EXCLUSIVE: Master P Says He Will Not Be Strong Armed For Money From Ex-Wife Or Attorney
Master P Continuing Court Battle With Ex Wife
microsoft-start
domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init
action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /wordpress-versions/6.7.2/wp-includes/functions.php on line 6114wordpress-seo
domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init
action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /wordpress-versions/6.7.2/wp-includes/functions.php on line 6114Master P Continuing Court Battle With Ex Wife
Master P Forms Streaming Company
On October 24th, celebrated publicist MarieDriven recently hosted the 4th Annual Cosmo Girls Glam Event, bringing together celebrities, designers, music artists and industry influencers in an effort to help raise funds and awareness for autism, a neurodevelopmental disorder. Valarie Person, creator of Cosmo Girls Glam – designed the platform for young upcoming entrepreneurs, fashion designers, models and music artists—to showcase their fashion and talents, while donating funds to well deserving organizations such as The Breast Cancer Association, American Heart Association, Center Against Domestic Violence and the Ralph Lauren Cancer Center. Kicking off with a VIP cocktail reception with hors d’oeuvres provided by Chef Roe, patrons mixed and mingled while jamming to sounds courtesy of DJ Easy. Up next, fiery performances from Reggae/Pop artist Barbee who opened up the show with her scorching new single “WHOA” before handing the mic to over to trending artist SaeItAintSo who went in on the Jerry assisted “On Fleek.” Guests were also treated to an amazing fashion show, with presenters including Le Rever, Bonna Collection, Mimmy Yeboah, Kholyns Couture and Light But Heavy Clothing. There were also a string of familiar faces in the crowd including Lil Mama, WBLS’ Indy Smith, HipHopWeekly’s Cynthia Horner, pop artist Inas X, real estate broker Katherine Salyi, Kidear Youmans and stylist Phillip Bloch. Also on hand were special guest speakers Sharon Turnages and Eva Thomas, who educated the crowd on Leukemia and wellness. Sponsors included Empire Beauty School, Deity America, Luis Danvers, Roe Catering, Oni-Bodi, My House Glam, Women Chamber of Commerce and Vitamin Water. For more information about upcoming Cosmo Girls Glam’s events, please click here. To view more pics click here.
AllHipHop: It seems in the 90’s horrorcore music hit the scene with Flatliner and Gravediggaz and artists like Ganxta NIP and slowly developed into its own culture how have you seen it grow over the years? You know I got into the scene as a fan. I would collect everything. I first heard Triple 6 from San Francisco and fell in love with it man. I was like oh s###! They are talking about the devil and s####### on gravesites! What the f### is this? Then a little later somebody told me about a rapper who was awaiting trial for murder and rapping over the phone from jail. I got that X-Raided tape and bumped the s### out of him and Brotha Lynch Hung. Around 1994 everyone was doing their own thing on the different sides of the country. There was Esham and Insane Clown Posse in Detroit. NIP in Houston, Raided and Lynch in Sacramento, Insane Poetry in LA and everyone slowly learned about each other. They all had names for what they were doing. Rip gut, psycho rap, Acid Rap, but when Flatlinerz coined what they were doing Horrorcore that was what they media recognized labeled what we all do the most. When that soundtrack for The Fear came out, most of those groups were on it and found out they weren’t alone. When Insane Clown Posse blew up, there is an entire sub culture built around the music. We have stuff like The Gathering Of The Juggles where fans by the thousands all come out to celebrate music like this where we all play together. We have our own lingo, functions, sayings and the fans are into just s### like this. Nobody realizes Insane Clown Posse has gold and platinum records. Brother Lynch has a god record. Its bigger than people think. It became a lifestyle. Our fans collect everything. You put out a CD, they buy two copies. One to keep, and one to play. There is so many artists out there now doing their thang like Twisted Insane, Kung Fu Vampire, Scum, Necro and everyone touring. Halloween we get attention, but for the rest of the year, we are running just as hard as anyone else “keeping it real”. AllHipHop: What do you think about Insane Clown Posse and jugglaos being labeled as gang members? See thats what people don’t understand. You have juggalos out there that submerse themselves into this so much they have tattoos, t-shirts, stickers on their cars, they hang out with kids just like them and they stick together because they have a common bond through music. They are into it like crazy and because they all hang out and have BBQ’s or gather by themselves its because they love this s###. But if one of them f#### up and does something stupid or illegal like sometimes teenagers do, they are gang members. But they are just fanatics. Its crazy that its never happened before. I’m glad they appealed and won because it was hurting people. People were getting records for petty things and couldn’t get jobs. Getting gang enhancements. For no reason but the fact they listen to this music and like it a lot. It was b#######. AllHipHop: It seems like when horrorcore fans do something crazy its a bigger deal than say if a Rick Ross fan does the same thing. Oh yeah because it makes for a great story for these news outlets. Its a business. “Obsessed fan of serial killer rap music charged with murder” sounds way better than your normal street violence. People expect that. Nobody gives a f###. It’s happened with Esham, and Insane Clown Posse, and Ganxsta NIP and Brotha Lynch, and it was a big deal because we’re talking all this crazy s### that we get questioned for it as artists. Which hey, I’m happy as f### to go on TV and talk for how ever long they let me about anything. I need that. But they act as if they are shunning the music and the fans and shaking their finger at us when the camera is on but when they cut its smiles high fives and s###. It’s entertainment. They want you to watch their program. AllHipHop: When you were on TV talking about horrorcore you didn’t seem to shy away from the controversy, you embraced it. Yeah I mean it sucks that s### went down and thats what it took to get the genre some attention, but I was like f### if you’re going to run a story then here I am to make sure its represented well. Plus I wore the mask. They ate that s### up. Its not like you’ll see me on MTV or in Rolling Stone and s###. You take something and you use it. Flip it on em. You’ll get other artists who’s publicist won’t comment. Who won’t return calls. F### that. Defend yourself. Show some compassion for the victims or what ever happened and make sure you rep your s###. Because if it ain’t you, it may be somebody else or nobody at all. I know everything about this s###. I know all the big artists, the pioneers of this, I know them as a fan and a friend, I know all the underground artists. I’m up on everything and the history of it all. I would like to think I do a decent job of bringing light to genre. I want to see everyone shine. They are trying to make us look bad by saying things like “its music that will shock you, they talk about murder… coming up next”. Then you will get a kid that flips through the channels sees that and learns about music like this that never knew it existed and bam, they get into it because they are into horror. AllHipHop: You seem to have a traditional Bay Area sound but it has horror undertones. But when you see your photos, and imagery, for a person who […]
After performing on an A3C showcase, most artists network and “politick” by handing out CD’s, exchanging social media handles or handing out merch. Meet the artist who took to the streets of Edgewood Avenue during Atlanta’s A3C to give everyone a show after he stepped off stage (two showcases to be exact). His hustle and innovation led to immediate cosigns from Peter Rosenberg, DJ Greg Street and Trinidad James. World, meet DAEtrius and the #WHEREISPERCYPARK movement. How do you feel about the Atlanta’s music scene? Atlanta, is in a good place and sonically we are thriving. However, I feel like with diversity emerging in the Atlanta underground we could use The P.E.R.C.Y. PARK landscape as a contending frontrunner…music that touches the people. It’s why performing on a stage isn’t enough for me. Performing on the sound truck at A3C allowed me to get with the people. What do you want your legacy to leave via music, art, etc… I want my legacy to be authenticity, a true voice of the people. My art is for those who are searching for understanding and those that may be misunderstood or misrepresented…people who want to be understood and not interpreted. I feel like we all have so many layers. We’re all like fabric…on the surface appearing one way, but when you get up close, it’s we’re so intricate. It represents both who we are and who we’re becoming. I want to be a symbol of growth and a testament of understanding. Explain the acronym/meaning behind P.E.R.C.Y Park. P.E.R.C.Y. stands for a Portrayal of Emotions in ou(R) Careless Youth. Park symbolizes the fact that the world is a playground. We all live in P.E.R.C.Y. Park. Favorite artist(s) and Why? Jay Z , Outkast, and Tupac because they all embody the things that help shape my thinking: Charisma, Awareness and Authenticity. Explain your music in one sentence. My music is about choices, the place we reside between heaven and hell….both thoughtful and carefree. Stream “P.E.R.C.Y. Park Anthem” and the A3C x #WHEREISPERCYPARK recap video below and let us know your thoughts on DAEtrius’s movement. Follow DAEtrius on Instagram, Twitter and Soundcloud: @daetrius [soundcloud url=”https://api.soundcloud.com/tracks/227929923″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=’450′ iframe=”true” /] [youtube https://www.youtube.com/watch?v=6G7ri43_G9o]
Having already created his empire here, Louisiana legend Master P has set his sights overseas, as No Limit Forever has joined Samir Shalwani and Infinity Event Management to bring some of the biggest artists in the industry from the U.S. straight into the heart of Dubai. [ALSO READ: Watch Master P’s In-Studio Performance Of New Single “Goin Thru It] Boasting gorgeous scenery with a modern touch, the collaboration also has the potential to increase tourism, as new festivals and concerts will be brought into the region, a plus for those who travel abroad. No Limit has a record of success, which will be put to good use as they bring Hollywood to Dubai for the ultimate nightlife experience.
Jamaica’s own Dexta Daps has delivered the Peter Hatch directed visuals to his new single “Slavery.” With executive production from DASECA Productions, the video makes use of Canada’s gorgeous scenery by featuring scenes shot live in Toronto. The result, a slow simmering banger with an international feel. Just in time for the weekend, it’s a cut made for slow winding. Check out the smooth video below or cop the single via iTunes. [youtube https://www.youtube.com/watch?v=EG2svxSzMXw]
After floating over Big K.R.I.T.‘s recent It’s Better This Way album, Houston’s own DeLorean is back with a new project of his own, releasing a fresh new mixtape titled Perfect Black. While his “Picture Me Swangin” single drew new eyes to the southern emcee, his new tape is already garnering new ears as well, thanks in part to features from Scotty ATL, Big K.R.I.T., Big Sant, Jack Freeman, Bruce Bang, Bam Rogers and more. Following the release of his well received Hood Politics series and last year’s Look Alive, at 13 tracks the project offers the perfect building block as Delo’s name continues to ring inside the Lone Star State and beyond. Stream Perfect Black in full below courtesy of Nah Right & Audiomack:
When he’s not pulling 10-hour shifts there’s only one other place that I.B. Classic gravitates towards, the studio. After spending the last year teaming up with some of the best in Chicago’s bubbling talent pool, the producer has finally come together to deliver his own full length debut titled When All Else Fails. Fusing old school vibes with a new age grind, I.B. drew inspiration from a variety of legends like Smokey Robinson, Dr. Dre and even Phil Collins. The result? A smoldering project packed with features from some of Chicago’s best MCs including Saba, Logan, Young Lyxx, MC Tree and more. With an original production style that often incorporates live music, I.B. is gaining traction for bringing individuality back to the Windy City. Salute. Get familiar. Stream When All Else Fails in full below: [soundcloud url=”https://api.soundcloud.com/playlists/152225049″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=’450′ iframe=”true” /] Stay Connected: Twitter @_IBCLASSIC
Though Connecticut is likely the last place you’d think of when discussing dancehall, behind the scenes the state boasts one of the largest Jamaican communities. Now Hartford native Alandon is looking to put the “Constitution State” on the map for Caribbean music and he just might be able to pull it off. First heard on LA radio during a Los Angeles Dodgers baseball broadcast, Alandon’s “1980i” has been quietly making waves thanks to its infectious fusion of old-school bubbling (or “dancing”) styles. Directed by Smokestack Recordings, the visuals were shot over two days in Hartford, Connecticut. “What inspired me to make this song is I always wanted to have a record for the ladies just to dance to. Once I found the melody, the lyrics came very easy. The man who I really give the credit to, is the man behind the drums and all of the other instruments you hear on the track, my producer Trackstarr aka TSMG, made the song what it is now,” he explains. He added, “Trackstarr structured the song totally different from how I recorded it. I wrote the lyrics and magic was created. What made this video so interesting are the different locations and the dancers. Respect to Blacka Di Danca and his whole team, the dancers added the finishing touch to the video!” Stay Connected: IG: @LONDON_ONEDON and Twitter @ALANDONMUSIC
Still going strong, artist and personality Nick Cannon brought his 35th birthday in with style during a celebration Tuesday night at New York’s exclusive club, “Avenue.” Serving as emcee and DJ, the birthday boy and “America’s Got Talent” host kept the crowd moving throughout the night. Check out visuals from the event below:
“I Sound Like Myself, These Day’s That’s Not Easy”
$etto Sneak Peak Mixtape Release
Talented or not, breaking into the music game is no easy task and the public rarely gets to see the blood, sweat and tears put into the craft. Yet Houston emcee Delorean puts it all out there with assistance from Bam Rogers on a new cut called “Pay Off.” With production from Mosley and 30Two, Delo goes in while proving that you have to grind for what you want spitting, “I always knew this is what I wanted to do. So I did it.” Salute.
Though Texas OG Paul Wall won’t be dropping his upcoming Slab God project until September 25th, while you wait check out a cut called “Swangin in the Rain.” With production from Scoop Deville, the track gives a nod to Houston’s slow ‘bangin culture. [youtube https://www.youtube.com/watch?v=umhdjWZOD98]
MANNIE FRESH ENCOURAGES BUDDING ARTISTS TO GO THEIR OWN WAY
Ross Signs New Artist to MMG Digital
HBO PROUDLY PRESENTS “BESSIE’S 81 THEATER TOUR”
John Monopoly & Fakeshore Drive Team Up To Roll Out “The Go Ill Major Label A&R Showcase”
Between holding the stage down during his House Of AllHipHop Stage performance to welcoming an entirely new crop of fans; Philly heavyweight Gillie Da Kid made his presence felt during this year’s annual SXSW festival. Take a look at the recap below which also features a collaboration with Jermih called “Tattoo,” currently available via iTunes. Watch Gillie leave his mark in Austin: [youtube https://www.youtube.com/watch?v=UxzuKsYhhAw]