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Grouchy Greg
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Grouchy Greg

I am Grouchy Greg. I founded AllHipHop in 1996. In addition to running the site, I enjoy breaking news stories. My stories have been cited in The LA Times, NY Times, NY Post, TMZ, Yahoo, Billboard, The Associated Press, CNN, and more.

http://staging.allhiphop.com

C-Bo, Messy Marv Fired Upon In Missouri

Investigators are seeking a gunman who open fired on rappers C-Bo and Messy Marv in Westport, Missouri this morning. Witnesses said around 3:00 a.m., a gunman open fired with an AK-47 from a pickup truck that pulled up behind the SUV the rappers and their entourage was traveling in. "We are still trying to sort out what stage name goes with who," a detective working the case told AllHipHop.com. "I do know that one of the occupants of the vehicle that was fired upon was scheduled to perform at a concert this evening." As the SUV sped off, the truck followed and continued shooting. Police gave chase but the gunman eluded police and did not make an arrest. The rappers were leaving a small radio station, where they were apparently promoting their CD’s and the concert. "We contacted the radio station, but it’s so small they don’t tape their interviews." One occupant of the SUV sustained injuries but is expected to recover.

Koch Snags “True Crime” Soundtrack

Koch Entertainment will release the soundtrack compilation to the video game, "True Crime: Streets of L.A. The soundtrack to the game features 20 brand new tracks featuring some of the biggest names in hip-hop. “We are excited to partner up with Vybe Squad and Activision in the release of this special project. We hope it is the first of many," Bob Frank, President of KOCH Entertainment said. Snoop Dogg contributes "Dance With Me," which burnt the mixtape circuit up and features legendary crooner Marvin Gaye, while Westside Connection, Warren G., Bizzy Bone, Eazy-E’s son Lil Eazy E, Jayo-Felony and others contribute to the compilation. The video game has players assuming the role of Elite Operations Division operative Nick Kang, who fights the Chinese Triad and Russian Mafia throughout Los Angeles. The complete track listing is as follows: 1. Dance With Me/Snoop Dogg 2. True Crime Remix (Young West Edition)/ Young Dre, Bishop, & Sixx John 3. Terrorist Threat /Westside Connection 4. Don’t Fight The Pimpin’ / Suga Free- DJ Quik 5. I’ll Do Anything /Damizza, N.U.N.E. 6. We Came Here To Ride /Warren G. Feat RBX 7. Drinks in The Air /Hollywood (Unique, J’Nel, Swoop) 8. Hollywood /Bizzy Bone 9. Thug Night (Let Me See Something) /Jayo Felony 10. We Don’t Stop/Soulstar 11. Do Time /Pomona City Rydaz, Lil 1/2 dead 12. Legends /Boo Ya Tribe-Battlecat 13. Don’t Do Tha Crime (Trailer Theme) Kam feat. Cavie & Above the Law 14. They Don’t Know /Dee Dimes Feat. Bigg Swoop 15. Can’t F### With Us /Big Tray Deee, Cocaine, Threat, Short Khop 16. Flow /Sly Boogy 17. How We Live /Lil 1/2 Dead, Showtime, Kontroversy & Quicktomac 18. Roll Wit Me /Young Billionaires 19. Cali Folks /Stylistik 20. Get It Crackin’/ Lil Eazy E

Bow Wow: Man Child

Kids and hip-hop are an odd couple. On one hand, most people love kids when they are lil’ and adorable. However, when they begin to grow and that voice starts to deepen, the masses have a way of turning a deaf ear when they same beloved prodigy begins to spit about grown-up topics and matter. Bow Wow intends to escape fate. Before him, groups like Illegal, Da Youngstas and Kriss Kross all demonstrated legitamate talent and long-term potential, but eventually faltered after puberty. With his persona changing before hip-hop’s collective eye, Bow Wow says he not like his predessessors. With Unleashed, his latest, already gold, he might make good on his promise. AllHipHop talked to the manchild and he explained where his mind is. It is far more than dumping the ‘Lil.’ AllHipHop: So what separate you from the younger Bow Wow now musically? Bow Wow: Just everything like I talk about I on a whole different stream as far as my music. Its on a more teenage mature type of level its like real Hip Hop not saying that what I was doing back then was not real, but its like a real Hip Hop rap album it get no better than this as far as on a Bow Wow status and this is ridiculous. I’m going to say this is my best album that I’ve done because I’m talking about thing people are not use to hearing Bow Wow talking about as far as ya know. I have a song dedicated to my mother ya know then on top of that I got another song called the movement was basically expressing ideas and things coming from a teenager’s head which the Neptunes produce for me and that song is crazy, It just so many things on my album that really separates me and when it comes out and compare it to me people are like wow it’s a big difference. Everybody is going to know when I drop records or when I do certain different things I always try to make it better and better and this album is just kickin’ Doggy Bag like completely out the door. This is crazy and after Unleash I’m try to make another album that kicking Unleash out the door and I try to make my stuff better and better, as I get older. AllHipHop: How many songs did you write on your new album? BW: I wrote a lot can’t really tell you how many cause its so much. I wrote just about every song except three and then TI and my man ROC they helped write with the album as well. AllHipHop: Now you dumped your trademark braids…was that supposed to be an adult statement? BW: I just got tired of the braids; it’s really nothing to explain about that. When you cut your hair it’s because it’s a reason behind it and the reason is that I just got tired of my braids that’s all. That’s how it is man. AllHipHop: If you could change one part of you, what would you alter? BW: If I could change one thing about myself, what would it be? I’d be covered with more tattoos right now, yeah if I could change myself It’ll be my arm, I’ll put way more tattoos in my arm, I have two now. Free know was sup, she’s seen my muscle before. AllHipHop: Are you going to college and if you do, what’s your major going to be? BW: That the topic that I am always talking about now since I’m almost finish with school, so it kinda like I have it in mine, but right now I’m just trying to focus on what grade I’m in right no. Whatever the future hold that’s what it is, so I’m just trying to focus on right now, but its not erase out of my mind like I’m still interested. AllHipHop: Would what you want to go into be music related? BW: yea if I went I would want to major in business it all depends because I want to go to the NBA, so if I go to college I want to be on an NBA scholarship, not an NBA scholarship but a basketball scholarship, so I can play and then from there and then from there I can go to the NBA, but if that does not happen if I went I’ll probably major in business because I want to have something to do with sports, so I’ll probably have to become a sports agent and from that I’ll probably have to go to law school and that would take forever and I don’t have patience, so its kind of like law school for six years. I don’t know about all that, that just too much school so I don’t know. AllHipHop: As a budding adult, what bothers you? BW: Me going broke. And when you’re a celebrity, a lot of celebrities probably feel like “dang I buy all this stuff it’s like yo, I’m going to go broke.” It’s kind of crazy how it is, but that’s the one thing I tell myself, I have my own money and keep buying stuff, I gotta chill with that. AllHipHop: What gets on your nerves that people ask you? BW: “Why did you drop the ‘lil’ off your name?” I get that question so much. Don’t nobody ask me that no more. AllHipHop: If you had super mind-reading powers, whose brain would you invade? BW: I’ll probably like to read a girl’s [mind], definitely. you know when a dude walks up to a girl and sometimes they be like you know, like “I’m feeling you” or whatever and girls be like “Yeah yeah yeah whatever.” And you be really wondering like “Okay, I wanna know what’s going on in this girl’s head.” she ain’t paying me no attention, and while she’s doing that “yeah yeah,” she probably like “I wish this dude will get out of my […]

Red Star Sounds: Def Jamaica : Scott Hunter Smith

The widely anticipated Red Star Sounds Vol 3: Def Jamaica album is finally here, and everyone should know that this is more than a mere collection of songs. The Heineken Music Initiative’s Red Star Sounds label worked in conjunction with Def Jam and Tuff Gong to bring together the hottest in dancehall artists and Hip Hop allstars for a good cause. Proceeds from all of the Red Start Sounds releases go to educational music programs through various charities, and this third installment in the series is definitely worth your investment. Appearances include Method Man, Redman, Capone and Noriega, Cam’Ron, Elephant Man, Scarface, 112, Stephen and Damian Marley, Jay-Z, Lexxus, Buju Banton, T.O.K., Wayne Wonder, Joe Budden, Sean Paul, and many more in a series of collaborative efforts . Scott Hunter Smith, President of the Heineken Music Initiative and creator of the Red Star Sounds label, took some time out at the Heineken House Party in Montego Bay to discuss the new album and the goals of the Music Initiative program. AllHipHop Alternatives: What is Heineken’s involvement in the Red Star Sounds/Def Jamaica project? Scott Hunter Smith: The Heineken Music Initiative’s mission is to support urban-related music charities, so what we do is each year we come up with an album. The first one was a neo-soul album with Sony, then we did a Hip Hop album with Def Jam, and now we have a Dancehall/Hip Hop album. We pick one or two charities. We’ve supported VH-1’s Hear The Music, this year we’re doing the Grammy Foundation which is music education, and also the Shawn Carter Foundation, which is Jay-Z’s foundation for music scholarships. We put two to three unsigned artists on the album with big name artists to give them some exposure, then we donate a portion of the proceeds to charity, and the rest of it comes back to do the project once again. We’re almost self-funding. Heineken gave me a couple million dollars to start this, and it’s going really well. After this year we’ll probably be self-funding, where we won’t get hurt by budget cuts and so forth. Business is tough now and corporations are gonna protect their business first. These are the kind of programs that a lot of times are cut because of those issues, so I drew up a business plan to try and make it self-funding so we wouldn’t get caught with that. AHHA: What was the original inspiration for you to do this? SHS: For the love of music, the love of education. Schools have cut into music programs left and right, and it’s been proven that music education helps further the academics of kids in general, so I said ‘what better way to do it?’. One thing is, because we are a beer company, to be careful we don’t give any money directly to any students. We always find the appropriate charity to give them the money to let them do it, because they’ll probably be able to do it better than we will. AHHA: What went into the planning for this project? SHS: Def Jam is our partner in the fusion of music and culture. It’s big and it’s continuing to grow, and so are the trends in music where a lot of reggae dancehall is being fused. We wanted to take advantage of that and do an album. AHHA: How involved are the artists with the charitable aspect of this promoting the album? SHS: Actually, in the beginning they were a little leery about it, saying ‘It’s a major corporation, what are they trying to do? Are they trying to use me?’, and that’s understandable. That’s why we try to align with reputable charities and truly show them what we’re trying to do. If you look at our album, there is a little logo on the back that says ‘Heineken Music Intiative’. Everything else is Red Star Sounds, the charities, and Def Jam. We are literally taking a back seat to try to do the right thing. I did a program on our first album with Erykah Badu, and Erykah Badu does nothing with alcohol beverages. She gave us a song on the album, it was a single actually, and we sent her out to some of the high schools. We funded it and no one knew – we didn’t put any literature at all behind it. She did an essay program and donated some money herself, and we donated money. It’s really about the kids, the music, and education. AHHA: It must make you feel good to have a brainchild like this. SHS: I’m very fortunate to have some bosses back at Heineken that believed in my vision and took a shot, and now they see the fruits of it and that this is helping. I’m blessed in that way as well. AHHA: Do you foresee what you’ll be doing with this next year or what direction you’ll be going? SHS: Actually yeah, we have some ideas and some music. I am trying to walk away a little bit from getting into trying to pull these big albums together – maybe going to producers and working with them to create these compilations to put a twist on it. Sometimes compilations get boring to people, so you gotta kinda keep it fresh and new. AHHA: Is there anything else you want people to know about the Music Initiative and the album? SHS: I hope they take a chance. Albums are expensive these days, and there’s a lot of good music out there. I hope they take an opportunity to look into what we’re doing and pick it up, because it is helping other people. The money goes for good. The Music Initiative, Heineken and all it’s partners, on our end anyway, we do nothing but use the money for good, and that’s the goal. Go online and check out our website, and give us a chance – it’s helping some kids.

Wyclef Hospitalized

Wyclef Jean checked into a Miami hospital yesterday, suffering from food poisoning and dehydration. Clef’s publicist said the rapper was on his way back from a promotional tour in Europe when he fell ill. "It just seemed to snowball into something that made him very sick and put him in the hospital," Lois Najarian told the Associated Press. Clef will remain in the hospital the rest of the week recovering from exhaustion, which apparently was brought on by his hectic schedule as he promotes his Clef/J Records debut, The Preacher’s Son. "The doctor is recommending that he slow down a bit," Najarian said. Clef canceled his appearance at GQ’s Men of the Year awards on Tuesday but will still perform two free concerts, one in New York’s Times Square and one at the Roseland Ballroom. The Preacher’s Son hits stores November 4th.

Hip-Hop Institute Planned For Queens, New York

Community leaders in Queens, New York are teaming with Russell Simmons to build a Hip-Hop Institute, cultural center and museum in Jamaica Queens. "There’s so much positivity and power in Queens and in hip-hop," Simmons told AllHipHop.com. "We just need to water the good seeds." Simmons, along with Charles Fisher, founder of the Hip-Hop Summit Youth Council and Senator Malcolm Smith came up with the idea for the institute. Simmons said the proposed institute plans to feature exhibits, memorabilia, a community center and classes on hip-hop. In addition to Simmons, Queens has produced such stars as Tribe Called Quest, Nas, Capone-N-Noreaga, AZ, LL Cool J, Irv Gotti, Ja Rule, Run-DMC, 50 Cent, Onyx, Large Professor and others.

Grafh: The Big Bang Theory Pt. 2

AllHipHop: It seems like all these rappers are coming from Queens What separates you from them? Grafh: You gotta listen to the music. The concepts I come up with the with. A lot of my sh*t go over n*ggas heads. It aint complicated but I don’t know, maybe I rhyme too fast and n*ggas think too slow. Its definitely fire. AllHipHop: Can you speak on people referring to you as the black Eminem? Grafh: That’s a compliment because Eminem is a dope mc. He’s one of the few MC’s the game got right now. My imagination goes far out, so in a way I grab the words together my word patterns are just incredible. I don’t even know how the f*ck I do it. I just say what the f*ck I feel. It just happens to be shocking. That’s a compliment though so I take that. AllHipHop: I heard you ghost wrote for Joe Buddens. Grafh: Wow. [Laughs] I heard that too. I ghost wrote for a lot of people. I’m trying to be ghost writer slash actor slash everything. I do it all. Any of these wack ass rappers that need ghost writers for them male or female hermaphrodite or d###, I don’t give a f*ck what u wanna be. Holla at the kid, I do it all. AllHipHop: How did you get into rap? Grafh: I was getting tired of hustling and all that and I need to support my family and I was like f*ck it, this gonna be my last hope and Ima go hard at this sh*t. n*ggas can’t be thinking that rapping is all just fun and you spit. I aint gonna front, the sh*t is fun. I don’t know how people get in this game and be like ‘I’m stressed’ or ‘man f*ck that’.. this is the easy hustle. It’s hard work but so what hard work pays off. I don’t care what you do. If you work in an office go hard. If you sell crack on the block do it all day. If you rap go hard. Work hard on whatever you do, the sh*t pays off. AllHipHop: There are so many rappers that’s out like Cassidy, J-Hood are you trying to compete with any of them? Grafh: I aint compete with nobody. I got a joint with J- Hood and Cassidy. I like them n*ggas. I appreciate other n*ggas music but I aint competing with nobody I’m doing me. AllHipHop: Where do you see yourself in the long run of rap? Grafh: Up there on the roof at the top of the game. If I don’t get to the top I’m just gonna keep going until I get there. Aint no turning back and there aint no losing. AllHipHop: If there was one rapper you would like to take out the game who would it be? Grafh: I can’t even get into that sh*t. I aint sh*tting on nobody. All that sh*t do is hurt they sales. Everybody tryna eat and feed they family, so I aint gonna sh*t on none of them rappers, but its a lot of n*ggas I don’t like.

Grafh: The Big Bang Theory

Grafh’s legend is already sprouting wings. The streets are buzzing, talking about the battle between the young Queens native and P.Diddy’s Da Band down at the Mixshow Power Summit in Miami. While there is no official word of a victor, the word is Grafh held it down all by his lonely. His mixtape, "The Bangout," has been selling like Bronx crack and he shows no signs of decline. AllHipHop caught the Epic Records/Blackhand gunner as embarks on war. AllHipHop: Tell me about yourself. Grafh: My name Grafh yall. Blackhand is the label Blackhand is the gang. Queens Is the borough and I just rep everything and I’m just doing it. Right now I finished two albums and the "Bangout" out video. I’m on the "In Those Jeans" remix with Ginuwine’s song. I’m on the grind. That’s it man. AllHipHop: What does your album consist of? Grafh: My album is well rounded. I talk about my life in general, the sh*t I seen and the sh*t I been through and my people been through. With me, there was a lot of pain coming up. At 14 my pops was gone. I aint got no father in the crib. My only role model was the street. He got murdered right in front of me. I was in the street. My moms was in the street. I tried to stay out the street but that sh*t aint work. My pops came back around when I was seventeen and they blew his brains out so now I’m here and rap is kind of like my last hope. AllHipHop: What’s your style of rhyming? Grafh: Dirty, new, different not like them. Its Grafh. I just talk about real sh*t. I try to get creative and witty with the topics. I’m a sarcastic n#### so it’s a lot of sarcasm in there. I think today’s hip-hop is in a state where it just sucks. I’m trying to put a whole bunch of cool sh*t in one spot. I’m just doing me. AllHipHop: Where you get the name from? Grafh: I been had that name since I was young. I spit a motion picture. I spray paint art. I even spray paint walls and sh*t. My name is Grafh. Its graphic art. I spit a motion picture. Spray paint your brain a little bit. AllHipHop: Is there a certain place that you wanna get in the game? Grafh: I wanna get to the top quick, but not too quick though. When you blow up too quick then you don’t have no longevity and n*ggas will get washed up. When you blow up real quick your music gets saturated and today’s hip-hop is based on saturation. You gotta saturate the industry in order to win and as we all know saturation make sh*t corny. That’s why hip-hop got a short memory, because music get saturated. AllHipHop: Why do you think hip-hop is going down? Grafh: It aint going down. Its stagnant. It aint going no where. Everybody is doing the same sh*t. Everybody’s a killer everybody’s a hustla blah blah blah. Sure. So if everybody’s a hustla where the f*ck are the fiends at. It aint impressive. The music sound the same and n*ggas is picking the same type of music same hooks. AllHipHop: Can you explain Blackhand Entertainment? Grafh: Blackhand that’s the label. It’s a street label. Street business, now we doing music. Rap and the street is all the same sh*t. Rap, crack what’s the difference. Its all the same sh*t but we doing music now and trying to take it to the top. I’m the President of Blackhand. We just do music for everybody that can feel my pain. If you poor and you aint never have sh*t then this here’s for you. AllHipHop: I heard you got song with Shyne. Grafh: Yeah its called get "Dirty." That’s in the street driving n*ggas crazy. I did a song with Jay-Z and Juelz Santana. I’m on that Ginuwine remix, its playing on the radio right now. I’m on 2 songs with Lil Flip and I got a song with Juvenile. AllHipHop: How you get Shyne? Grafh: Magic. I put a mic under the f*cking cell block and we just made it happen. Magic AllHipHop: You got an album coming out? Grafh: The album is called Autografh. It will be out in February. Check your local bootlegging table. I also got the CD out on the streets called Bangout. I made an album for the streets because I make like a song a day. I got too much music I can’t do nothing with, so I just give it to the street. I just feed n*ggas. You only win in this game with music and I want n*ggas to understand who I am and understand my story understand while I’m here. AllHipHop: Can you talk about your mixtapes? Grafh: The mixtape is just street sh*t. It’s for the street and whoever else wanna listen, be my guests. As far as mixtapes period I’m on everybody mixtape. Kay Slay, Funkmaster Flex, Enuff, Clue, Kool Kid, Whoo Kid, you name it then I did it.

Ludacris, Outkast Hold “The King” From #1 Spot

Ludacris and Outkast kept "The King," Elvis Presley, from reaching the number one spot on Billboard’s Top 200 chart. Luda’s Chicken-N-Beer moved 430,000 copies last week, while Outkast moved almost 190,000 copies of their double album, Speakerboxxx/The Love Below. Elvis’ collection, ironically titled Elvis, 2nd to None, moved about 180,000 copies landing The King in third place. Ludacris’ Chicken-N-Beer is the biggest debut for the Atlanta rapper. The last album he released, 2001’s Word of Mouf, moved 282,000 copies the first week.

Universal Cutting Thousands Of Jobs

Universal Music will cut 1,350 jobs in an attempt to save $200 million a year to make up for a slump in music sales. Universal, the world’s largest record company, already cut 550 jobs worldwide and plans to cut another 800, with 190 of them in North America. The cuts will start this week and go into 2004. "Like all responsible companies, Universal Music Group is continually evaluating its business in order to maintain the most efficient and competitive music company in the industry and be well-positioned for the future," Universal said in a statement. The cuts come during a three year industry wide industry "crisis," which record companies blame on the internet and CD burning. "UMG is in the process of instituting significant cost-cutting initiatives that take into account the realities of the declining music market to further rationalize the company’s cost structure around the world," it said. Universal Music Group houses such hit acts as Eminem, 50 Cent, Ja Rule, Ashanti and others. UMG consists of record labels Decca Record Company, Deutsche Grammophon, Interscope Geffen A&M Records, Island Def Jam Music Group, Lost Highway Records, MCA Nashville, MCA Records, Mercury Records, Motown Records, Philips, Polydor, Universal Records, and Verve Music Group.

Fat Boy Busted

Gregory "Kool Rock Ski" Wimbley was arrested in New York after police pulled him over for making an illegal turn in Brooklyn. Wimbley, 41, made in illegal left turn onto Tillary Street around 7 p.m. Police spotted him and pulled him over for the traffic violation. After running a computer check, police found that his drivers license was suspended. Wimbley was charged as an aggravated unlicensed operator.

Yahoo Censors “Ghettopoly”

The owner of the controversial board game "Ghettopoly" is upset at Yahoo!, after the company shut down his E-Commerce abilities on the website of the same name that is selling the Monopoly knockoff. The site was shutdown amidst complaints from various leaders in the black community, who condemned the game, which features Pimp, marijuana and Uzi playing pieces. "To say that I am p##### off is an understatement," ownerd David Chang said. "I have been using Yahoo store selling the same product for over 6 months now." Chang said that he was upset with the company because he was not breaking any laws or selling anything illegal. Chang said that he was mostly upset over the outcry over the board game, because some rap music contains lyrics that are similar to his board game, but have not provoked the same outcry. I will use all legal resources to see that is will never happen again to anyone else," Chang said.

Trick Daddy On House Arrest Until Dec. 15th

A court has ordered rapper Trick Daddy to remain on house arrest until he stands trial on December on drug possession and assault and weapons charges.Assistant State Attorney Stacey Glick accused Judge Dennis Murphy of being too lenient with Trick Daddy, who has been allowed to attend several concerts and industry events.Trick Daddy allegedly violated his probation in February after he pulled a gun after a dispute over a basketball game in Florida.He was arrested last month at a high school football game after parents complained that the rapper and another man were being rowdy and drinking in the stands.When Trick Daddy was searched, they allegedly found cocaine and marijuana in his shirt pocket. Trick Daddy claimed the shirt wasn’t his, it was his unnamed companion.Trick Daddy’s trial is set for December 15.

UPN Gets “Eve” For A Full Season

UPN announced that “Eve,” the television show that stars rapper Eve, has been given the green light for a full season.The network picked up nine new episodes for a full 22 episode season.”All of Us,” which stars Duane Martin, Elise Neal and LisaRaye and was created by Will Smith and Jada Pinkett Smith, was also picked up by UPN for a full season.”By picking up these two new shows for a full season, UPN’s streak of developing and launching new comedy hits continues,” UPN’s President of Entertainment, Dawn Ostroff said. “‘Eve has fit seamlessly into our successful Monday night block and has seen growth since its premiere, and we’re incredibly excited to enter the new season and be able to launch a new night on Tuesday with All Of US, UPN’s most watched show this year.”All Of Us was the most watched show and the highest rated show among people 12-34 years of age. Eve recently ranked as UPN’s most watched comedy on Mondays.

Supreme Court Rejects Copyright Lawsuit Appeal

The Supreme Court of the United States rejected an appeal involving one of 500 of lawsuits Bridgeport Music Inc. filed against numerous record labels and publishers, for sampling George Clinton’s music without their permission. Bridgeport Music appealed after lower courts ruled a lawsuit against Still N the Water Publishing, which represents recordings made by Rap-A-Lot Records, was filed in the wrong court. Bridgeport claimed songs by The Geto Boys, Big Mike, Scarface, Yukmouth and others violated their copyrights, using portions of music Bridgeport owns by the legendary funkster. Bridgeport is the entity that owns the copyrights to his music and Clinton cannot stop the lawsuits that are filed. In the late 1990s, Clinton sued Bridgeport Music in an attempt to regain control of some of his much-sampled back catalogue, but failed. Bridgeport is seeking $150,000 for each of the 500 infringements.

Ludacris Launching Athletic Shoe Line

Ludacris has signed a deal with Sole City Inc. and will design his own line of footwear, "Da’ Hood Collection by Ludacris." The collection will feature athletic street shoes and boots and will launch in February of 2004. The first shoe to hit the stores is titled "Da’ Block." Sole City will handle the production, distribution and marketing of the footwear line. A portion of the proceeds from the collection will go to The Ludacris foundation and will then be distributed to various youth charities. Ludacris recently dropped his latest album, Chicken & Beer.

Lil Shawn Emerges From Prison, Changes Name

The rapper formerly known as Lil Shawn was recently released from jail after a 5 year bid in a federal prison and has changed his name to Shawn Pen. Shawn has inked a deal with Jimmy Henchmen and Bryce Wilson’s Czar Entertainment and is currently fielding deals from various record labels, including 50 Cent’s G-Unit imprint. “I’m not little anymore, that was a childhood nickname,” Shawn Pen told AllHipHop.com. “I came in the game ghost writing. I met Puff and started writing for Father MC and several other artists that he hooked me up with, hence the name ‘Pen.’” Shawn Pen has already finished dozens of songs for his forthcoming album, has collaborated with Jay-Z and is fielding various film roles. “When I was out before, I didn’t do gangster records because I was really in the streets and had to be careful about what I said,” Shawn Pen continued. The rapper said that completing his stint in prison was a weight off of his shoulders, now that his freedom has been regained and he has the chance to revive his status in the hip-hop world. “It was a relief,” says Shawn of his regained freedom and the opportunity to revive his career. “I felt like a weight was lifted off my back because now I can freely rap about some of the things I’ve been through in my past without the threat of getting caught up.” Shawn put out a string of hits in the early 90’s including “I Made Love 4 The 1st Time” and “Dom Perignon” featuring The Notorious B.I.G.

Wyclef Giving Free Concerts

Wyclef has teamed with LG Mobile Phones and will give fans two free performances in New York on October 16. For the first concert, Wyclef will stop traffic and perform in the center of Times Square at noon, followed by a concert later that evening at the Roseland. The concert is free and the only way to snag tickets to the evening concert is by tuning into New York’s Hot 97. Wyclef is preparing to release his album, Preacher’s Son.

The Struggle

Artist: CappadonnaTitle: The StruggleRating: 3 1/2 StarsReviewed by: Paine Before Killah Priest and Shyhiem , Killarmy and Mathematics, the first Wu affiliate to arrive was Cappadonna. After his blazing verse on Ghostface’s “Winter Warz”, it’s little wonder that his debut, The Pillage reached number one on the Billboard charts in 1998. With no strong single, the record remains one of the better Wu solos ever released. Still, his follow-up, The Yin and the Yang would be nearly ignored, only to be chased by an un-needed greatest hits compilation. Today, Cappadonna can be found driving a cab as proof of his changing fortunes. So, with his first independent release, Cappa is aiming to recreate his initial buzz. Cappa is best known for his bass-heavy voice and paused delivery, he still amazes. “Get Away From the Door”, which also features Inspectah Deck, is one of the best hardcore Wu tracks made in years. A great drum beat mixed with strings sound great under Cappadonna’s aggressive delivery and Deck’s rhythmic chorus. Other tracks like, “Season of Da Vick” matches with that ruggedry. This album has a lot of efforts in terms of big production. Rather than fill the record with low-key beats, each track seems like a push to go over the top. Some tracks, like “Power of a Peso” and “We Got This” work extremely well. Other efforts such as “Money, Cash, Flows” and “Killa Killa Hill Y’all” could’ve been toned down to work stronger. Still, this record plays to match Cappadonna’s grittier attitude and remorseless content matter. Unlike some of his crew brothers that are still finding their post-Rza sound, Cappadonna has come into his own. The Struggle reflects its title. Those who have watched Cappadonna’s career become a chess piece turned over to the corporate greed of the industry will appreciate this album. Like his debut, Cappadonna has found that hunger and urgency again and offers an album that begs of understanding.

Paris: Dead Serious

Paris remains. Despite a climate that’s not accepting of thinking man’s hip-hop, he remain. Even though his views are contrary to the establishment, he remains. AllHipHop.com took a second chance at picking the human revolution’s brain to see what makes him, him and what allows him to remain. ALLHIPHOP.COM: Why do you think we’re still “pimping” and “blinging,” when, as you point out, brown people all over the world are suffering and fighting? What happened to hip hop’s political voice? It used to have one. Paris: It’s a multi-pronged reason why it doesn’t exist. First of all, hip hop artists, I’ve noticed, tend to gravitate toward what’s rewarded. And right now – I’ve said it in other interviews and I’ll say it again – white corporations dictate Black culture to Black people. They’re the ones picking the artists that they choose to give deals to, and they decide who gets exposure. They’re the ones who reward particular type of behavior, and there are a lot of artists who have adjusted to meet those criteria. If all artists banded together and said we’re going to move away from the negativity, then they wouldn’t be able to control it. ALLHIPHOP: Do you think there will ever be that coming together of hip hop? Things are cyclical, so there has to be some sort of civil rights struggle that comes about at some point. Will hip hop be the voice and culture to lead us through that? Paris: It’s definitely possible for hip hop to have a role in bringing that about, but there has to be balance in hip hop and right now, there isn’t. People are beginning to revolt – file-sharing has taken a hit out of the industry because people don’t respect the industry anymore. They don’t respect the music, and they don’t respect a lot of today’s artists. Those artists don’t even respect it. They don’t respect their listeners. Nine times out of 10, when there’s an opportunity to respect commerce over art, they choose commerce – that’s the classic struggle between art and commerce. The commerce is always going to win, because corporations have control of the outlets and methods in which artists get exposed. I think that it will take a widespread rejection of a lot of what’s currently being offered to serve as that catalyst, and to have people gravitate towards it and realize that there are really artists out there who have more to offer and bring to the table than the gutter hip hop or “rap,” I should say, that’s on the radio. The sad part is, because hip hop is now part of pop culture, people’s introduction to it comes only from video outlets and commercial radio, so there’s going to be an obvious disconnect there. But I think that if there’s enough ground level support for alternatives, then they’ll eventually see the light of day. ALLHIPHOP: Are you that alternative? Paris: I’d like to be one of the alternatives. And I treat it seriously because nothing is promised. ALLHIPHOP: Are you an angry guy? Are people afraid of you? Paris: I mean, I’m human. I go through the same range of emotions as other people. Do I walk around with a scowl on my face everyday? No, not unless I happen to be angry that particular day. But I do have a lot of anger and frustration. I just choose to pour it out on records. ALLHIPHOP: Right, you have that platform. And you’re an investment banker, you speak intelligently, lead your own label and website, and have a college education. Wouldn’t some say that already puts you a step ahead of all those brothers who are in the trenches daily? Paris: I’m in the community. I’m from the community – we all are from the same place. But I don’t choose to stay and dwell within the negativity. If you’re engaged in the community, then you’re still a part of it. ALLHIPHOP: The album, Sonic Jihad, comes out on September 23. It’s not a traditional, mainstream sort of album, so how do you plan for its release? It doesn’t seem like the type you’d have an album release party for… [laughter] Paris: No, well, the sad truth is, in this day and age, it’s not a traditional album. But I recall an era in hip hop when it was, and the gangster mentality in hip hop was the odd man out. Again, this is a balance-providing release. There has to be somebody that’s out who’s willing to hold the torch. ALLHIPHOP: So what are you doing to push the album? Paris: Record pools and radio stations, college radio, gift services, the website. AND, I have Dead Prez, Public Enemy, Kam and Capleton all on the record. ALLHIPHOP: Do you tour live? Paris: It’s difficult right now because I have to judge the climate. The incendiary nature of this record is enough to make me pause before I commit to going somewhere, to say I’m going to be at a certain place in public and follow through on that. I have to see what’s happening with it, because there were a lot of people who wrote me initially with threats and stuff like “watch my back” and “don’t release that record.” I know I have to approach this from a ‘no fear’ perspective – when I’m speaking truth, I’m fearless. But by the same token, I’m not going to do anything that’s stupid, so I want to gauge how it’s going to be. A lot of times there will be functions or rallies, places where progressive people congregate, and I’ll just show up and get on the mic. I prefer that type of approach as opposed to being somewhere and making myself an easy target. Right now – it’s looking like the early part of next year – I’d like to hit the road with Dead Prez and Public Enemy, and hopefully Kam can be a part of that package. But to […]