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Breeding Ground Showcase Archives - Page 2 of 3 - AllHipHop

Featured Videos

5 & Done: John Depp

Today mixtapes can garner the same importance as the elusive début album. Queens Native, Jonathan “John Depp” Ruiz, continues erecting his creative legacy with his Should’a Been An Album mixtape series. Depp exudes a visceral talent that’s rooted in a celebrated Hip-Hop history. Standing firmly on two sturdy legs Depp refuses to look to a relative to pave his way. This AllHipHop exclusive poignantly expresses his stance on everything from maintaining a healthy penis, releasing his next project, Should’a Been An Album 3, and sharing his perspective on surviving being shot. Given the potential and possibility that you possess, how do you continue to challenge yourself to make an impact while striving to remain humble? Just knowing how powerful my music is it puts me in a humble state. When I don’t call everybody whose number is in my phone like, ‘Yo, bro can you do this favor for me. Yo, I need you,’ or, ‘Can I come to your show?’ Yo, I don’t do none of that.  I just know what I got to do. And I work on what I got to do. Remaining humble it plays a big part into what I do. If I wasn’t  humble I probably would have jumped out the window 20 times already. Just the fact that I didn’t and nobody knows what I’m capable of doing I feel more powerful. Everybody thinks I fell off or I stopped rapping, but once they get a load of this sh*t. [youtube https://www.youtube.com/watch?v=TfLNyclkPhs&w=420&h=315] Respected artists like Juelz Santana and Drake have taken a keen interest in your creativity. So far, this year what have you been working on? Right now, I got a single out “Buss A Move.” I did a joint venture deal with TNF the record label. They had put out that record. That’s the first single off the tape. I’m treating the tape like an album. I got so much confidence in it. I  know what I’m capable of doing. With these mixtape records I’m going to have everybody wondering why I put so much good music on a mixtape. But, I have a following already that’s looking forward to hearing them. They’re looking forward to the next Shoulda Been An Album: 3. Up to this day, when I’m out and about in the streets – when I bump into people in the streets that’s all they talk about. ‘I didn’t get part one, but I love part 2,’ or, ‘I didn’t get part 2 yet, but part 1 is my sh*t.’ That’s the only reason I stuck to the title, Shoulda Been An Album, because the 3 is my last tape. I feel like this is my last mixtape. If they don’t get the point after these projects, then fu*k it maybe I should be a songwriter. I’ll never stop doing what I do. I’ve been doing this for 12 years. It’s just timing. I’ve been humble this whole time. You’ve had the experience of growing up with Jam Master Jay’s nephew and your cousin, Lloyd Banks, is an essential part of G-Unit. Initially, what about Hip-Hop compelled you to contribute your efforts to the genre; so far, what’s been your favorite Hip-Hop memory? I’ve been humble from a kid watching 50 Cent and the whole G-Unit. I’ve been in that circle since I was a kid. They helped a lot. Just with me being from the neighborhood. I’ve lived on Hollis. I’m from Southside of Jamaica Queens. I’ve got a lot of experience of just being so close to them guys. Every neighborhood that I’ve lived in I’ve looked up to somebody. Everybody had their own person that they looked up to. I happened to be on both sides where we looked up to people like the Lost Boyz them being Southside dudes. And then Biggie, Puff, 50 Cents and them guys. So, that was a lot of motivation. But my greatest Hip-Hop memory is tied to Summer Jamm 2011 when I performed on stage with Julez. I didn’t have my own record at the time, just the energy of me running out on that stage — that’s been my greatest impact in Hip-Hop. [soundcloud url=”https://api.soundcloud.com/tracks/194244730″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]  A tenacious work-ethic combined with organic talent has perhaps delivered you to the eve of your creative revolution. Being an independent MC requires investing a tremendous amount of energy into your profession. Regarding your creative, financial, spiritual, and physical health what do you do in order to operate to your fullest capacity? Good question. It’s a part of what I said earlier with remaining humble, but I study the industry. I read books – just things to keep me ahead – like with my wordplay just certain things to keep me hip to what’s going on. I grew up in a holy household. My grandma and everybody is Catholic. Help from God has put me in the position I’m in. He gave me he drive that I do have. I feel like I don’t talk to Him as much I need to though. Sometimes just going to church is not enough. When I’m waking up I don’t pray as much as I need to. I thank God for everything that I do have and for everything that I do have coming. I’m still getting booked for features, and for little things like walk-throughs. I invest my money into certain things to where it comes back. I put everything towards my music, though. I hardly buy gear; I only buy clothes. Everything is studio time – buying beats, or for the production –everything goes towards the music. Any little money I make or profit goes straight to my career, definitely. I make sure I work out. I go to the juice bar and things like that. When it’s time to go to the club that’s when I get my system dirty. I use protection every time. I’m not a big fan on raw sex or sh*t like that. I use protection and not just for the […]

Elcee – HU$TLE [Viral Music Video]

Just when you thought it was the end of 2014, Elcee The Artist comes through yet again with another banger to send fans into the New Year with heads fully bobbin’. Just after dropping the independent critically-acclaimed album LeoSoul, it was straight back to the studio for the dedicated artist. Elcee gives us a little teaser for what’s in store with his upcoming mixtape #ManeStream. Video shot and directed by Toronto’s very own GLVDIOLU$ with music produced by Mike F. The Hitman, fans get a glimpse of the forthcoming single HU$TLE laced over some gorgeous Black & White clippings. With a hit like this, we can expect Elcee’s next project #ManeStream to be a truly Future Hip-Hop experience with the authentic Toronto sound music lovers all over the world have grown to love at its roots—Expect its release early 2015.       You can find more music Elcee Online www.ElceeTheArtist.com www.Twitter.com/ElceeTheArtist www.YouTube.com/ElceeTheArtist www.Instagram.com/ElceeTheArtist www.SoundCloud.com/ElceeTheArtist

AllHipHop.com Shows Up And Shows Out At The Lincoln Park Music Festival

On Sunday July 27th the city of Newark, NJ came out to the Lincoln Park Music Festival to hear some dope artists spit fire bars and they were not disappointed! The Breeding Ground portion of the show was hosted by AllHipHop.com‘s own CEO Chuck Creekmur and BG Editor Skyyhook. Newark residents who are known for being a tough crowd to win over, totally lived up to their reputation! However, it was a good thing because the Breeding Ground artists that performed had to dig deep and give the crowd everything they had which in turn made for a dynamite show! One by one artists stepped up to walk the Hip Hop plank…and as they got to the stage they went for broke! The show was all the better for it! It was nothing but lyrical gold. Every single artists went in and the hot, humidity ravaged crowd was there to bare witness! The performances by Rasheed Chappell, Rebel Diaz, Audible Doctor, Senica Da Misfit, Jasiri X, Mitch Littlez, Joyner Lucas, YC The Cynic, Final Outlaw, Silent Knight, JY, Chris Skillz and Soul Khan made AllHipHop.com so proud because we strive for excellence and these artists demonstrated that they are absolutely everything that we’ve ever claimed them to be! Even fellow Lincoln Park Music Festival show host Ed Lover was impressed! Ed is not easy to win over so when he took to the stage and showed love for what our artists put forth….we were ecstatic! We must thank the entire staff responsible for putting together the show and for keeping it running on that day! The dedication from everyone was amazing! Our hats definitely go off to our brother Doitall Du from the legendary group Lords Of The Underground! He flew in from the other side of the globe to be there that day. He invited us out to be a part of the festivities and we are grateful for the opportunity! Thanks again to the residents of Newark for keeping it funky not just at the show but all year long! We had a blast and we hope you did too! We are proud to be a part of the Newark community and we look forward to seeing everyone next summer to do it all over again!   Photos By: M.H.Majied and @Raw_Product   

Young Scooter Talks Hope, Industry Frauds, & Upcoming Projects

“I think that all my music is classic and timeless. It’s stuff that people can listen to forever. I make that type of music,” the South’s Young Scooter shares his truth.  Born in South Carolina and bred in Georgia, Kenneth Bailey, became baptized in rhyme and began to craft street scriptures. Periods of an incarcerated existence did not deter the rising star; he continues to fulfill his creative destiny. With the overwhelming critical success of his recent tape, Street Lottery, Mr. Free Bands refuses to disappoint himself or his supportive audience. Having worked with the trapping elite, the rhyme architect is able to distinguish himself from his infamous peers. The work-ethic and the growing talent will determine his continued relevancy.  In 2014, Street Lottery 2, will break in the new year; Jugg House, his anticipated début will increase his presence. And now the spotlight illuminates, Young Scooter: AllHipHop.com: Hope is a powerful thing, like many others at times you’ve experienced a challenging existence. How were you able to transform the hope of becoming a successful rapper into a tangible reality? Young Scooter: Just grinding and keep working and just keep paying attention to my music. [youtube=http://www.youtube.com/watch?v=qQiJh5zeWPI&w=560&h=315] AllHipHop.com: Regarding yourself on a personal and on a professional level, what’s the trait that you most deplore in yourself; recognizing this, what are you doing to rectify it? Young Scooter: Personally, I just be smarter [and] just make better decisions with my music and with myself. I want to become a better artist, you know what I mean. Really, it’s features and you got to have the right production. It’s really all about that beat. Your fans are always gonna wanna hear a beat that they like. And I have my own formula. That’s what that sh*t is really. AllHipHop.com: Building upon your established creative catalogue, one may say, Street Lottery, was the catalyst that absolutely demanded attention. Respected media outlets from AllHipHop, to XXL, to MTV have showed your work respect. What are you doing to stay focused; how are you challenging yourself to display depth, growth, and access to the inner you on Street Lottery 2 and Jugg House? Young Scooter: I just keep working. I want Street Lottery 2 to be just as successful as Street Lottery. That’s why I paid more attention to this mixtape. I picked the right songs, because Street Lottery was so successful. This mixtape has to be two times more crazy than that. That’w what the fans are expecting from me. There are high expectations coming out for my next project. [youtube=http://www.youtube.com/watch?v=GMjqHgnog1o&w=560&h=315] AllHipHop.com: In life, one of the hardest things to do is to forgive. What’s your perspective on forgiveness; so far, what’s been the most harrowing experience that’s challenged your resolve to forgive? Do you believe in forgiveness? Young Scooter: I do, but not really—it’s according to the situation; I really don’t. Really, I ain’t got no problems… I came up the smart way and did everything I was supposed to do. So, I’ve never really had any big [issues] with forgiveness, you know. AllHipHop.com: According to Mr. Bailey, what’s the most overrated virtue, how is this exemplified within the Hip-Hop culture? Young Scooter: Being real, in the Rap game there’s a lot going on. There’s a lot of finessing going on. There’s a lot of frauds—a lot of fake rappers. There’s a whole lot of twists, you don’t know what to expect. You have to go with the flow and get into the best situation that you can to better yourself. There’s a lot that comes with this Rap game. In Rap, there’s a thousand things, you know what I’m saying? [youtube=http://www.youtube.com/watch?v=SjPhUs_Qk_s&w=560&h=315] AllHipHop.com: Are the rewards worth the invested time that’s required? Young Scooter: The money is worth it as long as you can stay relevant. If you’re not working or doing nothing then it’s not worth it. AllHipHop.com: What constitutes a classic track and a classic album? To date, have you created any classic material? Young Scooter: It has to have the right beats—the way you ride each beat—you   have to hit the right topics. Yeah, I think that all my music is classic and timeless. It’s stuff that people can listen to forever. I make that type of music. AllHipHop.com: I respect your confidence. May I ask you a personal question, do you really fu*k with Boosie, or are you just “industry cool” when’s he coming home? Young Scooter: Yeah, I fu*k with Boosie. I did a feature for somebody, you know. He’ll be home soon. AllHipHop.com: Until the next time, what would you like to share with AllHipHop.com? Young Scooter: Street Lottery 2 is coming on January 1st! Be on the lookout for that on livemixtapes.com. I want all my fans to tune in. I appreciate AllHipHop for this interview.

SL JONES: Defying Categorization; Establishing Self

Upon pending dates, the prepackaged gimmicks will expire. These lyrical infants tussle for Rap’s fleeting spotlight. Cognizant of the status-quo, Little Rock’s own, SL Jones, continues to invest into his creative cache. His diverse skill-set challenges categorization; that’s the problem. An artistic battle ensues when the MC is both the arch nemesis and the hero. How will the fickle public respond to an unpredictable artist? An intense ebony glimpse conveys SL’s perspective. Unprecedented confidence concludes his comment, “I don’t even think; I just create. I have to master the craft… My job is to ensure excellence and to just be better. It’s my job as an artist to convince. ” These are his words: Building Business Relationships In whatever situation you’re in, always keeping that student-mentality you can always be in-tune with what’s going on. From being able to benefit from the things around you, you won’t get outdated. Sometimes you’ll do something for the position that it’ll later put you in verses the now money. The now-money, will hinder you from [reaping] later-money. You’ll play yourself for a small check versus grinding. People are only going to respect you as much as you respect yourself. If what you’re doing is amateurish then that’s how you’ll be treated. People may not know that you have your sh*t together; so, they may come at you— they got to respect the fact that this is how you want to eat. If they feel disrespected by it, then you shouldn’t do business with them. You didn’t come into this sh*t to be homies. And everything costs. Then you give it away for free. I would never complain about it. On the artist, don’t cheat the people. The worst thing you can do is have a project come out and it under-delivers. You’ll get that now-money, but you’ll never get it again. It’s better for it to be the opposite, for them not to expect much and then when they come you wow them. Then you got them for life. [youtube=http://www.youtube.com/watch?v=4Lb1LaTMXak&w=560&h=315]  Securing features:  Mutual respect or healthy budget It’s love. I’m new; so, when I first meet somebody I don’t come off hella thirsty. It helps when they already know about you. It’s really, God. I’ve been blessed to where they may of heard about me through somebody. With me and Rittz, we used to be around each other kicking it—cracking jokes and sh*t. I didn’t even know that he rapped.  We’d be in there getting faded, kicking it, having a blast then—it was through Burn One, because we both kinda knew each other. He was doing a show in Atlanta and we linked. I came out. There was a song that I did called “Wild Side,” it’s off Flight Risk. He was like, ‘Yeah, man; you sick.’ Another way that I secure features is by putting them on dope songs. When they get the record they’re like, ‘Damn.’ If I don’t know them, or have a solid connect, my motto has always been approach it like business. A favor will always get swept under the rug. People respect you when you don’t ask them for nothing for free. When you come at them like, ‘Yo, let’s do business.’ Now they respect your mind. The first time you may do business with them, and the second time it may be just love, because y’all started off building on the right foot. It’s happened a couple of different ways. They way I’ve been able to do it there’s always love involved. On  “Grind 100 Hustle” I ain’t gonna lie; whenever we get into the studio together it’s heated. I feel like Killer smashed it. He just took off. I’m the one who always goes first. Usually, I’m the one who’ll pick the beat out. It’s just fun. It’s a sport, too. I still got love for the sport. We really didn’t even think about it. When I think about it, it may have been the homie who picked the beat. He was like, ‘Y’all need to kill this sh*t.’ he had a bunch of old instrumentals. I want to say it was the homie, G. Before you know it it was done. Initially, I was trying to find an original beat, because like to do songs. Write a hook, and then have everybody do verses. But, that sh*t just happened; it was crazy. [youtube=http://www.youtube.com/watch?v=cFNGFph2Rqk&w=560&h=315] Demonstrate depth of talent while remaining cohesive I guess that’s the part that I have to figure out. With C.O.L.O.R.S. that was just me wanting to exist. I didn’t even know that people knew about it. I don’t feel like I had the best beat on there, or the best mixes. That’s why people gravitated to it; there were zero expectations.  When it dropped, it created opportunities for myself; it got me here. Naturally, you’ll hear the sound; there’s growth. If you listen to it there’s always going to be something on that one that’s a glimpse of what you heard before. The first time I listen to something I don’t judge it. It is what it is. Listen and look at the tile of the project. Do the features make sense? Does the music connect with the title? If you’re going to listen to my music go ahead and take it all in. I got to say some crazy sh*t. I got a new mixtape produced by Metro Boomin—I knew people were going to feel indifferent about Way of Life No Hobby. That’s my job as an artist. That’s the type of artist I am. I experiment; I tried different things. It’s my job to push that line. When some people come out you know exactly what it is. They got two or three moves and they always go to those. With me, I can do a lot of different things. So, I’m going to try—sometimes you’re going to love it and sometimes you’re going to hate it. I like it when you go in and do a whole project […]

(VIDEO) Major Williams #BGA – “She Looking Like She” Behind the Scenes

AllHipHop.com catches up with Texas native and Los Angeles residing rapper, Major Williams, on the set of his new video “She Looking Like She.” Major, who is signed to Jamie Foxx’s Foxx City Records, has been steady at work releasing songs from his Dangerously Kool project. Look for the video soon! S/o to Ethno Nightlife for the video coverage. [vimeo http://www.vimeo.com/65542715 w=500&h=281]