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Grouchy Greg
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Grouchy Greg

I am Grouchy Greg. I founded AllHipHop in 1996. In addition to running the site, I enjoy breaking news stories. My stories have been cited in The LA Times, NY Times, NY Post, TMZ, Yahoo, Billboard, The Associated Press, CNN, and more.

http://staging.allhiphop.com

Universal Records’ NY Office Receives $1 Million Worth Of Weed

Universal Records received a special delivery last week- $1 million dollars worth of marijuana delivered to their New York offices. According to the New York Post, a box weighing approximately 150 pounds was delivered to 1755 Broadway, addressed to a person named "Ronnie." The box allegedly had 825 Broadway, Universal’s other address, crossed out. Guards tried to X-ray the box, but the X-ray failed to reveal the contents of the box. "They couldn’t see what was inside, so they opened it up and were shocked by what they found," a source said. What they found were four smaller boxes of marijuana. Guards called the FBI, who promptly seized the marijuana and began an investigation. "They think it was definitely for someone at Universal because of the address being crossed out and say that ‘Ronnie’ was a code. The guys who usually work in the mailroom on that day had probably gotten packages like that before and knew what to do with it."

Zab Judah: BK’s Champion

Zab “Super” Judah’s ability to punish as a boxer has rarely been questioned, but as a hip-hop CEO? In July, the newly appointed WBO Junior Welterweight Champion pounded Demarcus “Chop Chop” Corley despite breaking his hand in the third round. Of course he’s got other rumbles on deck, but in the interim, the Brooklyn native is getting his rising career moving on different playing field. The 140-pounder has launched a record label, recently inked a deal with Roc-A-Wear and even admits that he likes to spit in the booth every now an then. AllHipHop Alternatives spoke with Judah on his now, later, present and lone loss. AllHipHop Alternatives: You beat “Chop Chop” and now you have his championship belt – how’s it feel? Zab: Well I’m very please at myself because I took a year and a half day off. I came back with another fight previous to this one with a tough guy Omar Rice and I beat him and then I did another year layoff to come back straight for the title. A lot of fighters today don’t do things like that. They comeback and take two months and pick and choose guys. I’m coming back, taking on the best because I feel like what I’m gonna put into this game and what I’m going to bring to these dudes I’m ready for the battle. I would of feel bad if I would of just went in there fighting forth, the number thirteenth guy because I need a tune in up, What do you mean tune in up, tune me in, ya know what I sayin’ I don’t need no tune up, just tune in. I feel like I accomplish a big goal not only just winning the WBO, but just having so much time off and coming back and doing what I did. I broke a hand in the fight went twelve rounds with one hand ya know with a year off. AHHA: I wondered why you didn’t finish him off after knocking him down. Zab: It was hurting like hell, but I guess like when you in, its like you in a fight like you in the street your adrenaline is pumping and all you know is win, win, win. So I felt like if I would of start like [complaining about the pain] then he would have seen that and picked up on that. So, I said I just got to stay focused and put my mind somewhere else and that’s how I managed to get through it. AHHA: Now he was kind of a like a little bit different of a fighter. He wears ladies underwear, had his eyebrows done, and really came in the ring glammed out. Does that ever throw you because people say he may be gay, even though he say he’s not? Zab: Like I said what the man do with his personal life, I don t know, but all I know that he was the WBO Champion of the world. He made three successful title defenses and he was the guy I had to beat to get to the next level, you know what I saying? Whether he wore his g-string in the ring that night, I had to get in there and rumble up with this dude, so it was not a point about what he do when he is out the ring. I mean if you look at the history of boxing you have a lot of gay boxers that’s been hidden and later on came out. AHHA: What did you learn most about the whole Kostya Tszyu fight and aftermath? To me, it just seem like to me was a premature stoppage, but I guess your body language made the ref stop it early. Zab: I think my Kostya Tszyu fight was a blessing in disguised meaning that Kostya did not beat me, I beat myself. But the Lord also taught me a lesson like, “Zab, alright be cool, slow down a little bit, I’m put you on time out for a little bit. But you gonna get back.” And he did he put me right back in this situation of [getting the championship]. The only thing with the whole Kostya Tszyu thing was it wasn’t that he could beat me or if we was to fight tomorrow I mean I’ll show the world, but never the less I mean like I said I’m not going to chase Kostya Tszyu. I know it s a fight that I want worth business-wise, but I really don’t need him. I don’t really need him business wise. There is a lot of guys out here to fight Gatti you got Vivian Harris, Ricky Hatten, Junior Witter you got plenty guys to make money. Kostya Tszyu is just a name that there God forbid somebody don’t beat him you know what I ‘m sayin’ so, anything is possible its boxing. AHHA: So what is the very next thing for you fight-wise? Zab: Well I’m just looking at rehabilitating my hand, getting my hand back to one hundred percent and I’m looking forward to a big fight with [Arturo] Gatto. AHHA: Ok, that would be a real fight. Have you ever had a tough opponent with heart like Gatti? Zab: I use to spar with Gatti. The last couple spars that Gatti had with Micky Ward. I fought Micky Ward. I beat Micky, so it’s a lot of different thing going on that people don’t know about me beating Ward, I use to spar with Gatti. I can go in there with these dudes and show the world, in front of the world on live TV. I can get it done. AHHA: Now lets talk about stuff outside of boxing. First of all everybody saw the suit the outfit you had with Roc-A-Wear can you speak on that a little bit? Zab: Yea, yea we just entered into a big deal Roc-A-Wear deal, I’m the first spokes sports model for the […]

T.I. Starts Construction Company

T.I. plots joining the ranks of hip-hop entrepreneurs with his latest venture in the construction business based his Atlanta hometown. The rapper’s New Finish Construction Company, which is run with his uncle, with renovate old homes and apartment complexes in the area then rent or resell them. “Its one of my ways of giving back, because I did so much to tear the community down. I can’t change the past but I can change the future,” he said. Currently, T.I., also known as Tip, is looking to focus on his current album, Trap Muzik, and developing acts for his Grand Hustle imprint. Furthermore, he stated that he might take a hiatus from the music to release a line of urban documentaries and focus on his artists. Big Country is the next rapper scheduled to drop on Grand Hustle.

Method Man: Sound Off

When you see Method Man on TV, you see an element of the master. You see a clown, a jester holding court, you see a great veteran MC, you see a comedic entertainer and you see that gleam in his eye. When you get Method Man in a truer element, those aspects are still there. But a clown is appreciated much more as an artist with his make-up off. Allhiphop joined Method Man not looking to be entertained, but rather enlightened. With his third solo LP, Tical: The Prequel soon to hit record store shelves, we wanted to collect with the Mighty Ticallion Stallion. We discuss the new album, the new personnel, and the new lifestyle of media-ruled hip-hop. Method Man is as insightful as he is agile with words. In fact, he saved the small-talk and cut to the concrete. Allhiphop: One of my favorite hip-hop words is ‘steez’. You’re the first cat I ever heard rock it, and Gang Starr chopped it to the track. Was that a Meth word, or does it go back? Method Man: Steez, yeah. That goes back to EPMD. Yeah, we used to say, “Stee”, style. N##### used to [that]. It’s a New York word. [EPMD] even had a dancer called Stezo. Allhiphop: The new record is called “The Prequel”. Are you saying that this is what made you, or is it a record that’s taking us back, or what? Method Man: It’s a prequel, because on the last album, Judgement Day – judgement day is when everything ends, when everything gets judged. So after that, there’s nothing. So you have to go back to the beginning. So that’s what I did, this is the last chapter of the Tical s**t. Allhiphop: Now I haven’t heard the record. I only read your comments about it in a magazine. But, I found it interesting that you made it a point to isolate yourself to do this record. Without having heads all around you, did you ever feel like you weren’t certain on whether something was hot or not? Method Man: Well, even when I did do my s**t around people, they ain’t never really…I mean, it gets to a point where nobody wanna tell nobody nothin’ no more ‘cuz they too busy worried about they own s**t. You know? But I know what’s hot and what’s not and I’m my own worst critic, so I’m pretty confident in my own opinions about my s**t. And as far as pleasing the audience, our audience is so fickle these days that they don’t know what the f**k they want. They done been to the club about fifty-eleven times. Allhiphop: Haven’t heard. But one producer I love is No I.D. In words, talk about the cut yall did together…what it is? Method Man: When I first heard the [beat], it sounds different from anything I’ve ever heard. We have a girl, C##### singin’ on it. It’s basically a girl joint. Like girlfriend. I mean, you gotta hear it. They like it enough where I think radio’s gonna pick it up, it may be a single. Allhiphop: You also mentioned criticism a lot. You said people jump off on your guest spots but pick at your albums. Have you ever thought that there’s several layers of fans. Especially with you. There’s cats that wanna tattoo “Release Yo’ Delf” on they eardrums and hated the joint with Fred Durst, and theres vice versa. How does that strike you? Method Man: Oh, people didn’t like me fu**in’ with Durst, huh? Allhiphop: Just an example. Method Man: But they don’t make or break my m’f**kin’ career, I make my m’f**kin’ career and s**t, the sons of b######. Can’t stand the motherf**kers. Those who can’t do, criticize me. Allhiphop: Is there a specific place for a Rap critic? Method Man: Yeahhhh, there is. The trash can – stinkin’ ass m’fu**as. It’s like, they can critique a motherfu**in’ song, or a singer or some s**t. Because half those mothafu**ers don’t write they own songs. But when you sit there and tell a m’f**ka, “No, you got your life wrong. You didn’t write your life right. That’s not the way we remembered.” It’s like, Who the f**k are you to tell me that ain’t my life! Kick yo’ ass, yo’ ass, and yo’ ass. Allhiphop: Your flow is so detailed, and yet you make the rhyme delivery just look easy. What is your method for getting your messages across, while still straight murdering the beat? Method Man: Say what you feel. I been sayin’ that since day one. Do what the music tell you to do. Just make that s**t make sense [laughing] some way. Just make that make sense, to you. That’s it, man. Just that grind that s**t out and blow it up. My s**t is just words, wordplay. You can say the same s**t somebody said, but it’s the way that you say it. It’s how you spit it, it’s the confidence. That’s the whole s**t right there. Allhiphop: Hip-hop never has seen you without that confidence… Method Man: Never will, neither. ‘Cuz I know I’m dope as s**t! It’s just that the rest of the world ain’t considered it. ‘Cuz you got a lot of motherf**kas that like to hate on n##### and s**t. That hate s**t is real, man. I hate to give motherfu**as too much credit, but they put a ni**a under. S**t, Mase got out the game. Allhiphop: Is that hate plaguing hip-hop, or everything in life? Method Man: Everything. In our field, where there’s so much money at stake and s**t, now ni**as get down. AllHipHop: What do you think about the whole concept of the cameras and s**t following him around? Method Man: They exploiting that ni**a. I thought he was a General. I thought he was pimping the game. He a soldier man [not a general]. When he went to Roc-A-Fella I was happy for this ni**a I was like, “Yeah go get that […]

The Chain Gang Vol. II

Artist: State PropertyTitle: The Chain Gang Vol. IIRating: 3 1/2 StarsReviewed by: Jayson Rodriguez Beanie Sigel is turning into quite the executive. Following in the footsteps of his mentor, Jay-Z, Beans is diversifying his hip-hop portfolio with a clothing line, and also by developing a cartoon based on the Roc. However, just like Jigga, the foundation for Sigel is music and foremost the artists he puts out on his Criminal Background imprint. With the release of State Property presents: Chain Gang, Vol. II, Sigel’s crop of Philly-bred rappers are signing their own Declaration of Independence, and making a claim as the next dynasty in waiting. On “It’s On,” a head-nodding, somber slow burner produced by D.Dot, Hov and Sigel trade nostalgia inducing verses before Jay endorses Sigel as the label’s next emperor. “Young Vito/ voice of the young people/ if my life is a movie/ then Sig is gon’ be the sequel.” Upstart Peedi Crakk continues to impress following his turn riding shotgun with Freeway on “Flipside.” He scores on the sinisterly tinged “Temporary Relief,” in his sing song flow: “I’m running with The Roc/ and my handle is sick.” With no contributions from Just Blaze or Kanye West, there are only a couple traces of the sped-up soul production over-popularized by the Roc the past couple years. And the usually reliable Alchemist misses on that with the uneven “Still In Effect,” featuring Freeway and Neef. Though the album boasts certifiable club bangers like the Young Gunz’s percolating “Can’t Stop, Won’t Stop,” and an excellent update of BDP’s classic “Criminal Minded,” by Young Chris and Peedi Crakk, State Property fails to consistently deliver given its talented roster. Freeway stalls with a mundane flow on “Rolling Down the Freeway,” with uninspired lines like: “Who you with ma/ Freeway too legit to quit/ not too legit to spit crimes.” And on the southern flavored “Blow,” Oschino, Sparks and Chris spin fantasy filled coke tales in awkward cadences that stop the bounce more than a dead spot on the parquet floor of the old Boston Garden. If Sigel’s foray into the boardroom is going to be as successful as S.Carter’s, he’s going to have to be shrewder on song selection. Mistakes like a solo track by Oschino, rather than one by Beans himself, or Peedi Crakk is bad business strategy. Ultimately it’s these decisions made with the white collar on that will reveal if his blue-collard boys’ dynasty will be more like Blake Carrington, or more like Ming.

Weatherproof

Artist: CageTitle: WeatherproofRating: 4 StarsReviewed by: DAllen Ever since underground heads were blessed with “Agent Orange” and “Radiohead”, Cage has continued to thrive by blending his sinister style to hard beats. Known to his followers as ‘Alex the Worm King’ stemming from his days as a mental patient and lyrics containing dark fantasies, Cage has more eerie tales to deliver with his new EP, Weatherproof. With production greats J-Zone, RJD2, Mighty Mi, and others, this album does not disappoint. If you felt Movies for the Blind, then Weatherproof should be your next installment of Cage. Cage lets listeners know who this album is for on “Summer in Hell”: “I know I’m speakin’ to less than 1% of the public, but this is for the people who copped movies and loved it.” Weatherproof is for Cage’s disciples that are familiar with the sex, drugs, and violence frequently found in his lyrics. Mighty Mi is behind the boards on this track, contributing production set with strings like a chase scene. Tame One appears on “Leak Bros.” sharing his stories with Cage involving leak over to a slow moving, head nodding beat. Camu Tao provides the beat and rhymes on the disturbing track, “Come to Daddy”. Cage puts on the gloves in the Sebb produced, “Haterama” to go after 7L and Esoteric. This threatening beat matches the evil lyrics needed for a good dis track. J-Zone does his version of “Too Much” with a heavy horn beat that sounds better than the original. Other tracks to check are the morbid “Fresh Out the Morgue” with a beat one would expect in talking about a morgue, RJD2’s “Weather People”, and “Underground Rapstar”. The tracks are all well produced and fused with Cage’s lyrics deliver a solid addition from the respected Weatherman associate. Despite being only nine tracks, Eastern Conference fans will appreciate this album, as well as anyone who understands Cage. The album’s title is the underlying message-what ever mainstream says is hot will never affect his craft. Cage will not succumb to the Rolex rap on the radio. This album reinforces his attitude and will leave fans wanting more.

Mary J, Blige: Love No Limit

Domineering Hip-Hop Soul Queen Mary J. Blige has held the game tightly in her hand for 10 years strong and probably won’t let it slip from her vice-grip anytime soon. On her upcoming album, Love and Life she flips it back to ’92 as she and P. Diddy return to her musical roots. And thus, Mary showers fans with the sort of music that made them fall in love with her in the beginning. At a party in Dallas, Allhiphop.com and Mary J. shot the breeze about her new stage in life, returning to her roots, looming movie aspirations and even her thoughts on a certain “Princess of Hip Hop and R&B.” AHHA: Aside from your obvious talent, what has contributed to your longevity? MJB: The one thing that I know that has sustained me was not a positive thing, it was me not knowing who I was or what my self-worth was. I didn’t know that Mary J. Blige was a star or whatever you want to call it until like last year. It really kicked in last year that I was “somebody.” So I guess that’s what sustained me, if you want to call it humility… but at the same time not knowing who you are for real. AHHA: What are your plans for the future, are you going to do any films? MJB: Music is my first love. I love music, but I’m definitely going to go into film. But I’m not going to go into film just because I can and the door is open. I’m going to get an acting coach and try to do it correctly because people like Queen Latifah opened the door for us to get in and do it right. AHHA: They’re trying to market Ashanti as the princess of hip hop and r&b and that really makes it sound like she’s supposed to be the next coming of you, what do you think about that? MJB: I look at business like this, there is no other Aretha Franklin. There is Aretha Franklin, there is Mary J. Blige, and you cannot come to me and say “you’re the next Aretha Franklin.” No I’m not the next Aretha Franklin… Ashanti is Ashanti. And without the title “the Queen of Hip Hop/Soul” I can still do 12 more albums, so they can have the title if that’s what they want. AHHA: I wanted to know Mary, personally, going through your changes right now what artists do you get along with, who do you kick it with in the industry? MJB: Right now my real good friend is Monica. Monica is the most sincere and realest person I’ve ever met that none of this phases her. And that’s the kind of people I really want to deal with. Monica’s one of my really good friends. AHHA: What inspires you? MJB: My foundation is God and that’s what keeps me going through the day, knowing that I’m going to wake up each morning… knowing that I’ll have a chance that through my music and through my experience I’ll have a chance to edify people and women on how to be strong–and men. And tell women that there are some good brothers out there. AHHA: Does this album represent a stage in your life and if so, what does it represent? MJB: This album does represent a stage in my life, and in this stage I learned how to love Mary. I like Mary an awful lot and loving and liking Mary an awful lot, I’ve drawn to me someone that likes me a lot and I’m singing to him. I’m singing to the man I’m engaged to because he’s my other half. The part of my brain that doesn’t work, he works for it. And there’s a lot of songs on there dedicated to my fans, just thanking them and letting them know that “you know what, in my lifetime we were suffering yall, but we made it out.” And for the ladies that are still suffering, and are still in those relationships where they believe that the guy loves them and he actually hates them, there’s songs on there for them too. AHHA: A lot of female singers struggle with fame and notoriety and become scandalized. How do you manage to remain scandal-less? MJB: Well the way that I’ve remained in this music business without killing someone is because I really didn’t care what people said about me. And if I did care I did something about it. I was a savage, I didn’t care. I was a street girl… and I handled it street. So it never really bothered me because I knew that I was going to defend myself any way possible. But the way I defend myself now–I look at it like “I know who I am, and I’m not any of those things so I don’t care what you say about me. Your opinion is just your opinion.” AHHA: You look really good, really healthy and everything. Do you work with a trainer now? MJB: I do have a personal trainer. I work out three times a week, whenever I can. I’ll do an hour on each body part. I don’t eat pork, I’m alcohol-free… I curse a lot, but you know everybody’s got something. The bottom line is I drink a lot of water and I eat six meals a day and I’ve done one month without carbs. AHHA: What advice would you give to someone that wants the same kind of longevity as you? MJB: I’d say don’t let anyone talk you into trying to be someone else. Be who you are and that’s what’s important. Be who you are, and understand that this is the beginning of your career. You might not make that $5000 check, you might get a $500 check for a show. Do that show, pay those dues and you’ll survive in this business. AHHA: Besides P. Diddy, who else did you work with […]

Baby & R. Kelly On “Best Of Both Worlds 2,” New Juvenile Album

Bryan "Baby" Williams is collaborating with R&B star R. Kelly to produce Best of Both Worlds 2, which the rapper said will feature an all star line up. "It’s still early in the recording process," Baby told AllHipHop.com. "It’s gonna come out on Cash Money and his label, Rockland. So far it’s just his folks and our folks." The album will be Kelly’s second attempt to record a collaboration with a rapper. His first attempt was with Jay-Z, but the album was marred by allegations that he had sex with an underage girl and taped it. The allegations prompted Def Jam to pull the plug on the first version of the album. In addition to the R. Kelly collaboration, Baby said that Cash Money is preparing to release albums from Lil Wayne, The Big Tymers and Juvenile. While Juvenile is back with the label, producer Manny Fresh revealed that it was strictly a business relationship, as opposed to the camaraderie the rappers seemed to share when Juvenile had his breakthrough hit "Ha," from 1998’s 400 Degreez. "He’s back on Cash Money, but it’s just a business deal," Manny Fresh said. "He’s putting out an album but there are still issues that need to be worked out." In the summer of 2001, Juvenile said that Baby and his brother, Ronald "Slim" Williams, cheated him out of hundreds of thousands of dollars, and vowed to never record for the label. "Man Listen. No one leaves Cash Money Records," Baby told AllHipHop.com in August of 2001. "There is only one way to leave Cash Money Records. The way you walk in, aint gonna be the way you walk out." Juvenile has had his share of legal woes since his recording hiatus. He was arrested three times, twice for assault and once for drug possession. No release date has been set for his album.

Brian McKnight: Back For The First Time

Lately, Brian McKnight has been victimized by the music listening public’s mass narcolepsy. Nevertheless, B. McNeezy remains an R&B icon whose romantic songs have quietly influenced a generation, if not the population. Not only a singer, he’s a down-low musician, producer, athlete and biking enthusiast with thug-like undertones. Still, for over a decade he’s blessed listeners with a homogenized blend of R&B, jazz, harmony, gospel, hip-hop and even rock-n-roll. Brian McKnight, the debut album, dropped in 1992 and now, in 2003, he’s come full circle. He’s got the Grammys, the American Music awards and now he drops U Turn, his latest effort. But, understand, for all of his acclaim and notoriety, we don’t hardly know Brian McKnight. And he’s pretty cool with that. AllHipHop Alternatives: Can you talk about what is the deal with this album? B: Basically the short version. This is the most personal record I ever made. It’s filled with cats like Joe, Carl Thomas, Tank, Tyrese, Nelly, Fabolous and Kirk Franklin. Basically it’s an album for everyone. I said there’s every age group, every nationality and there’s every walk of life. I just wanna be able to sorta appeal to everybody out there. AHHA: Did you take more of a hip-hop approach? B: No, there are 3 hip-hop songs on the album out of 13 songs. I think its that the very first song with Nelly I did and some people go confused. They make their judgment on the first thing they hear. There is no rock on this record. There’s jazz. R&B, pop and there’s inspirational music all across the board and every tempo. AHHA: You are considered a veteran. I saw you Ruben and Ron Isley came out on an awards show. How is to see a new generation kind of creep in and then your considered the veteran. B: I think it great. I think what that says to me is that I’ve been in this business long enough to have gone from being a new guy to an established guy , to a veteran and not everybody gets to do that. I’m still making records and people are still buying them. AHHA: How long have you been out? B: I’ve been a professional in this business for 15 years. AHHA: I read a recent interview with you in KING magazine and you were riding a motorcycle and they said you rode with the Ruff Ryderz. Whats that all about? B: The LA motorcycle scene is a wild sorta thing. I ride with everyone. I don’t make myself exclusive. My best friend is the west coast director of the Ruff Ryderz and he taught me. We ride together and I ride with a lot of the other guys. One of my past [gigs] was being a stunt rider on street bikes. Seriously, there’s competition and there’s candy racing that we do. Its dangerous and its all the things people think it is but its release for me. Its the only place where I can be truly alone and concentrate on only that is when I’m riding my bike. AHHA: I had a friend that actually died a couple of years ago in a motorcycle accident. Does that ever worry you? He didn’t get hit or anything. He hit a patch of gravel and crashed. Does it ever concern you? B: I think that when you’re a real rider you cant really let those moments of doubt creep in. It’s all around you and its constantly around when your on your motorcycle. But if your mind is on anything but what your doing, its over. I would much rather be doing something that I love to do. I watch some of these crazy videos where a guy was walking down the street and a building fell on him. I’m sure that’s not how you want it to go when you die. I’m not trying to die on a motorcycle either but it doesn’t stop me. I want to die doing something I love. AHHA: Who is the real Brian McKnight because in that same article I saw you cussing up a storm? B: You know what I didn’t [cuss]. That’s the whole point. The funniest thing about some of these interviews, especially some of these magazines. If you really think that I was standing there doing all that cussing, you out of you mind. “F**k your neighbors?” I didn’t say any of that. It was so funny to me to read that and have somebody write that hoping that that made the article more interesting and more edgy. And even with the picture with the cigarette. What I was trying to accomplish was I was trying to blow the smoke out while I was smoking the tires. Of course they showed the picture of when I was actually smoking the cigarette. So that was kind of interesting. AHHA: Do you ever have trouble living up to the balladeer image? That’s the first thing that I thought of. You sing these love songs all day. B: There are so many sides to me man and I think that I’m just finally now starting to let people see those sides. I really only cared that they knew about what I was doing musically. Very few people are gonna be remembered for anything in this life. I’ve been know known as a balladeer so at least I have that. When I step on the basketball court against guys who never played against me you can imagine some of the things that they say. But when they see that I can play then it almost becomes an antagonizing sort of situation because they cant believe that a guy with soft songs can do this. On one hand its great because you get to dispel rumors or dispel that sort of psychology that says if you do this, that’s all you do. I try to be the jack of all trades. I wanted to do everything. I wanted to […]

Shorty : Same Song, Different Decade

The music industry is universally known as a business that can make or break partnerships, as well as family ties and life-long friendships. One of the West Coast’s most influential groups, Da Lench Mob, knows this theory to be a fact. As an upstart three-man team of politically biased militants, founded by post-N.W.A. Ice Cube, their debut album, Guerillas In Tha Mist, skyrocketed to the top of the charts in 1992, attaining gold status in just three weeks. But as quickly as the hype and success came, it was swept away. The subsequent arrests of member J-Dee and T-Bone, rumors of sabotage within the ranks, and terrible mismanagement of group finances ultimately led to the untimely demise of Da Lench Mob. Group member Shorty has stood strong and kept his feet firm to the ground in the years since their parting. Shorty took time out of his surprisingly busy schedule to tell Allhiphop.com the real story about the events that led up to the group’s disbandment, the rumored beef with Ice Cube, and the many projects he is working on that he feels will shock this entire industry. Allhiphop.com: Tell us what is going on in your life right now. You are being labeled as the “Hip-Hop Hannibal,” and you have a new album you are releasing. Shorty: I’ve been putting it down for a good 13 or 14 years in this industry, man. We started out with our boy Ice Cube, and of course, from back then to now, a brother has learned the game inside and out. We’re not slaves to the industry anymore. Brothers got wise and started their own companies and production teams, and started taking it to that next level. Right now, I’ve got my hands in a few projects, man. My recent project is this thing called “Say Something,” a DVD-movie. The whole concept behind “Say Something” is that 100,000 Man March that’s coming up in October. Allhiphop.com: Where is that going to be? Shorty: At The Coliseum in Los Angeles. Basically, it’s a cry in the street trying to get brothers to cease-fire and come together in unity, man. It’s a gang intervention type of thing. All the different gang factions in L.A. will attend, and I was able to pull together some heavy hitters in the industry that actually partook in the gang life. Myself, KAM, RBX, Boo-Yaa Tribe, WC, Tray-Deee of the Eastsidaz, and Kid Frost. I basically just pulled everybody from different Blood and Crip sets, and even got Kid Frost to represent our Chicano brothers. The actual song we all made is off the hook, man. Allhiphop.com: Does the song parlay the same message as “Self Destruction?” Shorty: You know, it’s similar to that, but it’s more along the lines of “We’re All In The Same Gang.” I think it’s one of the hardest singles that has come from L.A. in a long time. Allhiphop.com: Does the DVD-movie have an entire soundtrack that comes with it? Shorty: Well, it doesn’t have a whole soundtrack. Me and my partner Hakeem went in and did it as a single. Then, at the same time, we all came up with an idea like, “man, let’s just make it a documentary.” Everybody that partook in the song actually was gang-affiliated. So, I thought it would be tight to get brothers on there, busting lyrics, but at the same time, get them to speak on how they came up. The DVD-movie is about 1 hour and 20 minutes long. It’s a hot project, man. Plus, we are about to go to Japan to lockdown a distribution deal so we can release it in October out here. Allhiphop.com: Will the project only be available in California, or are you doing nationwide distribution? Shorty: It’s going to be worldwide, man. Check for it on the website, http://www.dalenchmob.com, and we’ll keep everybody updated. Allhiphop.com: Talk about your other projects that you are currently working on. I know that your hands are in so many different pots right now. Shorty: I’m halfway through my second solo album. I released my album, Short Story, in 2001. My release date for that album was September 10th, one day before 9/11 happened. In the midst of all that going on, we went ahead and put the brakes on that because we didn’t know what the world was going through. So, we changed the date and released it last year. I did that on my own label, Bow Tie Entertainment. I had nationwide distribution on that as well. Of course, you can go to my site and get it like that, but it is in stores. I haven’t thought of a title for my new album. I had a title, but I threw it in the air, man. I think I may call my new album, The Hip-Hop Hannibal. Allhiphop.com: Sounds good to me. Let’s get into another topic of interest. What’s going on with Da Lench Mob these days? No one seems to know what’s going with those brothers, man. Shorty: As you know, one of our comrades has been down. J-Dee just made ten years last month. In ’95, everything went kind of sour and everybody started doing their thing independently. I haven’t talked to Ice Cube since ’97, and I haven’t talked to T-Bone since ’99. Allhiphop.com: I want to get into the situation with you and Cube. I read in a previous interview that you and him left on bad terms. Do you mind elaborating on that? Shorty: I don’t mind speaking on it at all…it ain’t nothing but the truth. We never got paid for Guerillas In Tha Mist. That became a serious issue with us, man. We put in a lot of work with that album. We went gold in three weeks! To make a long story short, Cube picked Pat Charbonnet to be his partner for the business. This woman was shrewd! She was his manager and Vice President of his company. We thought that […]

Ja-Rule To Address Beef On EP, Prepares “Venni Vetti Vecci 2”

Ja-Rule is planning to release an EP before he releases the second installment of Venni Vetti Vecci, which the rapper said will be a double album. "The new EP is called Blood In My Eye," Ja-Rule told AllHipHop.com. "Hip-Hop is at a fast and feverish pace right now with all the beefs and all the dramas and I’m at the helm of all of it." According to Rule, the new EP was not recorded with album sales in mind, but will address the various beef’s that the Queen’s bred rapper is caught in. "You aint gonna go no where without hearing my name and you aint gonna speak to 50 or Em without hollerin’ at them about what I’m doing and it’s the same with me. I gotta address certain subjects and there’s not a better way to do it than with a rough crazy EP. Just throw it out there. It’s just rugged and raw and saying what I wanna say." The rapper also addressed the recent controversy surrounding his trip to South Africa. The voyage made international headlines when a DJ accused Ja’s entourage of smashing his records and assaulting him after he played "21 Questions" by his nemesis, 50 Cent. "I didn’t have anything to do with that,"Ja-Rule continued. "I’m sorry if something like that happened. You gotta understand I got a whole lot of fans too. People get agitated with this subject more than they should. It’s not their situation, it’s our situation and we gonna handle it as men." In addition to the EP and double album, Ja-Rule recently finished up two movies, "Back In The Day" and "Scary Movie 3," which also stars Queen Latifah, D.L. Hugely and Leslie Nielsen.

Sources: Lydia Allen Cooperating With Authorities On JMJ Case

According to sources, Lydia High is in protective custody and is cooperating with the New York Police in relation to the murder of Jam Master Jay. The NYPD did not confirm whether she was under their care at press time, but sources stated that High and Urieco “Pretty Tony” Rincon, both wanted for questioning in regard to the murder of the DJ, are revealing to authorities what they know about the night Jam Master Jay was gunned down in his Hollis, Queens recording studio. Earlier in August, another suspect in the case wanted for questioning, Tinard Washington, began cooperating with authorities. Washington claimed that he witnessed a former record promoter and his son enter the recording studio and heard gunshots shortly afterwards. Those men allegedly hail from the same area of Hollis as Jay. The men are only known as “Big D.” and his son, known only as “Noyd” at press time. “They picked up Noyd this weekend,” sources told AllHipHop.com. “He’s a suspect in the shooting of Jay’s nephew Boe a few months ago as well, but that shooting incident had nothing to do with Jay,” the source said under the condition of anonymity. “That was just over some petty street sh*t.” “We weren’t aware that High was in protective custody,” a spokesman for High’s lawyer, Eric Vaughn Flam said. “But, we do not represent her in any criminal matters. She may have different lawyers for that.” High and Rincon were present the night Jam Master Jay was murdered along with Michael Bonds, Randy Allen and an unidentified female singer. Initial reports suggested that High buzzed the killer in, a claim that High denied in a statement released to AllHipHop.com in May. “I adamantly deny and challenge any statement that places me as the person who buzzed in the murder or murderers of Jason Mizell,” High said. High and her brother, Randy Allen, have been at the center of the controversy surrounding Jay’s murder, due to what officials have deemed their lack of cooperation. In June, investigators launched a probe into Randy Allen’s possible involvement in the murder because they weren’t helpful in the investigation, despite an admitted closeness to JMJ.

DMC U.S. Finals This Weekend

DJ’s have been competing in regional battles for the past few months, hoping to become the U.S. champ. The event is being hosted by Philadelphia DJ legend Jazzy Jeff, as well as a performance by Pharoahe Monch. Jam Master Jay will be inducted into the DJ Hall of Fame for his contributions to DJ culture. Each DJ is judged on their technical skills and receive six minutes to show and prove their abilities. The winner earns the right to compete against reigning world champion, Perseus at the World Championships next month in London. The event will be held at Nation in Washington D.C. For more information call: 202-554-1500.

Death Row Preparing Album Of 2Pac Remixes

Death Row Records is gearing up to release Death Row Presents 2Pac Nu-Mixx Klazzics, a new album that reworks to classic 2Pac songs. "We decided to take Pac’s best tracks and spice them up a bit," said Suge Knight, who, as the project’s executive producer, hand-picked the cuts on the collection. "In that way, we could revisit the classics while also offering something new. I think we accomplished our goal and I’m sure that, if he were alive today, Pac would love what we’ve done." The songs were reworked by Death Row’s production team, Tha Row Hitters. Remixes of "2 of Amerikaz Most Wanted," "How Do You Want It" and "Hit ‘Em Up" are included on the album. The first single, "Life Goes On," will ship to radio on September 9th, almost seven years to the date that the rapper died of gunshot wounds in Las Vegas. 2Pac remains the best selling rapper on the Death Row Records roster. All of his albums for the label are certified multi-platinum by the Recording Industry Association of America (RIAA). A theatrical documentary of the rapper titled "Resurrection," will debut in November. "Resurrection" will chronicle Pac’s life and his premature death. Death Row Presents 2Pac Nu-Mixx Klazzics hits stores October 7 on Death Row/Koch Records.

Rip The Jacker

Artist: CanibusTitle: Rip The JackerRating: 4 StarsReviewed by: C. Brown Since entering the rap game in the late 90’s, the MC known as Canibus has been synonymous with hard-core battle rhyming. Even after scribing several classic verses , Canibus has been the type of artist that most hip hop fans have grown to either love, hate or forget. For every fan that labels him a future legend, there are three others that label him a one-dimensional battle MC with no variety. After leaving Universal, the mainstream music industry seemed disregard the man heralded as one of the finest. However, throughout his career, Canibus has proved that whether hit or miss, his passion for hardcore lyricism cannot be questioned. In recent months, Canibus has allowed his “alter ego” Rip The Jacker to take over in the studio and laid down an accapella album full of vocals. Those vocals were paired with original beats provided by producer extrodinaire, Stoupe of Jedi Mind Tricks. The result is Canibus’ fifth full length album: Rip The Jacker Canibus spits with cruel intentions on songs like “Spartibus”, “Genabis”, and “Levitibis” using his deep vocabulary, scientific concepts, battle rhymes and descriptive imagery to demonstrate what Rip The Jacker is capable of. On “Genibus.” Bis offers the listener a look into the origins of the MC he has come to be: “In the beginning I discovered wordplay, I experimented with the same syllables from the first to the third day/On the fourth day I searched for the words to say, how to compress complex verbiage into the least amount of space/I was perfect at it and mastered the tactics, on the fifth day I decided I would combine it with mathematics/On the sixth day I became a fanatic, and I couldn’t kick the habit, I would just look in the mirror and practice/On the seventh cycle, I had to take the day off, I was exhausted I guess my work will never pay off…” Throughout the album, Canibus rhymes over arguably the best production, compliments of Stoupe. On “No Return”, the Jedi-Mind producer provides a dancehall flavored track in which Canibus flexes his story telling ability describing three versions of his death. On “Showdown at the Gallows”, and “Indibisible”, Stoupe adds a Latin-tinge to the tracks and the results are impressive. On the latter track, Bis punishes the beat with a verbal barrage: “Hip Hop forever, that’s what I see when I look in the mirror, regardless of whether or not I’m a best seller/I’m a first class spitter, the literal, literature ripper painting pictures for intelligent listeners/From any and all dispositions, the fusion of what’s written creates a fission called Canibus-ism…”. Other neck-snapping tracks are “Psych Evaluation”, and the sinister “Cemantics”. Closing out the album is the sequel to a previous song from the”Mic Club” song, “Poet Laureate II”. Stoupe saves his finest work for last only for Canibus to completely mutilates a track that changes several times for over seven minutes straight. While rhyming about his alter egos in the third person perspective, Canibus drops several jewels full of substance, and granting an introspective look into past hardships: “…I followed his career from the first day, it seemed like the lack of support contributed to his inert ways/I seen him put in 24 hour work days with deferred pay undeterred by the word shame/Public Humiliation was the worst pain, he was spinning out of control like a class 5 hurricane/He said he wouldn’t want another Mc to suffer the same especially when there is nothing to gain/He was the illest alive but nobody would face it, he spit until his tongue was too torched to taste it….” With Rip The Jacker, Canibus has provided the listener with the standard dose of incredibly sharp lyricism complimented with hot tracks. He’s adopted a more technical approach to rhyming in terms of his style which has changed considerably since the late 90’s. For the most part, the beats dont quite match the fierceness of Canibus’s verbal fire power, but still present a contrasting and adequate backdrop for his relentless lyrics. Rip The Jacker may not pack the industrial strength of Mic Club, but it is yet another fine addition to Canibus’s catalogue.

Black Moon Shoots Video, Prepares New Album

Black Moon is preparing to release their latest album, Total Eclipse. The crew lensed a video for the their single "Stay Real" over the weekend in Brooklyn, New York. "Anything shining, prepare to be overthrown by the darkness," Buckshot told AllHipHop.com. "Our video is going to be the answer to all the hip-hop house, in the club music that’s out right now." The video features the group smashing a drum set and a guitar, as their way of protesting a lot of the live music and the current style of hip-hop songs that are played on the radio. Total Eclipse is slated to drop on Duck Down/Koch Records on October 7. Black Moon recently performed at Black August, alongside Erykah Badu, Dead Prez, Rise & Shine and Talib Kweli.

Russell Simmons’ Initiative To Bring Stars And Athletes To The Hood

Russell Simmons, Fortune 500 consultant and NYU’s Robert Wagner School of Public Service have teamed up to create The Hip-Hop Artists and Athletes Community Development Initiative. According to the New York Post, the initiative is aimed at helping stars from the rap and sports world support poor communities. The campaign received $150,000 in startup money from the Ford Foundation and will initially focus on New York City and five other cities that will be announced at a later date. "Private individuals increasingly are an integral part of the solution to difficult public-service challenges," Ellen Schall, dean of the Wagner school said in a statement. The program will launch in October.

Cam And Juelz Launch New Businesses

Cam’ron and his protégée Juelz Santana are expanding their diplomatic services in the New York and Columbus, Ohio areas. Budding mogul and CEO of Diplomat Records, Cam’ron has dumped his money into Club Envy, a nightclub located Columbus, Ohio. Conversely, Harlem native Juelz Santana has finally opened Santana’s Town, a “boutique clothing store showcasing his original designs,” in his hometown. In a statement, Cam stated that the pair is simply engaging in friendly competition with an entrepreneurial angle. “It’s all politics at the end of the day. Whether it’s music or sports, the competitiveness is the same. That’s why I named one of my albums Sports, Drugs and Entertainment. Whether you hustle, play basketball or you’re in the entertainment business, all three are competitive,” Cam’ron said. In addition, Cam has several other businesses including a hair salon in Philadelphia, Diplomatic Styles, a marketing company and plots a clothing line, Dipset Apparel. The Diplomats double album, Diplomatic Immunity, has recently been certified gold by the RIAA. Juelz’s debut album, From Me To U, drops August 19 and Cam’s Purple Hayes is slated to be released on December 9.

Black August Rocks Brooklyn

On August 10, the jump-off was the Brooklyn Café as the Malcolm X Grassroots Movement presented their annual Black August benefit concert featuring Erykah Badu, dead prez and the Boot Camp Clik amongst a host of other talented performers. Black August is a tradition established to honor and bring awareness to the fallen soldiers and political prisoners of the revolutionary struggle for the liberation of the western hemisphere’s oppressed people. The purpose of the Black August concert is to place hip-hop within the larger context of history and politics, a personification of the “it’s bigger than hip-hop mantra” that simultaneously enlightens, uplifts and entertains. This year Revolutionary but Gangsta vibes permeated the premises as poets Black Ice and Tehut 9, worked the audience into frenzies with their poetics and punchlines. The crowd roared as Black Ice advised rappers to own their masters and Tehut admonished hip-hop to reverse itself and take it back to the basics. Standout performances included an appearance from the queen of neo-soul, Erykah Badu, dead prez, Jeru Tha Damaja and the Boot Camp Clik. The hometown favorites set the stage ablaze with Smif N Wessun’s performances of “Sound B’woy Burial” and their Brooklyn-specific but any-ghetto-applicable anthem “Bucktown.” The set capped with a bare-chested Buckshot and 5ft spitting new material from the upcoming Black Moon album and an audience awing a cappella by Smif-N-Wessun. dead prez left heads hushed hanging on to their every hymn as the blasted classic fare and banged brains with selections from their next collection of socio-political poetics, “Get Free or Die Trying.” Despite the heat, humidity and sound problems that plagued several of the sets, much love was extended throughout the evening including an energetic, albeit incongruous, set from Keith Murray that showed and proved that adding on to the cause isn’t limited to the usual suspects. Black August now heads to Cuba for its annual performance at the Cuban Hip Hop Festival and then rounds out the month with performances in Chicago on the 29th and Atlanta on the 30th.

An Open Letter To DJ Premier

An Open Letter To DJ Premier As a fan of Hip-Hop for the better part of 15 years, I feel as if I have some say-so in how this art form should be portrayed. I feel that image has become grossly overrated, monotony has taken the place of artistry, and the voice of reason has become the voice of advertisement. Hip-Hop is a sacred ground of beats, rhymes and life, and only a few have been bold enough to keep this precious gem pristine and as pure as it was meant to be. In my opinion, no one has detained the true essence of Hip-Hop better than DJ Premier. When it comes to the art of production, Premo, you are the blueprint. For over a decade, you have laced the ears of fans nationwide with a plethora of beats and sounds that are simply legendary. Seemingly, you have music flooding your veins, using the simplest of ingredients to create magnificent confections with an aroma so rich, the speakers on our CD players awaken our senses. You have been exceptional to this game, and Hip-Hop owes you a debt of gratitude a million times over. But, I must take issue with some of the things I’ve seen take place over this decade that you have graced Hip-Hop. While you may be the greatest producer this game has ever seen, some of the wrong people have been blessing your tracks. The Gang Starr Foundation- which consisted of Guru, Jeru The Damaja, Big Shug, Group Home, and you- are arguably the greatest collective of talent Hip-Hop will ever see. You were the “Dream Team” before the 1992 Olympic Basketball team was ever assembled. The possibilities were endless, and a hostile takeover was definitely in the making. But, this “Friendship –vs.- B.I.” nonsense came into play and the ship mysteriously sunk. Why? A crucial part of business is keeping the business together. Did you miss that part of the scenario or what? I read an interview you conducted sometime ago, and according to you, you met up with Jeru at the funeral of one of our fallen comrades, Headquarterz. In reading the interview, I noticed that Jeru offered to let bygones be bygones, and come together once more to pick-up where you guys tragically left off. Nothing ever happened! There have been many MCs to bless some of your greatest beats, but no one can ride a Premo beat better than Jeru The Damaja. Guru? Nope. Bumpy Knucks? I love him dearly, but he can’t hold a candle to Jeru. M.O.P.? Close, but not quite. Big Shug? Forget about it. Group Home? I’m afraid not. Afu-Ra? He is Jeru’s clone, and nothing beats the original. You and Jeru made some beautiful music together. With you behind the boards, Jeru’s first album is a bona fide classic, and maybe he isn’t capable of making a more perfect debut. You have helped make Guru a household name in Hip-Hop, and without you, I don’t think he can succeed (see his Jazzmatazz series and other solo ventures as a point of reference). Before you give Limp Bizkit another hypnotizing track to ruin with garbage lyrics, please go to Brooklyn and find Jeru. Both of you need each other, and Hip-Hop needs the both of you right now. Premo, you are my favorite producer, and you have probably influenced this Hip-Hop community more than any other beat maker. There are some MCs in the game today that can use your services and get their career back on track. As much as I love Canibus as a lyricist, his beat selection has slowly killed his career. I want you do all of Canibus’s fans a favor and take him under your wing. He needs you as much as Guru ever did, and maybe even more. Method Man has decided to go the pop route, working with P-Diddy and the Bad Boy camp. It is a disgrace that you have not kept Method Man on the right side of Hip-Hop more often, so please hit this man on the 2-way before he starts wearing shiny suits! Another beautiful piece of art can be had if you were the first person in line to get at Ras Kass when he comes home from prison. Ras Kass may be the most under appreciated rapper of this millennium, and he needs to bring some heat to the table and get his name where it should have been a long time ago. Chino XL is really in dire need of your services, and maybe you can use some of his as well. It is impossible for Chino to write a wack rhyme, and the same goes for the beats where you are concerned. Please do Hip-Hop a favor and make that magic happen! Lastly, as one of your biggest promoters, on behalf of the entire community of Hip-Hop, I ask that you please do whatever you have to do to produce Rakim’s album. Dr. Dre seriously dropped the ball with Ra, and there is no other producer on God’s green earth that can compliment his wordplay like you could. Many fans refuse to see Hip-Hop has become cancerous, empty, and in a state of lifelessness. Pioneers such as you can help pump the aura and life-blood back into the veins of Hip-Hop that is necessary to resurrect it. I challenge you to step up and be counted amongst the true legends of their respective professions. I challenge you to find one single untruth in my attempt to reach out to you. Finally, I challenge you to continue to bring forth the sounds that give us all an outlet to imagine being where most rappers need to be. Preem, holla at editorial@allhiphop.com! **Note to the readers: This is no way an attempt to berate or belittle DJ Premier, and the opinions of the writer are not necessarily those of Allhiphop.com**