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Grouchy Greg
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Grouchy Greg

I am Grouchy Greg. I founded AllHipHop in 1996. In addition to running the site, I enjoy breaking news stories. My stories have been cited in The LA Times, NY Times, NY Post, TMZ, Yahoo, Billboard, The Associated Press, CNN, and more.

http://staging.allhiphop.com

The Role of Politics In Hip-Hop

“dead prez means dead the fu**ing president” This ominous message greets visitors that venture to socially conscious hip-hop artist Dead Prez (DP)’s official web site. However, with all forms of music it takes more than strong statements to entice listeners to hear the message being conveyed. But after moving 400,000 units of their debut album Let’s Get Free with little promotional support from their label, DP’s commercial viability is not in question. Their follow-up RBG: Revolutionary But Gangsta received an impressive 4.5 mic rating from the The Source. So why is DP searching for a new label after being dropped by Sony/Columbia Records? Well, the official reason given was Sony executives felt that the album would not be a commercial success. This is a very simple explanation that covers up a much more sinister logic. It could be argued that they were dropped or censored due to the strong political stances that they took in their music, which in turn could alienate customers and would make reaching sales goals a little more difficult. Which raises the uncomfortable conundrum of whether politics has a role in hip-hop today. Ever since Grandmaster Flash and the Furious Five’s “The Message” gave vivid imagery of life in the inner city, the potential of a syncretic mix of hip-hop and politics has existed. With groundbreaking groups such as Public Enemy and Brand Nubian bringing a Black Power aesthetic to the masses, it seemed that politics would play an integral part for years to come. But then, for lack of better words, hip-hop completely blew up. It now stands as a billion dollar industry and outsells all genres of music save for Rock. While this has afforded those involved with hip-hop unprecedented opportunities in terms of endorsements, film, etc., it has taken the music that so many love, and made it into a product that is sold and exploited by large corporate record companies that have little interest in the music itself. With corporate involvement in the music, a dichotomy has developed in terms of where politics can be successfully applied. By success I mean reaching the intended audience and producing tangible results. When trying to ascertain the role of politics in hip-hop, it must be viewed from two different perspectives, political and musical. In the political arena hip-hop has quickly made its presence and power felt. It is in the more important and far-reaching musical arena that there has been a disturbingly diminishing role for politics as hip-hop’s popularity has increased. A Sleeping Nation Has Been Awoken The explosion of hip-hop’s popularity has made many politicians aware of the voting power that the young hip-hop nation wields. To protect the interests of the hip-hop nation in light of the increased attention being bestowed upon it, hundreds of organizations such as Russell Simmons’ pioneering Hip-Hop Summit Action Network (HHSAN) have been formed. What these organizations have done in a short period of time has shown the positive results of combining hip-hop and politics. With assistance from hip-hop artists such as Jay-Z, P. Diddy, and LL Cool J, the HHSAN has held rallies that have raised awareness and protested issues ranging from the outdated Rockefeller Drug Laws to NYC Mayor Bloomberg’s proposed school budget cuts. This garnered the organization nationwide recognition, but more importantly has shown the ability of the hip-hop nation to throw their weight around in the political arena. Other notable political mobilizations included the numerous Million Youth Marches that were held in places such as Harlem, and reached as far as Italy. The march in Harlem took place despite the voluminous amount of attempts by former mayor Rudy Giuliani to prevent it from happening. Even more indicative of the growing influence of hip-hop in the political arena is the election of Kwame Kilpatrick as mayor of Detroit. The self-proclaimed “Hip-Hop Mayor” was instrumental in bringing this year’s Hip-Hop summit to Detroit drawing over 17,000 attendees with participation from Eminem and Nas. With the musical genre becoming so influential and its brightest stars becoming so well known, gaining media attention and support from politicians has become increasingly less difficult. With more and more breakthroughs taking place, hip-hop’s influence should increase exponentially in the near future and its constituents will have an opportunity to really shape many of the policies that impact our everyday lives. Politics Doesn’t Sell Records The musical arena has not yielded such awe-inspiring results. This can be attributed to the business mindset of those that have discretion in what gets put into stores and played on the radio. With so much money being spent on nurturing and developing talented and profitable entities, the focus has shifted dramatically away from lyrical content, as evidenced by Dead Prez’s current situation. Large record companies have made it clear that if they do not see an act achieving a certain threshold in terms of record sales (usually gold (500,000 copies) or platinum (1 million)), they will not release the album regardless of the musical quality of the product. Likewise, radio stations have concurred by only playing music by artists who already have very large followings and are considered very popular. In addition to music, many record companies have realized that they are selling a lifestyle to the record-purchasing public. With much of the youth aspiring to drive high-end automobiles as opposed to proselytizing others to important social issues, record companies are simply following the age-old mantra “Give The Customer What They Want.” Even artists such as Talib Kweli or Mos Def, who do make songs addressing social ills, have found success and received radioplay from tracks that do not focus on political or social issues for the most part. This erects huge barriers in front of artists who are trying to get a political message heard by hip-hop consumers. Although nothing can be taken away from political hip-hop organizations, their influence does not have the same wide-reaching potential as a song that is played on radio stations across the nation. Even though Nas’s “I Can” made […]

KNAGUI : True Love

He is not Kirk Franklin. And while newcomer KNAGUI (pronounced NUH-guy) has mad love for Kirk and his pioneering work to diversify today’s urban music scene, he wants to make a name for himself in a Franklin-dominated market. Knagui’s debut album, The Meaning of Love, with its high quality sound and notably risky covers of gospel classics, has caught the attention of a veritable who’s-who in the music industry. He has worked alongside such well-known artists as Donnell Jones, Deborah Cox, Counting Crows, and MeShell Ndegeocello, and the result is a sound that’s surprisingly “unpreachy” and groove-plenty. In an age when urban gospel tends to levitate toward watered-down versions of secular tunes and rap, Knagui says he is determined to show listeners of all backgrounds that flavor and inspiration can go hand-in-hand. He isn’t trying to out-sing anyone, and his isn’t the hellfire and brimstone gospel that your grandma played on Sunday mornings. According to Knagui, it sounds and feels good because it comes from the place where joy originates – the soul. In fact, he says he’s more concerned with tapping into the joy in your soul, than scaring you into repentance. A native of York, Pennsylvania, Knagui now resides in the “not-so-Dirty South” of Dallas, Texas, a place where gospel is just as boisterous as rap. Truth be told, a lot of today’s hottest hip hop and R&B acts got their start in the very same Texas churches that he now performs in. With the odds for achieving fame and wealth being far greater in the secular industry, some have said that his talent and looks are going to waste. So what keeps this young schoolteacher, father of two, and Alpha Phi Alpha Fraternity brother’s “eye on the prize?” AllHipHop Alternatives sits down with Knagui to find out more. AllHipHop.com Alternatives: Knagui, your lengthy bio makes it seem like you’ve been performing and writing forever. Was music always your path in life? Knagui: Pretty much. I didn’t start writing until I was in college, and even then it was late in my matriculation; but my grandfather was a Church Of God in Christ minister so he would always take me with him to sing before he preached… and he paid me, so that was good! [laugh] And like anyone my age who liked to perform, I went through a serious MJ [Michael Jackson] phase… hair and all! [laugh] I can remember my neighbor’s daughter beating the mess out of me and making me sing and dance for her cousins… I guess I can thank her for teaching me how to perform under pressure. AHHA: That’s classic! Were you the sole writer on The Meaning of Love? Knagui: Basically I was in the beginning, but when you have a team of writers, musicians and producers like I had with me in the studio, things are definitely bound to change. The first to come onboard was my bassist, Mark [Walker]. He plays for everybody – Will Downing, Gerald Albright, Richard Smallwood, Yolanda Adams, you name it… He’s a vet and I really didn’t realize how beneficial his experience would be to the sessions, but he saved me a lot of money. Beyond that, he’s a beast on bass. The next primary player was Shawn [Smith]. He’s got hits with Gerald Levert, Dru Hill, Ginuwine, and his list goes on, too. Shawn helped me to make my tunes more universal. He has the biggest studio ears in the business in the way of vocal production. He also played set throughout the album. Shawn brought in Kenny Bell, who is one of the hottest young unsung producers in Cleveland. Kenny’s interpretation of my songs was just ingenious at times. Most times he went with what I had already tracked and sent, but on some stuff he would say all humble and timidly… “Alright Knagui, I didn’t do that song like you had it, but tell me what you think of this.” And it would bang… like on “You’ll Never Find a Love,” which was one of the songs that I actually didn’t write. He played the track with these crazy cowbells and we all went ba’noodles! They both brought Tarshá in and she’s a crazy vocalist in her own right. Then I had Paco [David Cruz] on guitar who’s worked with Kirk [Franklin] and Bishop Jakes, a mad horn section and… aww man, I almost forgot Cheese [John Williams] – he is a hip-hop track burner! As a matter of fact he’s about to do some stuff with you guys for a compilation or something. At any rate, he produced a couple of tracks, too. AHHA: You’ve gotten a lot of exposure for someone unsigned to a major deal. How did you end up at the right place at seemingly just the right time? Knagui: Well, I’ve always been really aware of the industry because of my Godmother, T###### Clark and her mom, along with Aunt Karen, Renda, Niecie, and Jackie [gospel’s legendary Clark family]. And after high school I moved to DC, and while I was there I would go to jam sessions over at Howard University and vibe with cats like Kenny Lattimore and the dudes from Shai. I even ran into the great Mr. Diddy [Sean Combs] a couple of times. It was there in DC that I began to get into production and more behind-the-scenes stuff, and learned very valuable lessons about the “music business.” AHHA: The tracks on the album are very fresh, very neo-soul meets gospel at times. And I can tell that you were influenced by secular music from all the hip hop and R&B flavor. The cool thing is you’ve brought this sound to the streets – ‘cause frankly, not everyone is in the church. Knagui: Neo-soul is cool and I love a lot of the artists who have been placed in that category, but we like to call what I’m doing “original soul music.” I have this whole thesis on music and why […]

Ras Kass: Lock Down

On the cover of his first LP, 1996’s Soul On Ice, super emcee Ras Kass ominously appears reclining in the belly of the beast – behind jail bars. Even back then, Ras’ artistic efforts were pushed back a number of times despite the million dollar price tag, pre-album acclaim and hype. Nevertheless, through all of the red tape, die hard fans have continued to support Ras as one of the best, albeit under recognized, that hip-hop ever offered. In January 2003, his continued woes with Priority boiled over and the matter was exacerbated when Ras collected a third DUI conviction. A 9-month sentence turned into a flight from the State of California when he failed to turn himself in an effort to protest his "slave" deal with Priority. Amid the conviction, his anticipated Goldyn Chyld CD was pushed back again – never too see a release. Previously, his masterwork Van Gogh suffered a similar fate at the hands of rampant internet bootlegging. Now, Ras has settled into a Cali prison and took time to reflect his life and the 23-hour lockdown he experiences daily. AllHipHop.com: When can we expect you out of jail? Ras Kass: Mid to Late 2004/early 2005. AllHipHop: How are you being treated in jail? Ras Kass: I’m good, getting’ a lot of support inside and outside of these prison walls. AllHipHop: Is anybody supporting you within the music industry and have any or your associates visited you while you are in jail? Ras Kass: From what I’ve heard I’ve gotten enormous support. I’ve spoken to Xzibit often, Canibus wrote me. KRS-1 and Kurupt gave me words of encouragement. Eminem said, "Free Ras Kass" in a new song. The visiting process is more complicated. You nee pre-approval that takes 1-2 months. Mos Def & Howie McDuffy said they wanna visit, Tyson Beckford too. AllHipHop: Are your children maintaining and what do you tell them? Ras Kass: I don’t think children should be traumatized; they should enjoy their childhood. I’m "on tour" as far as they’re concerned. AllHipHop: Do you regret any of your career decisions? Ras Kass: Of course, but obviously this was God’s plan so I’ma ride it out. There must be a purpose. I think God is preparing me for my turn to apply all this sh*t I’ve learned. I won’t make the same mistakes again. I am fortunate too. These things happen to a lot of artists and nobody cares, industry wise, and they never recover. AllHipHop: Once out of jail you will sign with Open Bar (Xzibit’s imprint)? Ras Kass: No. AllHipHop: Are you off Priority, who would you like to sign with? Ras Kass: Ask my lawyer (if I am off)! I’d like to be anywhere where my talent is recognized, appreciated and cultivated. I’d like to go to Shady/Aftermath, or Def Jam through Roc-A-Fella would be cool. AllHipHop: Could the deal with Priority ever have worked? Ras Kass: No, the problem with Priority isn’t the street team, or art department. I mean to say that there were a lot of great people at Priority who gave 110% to me and every other project. Like Tom Reid, Robert Redd, Julio Trejo, Dawn ect…sorry if I didn’t mention all y’all. The problem with Priority is its management. AllHipHop: Is the reason for your silencing at Priority due to your lyrical content about white supremacy? Ras Kass: I don’t know. AllHipHop: What projects are on the way from you and what is the new label situation? Ras Kass: The album (which was recorded while he was a fugitive) formerly catchmeifucan is in negotiations. Re-Up Entertainment is my fledgling label. We just startin’ from the underground! What up 6 and Scipio! AllHipHop: What artists and producers do you want to work with? Ras Kass: My dream song is- well, actually 2 songs, produced by Dr. Dre and D.J. Premiere. Ras Kass, featuring Jay-Z, Nas, Eminem, and Rakim. A concept song and I straight spit off. I’m such a fan of so many rappers, singers and producers I could go on forever about who I’d like to work with. Outkast, Bilal, Scarface, Redman, GZA, The Clipse, Neptunes, Kanye West etc……. AllHipHop: Will Van Gogh or Goldyn Child or ever get released? Ras Kass: Maybe not officially but I’m sure bootlegs will hit streets soon. AllHipHop: Can you give advice to anybody about what to look for on a contract? Ras Kass: Only that you should always be looking for guaranteed release dates, specific sums of money to be used as the artist sees fit for outside promotions (creative marketing), and a guarantee of 2 videos per album. Also, stipulations that say you’re free to leave the contract if any of the terms are breached. Very clear and concise stipulations. Have a great lawyer. Your entire career depends on whether you have a lawyer who truly cares about you or if you have a lawyer who on the low, is working with (and for) the record company. It’s illegal but it happens all the time. AllHipHop: Do you still got beef with Alchemist and Jadakiss? Ras Kass: I never had beef with Jadakiss. I’m not mad at Alchemist anymore either. I just don’t respect him so therefore whenever I feel like it, I’ma diss him. Because I can. It’s not Jada’s fault. He just bought a hot beat. The shoe could have been on the other foot and Alchemist could have sold it to me after he sold it to Jada, feel me. Either way, Alchemist broke the code of producers in hip-hop: "Don’t play a beat anymore if it’s sold." AllHipHop: Would you rather have timeless material or a platinum record? Ras Kass: I want both. AllHipHop: Off the topic, what do you think about Canibus joining the U.S. Military? And what’s the status of the Horsemen (the unreleased project with Ras, Canibus, Killah Priest and Kurupt)? Ras Kass: I don’t have an opinion about Canibus joining the military. The status of the HRSMN (Horsemen)….. (doesn’t […]

Prozac Girl: Uppers and Downers

Undeniable Hot 97 FM is one of the hottest in the nation. The morning show with the sinister Star and blunted Bucwild was off the hook with a quick wit and tongues meant for lashing. Known for its controversial subject matter and on the spot surprises there was forcasting what might happen. Then, suddenly things changed. “The Star & Buc wild show was yanked off the air. In a heated disputed with the station Star walked out and so did his two co-hosts. Prozac Girl, the third component of the successful team, tells her version of what happened at Hot 97, the controversial story behind Loon’s sudden exit from the station station and why she and Cam’ron had an on-air dispute. Although, these incidents was reported in the media they were wrought with speculation. Prozac Girl, kept it real and gave AllHipHop.com this exclusive and candid interview. In her own words: AllHipHop.com Alternatives: The name Prozac where did that misnomer come from? Prozac Girl: Star gave me the name Prozac Girl on my second on-air audition. He gave it to me because I revealed that I was taking the anti-depressant Prozac. AHHA: There is no promotional spots mentioning you as a radio host. What’s up with that? Prozac Girl: My understanding is I was picked to be a part of the Star and Buc Wild Show based on my personality. I wasn’t chosen by HOT 97 for HOT 97 alone. And I guess some of my actions on the show made it clear that my allegiance was to Star. I felt like a member of that team and anything that threaten the team threaten me as well. I was really picked by Miguel Candelaria (the producer) and Star and the team overall. I remember during the auditions on air Star said that I was Miguel’s favorite. I owe a tremendous amount to Miguel. I can never repay him or Star for this opportunity. Prozac Girl: As far as the show not being on the air at HOT 97 now, every listener knows Star always said on the air he had issues with HOT 97. I guess everything comes to pass in its own time. AHHA: Since your departure from Hot 97 have there been any offers from other radio stations, books, movies, etc.,? Prozac Girl: Well one of the things I’ve learned from Star is to have as many opportunities open to you as possible. I can’t really speak on specifics but there are several things you may see me pop up in shortly AHHA: The story of how you got discovered by Hot 97 is an interesting and peculiar story. Do you want to elaborate on that? Prozac Girl: Star and Buc Wild announced on Good Friday that they were looking for a female co-host. My friend, Shonyel, was driving through NY heard the announcement and called and woke me up. I made my entry right away and sent it in. A week later I was called in for my first on-air audition. The auditions began in April and went until the last week in July when the PD offered me the job. AHHA: How do you keep listeners once you got them? What is the key to success and how did the Hot 97 Morning Show implement that? Prozac Girl: Star’s show is very compelling. People listen whether they like the show or not because they are never sure what Star is going to say next. People also listen to the show because Star is not afraid to say what needs to be said. As far as success, everyone on our show contributes to the overall image. We are a perfect team. Star set the standard for success on his show when he started and the team just complements his vision and goals. AHHA: What advise would you give those who are trying to get their break in the industry? Prozac Girl: Follow your gut instinct. When I actually heard the ad for the co-host, I felt like the announcer was talking to me. Try not to get discouraged when it appears that things are not going your way. AHHA: What is your most embarrassing moment on the air? Was it the time you were asked to give B2K members a lap dance? Prozac Girl: Giving B2K lap dances wasn’t as embarrassing as the Lipstick Lesbian Date with Prozac Contest. The Lipstick Lesbian Contest started because Star kinda challenge me to go on a date with a girl if HOT 97 paid for it. I agreed cause free is always cool with me, and I am not homophobic. We posted the contest on the internet and took pictures. I think it was difficult at first because I noticed how people started to treat me differently at the station, wondering if I was gay. Even a HOT 97 jock asked me are you gay? I began to feel the pain and frustration that gays and lesbians go through. When I would host a party, sometimes people would come up and say that lesbian stuff isn’t true right? At first I was embarrassed, but then I became okay with it, because I saw how judgmental people really could be. AHHA: So you use your marketing savvy skills to get them to sponsor it, what did you get and how did you do it? Prozac Girl: I went to the sales department and got them to get sponsors. We did an on-air dating game, the winner would get to go to the HOT 97 April Fool’s Day Comedy Show with me, a Baby Phat outfit, gift bag and dinner at Justin’s. I came up with the concept and prize ideas. One of the sales reps, Letitia Sweat did the work securing the deals. Marketing is easy as long as you have a viable product and the right venue. The contest and show was great exposure for our clients. AHHA: Your upfront style and persona led to individual getting kicked off the […]

50 Cent Smacked With Lawsuit, Security Roughs Up Photographer

50 Cent is the subject of a lawsuit filed by the owner of a Mobile, Alabama limousine service, claiming that the rapper’s security assaulted him and took control of a rented GMC Yukon. Johnny Bonner, owner of Top of the Bay Limousine Taxi Service, said that he was driving three members of 50 Cent’s security from their hotel to the University of South Alabama Mitchell Center for a show on March 13. Bonner’s attorney, Eaton G. Barnard, said fans made it difficult for Bonner to take the same route as the vehicle carrying 50 Cent. When Bonner attempted to take a different route the rapper was taking, 50’s security allegedly assaulted him, threw him to the rear of the SUV and drove back to the hotel. Bonner claims he suffered bruised ribs, emotional distress and fear. He is seeking damages from 50 Cent, three security guards and the parties responsible for hiring the security guards. In related news, 50 Cent’s security is being accused of assaulting a photographer in New York, after he took pictures of 50 leaving Jacob the Jeweler’s shop with a new $18,000 watch. Jim Alcorn claimed that as he was snapping the picture, a member of 50’s security detail, who was wearing a cast, knocked him into one of two Chevy Suburbans that were parked in front of the store. Alcorn claims that six or seven men, weighing about 350 pounds each, stood over him laughing. He claims that they pulled him away from the car, dropped him back in the street and pulled off. Alcorn claims that he is taking muscle relaxers and pain killers to alleviate the headaches he now has. He has yet to file a lawsuit.

Nappy Roots Debut At Apollo, Impressive First Week Sales

Nappy Roots will make their theater debut as performers on Apollo’s Amateur Night at the world famous Apollo theater in Harlem, New York. The weekly show has been at the venue since 1934 and has introduced the world to such stars as Billie Holiday, Smokey Robinson & The Miracles, Stevie Wonder, Michael Jackson, Fat Joe, D’Angelo, Lauryn Hill and others. Nappy Roots will make their debut performance on September 3. In related news, Nappy Roots sophomore album, Wooden Leather, hit stores on August 26. The album is on pace to move around 70,000 copies after being on the shelves for one week. The group is one of 13 artists featured on the Madden 2004 soundtrack, which has raked in over $100 million dollars in sales since it was released August 14.

The Neptunes Present… Clones

Artist: The NeptunesTitle: The Neptunes Present… ClonesRating: 4 StarsReviewed by: Toshi Kondo The Neptunes Present… Clones is what everyone expected N.E.R.D (Neptune’s rock band)’s In Search Of… would be. Instead the Neptunes dropped a rock album with a few Clipse verses. A year later, maybe to appease upset fans, the Neptunes gather a dream team lineup and deliver a predominantly hip-hop album that should leave no doubt as to why they’re hip-hop’s hottest production clique. When you watch interviews of artists claiming that their new album will have something for everyone, it lacks credibility once you hear the album. On the other hand, the Neptunes somehow cover almost every aspect of their stellar production resume with hip-hop, Rock, R&B, and a little reggae. That “Frontin” with Pharrell and Jigga and Busta Rhymes’ raunchy “Light Your Ass On Fire” have dominated radio playlists all summer should come as no surprise. Songs that club DJs get tired of hearing requests for are the Neptunes’ specialty. It’s the raw and unrefined tracks like “Hot” that truly show Pharrell and Chad’s versatility. “Hot” has an incredibly catchy and minimalist beat that’s nothing more than a continuous reverse scratch accompanied by a kick that comes in every other snare. Although Pusha T, and Boo-Bonic come off strong, Rosco P. Coldchain easily outshines them unremorsefully explaining “I scare the s### out of a bank teller so I can become rich/ That’s how I make my living, I give’em encouragement/ your doing great, keep chilling while I flashing the glock in their face.” All aspiring thug rappers take note, this is what gutter music should sound like. At times though, the Neptunes try and do too much with the album. Their inclusion of Rock tracks (“Half-Steering”, “F#%k N’ Spend”, and “Loser”) is unnecessary and deviates from the rest of the album’s vibe. While N.O.R.E.’s “Put ‘Em Up” is the polar opposite of “Nuthin” in terms of dopeness. The irritating female voices chanting “It’s N.O.R.E, N.O.R.E” sounds amateurish and adds nothing to the synthesized bounce track. When hip-hop producers bring an innovative sound, the denunciations that they will soon be outdated are inevitable. The process of moving from a gimmick to a respected entity is a rite of passage for all new producers. The Neptunes Present… Clones marks the completion of this journey and gives notice to critics that they’ll be seeing Pharrell crooning in his off-key falsetto next to dimepieces on MTV for years to come.

State of The World

Artist: VariousTitle: State of The WorldRating: 3 1/2 StarsReviewed by: Brolin Winning The second full-length from Brooklyn’s Tableturns label/collective (following Rob Swift’s excellent Sound Event,) State of the World gives shine to some of the game’s nicest deck destroyers, as well as a few choice emcees. Thirteen tracks deep, the compilation is definitely DJ-centric, though you don’t have to be a scratch-a-holic to get into it. The contributing artist listing reads like a who’s who of Technics technicians, featuring the likes of Total Eclipse (X-ecutioners,) Roli Rho (5th Platoon), Rob Swift, and Bay Area OG, DJ Quest. New York’s Supa Dave kicks things off on the introductory track “Get Prepared,” a triumphant banger laced with lightning fast cuts, menacing vocal samples, eerie flutes and rugged drum crashes. He also gets nice on “Wake Up!” reconfiguring a grip of KRS clips set to sparse rimshots and Asian strings. Roli Rho goes off on the furiously fresh “Bring It Back,” while Swift and Quest join forces on the dope tag-team closer “The Pledge.” Rhyme-wise, we get treats from Invisible, an up-and-coming Brooklyn cat who struts his stuff on a pair of joints, most notably “Streets Be Testin’ You,” an instantly likeable jam built on smooth horns and some seriously funked-out bass action. Keep an eye out for his debut LP, dropping later this year. Harlem heroes Cannibal Ox represent on the spaced-out “Cosmos,” while J-Live drops gems a plenty on “Don’t Get It Backwards,” flipping slick basketball metaphors over backwards boom-baps and sharp cuts. Also key is “Uplift,” with Manifest and Mondee, as well as the political and thought-provoking “Freedom???” which uses assorted dialogue clips, equating the notoriously racist U.S. prison system with modern-day slavery. Balancing positive and insightful wordplay with quality production and all-star DJ throw-downs, the album is a solid mix, ideal for heads who shy away from the lyrically vacant, iced-out party rap that dominates the airwaves. Intelligent without sacrificing the funk, State of the World is an impressive collection well worth checking out.

Trap Muzik

Artist: T.I.Title: Trap MuzikRating: 3 StarsReviewed by: Yama Caviness T.I. is the most underrated rapper from Atlanta; everyone in the entire southern region of the U.S. knows how tough he is. It’s hard to understand why he can’t break from the underground to the mainstream with all the southern artists currently getting airplay nationwide. He is now joining the ranks of UGK and Eightball & MJG, who paved the way for southern rap and are living legends but never got the credit and big time money they deserve. Trap Muzik, T.I.’s second album, is named after the slang term “trappin” (selling drugs) and describes T.I.’s life in Atlanta where he got caught up “in the trap” and survived with 7 felonies on his record. Trap Muzik is his attempt to break into the big time. Those familiar with T.I. will compare this LP to his under-appreciated debut, I’m Serious, which despite its relatively below radar sales is a barometer of Dirty South hood diction that, unfortunately, T.I. himself does not live up to this go around. The first single, “24’s”, is a catchy, bass driven club hit that describes his pimped out status: ”Money, hoes, cars and clothes/that’s how all my n##### roll/Blowin ‘dro, 24s/that’s how all my n##### roll.” “Be Eazy” is another tight track that showcases T.I.’s flow and grows on the listener to become an album favorite due to the lyrics, slick syncopation and intonation used on each verse. The legends of the south, Eightball & MJG and Bun-B of UGK, are featured on “Bezzel”. TI holds his own when surrounded by the vets; the perfect addition to the underground’s toughest southern artists. Throughout the album, the production from hard hitters such as Jazze Pha, David Banner and Kanye West holds the listener’s attention, but fails to take the album to the sonic level needed for TI to step it up. Overall, Trap Muzik, is a must have for the true TI fan’s collection, but will be glanced over by the uninitiated. But even on his worst effort, T.I. is lyrically head and shoulders above many of his contemporaries. He puts it best on “I Can’t Quit”: “10 years, an album, and 2 deals/for real, we all know I shoulda sold 2 mil.” True, but as far as the opportunity to catapult himself out of the regional southern rap game and into the mainstream, Trap Muzik falls just short.

Trina Robbed Of $300,000 In Jewels, Clothes And Items

North Carolina police are seeking to find a con artist who stole more than $300,000 in cash, jewelry and clothes from rapper Trina. Trina was performing Friday morning at Club Dynasty in Greenville, North Carolina an unidentified man posed as Trina’s manager and persuaded a Hilton hotel employee to give him a key to the her room. Investigators are looking at a hotel security tape that shows the clerk and the suspect. According to reports, the tape quality was in question, but was the only solid lead in trying to identify the suspect. "Sixteen years in the business and this has never happened," Trina’s real manager Mike Hopkins told the Daily Reflector. "That’s why we stay in places like this for security reasons. We don’t stay nowhere below four-star hotels." Employee’s of the hotel said because if the sheer number of people coming and going from the hotel, it was nearly impossible to distinguish who was with Trina’s entourage and who wasn’t. "We’re mortified; nothing like this has ever happened before," Hilton general manager Rhesa Tucker said . "This is a very secure facility, and we take all measures to make sure that every guest and their belongings are safe at all times."

Hollis Day To Be Renamed Jam Master Jay Day

Officials at the Hollis Day Celebration in Queens, NY will rename the annual event Jam Master Jay Day, paying tribute to the legendary DJ who was gunned down October 30, 2002. The renaming of Hollis day will be announced by Council Majority Whip Leroy Comrie at 3 P.M. today (August 30). Local organizers are also attempting to rename a street after Jam Master Jay as well, hoping to have the process completed before the first anniversary of Jay’s death. Police are still searching for a suspect or motive in relation to the murder of Jam Master Jay.

Joe Budden Highlighted On VH1 Series

VH1 will premiere the second installment of it’s "Hip-Hop Babylon" series in September. The two hour special focuses on the realities of making it in the hip-hop business. In this edition, a reality segment featuring Joe Budden’s will featured, showing hopeful rappers the work it takes to make and support a hit record, while trying to appease a money hungry record label. "They don’t care if you grow," Budden told AllHipHop.com. "They just care about that buck. As long as you can make them a dollar then they’re with you. They don’t give a f*ck about growing, their not your parents." The special also features KRS, Run-DMC, Naughty by Nature, Snoop Dogg, the Neptunes, Fat Joe, Nas, Queen Latfiah, Wu-Tang Master P. and others. The special debuts Sunday September 7 at 9:00 P.M.

Man With Ties To Rap World Arrested After Standoff In NY

A man with ties to the rap world was arrested after a standoff in a Canarsie, Brooklyn New York neighborhood yesterday. Tyran "Tah Tah" Moore, 32, was arrested yesterday after a standoff with police. He was charged with the shooting of Capt. Kenneth Girven in Harlem. Girven was shot in the stomach, just below his bulletproof vest. According to police reports, the 34-year-old Girven was working in plainclothes and driving alone in an unmarked police car on 154th street. He told authorities he saw two suspicious men and approached them. He identified himself as a police officer and asked "What’s up?" A man popped out from behind an SUV and shot at Girven three times, hitting him once. Girven was conscious and radioed for backup. "They really won’t leave those Murder Inc. boys alone," a source speaking on the condition on anonymity told AllHipHop.com. "Tah Tah knew Preme, but his relationship with Preme and Murder Inc. is being exaggerated. Preme wasn’t into robbery." The source said that Tah Tah’s connection aren’t through Murder Inc. as reported, but through Onyx rapper and actor Fredro Starr and Pepa from the best-selling female group, Salt-N-Pepa. "He was with Fredro Starr almost everywhere he went when he wasn’t out robbing people. That dude would go through some serious paper. He blows it all on balling and then looks for his next lick." Moore has been convicted in Queens and Brooklyn for weapons possession, drug dealing and vehicular manslaughter. He was acquitted of second-degree murder in 1993. Moore is also the father of a child, Tyran, Jr., by Pepa. In 50 Cent’s song "F*ck You," he raises the possibility that Tah Tah was the gunman who shot him 9 times. "50, who shot ya/think it was Preme, Freeze or Tah, Tah?" "It wasn’t any of those dudes that shot 50," the source said. "It was a dude named Hommo…and he’s dead." Moore has not been charged with any crime as authorities are seeking to determine if he was the triggerman or not. He has sought the legal counsel of pricey New York attorney, Marvin Kornberg. Moore told police he was gambling at the time of the shooting and according to reports, his story has checked out, leaving the gunman at large. Moore was also looked into regarding the murder of Jam Master Jay, because of his height and build.

50 Cent And Vivica Fox Buddy Up; VMA’s Recap

Thug rapper 50 Cent and actress Vivica Fox finally came out as a couple on tonight’s MTV 20th Annual video music awards. The pair sat in the capacity audience next to Eminem at Radio City Music Hall in Manhattan. On the red carpet, the rapper appeared at the event in a silvery suit and tie, hat and doo-rag hand-in-hand with Fox, who was draped in a slinky, form-fitting dress. The pair had already been spotted publicly but neither confirmed their status. Fox was married to a man known as 6’9 because of his height, but the pair were quietly divorced. In the show monologue, host Chris Rock joked about 50’s rise to fame and acclaim. “Music was so hard to sell [this year] that they had to sell it without mentioning the music. When 50 Cent album came out, I didn’t hear a damn thing about the music – All I heard is that he got shot nine times. 50 Cent took more shots to the face than [p### star] Jenna Jameson.” Despite his romantic exterior, 50 showed his street mentality with a rendition of “P.I.M.P” with Snoop Dogg, a prostitute harem and several real pimps. Rock also made a humorous, but socially relevant connection to the show. “Today is the 40th anniversary of Martin Luther King’s ‘I Have A Dream’ speech. Isn’t it good to see his dream came true?” 50 Cent went on to win a pair of VMA’s for the coveted “Best New Artist” and “Best Rap Video” awards. Other winners included Missy Elliot, who won her first VMA award for "Work It," which snagged Best Hip-Hop video. Eminem won Best Video From a Film for the "8 Mile" anthem "Lose Yourself." P.Diddy introduced Rev Run and DMC of the retired rap group, Run-DMC, before presenting 50 Cent with Best Rap video for "In Da Club." "I don’t think God wants us to worry why Jay is gone," Run said. "I think that we should be more concerned with why we are here." Nelly, DMX, Murphy Lee, Redman, Method Man, Lil Jon, Jay-Z and others performed or were presenters. Below is a partial list of winners. An asterisk denotes a winner. Video Of The Year *Missy “Misdemeanor” Elliott, “Work It” 50 Cent, “In Da Club” Eminem, “Lose Yourself” Johnny Cash, “Hurt” Justin Timberlake, “Cry Me a River” Best Male Video *Justin Timberlake, “Cry Me A River” 50 Cent, “In Da Club” Eminem, “Lose Yourself” John Mayer, “Your Body is a Wonderland” Johnny Cash, “Hurt” Best Female Video *Beyonce f/ Jay-Z, “Crazy in Love” Avril Lavigne, “I’m With You” Christina Aguilera, “Dirrty” Jennifer Lopez, “I’m Glad” Missy “Misdemeanor” Elliott, “Work It” Best New Artist In A Video *50 Cent, “In Da Club” All-American Rejects, “Swing, Swing” Evanescence f/ Paul McCoy, “Bring Me to Life” Kelly Clarkson, “Miss Independent” Sean Paul, “Get Busy” Simple Plan, “Addicted” Best Rap Video *50 Cent, “In Da Club” 2 Pac f/ Nas, “Thugz Mansion” Eminem, “Lose Yourself” Ludacris f/ Mystikal, “Move B***h” Nas, “I Can” Best Hip-Hop Video *Missy “Misdemeanor” Elliott, “Work It” Busta Rhymes f/ Mariah Carey, “I Know What You Want” Jay-Z f/ Beyonce, “’03 Bonnie & Clyde” Nelly, “Hot in Herre” Snoop Dogg f/ Pharrell & Uncle Charlie Wilson, “Beautiful”

Necro Preps New CD, Makes P### Directorial Debut

Brooklyn rapper Necro is preparing to delve into the world of pornogrpahy with a new CD and DVD combo pack. Brutality Part 1 features 17 new tracks from Necro and comes with Necro’s pornography directorial debut, "Sexy S####." "This new CD is the most brutal CD to drop this year," Necro told AllHipHop.com. "It’s very hard, the beats are all unique and anyone that knows Necro Production knows they are getting bangers." "Sexy S####," the dvd portion of the combination is hosted by 80’s p### star turned author Jerry Butler. Butler wrote a tell all expose titled "Raw Talent," where he dished the dirt on everyone from Ron Jeremy, Vanessa del Rio, Ginger Lynn and others. "I love pornography, I am a p### aficionado, so making pornography was something I graduated to," Necro continued. "There is nobody in underground hip-hop dropping p###, so I had to drop something for my fans. It’s my second business. My first business is my label, and now I have a whole new market to push s### which will brainwash people into my music." The CD/DVD combo drops September 16. All pre-orders will be autographed by Necro. For more visit Necrohiphop.com. Here is the full tracklisting: 1. I’m Your Idol – Necro 2. Dopesick – Goretex feat. Necro 3. Reign In Blood – ILL Bill feat. Necro 4. Street Veteran – Mr. Hyde feat. Necro 5. Swordfish – ILL Bill 6. Anguish & Aggression – Necro 7. The Big Sleep – Goretex 8. White Slavery – Necro & ILL Bill 9. Scumbags – Goretex feat. Necro 10. Frank Zito – Necro & ILL Bill 11. Our Life – ILL Bill feat. Necro 12. Morbid S### – Necro 13.Every Second Someone Dies – Necro 14. Fire – Necro 15. Talking S### – Necro 16. Watch Ya Toes – Necro 17. The Big Sleep (remix) – Goretex Collectors Edition: Necro’s P### Directorial Debut DVD Features: Lanny Barbie, Penthouse Pet June 2003, A.J. Khan, Latina Maria Brianna, Vanisha, Jade Julian, Erika Cole & Uncle Howie. Hosted by: Jerry Butler.

Gangsta Boo To Leap Into Alternative Music

As she is slated to release her next album, The Soap Opera, Gangsta Boo has revealed a possible change in her musical course. The gangsta rapper is best known for her rugged, sexual lyrics from her days with the Three Six Mafia, but the Memphis, Tennessee native said her next foray might be into alternative music. "I want to get into the alternative side more because I listen to everybody from Michelle Branch to Norah Jones. I’m like really, really into the alternative field like a whole, whole lot," she told AllHipHop.com. "I really want to get more into writing, the opportunity to be more behind the scenes," she continued. "I will probably be one of those that write and produces [alternative music] behind the scenes instead of actually being on the forefront." Until then, the rapper is preparing The Soap Opera for an October 14 release date. This album is the singer’s third after dropping 1998’s Enquiring Minds and 2001’s Both World’s *69. In an effort to better control her career and her incoming, Boo has founded her own label, Crazy Lady Entertainment. "I’ve got a great situation here and a real street management as well," she said. "We doing a bunch of great and honest stuff." Boo is looking to do movies, guest appearances and releasing rappers under Crazy Lady in addition to her prospective alternative music career. Boo admitted her readiness to return to rap, but also expressed apprehension with such a lengthy layoff from the scene. "Coming back is the scary part. I still don’t realize how many fans I still got there. I’m just so regular. I don’t look at myself as a rap star that started at 16 and is now 23," she concluded.

Kool Keith, Mystik, MF Doom, Others Featured On “Mic Planet”

Kool Keith, MF Doom, Mystik and others will appear on a new compilation The Mic Planet Sessions, being released by 7-year-old hip-hop trade, Insomniac Magazine. "I wanted to put together a release that featured many of independent hip-hop’s most gifted artists," publisher and executive producer Israel "Iz-Real" Vasquetelle said. Vasquetelle, who also drops verses on the compilation, also released the indie Drastic Jungle Project, which featured various emcee’s collaborating with Drum-N-Bass producers. Thirstin Howl III, Styles of Beyond, Royce the 5’9, Planet Asia, Rasco and Bahamadia are all featured on the compilation. For a limited time, the compilation will come with Mic Planet trading cards that will feature an artist from the release and their information. In related news, Kool Keith released Thee Undatakerz, using a new CD/DVD format known as CS2CD. Keith’s release is the first showcasing the format, that allows DVD playable video and slide shows to reside on CD albums and singles, "without interruption of traditional CD listening practices in CD players."

Irv And Ja Sign On With ErvinGeoffrey

Despite published reports, Murder Inc. CEO Irving "Irv Gotti" Lorenzo and rapper Jeffery "Ja Rule" Atkins are not owners in the clothing line, ErvingGeoffrey. The two have been seen donning various denim jackets and T-shirts from the denim clothing company, but Rule said that they are spokesmodels for the clothing line, due to the coincidental likeness of the clothing lines name and their first names. "ErvinGeoffrey? Nah we don’t own it. They stuffed our pockets nice to rock the clothes because of the name," Ja-Rule told AllHipHop.com. "Matter of fact, they hit us with a nice amount of cash." Rule is putting his acting career in high gear, starring in "Scary Movie 3," "Back in the Day," opposite Ving Rhames. Ja-Rule joined the cast of "Shall We Dance?" which will also star Jennifer Lopez.

King Gordy: Meet The Entity

Dwelling from the newly unearth underground hip hop scene of Detroit, King Gordy is determined to make you believe the name. With his hair braided into the configuration of horns and an unapologetically big-b#### crew called the Fat Killahz, King Gordy’s is not your usual emcee. His skills on the mic and who-the-f###-are-you confidence attracted the crowned king of Detroit, Eminem, to do three tracks on his debut album, The Entity. A hardcore Kurt Cobain fan, King Gordy dubs himself the “ghetto Edgar Allen Poe,” and like Poe he is able to poetically delineate the depression he has witnessed in the streets of Detroit with foresight and a passion that is both dark and real. With every new hip hop act sounding just like the next hip hop act, King Gordy’s visually-shocking lyrical style, grimy reality themes, and affinity for rhyming of rock like beats make him stand out. After playing the part of Big-O in 8 Mile and dropping his album, all of Detroit is starting to recognize, now he wants the entire hip hop community to know King Gordy. Allhiphop: Describe the feel of your album, The Entity. King Gordy: It’s hip hop with a rock edge, it’s something new. It’s something like people ain’t really doing. It’s a whole new feel for hip hop. Allhiphop: You said that you feel hip hop saved you life, what do you mean by that? King Gordy: Cause I was selling crack in vacant houses and sh*t. All my n##### was robbing n#####, making n##### get the f*ck on the floor. So it’s like that sh*t saved me man. Cause I know if I’m broke, broke as hell and I know you got it, I’m gone take that sh*t flat out, cause I’m not gone starve and you eating. So this rap sh*t saved me. Allhiphop: You did have a problem where you went to jail? King Gordy: Yeah, I’ve been to jail, selling heroine and sh*t man. I got caught in a raid and ended up doing 9 months, which wasn’t sh*t cause it’s the county and I knew everybody. Plus I was still written rhymes will I was in there. Allhiphop: When you came out, what made you want to put 110% into the rap thing? King Gordy: People was saying I was hot, people was say I was there, so I pursued it. It’s easy for your friends to tell you it’s hot, but when other people that don’t know you saying you hot cause they just hearing you rhyme, then you got something going. Allhiphop: So it was that buzz on the street that propelled you to full commitment? King Gordy: I was knew I wanted to be something, I was always gone do something in music cause I’m musically inclined. I put a 110% into because this is my life this is what I do, and if I’ve been writing since I was eight years old something told to do this, so that’s what I did. Allhiphop: Getting back to the album, it’s pretty dark. King Gordy: It’s morbid. Allhiphop: Talk about that. King Gordy: It’s how I be feeling at the time, sometimes I feel violent, sometimes I feel depressed, sometimes I feel morbid or whatever, so I’m just giving you how I feel at that time, it’s my emotion, that’s all. Allhiphop: Why is the name of your album the Entity? King Gordy: Because I’m my own spirit, so I feel like there are no boundaries with that name. Allhiphop: How did you land your deal? King Gordy: My man [Bizarre] from D12, he heard me and like what he heard so he hooked up with me and took me under his wing. I started doing songs with him and he started introducing me to people. And one he had come up to Web Entertainment which is Mark and Jeff Bass, they are the CEO’s and the cats that pioneered Marshall [Eminem]. And so I was playing some sh*t for Bizarre, they heard it, they liked it, so they called me in for a meeting like man we think you got something going, you got horns on your head, you a good guy and you rhyme fierce, so we broke Marshall, now we’re gona try to break you. Allhiphop: How was making the album King Gordy: The album was headed a whole bunch of different directions until I said let me do me, let me do what I feel I would like to do, cause see I make music for me, I don’t make music for the average consumer. So the average consumer might not buy it, but they might buy it if they tired of listening to the regular s###. Allhiphop: How did you get your part as Big-O in 8 Mile? King Gordy: I just went down there and auditioned? Allhiphop: How did you hook up with Eminem? King Gordy: I’m on Web Entertainment, so it was bound to happen anyway. Em had been seeing me in the studio doing my thing and my manager had talked to him about giving me some beats or whatever, so one day he just walked into Web like ‘man Gordy I heard you wanted some beats,’ so he gave them to me and it’s history. Allhiphop: How was it working with him? King Gordy: It’s beautiful, Em is a work horse, he inspires me to just stay in the studio even when I ain’t doing nothing, just to be in the element of it. So I love Marshall. Allhiphop: You said your music has a rock edge to it, what do you listen to? King Gordy: I listen mainly to Kurt Cobain. Allhiphop: Does that influence your music? King Gordy: It doesn’t really influence it, but I relate to Kurt so that’s what I listen to. It’s like Kurt felt how I felt, that’s why the name of my second album will be The Kurt Cobain Theory. But right now the album is in stores […]

Dame Dash Denies Roc-A-Fella Break Up

Roc-A-Fella CEO Damon Dash has dismissed recent reports that he and business partner and friend Jay-Z are considering carving up their Roc empire, which include film, clothing and recording ventures. "We are a team and there is no beef between me and Jay," Dame Dash told AllHipHop.com. Despite recent set backs in the way of star rapper Beanie Sigel being incarcerated for attempted murder charges, Dash remained optimistic. "The Young Gunz are getting 4,000 [radio] spins and I am very proud of them," Dash said. "Beanie is detained, but he will be out very soon to make movies." Dash has good reason to be optimistic. State Property’s State Property Presents the Chain Gang Vol. II landed at No. 6 on Billboard’s Top 200, moving 69,000 units its first week on the shelves, compared to their self titled debut, which moved 52,000 copies to date. And this week, Juelz Santana’s From Me to You debuted this week at No. 8 moving 74,000 copies.