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khalil amani, Author at AllHipHop
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Did Gucci Mane Just Pull a "Superhead"?

________________ The views and opinions expressed herein are those of the author and do not necessarily reflect the views of AllHipHop.com _________________ Y’all remember Karrine “Superhead” Steffans—the chick who wrote the tell-all book on rappers and their sexual stuff—“Confessions of a Video Vixen”—where she lays it all out and spills the tea on some of your favorite rappers. Basically, she effed a lot of rappers. That’s the gist of the book and yes, I read it in one day. For naming names, she committed career suicide (if there is such a thing within hip-hop). Superhead became a pariah—an outcast—an anathema in the eyes of the industry. How dare she write a book and expose what rappers do when they ain’t rappin’! Along the way, there have been copy-catters. Most notably, Kat Stacks who was a kiss f#*k & tell-all femme fatale who, instead of writing a book about the rappers she was screwing—used the Internet to “out” rappers sexual proclivities. The difference between the two is that Superhead actually used her gray-matter brain and ended up on the New York Times Best Sellers list (three times!) and got that cheddar! Kat Stacks got those “Negro pennies” hosting club parties and whatever her tricks rapper friends gave her. She just penned a book, but as far as I can tell it’s gone double-wood on the best sellers book list. And more recently, there’s Love & Hip-Hop’s (NY) Winter Ramos who just wrote a tell-all book detailing all the dudes in the industry that she and her friends banged. But really, it’s not in the nature of women to have diarrhea of the mouf—especially when it comes to things of a sexual nature. Superhead, Kat Stacks and Winter Ramos are anomalies—aberrations from the norm. Women, in general, don’t start snitching on their stank-boxes when they’ve spread their legs. The “Superhead Archetype”—f#*king & telling through the media—whether it be in book form, these Internets or on TV is actually a rare phenomenon coming from the lips of women. The “Superhead Archetype,” although it carries a woman’s name, originated with men! Fellas! Just think back to those teen years and the first piece of stank you got. What’s the first thing you did after scoring with a chick? Ran and told ya boys, right? Yes you did! You couldn’t wait to tell the fellas on the block about how you waxed Shaneequas’ ass! And every piece of tail you’ve had after that you were obligated to tell your homies that you just hit. We guys have diarrhea of the mouf! But the chick that you banged? You think she went out of her way to tell her girls she just gave up the panties? Hell no! She was mum-mouthed! Her girlfriends had to coax that kind of info out of her ass and in many cases—had to just read between the lines and form their own conclusions. Chicks don’t have diarrhea of the mouf when it comes to sex! Dudes invented the “Superhead Archetype” and hip-hop dressed it up in a skirt and stilettos. Guys have been taught, yea, programmed to kiss & tell. So it should be no surprise when an unknown rapper like AP.9 lets the world know that he boinked CoCo. Whatever the reason for him spilling the beans on her—he was gonna bring that s### out regardless! It was a great look for his rap career and a popularity boost. “Yeah! I f#*ked Ice-T’s wife!” That was a come-up of epic proportions! This is the “Superhead Archetype,” which AP.9 has been conditioned to use to big-up himself and accumulate brownie-points in our sexist society of dick-slinging. Can you blame him? And Lil Wayne who succumbed to the “Superhead Archetype”—snitching on his dick as it relates to Chris Bosh’s wife. “And, and, and I f#*ked Chris Bosh’s wife!” he bellowed to a Houston hip-hop crowd. There was no shame in his whoredom! There was no condemnation from the masses of hip-hop folk. There was no shame in his bragging! The “Superhead Archetype” in full-affect and supported and cosigned by hip-hop. Rappers created the “Superhead Archetype!” Remember when Biggie boasted of all the R&B chicks he’d smash? And Gucci Mane—the “Superhead Archetype” gone awry! Dude has run amok naming chicks he’s smashed! He is the epitome of the “Superhead Archetype!” In the last few days Gucci Mane has gone on an outing frenzy on Twitter with regard to all the stank-boxes he’s beat up—allegedly sexing up Buffy the Body, Nicki Minaj, Young Jeezy’s girlfriend, Fantasia, video vixen Maliah Michel, Tyga’s baby mama Blac Chyna, Big Kuntrey’s girlfriend, Ciara, Monica and several others. Oh, he’s going ham on Twitter snitching on his hang-low! He actually posted a picture of his s###### receiving f####### by someone resembling Nicki Minaj while she takes a selfie! SMH. Must be a new trend of rappers showing us their penises. DMX and now Gucci. When, in the history of hip-hop has a video vixen, urban model or even hoodrat-s#### boldly and proudly proclaimed that they’d f#*ked some famous chick’s husband? It doesn’t happen and it won’t happen because there is no honor or glory when females put their p#### on front-street—because they have been taught (through society) and given clear signals and messages that bragging on one’s v##### is a no-no. You’re a s### and a w#### if you f### more than one dick at a time. Conversely, if you’re a man and you’re screwing many chicks, you’re a player, a Casanova, a pimp, a paramour—the coolest dude ever and the envy of many lesser men. Men will never be made outcasts pariahs for snitching on their d#### phalluses. It’s the world we live in. As the “Secret” deodorant commercial suggests, the “Superhead Archetype” is “Strong enough for a man, but made for a woman!” The “Superhead Archetype” may bear a woman’s name, but men are the masters of its application. Why? Because men have diarrhea of the mouf! As hip-hop/rap goes, rappers, as of late, have been beating all hell out of […]

The Last Poets: Responding to the Response.

The Last Poets: Responding to the Response. By Khalil Amani Let’s get one thang straight! Unless you’re Jesus, Mother Teresa or Martin Luther King (and maybe a few others), no one is above getting put on blast in my book! That includes old-ass revolutionaries who talk that slick s#*t out the corner of their moufs or old-ass actors that would rather put someone on blast instead of picking up the phone and mentoring that person into action. Indeed, I am “thee” C.O.O.N.—“Consciously Optimistic, yet Overtly Nihilistic.”  I’ll take it all! But I ain’t gonna let you run rough-shod over Jay Z and hip-hop just because you birthed hip-hop! Sometimes (grown) children have to put their parents in place, ya dig? RELATED: EXCLUSIVE: The Last Poets’ Abiodun Oyewole Responds To Dahveed Nelson Calling Jay Z A “Coon” Your (old) age does not give you a license to air younger people out because you don’t like how they move. I hear you; “How dare Khalil Amani call Dahveed Nelson a ‘coon’!” And I say, “How dare Dahveed Nelson call Jay Z a coon!”  What? You think Dahveed’s s#*t don’t stink? You think because he’s old (74) and a legend and one of the eponymous and patriarchal fathers of hip-hop—he’s immune from getting name called himself? Hell! I’m old enough to be most of your daddies, yet, you “go in” on me with reckless abandon! LOL. So hush yo’ mouf! The problem with me is that I’m just old enough to stand down and absorb correction, yet still young enough to go off on some reactionary ignorance (or, as we say in hood-speak, “get ig-nant.”) Erry’body grown up in cheah! For a minute there, I thought I was gonna have to make The Last Poets’ classic album a weed plate and I don’t even smoke weed! But Alas! Another Last Poet has made a statement in support of dialogue and distancing himself from his comrade’s “coon” name-calling. Yes! I’m an apologist for hip-hop—like many of you Negroes are an apologist for an institution that enslaved millions of people and annihilated a whole population—an apologist for a religion, which was used as the moral pretext for keeping Africans under foot. (I’m talking about Christianity for you numb-nuts! Oops! There I go name-calling!) I don’t apologize for defending the culture of hip-hop! Yes! Hip-hop needs critiquing. Yes! Hip-hop is full of coonery, fuckery and fooGAYziness (and I ain’t talking about my gay/lesbian brothers & sisters, because, like the Honorable Huey P. Newton, they are my comrades in the struggle for the total liberation of all people!) But anyone who dares to put a blanket over the whole culture of hip-hop is waaaaaay out of line! Your argument that gangsterism in rap music perpetuates white fear is without foundation. The history of black people in America is rent with over 400 years of horror, yet, in this modern age of hip-hop you say wearing a hoodie and gangster rap has caused white folk to become trigger-happy? This insinuation is as silly as TMZ claiming that hip-hop is responsible for the Boston Bombing! It takes a certain amount of sociological gymnastics to come to such conclusions about hip-hop as a culture and rap as a musical genre. Let’s kick da ballistics! Who are you citing as your “source of authority?” What sociological study are you getting your facts from? Are you spouting Jungian philosophy? Or might it be B.F. Skinner, Naim Akbar or Francis Cress-Welsing? Blaming hip-hop for Trayvon Martin’s death is “theory,” “hypothesis” and “ignorance!” Age does not give you carte blanche to just run amok with your “opinions” and ideas without being challenged. Your (Dahveed Nelson’s) views on Jay Z, Russell Simmons and hip-hop are not from a constructive place! Nay! Rather, they are one of two things; an infantile bromide, which is devoid of any substantive sociological rigor or the lunatic rantings of an old black man! Contrary to belief, I’m in no man’s (or Internet site’s) back pocket! I say (and write) what the f#*k I want! If they publish me, they publish me! If they don’t, they don’t! I’m not here to keep the hip-hop machine running smoothly. Anyone who believes this hasn’t read the full body of Khalil Amani—from airing out many of your favorite rappers to cosigning the inclusion of the LGBT (lesbian, gay BI, Trans) community in the body of hip-hop/rap music. In the words of rapper Mysonne, “F#k with me, but don’t f#k with me!” Our “s###-uation” here in America—one, where a dog’s life seems to be more important than black life is rooted in systemic racism. It’s easy to point fingers and say, “Ah ha! Hip-hop is the culprit!”  No matter how we act, no matter what a black man wears, systemic racism will make reactionary whites pull the trigger on a black man without thinking, even though hip-hop has been the greatest race relations tool since never! Enter another member of The Last Poets— Abiodun Oyewole. He has put out a statement to let us know that The Last Poets aren’t a monolithic (one-minded) machine and takes exception to Dahveed Nelson’s strong and disrespectful words against Jay Z. Here’s Abiodun Oyewole’s response to Jason Whitlock’s interview with Dahveed calling Jay-Z a Coon. (Abiodun Oyewole, member of The Last Poets and one of the Godfathers of Rap Music) “It is unnecessary to refer to Jay-Z or any other Hip Hop artist as a “coon”. Hip Hop was created on the foundation of The Last Poets. The Last Poets are a group of African-American men who use poetry to address issues concerning Black people. We considered ourselves to be the final word in bringing about unity within the race. We often speak about the white man “divides and conquers”. He does nothing of the sort. He conquers the divided. He has been doing this for centuries. Dahveed Nelson an original member and co-founder of the group made remarks during an interview that were very divisive and not helpful to […]