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Grouchy Greg
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Grouchy Greg

I am Grouchy Greg. I founded AllHipHop in 1996. In addition to running the site, I enjoy breaking news stories. My stories have been cited in The LA Times, NY Times, NY Post, TMZ, Yahoo, Billboard, The Associated Press, CNN, and more.

http://staging.allhiphop.com

Ludacris Surprises ATL Students

Incoming freshman of Clark University received a raucous welcome to the A-T-L courtesy of Ludacris and Jermaine Dupri, who performed their hit song, “Welcome to Atlanta,” for a surprised crowd of students attending an orientation session on Monday night. The performance was apart of MTV’s new show “Jammed,” which will air in September. Clark University associate dean Rick Robinson told the Associated Press he expects the impromptu concert to increase the attendance of future scheduled events on campus. “The next time we call a mandatory meeting, you can be sure they’ll all show up,” he said. As for Ludacris, the DTP C.E.O. is currently putting the finishing touches on his next album, Chicken and Beer, which will feature collaborations with Snoop Dogg and 50 Cent. The southern rapper recently shot the video for the first single, “Stand Up,” in Los Angeles; and while in town, he also appeared in the video for protégé Chingy’s next single, “Holidae In,” which he is featured on, along with Snoop Dogg.

Source Release French Version; Readies Award Show

The Source magazine has revealed that they intend to expand their 15-year media empire with the introduction of a French version, which they are hoping to release in the near future. “The debut of the French edition is further proof that The Source brand name is accepted worldwide as the leading authority on what is going on in the world of hip-hop. This is just the beginning,” COO Jeremy Miller told AllHipHop.com. While the company is rapidly working on the new version of the successful mag, they haven’t disclosed exactly when it would hit newsstands in France. Meanwhile the Source Enterprises is gearing up for the 6th Annual Source awards, which are held in Miami from Oct 10-13. Under the mantra “Our culture, our music, our time to shine,” the event will have a number of surrounding activities to compliment the show. Kelli Skeen, the manager of finance & operations for the company, said they intend to take the business to higher levels in the upcoming months with several ventures. “We still capture the essence of the streets. People still check to see how we rate an album-even with The Source Awards. A lot of artists feel receiving that makes them feel official. It means that their people, culture and the streets love them…” Skeen is responsible for the financial aspect of The Source Awards, The Radio Network and The Source Clothing Line, which will be in department stores this fall.

We Came From Beyond Vol. 2

Artist: Various/Mike NardoneTitle: We Came From Beyond Vol. 2Rating: 3 1/2 StarsReviewed by: aqua boogie Fifteen years in hip-hop is equal to a little under fifteen millenniums in normal years. But for infamous LA radio DJ Mike Nardone, fifteen years is how long he has been steadfastly going about his business-exposing the best underground music hip-hop has to offer. Period. His latest compilation, Mike Nardone presents We Came From Beyond Vol. 2 is the follow up to 2001’s We Came from Beyond and continues the series’ devotion to showcasing better underground hip-hop music. The album’s roster of off the commercial radar, heavyweight emcees is too many to list but I will mention J-Zone, People Under the Stairs and Planet Asia. The standouts are the Stones Throw record label emcees with Medaphoar (“Ain’t What You Thought”), Wild Child (“The Justice”) and particularly Oh No on “What the F###” making memorable contributions. Oh No, who happens to be über producer Mad Lib’s brother, continues to make his own mark by spittin’ vicious rhyme couplets over frantically paced horns and percussion. Other must hears include conceptual songs from Vast Aire of Cannibal Ox with “Why is the Sky Blue?” and Apani B. Fly MC (hey, she can rhyme and wears clothes too) with “Picture This”. The former is a lyrical remembrance of coming up as a b-boy and the latter is Apani’s reflections on all she’s seen, most visible on the poetic refrain, “I got sins, issues, puzzles to unravel/Came across many pitfalls in my travels/Stood at the edge, face to face with the answers/Close enough to touch it yet I only snatched a fragment…” But it’s not all memorable here with Esoteric, Celph Titled & Apathy’s “Devastating MC’s” and Aloe Blacc’s “Not the One” both getting rear-ended by lackluster production. We Came from Beyond Vol. 2 serves as a virtual one stop for anyone seeking the rare gems in underground hip-hop’s rubble of nonsensical rhymes, too different to groove to beats and prettied up, but mediocre demos. On this album vastly different styles and techniques converge to make the album a kiosk of refreshing hip-hop in CD and vinyl form.

Irv Gotti To Enter Drug-Diversion Program

Lawyers for Irv Gotti will enter a plea on his behalf on August 25 and the CEO of Murder Inc. will enter a drug-diversion program in Oakland, California. Because he has no criminal record, Gotti is eligible for the drug-diversion program. He must complete the program to have drug related charges dismissed. Gotti was arrested last Friday backstage at the Oakland Coliseum during an R. Kelly concert. Guards at a security checkpoint searched Gotti and found one ecstasy pill and four prescription Viagra tablets in his wallet.

Bushwick Bill Releases New LP, Possible Geto Boys Reunion

In addition to having a new daughter, Bushwick Bill of the Geto Boys has launched his own record label and recently dropped a compilation album. The Different Styles Organization is a compilation album that Bushwick says features a variety of material. "This album has every style of rap, from your thug sh*t, to your love sh*t, to your political sh*t, to your gangsta sh*t, to your bling bling sh*t, to your playa sh*t, and Christian rap," Bill told AfricasGateway. Bill’s noticeable absence from the hip-hop arena was prompted by record label politics. Both companies he signed with ended up going bankrupt, prompting him to launch his own label, West Town Records. "After the goons beat me from Rap-a-lot in 1998 when I refused to sign with them, I was looking for a label. I found one in ’99 with Ichiban. I then put out the album No Surrender No Retreat. While on tour, the company went bankrupt. In ’01, I signed with a label called Nu Wave Entertainment, and again while on tour, that company went bankrupt. So those two things may be a factor of why you haven’t heard from me in a while." Bill said that a Geto Boys reunion album was possible. Scarface, Willie D. and Bushwick Bill recently came off of a 64 city tour promoting the Geto Boys Greatest Hits album. "It’s not up to us. If the powers that be can get it together, and they get my f*ckin money straight, then we’ll have it." And what label will the record be released on? That is not an easy answer. All of the Geto Boys’ albums have been released under J-Prince’s Rap-A-Lot Records. According to Bushwick, he left because the label refused to pay him. Bushwick severed his ties with J-Prince and said "There is no relationship with J-Prince." The Different Styles Organization is in stores now.

Russell Simmons Calls For Boycott Of KFC

Russell Simmons has joined with People for the Ethical Treatment of Animals (PETA) and is calling for a boycott of Kentucky Fried Chicken. Simmons was featured in a full page advertisement in The Courier-Journal in Louisville, Kentucky, where KFC is headquartered. Simmons would not comment on the issue with AllHipHop.com, saying "I am not a spokesperson for the issue, I just wanted to lend my support to the cause." Simmons wrote a letter urging David C. Novak, CEO of Yum Brands, which in addition to KFC, owns Taco Bell and Pizza Hut. He urged Novak to improve their practices of raising and slaughtering chickens in a letter printed in the newspaper. "What KFC does to 750 million chickens each year, on your watch, is not civilized or acceptable, and you can change that," the letter read. "I am calling for a boycott of all KFC restaurants until my friends at PETA tell me that you have agreed to be kinder in your practices." Simmons is a longtime vegetarian and PETA supporter. Spokespeople for Yum Brands said that they do not slaughter the chickens, but they buy cook and sell them. The suppliers that do slaughter the chickens are required to follow guidelines developed by the industry. Other supporters include ex-Beatles frontman Sir Paul McCartney, who also appeared in a full page ad in the newspaper and the lead singer of The Pretenders, Chrissie Hynde. Hynde was arrested last month in Paris after smearing blood on the windows of a KFC restaurant and blocking traffic.

No Edge Ups in South Africa

Artist: 7 Heads R Better Than 1Title: No Edge Ups in South AfricaRating: 4 StarsReviewed by: aqua boogie The kind people over at 7Heads Recordings have blessed us with another stellar offering with their latest compilation, No Edge Ups in South Africa. The album is the first in a series of albums (7 Heads R Better Than 1) dedicated to offering exclusive tracks from the Brooklyn based indie label’s ever growing catalog. The kooky title is an inside joke resulting from enlightening incidents experienced by friends while visiting South Africa. But, the music is on this album is serious as a bad haircut. Asheru from Unspoken Heard continues to win over listeners when he teams with Talib Kweli on “Mood Swing.” Buttery smooth lyrics from both supa emcees are caressed by its subtly hypnotic beat which chops John Coltrane and Duke Ellington’s “In a Sentimental Mood.” The discs highlight may be the now years old b-side “Trackrunners”, a live freestyle session which includes Asheru, Grap Luva and J-Live sharing mic detail. 7Heads sincere dedication to quality hip-hop is on display with all family members making contributions; particularly freestyle phenom Wordsworth (“Backstage”), El De Sensei (“Full Blown”) and J-Live (“Say Cheese”). The aforementioned are all prominent undergrounds artist and they receive stiff competition from the newcomers on the disc including 7Heads initiate Audessey of Mass Influence on “Nightshift” and especially on his spaghetti Western flavored “The Gusto” featuring Apple Jac. J Live says it best on his rare “Braggin Writes Dome Cracker Remix” when he kicks: “I been fly since America had thirteen states.” All at once he’s witty, confident and arrogant-hip-hop. Passive listeners of underground music (the kind who believe picking up Talib Kweli and Common albums make them ‘purists’) would benefit from giving No Edge Ups in South Africa an attentive listen. Tight up your hairline and trim your goatee because this music is fresh.

Sheek Louch & J Hood: A Long Walk

Sheek Louch! Solo effort. Sick. September 2003. All Lox slash D-Block fans salute! What’s really good with D-Block and their empire in the making? Please bookmark the history of the hood’s phenomenon. From the slick streets of Yonkers to Bad Boy on to Double R, The Lox/D-Block remained loyal as a group and to the hungry streets. Scratch through any exclusive DJ Clue mix-tape back in the late 90’s…surely they dominated block and corner music. But now it’s later, and D-Block is determined to control the rap game without attachments. Sheek’s singular effort proves that alone amidst the masses he stands thorough and able to walk. But not in the shadows of his closet comrades Pinero, the Ghost, Styles P. and the raspy voice, hook-master J-a-d-a Kiss, but simply alone. Sheek Louch is set to prove to non-believers and his loyalist fan-base that he walks without a crutch. Allhiphop.com caught up with him and J-Hood at a music session at Hot97 in Boston with DJ Chubby Chub while promoting his album, Walk With Me. They were energetic, focused, and ready to discuss the state of affairs regarding D-Block. AllHipHop.com: Sheek you gotta tell me before we get into the whole D-Block situation…we gotta go back to The Lox. How long have you been in this game? It’s been a minute. SHEEK LOUCH: Yo! I feel like a young old man in this game man. Like I’ve seen them come and go and longevity is the key in this man…but yo…we’ve been doing this since like…it’s been years. AllHipHop.com: Before Show Me The Money Part 2 (DJ Clue). Well, Well, Well… SHEEK LOUCH: Well, Well, Well wow! I gotta give you a pound on that! Yeah! It’s been a minute though man! You now what I’m saying? I mean from Puff, before Puff to just hitting the streets up heavy. And then Puff, and then Ruff Ryders, and then our own thing…D-Block-Universal and now my album. AllHipHop.com: So how does the transition go from ya’ll being just street to making it to Bad Boy? How does the foundation feel to have D-Block and know that’s your creation? SHEEK LOUCH: Yo…man it feels beautiful. I can tell you like when Styles and Kiss was doing their solo projects and all that…that’s all I had in mind. Like yo…we were all like…we gotta get a label…we gotta get a label. Boom! And I tell everybody like I wasn’t even trying to do no solo project until like…until like I started hitting the mix-tape circuit myself…and everybody was asking like yo…when is your album coming out? So that’s when I finally did that. But my whole key was like yo…I’m not doing nothing on nobody else’s label. Like for my project…it gotta be on our own thing to get some of that other money. I want to sit at that big desk and politic about J-Hood’s album coming out, and politic about this and that. So we went to Universal and they was talking the right language and the right money…and not so much as the money…but really our vision on what The Lox wanted to bring to this game, and what we wanted to do, and don’t get in our way. You know what I mean? And they were like yo dawg…ya’ll doing it anyways without no label, without no money behind ya’ll…ya’ll doing it…so here and we gonna step back. So to answer your question it feels BEAUTIFUL! AllHipHop.com: It feels beautiful to build your own creation. Now, with three of ya’ll in the group, I mean the focus depending on who you like the most…well with some people they just like the group overall. How does it feel having different weights in the group? How do you feel about having to balance the group out? Is the solo project a lot of weight on you? SHEEK LOUCH: It’s a lot of weight on me as far as the label D-Block. It’s not a lot of weight as far as me trying to outsell Kiss, outsell Styles or none of that…Naw! We all spit it. Nobody’s weak in this game. We all spit it. And we all make hit music. Naw! Like we all bring different things to the table. AllHipHop.com: I saw what ya’ll went through from being on majors to coming back off and doing the street thing. So how do you explain the loyalty amongst you three now including Hood and others in your team? SHEEK LOUCH: A lot of these other groups are put together. Or a manager found this person and put him with that person. That’s not it with us. I mean, when we ain’t doing music…Kiss is with me…I’m with Kiss…Styles is with me. We in the hood like drinking, smoking, doing whatever we do…like just thuggin’ it out…like a lot of these cats…after the videos…after they roll cameras…they go their own separate ways and they don’t see each other until then. Or when they get into the studios…they come to record that song and they all come with their verses written already. There’s no chemistry going on with them. Me, Kiss, and Styles grew up our whole lives around each other. Our families are close and everything. J-Hood, we met him in Yonkers since he was young. He’s nineteen now. This was like when he was fifteen years old just telling us he raps and letting us hear him. We got another group too, but I ain’t gonna speak on them and they’re sickening. When we get people, we ain’t just trying to get cake. We’re trying to build a family…like loyalty. There’s a lack of loyalty out there. AllHipHop.com: Now Hood, how does it feel coming into like a legendary camp like this? Although to some they might not be legendary because you know it’s not the big glam and things. They are legends from my perspective. How does it feel walking with them? J-HOOD: It feels good. It makes me feel like […]

Open letter to Damainion Ewell

I have never been moved to write to your site before – but having read this open letter I felt the urge. I am a Hip-Hop fan also and have been listening to the music for about as long as you. I can remember when beats DIDN’T all sound the same, when there wasn’t an East coast, West coast or Dirty South sound (in fact there wasn’t even a “dirty” south). I remember when lyrics counted for something and skills were the most prized part of the art from – whether on the mic or decks. I really got into Gang Starr with the album Daily Operation and Primo’s ability to hook up classic, jazz, soul and funk breaks is unique and I would say even true genius. But as Van Gogh learned in his lifetime – genius doesn’t necessarily pay the bills. It could be argued that Dre and Primo are the two greatest hip-hop producers of all time – but their respective places in the mainstream and today’s hip-hop fan base is reflected by their different directions. Primo’s position definitely doesn’t make me think he’s in it for anything other than the art! While in your article you argue that primo shouldn’t make beats for Limp Bizkit you don’t mention major and arguably mainstream artists like Biggie(RIP) and Jay –Z, who Primo has both laced with his tracks. Both of these artists, no matter how legendary, can both be offered up as contributing to the decline of hip-hop into the current “cancerous, empty, and in a state of lifelessness” you describe. Many of their verses read like department store shopping lists, but maybe at the fear of being labeled a “hater” you decided not to include them. Funnily enough I [enjoy] both of these artists but the point I’m making is that an artist like Jeru – who I agree, fits primo beats like a hand in a glove – doesn’t sell units and consequently in order to even continue making records with artists like that, a producer needs to pay bills with artists who can sell. The way you describe the industry it’s like you are blissfully unaware that it is an industry – there’s big money at stake – hip-hop is arguably the music version of Hollywood – and we can see how many deep and meaningful films with artistic integrity come out of there! The masses don’t want integrity (and the majors definitely don’t want to give it to them) – they want cheap thrills and spills – guns, sex, drugs – hip-hop provides all these in abundance – it’s just that we’re missing the Spike Lee or Cohen Brothers are even Woody Allen type films, if you like, in hip-hop – because that’s where artists like Jeru fit – they are, were and always will be on the edge and there is a place for them in my mind – but not in the industry’s. Primo has stuck with Guru – so in many ways you defeat your own argument – as you said guru’s albums have not set the world alight (though his Jazzmatazz tours have brought in cash) but primo remains loyal – but you can’t do that with everyone! Primo’s been lacing MOP – another uncompromisingly underground act no matter how Dame Dash tries to clean ’em up with plastic beats, so I don’t think primo aint been staying true. But label A&R’s make deals – not artists. They decide who laces the tracks so maybe you should be urging artists and producers not to sign to labels and just seek each other out – so they have the freedom to work with who the choose – one problem you wouldn’t probably hear their music. Labels are the outlets and it’s the deals they have with radio that determine what listeners hear in the first place. The Rakim situation at Aftermath says it all, Rakim – the god left (dropped, or a mutual decision? – outcome is the same), from what I heard he got tracks from Primo and Interscope wasn’t so happy with that direction. Reading between the lines money-maker Dre and the company and the rest were trying to gangstafy Ra – or club him out – Ra is just Ra – but in the ECONOMIC str8jacket that is today’s hip-hop, just being Ra ain’t happening. If Primo was the way you describe him he’d be Dre – “respected” by all – making beats for 14-year-olds who thinking shooting “n#####” is cool! One last point – something you seem to have missed is that all these artists are real people! They are not their images, they are real – no matter what they do in public. By real I don’t mean “thugs” are “street” I mean flesh and blood – breathing, eating shi**ing – like us all. That means they fall out – like us all, they grow together and apart – like us all. The fact Jeru and primo don’t work together might be something hip-hop fans like you and I can’t feel but people can’t always get on even for the sake of big cash – let alone the sake of art! Because believe, if labels thought Jeru and Primo would make millions they’d be trying to get them together. As for Meth and the likelihood of him getting into a shiny suit – who gives a f**k – you want to listen to real hip-hop turn off the radio and listen to joints up to 1996 after that forget about it! We all need to come to terms with the fact that we loved has changed beyond recognition – I mean rappers weren’t even talking about platinum b4 – even if they sold a million records – Dre and cube used to diss the radio – Sam Cooke said “a change gonna come” – I guess it did! By the way the letter was still kinda dope – or I wouldn’t have written this! -Yinka

“Da Band” Member Ness Launches Label, Group Changes Name

Philadelphia rapper Ness, a cast member of MTV’s "Making The Band 2," has taken a cue from his mentor P. Diddy and has launched his own record label. "I got my own label, Rest Ya Neck Entertainment," Ness told AllHipHop.com. "The name means to relax, to fall back and chill. The first group I got signed is The Young Hit Men (YHM). It was a group I was a part of before I got signed. Me and a couple of guys from the projects started the group." As a member of the high profile group, Ness was involved in three fist fights with group member Frederick in last weeks episode. The show featured 84 bleeped obscenities, down from the season high of 92, which was claimed in the previous week. According to Ness, the in fighting has nothing to do with his belonging to another group and he sees no conflict in pursuing outside endeavors. "This group was before I was a part of Bad Boy," Ness continued. "This was when I was doing my thing, blazing mixtapes and trying to get on. These are the people that believed in me first." Ness is quick to point out that Bad Boy is the reason for the opportunities that have presented themselves to every Band member thus far. "We been grinding and struggling, so they are happy to see someone get in the door and get the ball rolling. At the end of the day we are all here to make dope music and keep the music alive and carry on the bad boy legacy." And as if the struggle were not enough, the group recently had to change their name from Da Band to Bad Boy’s DA Band, to avoid legal repercussions, due to another group having the name trademarked first. Despite printed reports that Sara may be leaving DA Band, the only singer in the group dispelled those rumors at a recent photo shoot. "DA Band is the foundation. I feel good about the album, the songs are hot. I really feel like we are going to be make a difference, it’s something new and refreshing."

Suge Knight Hit With Lawsuit

A law firm his filed a lawsuit against Marion "Suge" Knight, alleging that the imprisoned mogul fraudulently sold or gave away four properties in the Los Angeles area, to avoid paying almost $142,000 a judge ordered him to pay the firm. In May, Knight had been ordered to pay the law firm of Kopple and Klinger almost $142,000 to compensate for legal services the company provided. The firm claims Knight has never attempted to pay, but instead sold or transferred the properties at little or no cost, to "hinder, delay or defraud" the firm. One complaint alleges that Knight and his MHK Investments, gave away a property in an upscale neighborhood for "no valuable situation." Knight has been incarcerated since June 27. He was found guilty of violating his parole for striking a Hollywood area parking valet.

The Blackout

Artist: MaspykeTitle: The BlackoutRating: 3 1/2 StarsReviewed by: Brolin Winning Representing Springfield Massachusetts (birthplace of basketball and Dr. Seuss), Maspyke have been putting in work for several years now, establishing a solid rep thanks to quality singles like “The Gong Show” and “54th Regiment,” among others. Comprised of DJ Roddy Rod on the beats with Hanif “H-Bomb” Jamiyl and Tableek sharing mic duties, they treat us to 18 tracks of smooth wordplay and low-key but impressive production on their official debut LP The Blackout. The album gets off to a strong start, with a nice intro leading into “Far East,” a great joint laced with humming organ tones, unrelenting boom-baps, and a weird little vocal clip. The back-and-forth rhyme style works well, with both emcees flaunting ample skills and charisma. “N##### Trip” targets ignorant cats everywhere, set to a slick guitar loop, deep bassline, and sharp snare hits. Mega-smooth, filtered pianos come into play on “Lost In Belief,” a mellow but very catchy jam that discusses both Islam and lesbianism, punctuated with weepy string snippets and dust-encrusted kicks. Other key jams include the thumping “Transit – Rod’s Whip” and “All Things Fall,” which incorporates some choice bongos and chainsaw sound effects. Throughout the record, both Hanif and Tableek come nice on the verbals, rapping about real issues while avoiding played-out gangster clichés and wack emcee bashing. However, it’s Roddy Rod’s production that really makes things happen, with his undeniable gift of making your neck bend to even the simplest of beats and a few sparse loops. He definitely has a dope signature sound, although some of the tracks lag a bit, and things get a bit too repetitive at times. Still, when it works it works wonders, as evidenced on the ridiculously chill, mostly instrumental title track. Overall, The Blackout is an impressive debut from a crew we’ll definitely be hearing more from soon. There are a few skippable selections in the mix, but the niceness of the rest of the album easily makes up for it. While Boston artists have been getting more props over the past few years, players from The Field are still waiting to get heard. Maspyke may be just the team to put Western Mass on the rap map.

Nelly Launching “Pimp Juice” Energy Drink

Saint Louis bred rapper Nelly and his company, Team Lunatics are hoping to ride the success of his hit "Pimp Juice," and have launched an energy drink named after the song. "There may be several drinks out there claiming to boost liveliness, but the energy drink market still provides many untapped marketing opportunities," Nelly told AllHipHop.com in a statement. The energy drink is the same size as most energy drink cans, weighing in at 8.4 fluid ounces. The drink consists of 10 percent apple juice, with 100 percent vitamin C, B6, B12, riboflavin, niacin, and panothenic acid and the drink itself, is bright green. In addition to hoping to hit the jackpot in the energy drink market, Team Lunatics plan to give back through educational endeavors. Portions of the proceeds of the sale of Pimp Juice go to Nelly’s non-profit organization, 4Sho4Kids. The company plans to give away a college scholarship each year to one hard working student.

Irv Gotti Busted

Irv Gotti was busted Friday evening and charged with possession of ecstasy, in Oakland, California. The head of Murder Inc. was stopped at a security checkpoint backstage at the Network Associates Coliseum, during an R.Kelly concert. A search of Gotti turned up one single ecstasy tablet along with prescription Viagra tablets. Gotti was booked at the Alameda County Jail in Oakland, charged with possession of a controlled substance and released on bail. Gotti is scheduled to appear in front of a judge in Oakland today. Officials said that Gotti will most likely be forced to enter in the county’s drug diversion program. In June, John Bryant, labeled as the star of the Murder Inc. backed film "Crime Partners," was arrested in Los Angeles during a routine traffic stop after police found four tablets of Ecstasy on him. He was riding in a Cadillac Escalade registered to Ja Rule.

The High & Mighty Prepare New LP, Aim At Nelly, Hollywood & Fast Food

After a lengthy hiatus, Mr. Eon and partner DJ Mighty Mi are aiming to raise some eyebrows with the release of their latest album, The Highlite Zone. "The lead single is called ‘Take it off,’" Mr. Eon told AllHipHop.com. "It’s all about the jersey’s and how people who don’t know anything about sports are rocking the jerseys. We sent it to Nelly because there are a couple of lines about him. We’ve been told his people are telling him not to react." And Nelly isn’t the only target of the album. Actor Michael Rappaport is also featured on the album and he is throwing rhymes at his Hollywood peers. "Mike always wanted to rhyme, so he did a jawn called ‘How To Rob An Actor.’" The song, which is a spin of 50’s ‘How To Rob An Industry N*gga,’ features Rappaport jacking various actors. According to Eon, a response to the song is already being prepared by Oscar Award winning actor, Adrien Brody, who also raps under the name A. Ranger. "From what we hear, Adrien Brody is supposedly coming back, because Mike names him in the song." Rappaport raps: "You walking down sunset, but no one can save you/Affleck gimme that Rolex that J. Lo just gave you." The crew also take aim at the fast food industry on a song based on the critically acclaimed book, "Fast Food Nation," by Eric Schlosser. "We go after the fast food restaurants hard, it’s on some serious sh*t," Eon said. “We got these girls singing the McDonalds hook, but then I come in and diss their industry. I really think there is going to be strong reaction from the fast food companies and maybe some kind of action against the album because of the song." The 16 track album features production by Mighty MI and RJD2 and features guest appearances from Ra The Rugged Man, Cage, Copywrite, Tame-One, Cannibal Ox and Philly native Rahzel, who takes the place of Ready Rock C. and lends his beatboxing skills to a remake of Jazzy Jeff and Fresh Prince’s "Rock The House." The Highlite Zone is slated to hit stores October 7th on Eastern Conference Records.

Outkast, Biz Markie Help Launch Shandon Anderson Foundation

Outkast, Biz Markie and a host of NBA stars are set to join New York Knicks’ Shandon Anderson August 29-31st, to help launch his philanthropic endeavor, The Shandon Anderson Foundation. "Actually the foundation has been in existence for three years," Anderson said. "This is the first actual event because I wanted to make sure I took the right direction." The first event, "The Shandon Anderson Foundation Presents the John Madden Tournament," will take place in Atlanta. The weekend activities will feature complimentary amusement park rides and a barbecue, an auction of sports memorabilia which will even include the 1996 Olympic Basketball autographed by the original Dream Team, a large party and more. "It just seems like the perfect thing to me," Anderson said. "We’re creating a series of rounds where any individual will have the opportunity to play the video games against a celebrity. In this way, we will be raising funds for the foundation via the entry fee and individuals will have a chance to get to know their favorite celebrities by playing against them. That’s much more than just asking for an autograph." The tournament will advance in several stages at different venues which will culminate on that Sunday at the well-known, ESPN End Zone site in Atlanta. Proceeds benefit Shandon’s Youth Retreat, a special series of field trips aimed at developing youth between the ages of 10-14 years of age and follow their development until the age of 18. "I was raised helping others, so it was just natural for me to create a vehicle to give back," Anderson said. Derrick Fisher, Deshawn Stevenson, Jarvis Hayes, Jagged Edge, Chico Debarge, Sam Cassell, Terrance Edwards, Ray Buchanon, Nick Anderson, Dominique Wilkins and more are slated to attend and compete.

Double Bio On 50 And Pac Coming To Stores

"Born Gangsta" an unauthorized glimpse into the lives of rap stars Tupac Shakur and 50 Cent, will hit bookstores soon. According to co-author Anthony Thomas, the book points out parallels and contrasts between the two rappers careers and their impact on American culture. "I wanted to bring up the point that both men rose to stardom from poverty in a short time," Thomas told AllHipHop.com. "They both had their rivalries, Ja-Rule and 50, Pac and B.I.G. 50 getting shot nine times, the guy narrowly escaped death as did PAC when he was shot in a Manhattan recording studio." Tupac’s posthumous albums have generated around $60 million for his estate, while 50 Cent went from being an underground artist giving his material to bootleggers, to being worth an estimated $18 million dollars in one year. "We went to the bootleggers on Canal Street in New York and asked how many tapes 50 put out. Those guys on Canal, who are mostly African, wouldn’t discuss how much money they made and they never smile. When we mentioned 50’s name they actually cracked smiles, implying that the guy made them a lot of money." Thomas said they he and his co-author reached out to 50 and Pac’s respective camps for comments, but found they were stonewalled. "We reached out to 50 and PAC’s people, but being a small company it’s hard to get to the artists and get a representation of their side," Thomas said. Thomas said that in writing the book, they reached out to various people who knew 50 Cent, including people from his neighborhood, various mixtape DJ’s and the bootleggers themselves. The book also features an in depth analysis as to why Tupac, 50 Cent, Eminem and others are constantly being criticized by conservative news commentators. "It’s not just the rappers responsibility," Thomas continued. "It’s the media, the record companies and the artists. Artists and the record labels can put out music that doesn’t always have to be violent." Currently, the publishers are in negotiations with various bookstores, including Barnes & Nobles to carry the book. The book is expected to hit chains nationwide sometime in the spring.

Bone Thugs Join Insane Clown Posse On “Wicked Wonka” Tour

Rappers Insane Clown Posse, Bone Thugs-n-Harmony, Tech N9ne and the Kottonmouth Kings will hit the road as part of the "Wicked Wonka" tour, set to kick off September 17th in Cleveland, Ohio and fittingly end with a special Halloween show on October 31st in Detroit, Michigan. In related ICP news, Violent J has released a solo EP, Wizard Of The Hood as well as his autobiography, "Behind the Paint." Tour dates are as followed: Wed 09/17/03 Cleveland, OH Tower City Amphitheatre Thu 09/18/03 Columbus, OH PromoWest Pavilion Sat 09/20/03 Minneapolis, MN Target Center Sun 09/21/03 Clive, IA 7 Flags Event Center Tue 09/23/03 Morrison, CO Red Rocks Amphitheatre Wed 09/24/03 Salt Lake City, UT SaltAir Pavilion Thu 09/25/03 Boise, ID Big Easy Fri 09/26/03 Seattle, WA Seahawks Exhibition Center Sat 09/27/03 Portland, OR Metropolitan Expo Center Wed 10/01/03 Las Vegas, NV Huntridge Theatre Fri 10/03/03 Anaheim, CA The Grove Of Anaheim Sat 10/04/03 Mesa, AZ Mesa Amphitheatre Sun 10/05/03 Albuquerque, NM Albuquerque Conv. Ctr. Wed 10/08/03 Austin, TX Stubb’s Barbeque Thu 10/09/03 Oklahoma City, OK Coca Cola Bricktown Event Center Fri 10/10/03 Kansas City, KS Memorial Hall Sat 10/11/03 Sauget, IL Pop’s Tue 10/14/03 Atlanta, GA The Masquerade Wed 10/15/03 Norfolk, VA The Boathouse Fri 10/17/03 Philadelphia, PA Electric Factory Sat 10/18/03 Worcester, MA The Palladium Tue 10/21/03 Washington, DC Nation Thu 10/23/03 Pittsburgh, PA Metropol Sat 10/25/03 Cincinnati, OH Bogart’s Sun 10/26/03 Grand Rapids, MI DeltaPlex Mon 10/27/03 Indianapolis, IN Murat Egyptian Room Thu 10/30/03 Chicago, IL Riviera Theatre Fri 10/31/03 Detroit, MI State Theatre

Fox Snag’s DMX Produced Film “Never Die Alone”

Fox Searchlight Pictures has snagged the rights to the DMX produced film, "Never Die Alone," an urban thriller that is currently in post-production. The movie is based on the 1974 book of the same name, which was written by cult writer Donald Goines. DMX’s Bloodline Films and Contentfilm have lined up some heavy hitters to produce the flick. The movie is being directed by the critically acclaimed Ernest Dickerson, who as director of photography for Spike Lee, helped Lee to shoot visually stunning movies. Dickerson also worked on "Krush Groove," "Do The Right Thing," "Mo’ Better Blues," "Jungle Fever" and "Malcolm X" and made his directorial debut with 1992’s "Juice," which starred Tupac Shakur. In addition to Dickerson, the film’s director of photography is Matthew Libatique, who lensed "Phone Booth" and "Requiem For A Dream." "Fox Searchlight is honored to work with this talented team of filmmakers to bring ‘Never Die Alone’ to audiences nationwide," said Fox Searchlight Pictures Executive Vice President of Production Claudia Lewis. "’Never Die Alone the kind of edgy and provocative filmmaking that Fox Searchlight is constantly seeking, and DMX is a charismatic star in a surprisingly complex role." DMX stars opposite David Arquette, Michael Ealy and Reagan Preston-Gomez in the thriller, which is based on a gangster (DMX), who’s witness is witnessed by an aspiring journalist (Arquette). The rise and fall of the gangsters life is told in flashbacks through the journal he kept, which helps the journalist understand why he was murdered.

Jaz O Launches 1st Annual “Kingz Kounty Throwback to Marcy”

Brooklyn bred rapper Jaz O and his Kingz Kounty Entertainment are launching the 1st annual "Kingz Kounty Throwback to Marcy Classic." Hosted by Free from 106 & Park, the event will feature a variety of events and programs aimed at improving youth education and promoting youth empowerment. The Throwback will also feature a basketball tournament between 5th & 6th graders, 7th & 8th graders and 9th & 10th graders. Food will be served during the event, which takes place Saturday August 9, 2003 at the Marcy Houses in Brooklyn, New York, from 7am-8pm. Jaz O is currently producing material for Free’s upcoming Elektra Records CD. He also produced a track on her upcoming CD, Open Book.