs that appear on Res’ album. Of course Res’ singing the sound of the album played a big part in the albums success, but many people loved the lyrics Res sang and that attracted many people to the album. So was there any element of frustration, in that your work was being so well received and admired, but you remained fairly unknown? Santi: No I wasn’t frustrated cause…I think what happen was all the press started actually bigging me up more than anybody and it actually made it easier for me to go and do Stiffed. AHHA: How did Stiffed come about? Santi: After I was done working on the Res project and I just felt like I really wanted to…ya know I was still writing songs and I didn’t really want to be in the situation again were I was writing songs for somebody else, because I felt like after that I wanted to really hear my songs come out the way that I had intended them in my head and not have to deal with somebody else singing and somebody else producing. So I was talking to Chuck, who was our drummer at the time and he also drummed on the Res record, I’ve known him since high school. And I was like, yeah I want to do this, so he said come back to Philly. So I went back to Philly and we started recording stuff and then within a year we started playing it as Stiffed. Once we started doing shows it kinda took on a life of it’s own. We did little shows in Philly for like a year, year and a half. And once we came to New York is when it all started happening because that’s where all the industry people are and all the people who knew me from Res and all the people I knew in New York, cause ya know I lived in New York for eight years. Right after our first show in New York, we went and recorded the EP really quick in Woodstock, and we got Daryl […]

Ron G: Still Rollin

Is your current single lagging on the charts? Do you want to get your radio spins up? Then you might want to refurbish that song with a re-mix. Look no further than DJ/producer Ron-G. As a youth, he took on the title "Youngest In Charge" and he not only took charge – he changed the game. “Ron G is definitely more than a DJ, he’s a producer, re-mixer and percussionist," said one urban publication. Also known as "The Mix Tape King," Ron G has rocked celebrity events, release parties and even does his thing on a New York radio show. However, the DJ has transformed into a producer that has crafted beats for A-list artists such as LL Cool J, Kelly Rowland, J-Lo, R.Kelly, Fat Joe, Michael Jackson and Mary J. Blige. AllHipHop.com caught up with Ron G who discussed everything from the state of hip-hop to his relationship with Tupac and Biggie. AllHipHop.com: You have created a craze with your blends. People hear about re-mixes but few know it stems from the blends that Ron-G started. RG: My blends were kind of like re-mixes and the energy that blends made caused it to be called re-mixes. If you listen to the first Jodeci, Mary J Blige records those were actually blends. They were hip-hop beats blended with other hip-hop melodies. They were really blends but they were called re-mixes. AllHipHop: What are some of the latest projects for Ron G? RG: Right now, I just did a song with Michael Jackson that R. Kelly wrote ("One More Chance"), I just did a re-mix for Beyonce ("Me, Myself and I"), I also did J-Lo and LL Cool J ("All I Have"), I did Kelly Rowland remix for ("Stole") and Jagged Edge (Heaven Re-mix). AllHipHop: You were also the first one ever authorized to release a freestyle or recording of 2Pac on a mix-tape. RG: Yeah that song is called "Deadly Combination" featuring Big L and 2Pac on Rawkus Records, that record actually went gold. It’s amazing now to look at what everybody is doing, including Eminem. I did that several years ago taking vocals from different rappers and combining them together on one track. The 2Pac and Big L song also had Biggie on there but I couldn’t get his vocals cleared so I had to take it off. That combination back then was so huge, I’m bugging on what they are doing now because I did it years ago and they are just catching on. AllHipHop: How did that come about you getting 2Pac to spit on your mix-tape? RG: Pac came to my studio with Stretch (R.I.P). It was amazing because he wrote his verse in 10 minutes. That verse goes down in history, he wrote what he felt and he predicted his death and how it would happen. Just listen to his verse: Follow me tell me if you feel me/ I think n*ggaz is tryin to kill me/Picturin’ pistols, spittin hollow points til they drill me/ Keepin it real, and even if I do conceal/ my criminal thoughts, preoccupied with keepin steel/See n*ggaz is false, sittin in court, turned snitches/ that used to be real, but now they petrified b*tches/ I’m tryin to be strong, they sendin armies out to bomb me/ Listen to Ron-G, the only DJ that can calm me/ The situation was crazy because he left my studio that night then went to the studio in midtown and that is when he got shot. A few weeks later I was doing a party in New Jersey and the Outlawz stepped to me and said, "Pac said he knew you ain’t had nothing to do with that and he sends his love to you." After that I was happy, as hell and he has been my road dog forever. I have been supporting him since. For a person to do the things he was doing and still move the way he was moving and be able to think the way he was thinking and write the rhymes he wrote in the amount of time he wrote it was incredible. AllHipHop: One of the greatest of all times, who will never die just like 2Pac, is Biggie Smalls. How do you feel when you hear your name over and over again mentioned on the classic "Juicy" record? RG: I’m going to be real with you, you’re the first person I sat down with and talked in depth about this situation between Biggie and Pac. Biggie was personally my friend (short pause). It was a time in my life when Biggie was here and I was broke and going through a huge amount of problems. I didn’t have a dime; I bought cars only to have them stolen. There were only two things I had to keep me going, that was Biggie and my studio equipment. I was sitting home doing beats trying to remain focused and I called Biggie and told him my problems. He told me, "bring me something over man." I brought some beats over and two days later he just gave me a check for $10,000 and he never used the songs. That $10,000 put me where I’m at today. I don’t know if Puffy or Ms. Wallace knows that but B.I.G. did that for me and that is why he will always be in my heart. Rest In Peace B.I.G. He done something for me no rapper has ever done. That $10,000 he gave me allowed me to put some food in my mouth as well as buy another piece of studio equipment. AllHipHop: You never felt the urge to intervene being that you were friends with both Pac and Biggie? RG: I was never put in that position because after the situation with Pac things changed. I never saw Pac again. I seen Biggie on a few occasions. After that everybody’s lives changed including mines. Detectives were coming to my house every other day. It was real, it was bugged […]

Stagga Lee’s An MVP

Rapper Stagga Lee has joined former C&C Music Factory producer Robert Clivilles and has formed the MVP All Stars. The group will release their debut album Hit The Spot, which will be released on the recently reactivated Casablanca Records, which is headed up by Tommy Mottola. In addition to Stagga Lee and Clivilles, the group consists of Maximino Perez and R&B singers Mimi and Vice Verse. The first single from the group is "Rock Ya Body, Mic Check 1, 2," and is getting radio airplay in various markets across the country. Clivilles returned to the music scene after a six year hiatus. Clivilles decided to form the group with individual acts he was working with in his New York recording studio. Clivilles, with C&C Music Factory sold over 8 million albums. Hit The Spot will be in the stores for the holidays.

Kool Moe Dee’s Top 10 Hip-Hop List

Kool Moe Dee’s book, “There’s A God On The Mic,” rates the top 50 emcee’s of all time, based on Moe Dee’s handpicked criteria, which includes technique, lyrics, originality, breath control and style.The book was supposed to have been in stores in September, but has been delayed for unspecified reasons. While the book has yet to be published, AllHipHop.com has learned who Moe Dee has ranked as the top ten emcee’s of all time.The book will hit stores sometime this year, via Thundermouth Press. Here is Moe Dee’s listing:10) Lauryn Hill 9) B.I.G. 8) Chuck D 7) LL Cool J 6) Grandmaster Caz 5) Kool Moe Dee 4)Big Daddy Kane 3) KRS-One 2) Rakim 1) Melle Mel

Fat Man Scoop Tops Charts, Drops DVD, Becomes Label Exec

Popular Hot 97 DJ Fat Man Scoop has topped the U.K. charts with his party anthem, "Be Faithful," a track that has been played on the radio for over four years in the United States. "That’s the culmination of all the hard work that I have done and put down in the streets," Fat Man Scoop told AllHipHop.com, shortly before leaving for London to promote the single. "It was never officially released in the United States. We finally had a way to clear it so it could be released. It was never officially released. Faith Evans and DMX loved the record, but the business affairs people didn’t dig it because it was stolen for the most part. It was just a matter of getting all my ducks in order on that note. It wasn’t easy though." The record contains samples of DMX’s voice and Faith Evan’s "Love Like This Before," which was based on 70’s group Chic’s recording of "C’est Chic." "The record is really big," Scoop continued. "It’s the culmination of all the hard work that I have done and put down in the streets." And that hard work is paying off. In addition to his Hot 97 gig, Scoop said that he is in the process of wrapping up a deal with AV8 Records that will make him part owner and an executive at the label and recently completed his first DVD "Inside Hip-Hop." The 90 minute DVD features one on one interviews with such power executives as Lyor Cohen, Steve Rifkind, Craig Kallman, Paul Rosenberg, Kevin Liles, Damon Dash, Russell Simmons, Mona Scott, Fat Joe and others. "I want people to know what it takes to get to the top. People don’t understand the intense struggle it takes these executives to get to the positions that they have," Scoop said. "My intention is to show people what it takes for those thinking about getting into the game, so they don’t go into it blind." The DVD traces the path of the executives and gives viewers an in depth look into the business side of the hip-hop industry. Scoop is already working on the follow up DVD to "Inside Hip-Hop." "I don’t act like a pimp, I don’t claim to be a hustler or a thug. What I am is a guy who can make great party music. I am going to try to bring my vision to the world. The world don’t really know about party music the way I think they should." "Inside Hip-Hop" hits stores October 28.

Ja Rule Meets With Minister Louis Farrakhan, 50 Cent Next

Rapper Ja Rule had dialog with the Minister Louis Farrakhan on The Nation of Islam’s farm on Thursday. The contents of their conversation will simultaneously be broadcast on 85 urban Clear Channel stations across the country. Sources told AllHipHop.com that the purpose of the meeting between Ja-Rule and Farrakhan is to mediate tension between the two men and encourage peace between their respective camps. Big Tigga was originally requested to do the interview, but sources said that Farrakhan was chosen at the request of Irv Gotti. Farrakhan spoke with 50 Cent on Thursday as well and will meet with him one on one in the coming weeks. Farrakhan will also meet with Irv Gotti and Chris Lighty, who manages 50 Cent. "The reeducation of the public, which is the duty of all in leadership, will cause us to make demands on our artists, their managers, promoters and the owners of the recording, movie and television industries so that the public will be fed a better diet spiritually and mentally, as well as musically and artistically," Farrakhan said of the rap industry in January. This is not the first time that Farrakhan, leader of the Nation Of Islam, has met with feuding rappers. Shortly after the murders of Tupac Shakur and The Notorious B.I.G., the Minister met with various artists, attempting to broker peace.

Authorities Investigating JMJ Suspect For The Murder Of Randy “Stretch” Walker

According to sources, authorities are investigating an ex-con suspected in the Jam Master Jay slaying and his connection to the shooting death of Randy "Stretch" Walker in Queens. Walker was part of the original Thug Life with Tupac Shakur. He left the group for unknown reasons and with the addition of Syke, Macadoshis and The Rated R, Shakur led the group to a deal with Interscope and released Thug Life Volume 1. Stretch was present in the studio when Shakur was shot in the studio in 1994 and robbed of $40,000 worth of jewelry. Walker was gunned down one year to the day of Pac’s first shooting. "Someone was shot with an AK-47 and they retaliated and hit stretch with an AK to make sure he knew how it felt. He was down with E Money Bags, H###, the Live Squad and The Young Guns were all Stretch’s’ squad. But he went on tour, had some success compared to everyone in the hood. But he kept coming back. He used to mean mug folks and some people just got tired of his bullsh*t." Authorities are investigating the suspect’s involvement in the murder of Jam Master Jay, after witnesses claimed that the suspect entered Jay’s recording studio unmasked with the gunman and served as a lookout. Authorities have yet to charge anyone in the murder of Walker or Jam Master Jay.

KRS Drops New Single, Disses Nelly

KRS-One has teamed with Warren G. and Japanese rapper Lil ‘ AI to drop the first single from the QD3 movie Beef. "Let’s Go (It’s A Movement") is hitting radio stations this week. A video shot by Casey Suchan is scheduled to hit BET, MTV and other outlets. “KRS is such an incredible person. I don’t believe this film would have been complete without him, and now that he’s on the soundtrack, we expect big, big, things." Suchan said. According to KRS One’s reps, there is another track on the Beef DVD soundtrack which is being touted as the "official" Nelly ids record. In related news, KRS recently teamed with Arethra Franklin and recorded "I Remember" for his Double Trouble album, which is a collaboration between KRS and Mad Lion. The song celebrates the 30th anniversary of hip-hop and will hit stores in November. KRS’ book, "Ruminations" is in stores. The Blastmaster recently hit the road on the The Knowledge Speaks Tour. Here are the dates: 10/21/03 – LECTURE SAN MATEO UNIVERSITY / SAN MATEO, CALIF. 10/21/03 – CONCERT CLUB BAS / SAN FRANCISCO, CALIF. 10/22/03 – LECTURE CANADA COLLEGE / REDWOOD CITY, CALIF. 10/22/03 – CONCERT SPY CLUB / SAN JOSE, CALIF. 10/23/03 – LECTURE SAN FRANCISCO STATE / SAN FRANCISCO, CALIF. 10/23/03 – CONCERT VELVET JONES / SANTA BARBARA, CALIF. 10/25/03 – CONCERT MISSION BAY PARK / SAN DIEGO, CALIF. 10/26/03 – CONCERT HOUSE OF BLUES / LOS ANGELES, CALIF. 10/29/03 – CONCERT BOULDER THEATRE / BOULDER, COLORADO 10/31/03 – CONCERT 32 BLEU / COLORADO SPRINGS, CO. 11/01/03 – CONCERT THE AGGIE THEATRE / FT. COLLIN, COLORADO 11/02/03 – CONFERENCE TEMPLE OF HIPHOP EVENT / DENVER, COLORADO 11/03/03 – LECTURE TBA / DENVER, COLORADO 11/09/03 – CONCERT SOB’S / NEW YORK, NEW YORK 11/10/03 – CONCERT TBA / BROOKLYN, NEW YORK 11/14/03 – CONCERT NICK’S SNEAKY PETE’S / ALBANY, NEW YORK 11/17/03 – LECTURE TBA / CHICAGO, ILLINOIS 11/18/03 – CONCERT TBA / MILWAUKEE, WISCONSIN 11/21/03 – LECTURE TBA / INDIANA TENTATIVE 11/22/03 – APPEARANCE TBD 107.1 FM FRESHFEST / OMAHA, NEBRASKA

Rappers Take On Prison Industry

Raptivism Records is preparing to release the second installment of their groundbreaking series, No More Prisons. The album is the follow up to 1999’s debut, which features a variety of artists rhyming about the burgeoning prison industry, one of the fastest growing private sectors of business in the U.S. The latest installment of the series features David Banner & Kamikaze, Mystic, The Coup, dead prez, Saigon, Zion I, Self Scientific, Krumbsnatcha, Grandmaster Caz, Akbar, Chubb Rock and Shabaam Sahdeeq, who is currently serving two years in prison. "This lets me tell my story and speak on the bigger issue of injustice in this system," Sahdeeq said. "I’m living proof, and No More Prisons is my mouthpiece until my release next year!” The first installment of the critically acclaimed project sold over 25,000 units world-wide. "No More Prisons 2 is the sequel intended to let people know the work isn’t done. This project is more than just hot beats and lyrics. This project is Raptivism," added Vincent Merry-President of Raptivism Records. Profits from the album will be donated to The Prison Moratorium Project, a New York based non-profit organization aimed at fighting prison expansion and creating awareness of the prison-industrial complex industry. “We wanted to be a part of this project because folks need to wake up to the reality of exploitation in America," Zion of Zion I said. "The prison-industrial complex is the fastest growing business in our country…and that’s a damn shame. Brothers is wasting they lives away working for free, not able to fulfill their God given potential. As MC’s, its our duty to speak to the needs of the community. This record is essential to survival."

Unreleased Pac Songs On The Way

Four "unreleased" Tupac tracks featuring the Notorious B.I.G., Eminem and 50 Cent will hit stores in November on the latest posthumous set from the rapper. Tupac: Resurrection – Music From And Inspired By The Motion Picture features the Eminem produced lead off single, "Runnin’ (Dying To Live)," which features verses from both Pac and B.I.G. "I got sent a bunch of Tupac acappellas and went crazy with them," Eminem said. "’Runnin’ has a chorus by Edgar Winter, and as he’s singing it, you’ll hear Tupac coming in, then Biggie comes in. It’s kinda like they’re just talking about each other and the whole drama that was going on." Eminem is featured on "One Day At A Time," with The Outlawz and produced another new song featured on the album, "Ghosts." Rounding out the set is "The Realist Killaz," which features a verse by Pac and 50 Cent. "The fact that such stars as Eminem and 50 Cent wanted to be part of this project testifies to Tupac’s significance and influence," Pac’s mom Afeni Shakur said. "It was important too that Tupac come together with Biggie again, important for fans of both men, important for the healing process, important for the future. ‘Resurrection’ represents truth, which is often painful, but it also represents hope, which is something Tupac always had." The soundtrack for Tupac: Resurrection includes nine previously released songs and hits stores November 11th.

Daz Signs With So So Def

After moving tens of thousands of units through his Gangsta Advisory record label, Daz Dillinger has inked a deal with Jermaine Dupri’s So So Def imprint. "I signed him because I think he’s one of the most talented west coast artist’s," Dupri told AllHipHop.com. "A lot of people don’t know that, so I am going to bring all of that out." Dillinger is currently in the studio recording his self produced So So Def debut, So So Gangsta. The album will feature Nate Dogg, Snoop, Redman, The Clipse, G-Unit’s Young Bucc, Warren G. and others. Daz has sold tens of thousands of albums independently and is currently preparing to release his "Tha Row Killa" mini-movie. The movie stars Snoop, Tray Dee, Bad Azz and the DPG. The DVD will come with music videos, behind the scenes footage and comedy extras. The movie was directed by James Mossberg, who also has worked with extreme sports athlete, Tony Hawk. "Tha Row Killa" has already booked 20,000 in pre-orders. An accompanying soundtrack is scheduled to hit stores around Christmas. Here is a listing of tracks Daz has finished: 01. Don’t G## Caught Slippin’ 02. Take A Puff Feat. Redman 03. Betta G## Cha Strizzap 04. Fa Sho 2 05. First 2 Bomb 06. I Get Around 2 Feat. Tha Pound featuring Soopafly and Daz.

Ying Yang Twins Shooting Second Video

Following the immense success of The Ying Yang Twins and Lil Jon and The Eastside Boyz collaboration "Get Low," the two groups will collaborate for Ying Yang’s latest single, "Salt Shaker." The single, described as an "ode to booty shaking unheard since Poison Clan’s ‘Shake What Cha Mama Gave Ya!" in 1992, is the second single from the Ying Yang Twins latest album, Me & My Brother. "Now the world is about to see that we been doing songs like ‘Get Low’ since day one," Ying Yang Twins group member Kaine told AllHipHop.com. "We do these kind of songs in our sleep." The video is scheduled to start shooting October 27 on location in Los Angeles.

Wyclef Helps Family Of Deceased Toddler

Wyclef Jean will pay the funeral expenses for an 18 month old child who suffocated to death, after being trapped between his bunk bed and his bedroom wall in Brooklyn, New York. Jean’s generosity came after a story ran in the New York Daily News about the child, Daivon Richardson, who was sharing the bed with several siblings in an East New York apartment. "The story itself is one of the most tragic things I’ve ever heard in my life," Jean said. "To hear something like that, the way that it touched me, it was very important to just take care of the cost of the funeral and try to find a way to help the family further." In addition to paying the funeral costs, Jean sent a crib for the boy’s 1 month old brother. Isaac Mavorah, another New Jersey entrepreneur who owns a medical services company, is offering sheets, cribs and mattresses to needy families that contact him. Mavorah said needy families can call him at (732) 695-1999 or E-mail freebabycrib@yahoo.com.

Jay-Z: The Black Album Preview

Jay-Z insists that after the The Black Album, the curtain finally falls on his illustrious career in hip-hop music. Reclining comfortably at Bassline Studios in Manhattan, with engineer Young Guru, Hov quipped with a group of journalists and media heavies. At a listening session for his latest, Hova revealed the soundtrack to his victory lap out of rap’s arena. “Are you guys writing this stuff down?,” he asked, looking at one journalist in particular. “You’re not.” The journalist, either a downlow disciple or extremely quick witted, points to his head, sighting memory. “Reminds me of myself,” Jay says under his breath. S Dot Carter wants your undivided attention and he deserves it. He previewed the thoughts behind the album and the songs that accompany it like “99 problems” backed by the legendary Rick Rubin, “Encore,” by Kanye West, the just Blaze-produced “December 4th,” “A Moment of Clarity," with Eminem’s beat and others. Here is an excerpt from the group conversation that took place surrounding The Black Album. AllHipHop: This album is about you going back to your beginnings. Did you have to downgrade your lifestyle in order to get back into that mentality? Jay-Z: I just put myself there. It’s just your memory. It’s like sitting down with a writer. Plus I was writing a book at the same time so I was in that zone. It’s like sitting down with somebody and going back to that time. It’s real memory. AllHipHop: Who are you competing with on this album, if anybody? Jay-Z: My [creative] inspiration’s from B.I.G. Like the last time, they brought me “Who Shot Ya,” I made like four songs. When you see my albums, you look at it, I was trying to make Blueprint better than Reasonable Doubt. And I was trying to make Blueprint 2 just as big as Volume 2. So I used my other albums. AllHipHop: You leaving the game is predicting a decline [in the game]…we already see a decline. What are we gonna do now? Jay-Z: “Its not really my problem.” [Jay says in an Italian mobster voice]. My thing with the industry is … I was inspired by cats that made different songs. I was inspired to make a hotter song. I didn’t want to make “Who Shot Ya.” My thing is, I think when people hear albums or anybody that’s hot, they try to do tha same thing. They try to duplicate success by making the same thing. It’s like, the more you hear it, it gets weaker every time. Hopefully if they don’t have one of those things to follow, they will have to make their own stuff. That’s what hip-hop is about. It’s like if this guys is wearing brown and gold, I’m never gonna wear that. I want to where this. It’s not about going to get the same thing. AllHipHop: So now people are going to be forced to innovate? Jay-Z: Absolutely. I mean, I’m not the only one as far as I am concerned. AllHipHop: What made you work with Rick Rubin. A lot of people don’t even know who he is as an innovator in hip-hop? Did you consciously go after him? Jay-Z: Yeah, I’ve always wanted [to work with him]. I’ve always admired his work. And this being the last album, I had a wish list of producers who I wanted to work with. I got Rick. He was on my wish list of people I wanted to work with. AllHipHop: What about the song with DJ Premiere? Jay-Z: The Primo song didn’t come out. AllHipHop: What about songs with Kanye? Jay-Z: Did I play anything from Kanye? AllHipHop: Nah Jay-Z: [To Young Guru]“Encore?” “Encore.” [plays unmixed version of the song] Encore is not mixed or put together right. Things are out of place. Vocals are high. You get the idea. AllHipHop: After this album, you are going to totally quit rapping? Jay-Z: I’m not going to do any collaborations for at least a year. I’m going to step away. Maybe a soundtrack. Its going to cost $1.2 [million]. AllHipHop: Are just trying to go into acting or are you taking a more executive-type role? Jay-Z: Hopefully, a little bit of all that. It’s not just one main focus. I mean music is my love. That was my main focus. Everything else is: ‘I’m going to try to do that. I’m going to try to do that. I’m going to see what happens over there.’ Not one thing is more important that the other. AllHipHop: What does your retirement mean to Roc-A-Fella as a company? Jay-Z: I think that my presence at Roc-A-Fella was a gift and a curse. It think it brought a lot of attention to the label, but also a lot of the artists on Roc-A-Fella are compared [to me]. It’s not like,’“Let’s go hear the album’ Its like, ‘Lets go hear the album – this ain’t better than a Jay album.’ So it puts a lot of pressure on them. I think [me leaving] frees them up. They step up now, I think they’ll be super stars without that burden of having me on the label. AllHipHop: How comfortable was your mom in the studio? Jay-Z: I tricked her. It was her birthday and she was having a party at the club. It was around the corner so I told her to meet me here. When she got here, I was finishing the verse, I was still in the booth. I was like, “You hear those empty parts? You think you can fill those out? ”She didn’t get a chance to think about it. She was already in the studio. AllHipHop: How did you hook up with 9th Wonder? Jay-Z: I don’t know. Young Guru [Jay’s engineer and friend]: I love Little Brother. I went and found them real quick. I was going to bring them up here and play some beats for Jay. I know Jay f*cks with Quest from The Roots. So I told him to […]

Has Hollywood Tarnished Hip-Hop Forever?

Hollywood has become the main objective of the American desire. It contains all of the ingredients necessary for a storybook lifestyle: money, fame, power, and the like. But, most recipes are never perfect. A pinch of this or a touch of that is usually the key to win over a hungry crowd. That extra ingredient, unfortunately, comes in the form of sex, drugs, alcohol, and parties. Anything done in moderation can be usually be counteracted by a healthy dose of consciousness. With each passing year, Hip-Hop is seemingly losing that grip on consciousness, and no one seems to notice the change that may be pertinent for our survival. Is the Hollywood imagination partly or wholly to blame for Hip-Hop’s lack of socialism? If you look past the fact that artists are starring in their own sitcoms, making cameo appearances and being the marquee act on the big screen, you can still smell the rich stench of Hollywood in the air. The Hip-Hop culture has infiltrated all of the major award shows, and Hollywood’s own can be seen mingling with top-notch Hip-Hop moguls. Hollywood is a direct representation of the escape from the average and normalcy that everyday living provides. Signing a “lucrative” contract with Hip-Hop’s most elite labels has come to signify the same thing. Let us briefly outline what it means for a struggling actor to finally make it to the theatres. It symbolizes a change in the status quo. When an actor is rewarded with an Academy award for his or her dedication to perfecting their craft, they are usually swarmed with offers of big money for future roles. They are allowed access to a world that never existed in their eyes before. The slow lane they once traveled in has turned into the Indianapolis 500. Jewelry designers allow them to flaunt their latest creations. Clothing designers flock to them to showcase the latest fashions they have to offer. Hairdressers allow thousands upon thousands of dollars to be thrown away to captivate the waiting audience. Limousines wait on them hand and foot, personal assistants sweat to make their lives as carefree as possible, and…well, you get the idea. What does it mean for an impoverished rapper to make it to radio stations worldwide? At the beginning stages of Hip-Hop, there was no such thing as “exposure.” Only true fans of the culture knew what was going on at that time. Fast forward from then to 2003. Hip-Hop has been elevated to the highest of highs. The same set of circumstances can be found when the struggling artist finally strikes gold, but there are some differences involved. The issue of street credibility instantly takes center stage. Fear of leaving the environment you once called “home” in pursuit of a dream also comes into question. Other than those sorts of differences, it all remains the same. We are in the “botox era” of Hip-Hop. More and more artists can be seen sporting mink coats, driving the fanciest of cars, dining at the most exclusive restaurants, and purchasing homes that would make Robin Leach proud. They are even purchasing companies and becoming viable businessmen in the entertainment industry. What has Hollywood done to contribute to the sudden influx of Hip-Hop artist wanting to live “the life?” There are many answers, yet some of them are not clear enough to be exposed. What is clear is when Hip-Hop became recognized as a conglomerate and not a voice is when the trouble began. Gone are the days that messages helped empower youth. The few artists that have maintained a sense of dignity and self-truth are seldom noticed, if ever. The worldly treasures that maintain the sanity of Hollywood actors have trickled on the necks and fingers of Hip-Hop artists. More than ever, Hip-Hop has received more radio and airplay through commercials and advertisements. Record labels got wind of the fact that they can market MCs better than TV can market the next $200 million blockbuster. It has gotten to the point where rap artists are even becoming romantically involved with Hollywood hotshots (Q-Tip and Nicole Kidman’s supposed relationship is the latest testament to this). In Hip-Hop’s humble beginnings, who would have thought all of this would be possible? Big recording budgets, arenas being overrun with thousands of adoring fans, jewelry that costs more than some houses, and wardrobes that resemble that of kings and queens. Lately, actors have cited the fact that Hip-Hop has taken away from their own luster, taking major roles from those who “deserve it.” Hip-Hop has become Hollywood’s twin, yet they are more like 5th or 6th cousins. The change that Hip-Hop has endured is irreversible, and the effects will be infinite. We may be right in the assumption that Hip-Hop is no longer Hip-Hop. “Holly-Hop” would be a more fitting description. Send us your feedback at editorial@allhiphop.com.