Syndicate Radio: Los Angeles’ Newest Hip-Hop Show On FM 101.5
Take a look at our sit-down with Syndicate Radio’s Nick Ospina, Justin Muzack and Kent Mulato as we dig deeper into the world of underground radio and how they built their rapidly rising radio show in Los Angeles. Ask anyone in world of entertainment and media and there’s no doubt that Los Angeles is one of the largest markets in the world. With over 12 million people residing in the current metro area and with new dreamers moving to LALA-land every day, if you’re in the world of music and entertainment, Los Angeles is the perfect testing ground to launch your entertainment dreams. While there’s a host of Podcasts and Youtube channels dedicated to covering artists and their music, Los Angeles based radio station 101.5 and their radio show Syndicate Radio has continued to break new talent and prove that FM radio is nowhere near dead, shining a light on underground music across the world. Despite Apple Music, Spotify, Tidal and Sirius XM radio dividing listeners, Syndicate Radio is drawing a real following on FM with listeners not only in LA but across the globe as the show is also available for fans on the streaming services. New to FM radio but OG’s in the game of online Hip-Hop radio, Syndicate Radio digs deeper into the music, solidified by a motto of “no genre left behind.” While championing for artists on the rise and underground talent Syndicate Radio is a model that remains true to focusing on good music, not ads and hidden agendas backed by payola. Despite LA’s Power 106 and 92.3 dominating the Hip-Hop airwaves for years, 101.5 is making huge strides in the market for underground acts and artists that otherwise wouldn’t fit the programming model for iHeartRadio stations. Also rivaling 92.3’s KDAY as an alternative avenue for classic Rap music and deep cuts, 101.5 has carved out a niche in the L.A. market that deserves the listener’s ears. Born out of garage and first starting off as DJ class for LAUSD students in the San Fernando Valley, Nick Ospina, Justin Muzack, Kent Mulato and Ashley Ramirez developed Syndicate Radio into one of LA’s fastest rising shows. While they are still in the early stages of their new deal with KQBH, Syndicate Radio has been in the works for nearly a decade highlighting dope music from classic rap songs to new rising underground talent. Check out more info below and follow Syndicate Radio on 101.5 to support real underground and classic rap music: AllHipHop: So talk to me about the inspiration for this show and how its developed to what it is today… Justin: I always knew Nick was naturally smart and super organized and we came together on the booking side of things. We’ve had other members that came along for the journey but the three of us have always stuck together because I think our skill sets are different but we are always able to come together – that was the first thing. Kent: It really started because I’ve been DJing since 2009 and I had a homie who was a drummer and he started teaching and he asked me to teach him how to DJ. I was a teacher at LAUSD and there was an update to this program called Traktor that I used and so on the upgrade with Traktor Pro there was this update with broadcasting and I thought it would be cool to start a show and teach people how to DJ. We always recorded the set but with the live set as a teacher you have to do everything right and I always wanted to broadcast it. Yes I was teaching them to DJ, but everyone would just hang out and it just kind of morphed into us putting a show together. As we started learning to mix sets and blend based off of that, we started a show and that’s when Justin came and he never left. He brought Nick with him, it was organic, we never tried to get on the scene, since day one it’s always been no genre left behind and then just having people come over and just hang out it’s been an open door policy since we started. AllHipHop: Seems like you guys have that family kick back vibe and then you mix in the music too. Nick I know you do a lot of admin work and you are a man of many hats, can you talk about your role? Nick: Most of it is administrative, but for the last five years, I’ve started taking over social media stuff and I do the posting and what not. The administrative stuff in the past was just booking artists and making sure everyone was ready for the sets and the venue, make sure the guys are on point and if ever there was a situation where we need a more business face and I’m usually the one that sets up and takes on that role, but mainly its been making sure these guys are all ready and we know what we are going to talk about and we have all our equipment or whatever. Kent: He’s really been the facilitator, if something goes wrong its like, “Nick can you figure this out?” Thats what it’s always been and he’s always been flexible with that. Like Justin said it’s always been a cool dynamic that the three of us have because we all three have different skills and all the boxes are checked. Nobody really has a lot of egos, nobody is worried about their spot and it’s all about how we move forward and accomplish the goals. It was always about “we” and “us” and it’s about the team. AllHipHop: You guys are definitely filling a void, LA has several radio stations but you guys seem to play lots of underground records and classic stuff that nobody else does. Who are some artists that you guys have been playing on the show that the […]

What Actor Reportedly Chosen To Play Suge Knight In 2Pac Biopic?
CAN HE PASS FOR SUGE KNIGHT?

Tray Dee and Goldie Loc To Reunite As KDAY's Krush Groove Moves To The Forum!
(AllHipHop News) Two legendary names will be partnering together this upcoming April as the iconic Hip-Hop station 93.5 KDAY will be teaming up with the hallowed grounds of sports and entertainment, the fabulous Forum in Inglewood, CA for Krush Groove 2014. “I look forward to continue this great concert tradition in a building (The Forum) which is just as legendary as KDAY,” said KDAY Program Director Adrian Scott in an exclusive statement to AllHipHop.com. The event will also be producing another great pairing as the soon-to-be released Tray Dee will be rejoining his longtime rap partner Goldie Loc for a reuniting of Tha Eastsidaz. At present time there is no word if there will be a complete Eastsidaz reunion but for now two of the Eastside Long Beach natives have been confirmed. Tray Dee has been serving what was originally a 12 year Prison sentence since 2004 but is now set to be released in March. In past interviews with AllHipHop.com, Tray Dee has informed us that his partnership with Goldie Loc was dissolved for personal and unknown reasons but it appears that all is now well between the two which is great news for West Coast rap fans. Also scheduled to appear at Krush Groove 2014 for the first time (and yet another great pairing) is Method Man and Redman as the two How High movie co-stars perform their classic jams together. Bone Thugs N Harmony, Too $hort, DJ Quik, 2nd II None, Daz & WC and the show’s first female headliner The Lady of Rage will round off the concert lineup (with more special guests to be included). Pre-Sale tickets for KDAY’s Krush Groove will begin on January 29 via Ticketmaster.

Greg Mack Shares More KDAY History and Discusses Racism In Radio
We now conclude our two-part story with radio legend Greg Mack and for those who might dispute that, yes he is a legend. Back before the artists that you now refer to as legends became legends, they needed a home to be heard and 1580 KDAY was that place whether it was an East Coast rapper or local West Coast ones just looking for some love and to have their new songs played. The fire caught on at stations in other cities that were initially reluctant to give Rap a voice but the success of the format caused them to take notice and embrace the change. After 1580 KDAY left the airwaves (the weak AM signal couldn’t keep up with the FM stations that were adopting the Hip-Hop format), Greg Mack left programming and ventured in to the radio station ownership field and is currently back behind the microphone hosting his own R & B show every Saturday night on 94.7 The Wave. Read on as Greg challenges rappers and artists to become radio owners, gives his feelings on the current 93.5 KDAY station and talks about the racism that still exists in radio today. Put your reading glasses on once again and jump in to Part 2 of this AllHipHop.com exclusive. Click here for Part 1 Tell me about the time that you first heard “Boyz N Tha Hood” by Eazy-E before you premiered it on KDAY. I was at the Casa Camino Real and Dr. Dre came to the club and said, “Greg. I’m working with this new kid and I just did a record with him. He’s going to invest in me. I want you to hear this record and give me your thoughts.” We left the club and went to the car and popped in the cassette. We listened to it and I told him that it just might work but he needed to clean it up if he wanted it on the air. He agreed to clean it up and I agreed to try it out on the air. The kid was Eazy-E of course. That was about midnight and the next day by 2 pm, Dr. Dre had me a clean version. We played it and by nightfall it was the most requested record. People reacted to it quickly and it stayed number one for a long time. Even when Dre did a song with me and Eazy called “Radio,” it was the same thing. He called me and told me that he needed a DJ on it, so he had me listen to the record and I asked him what he wanted me to do. He told me to just talk and pretend we were on the radio. I did my part and he told me that was it. I was like, “In the first try?” And he said, “Yeah. That’s what I wanted. You nailed it.” I left, never signed anything, never got any royalties on it (laughs). I didn’t know that “m####” was going to be a platinum record. We were just cool like that. [youtube=http://www.youtube.com/watch?v=m3l5O2i3gUc&w=420&h=315] When N.W.A. started fighting with each other, were you involved in any way? You were cool with all sides. It was like you said, I was cool with everybody. I never got involved in the business side of things. Nobody ever came to you with their problems or frustrations? Yeah but only about this b*tch or that b*tch or lend me some money to help me pay for this abortion – but never really anything on the business side. I’m just a radio guy and people seem to forget that. The music side kind of propelled my name out there but that’s because the people that I played became stars. Salt-n-Pepa wouldn’t have hit if I didn’t play their B-Side “Push It” and the same with J.J. Fad if I didn’t play their B-Side “Supersonic.” I get all of that but that’s my DJ side. I didn’t go in to the studio and create anything. I don’t know how to make a hit. I’m just the radio guy. So many legendary acts came to you to break their records. Aside from N.W.A. there were acts like Salt-n-Pepa, Will Smith as The Fresh Prince, J.J. Fad and so on. Digital Underground, 2Pac, Big Daddy Kane – we can go on and list about 40 to 50 names. I’ve got a story about each and every one of them too. Big Daddy Kane, people don’t know that he was so shy and quiet. I’ve got so many stories. I’m praying that God allows me to write a book one day. There’s so much behind these people than what you see. What’s funny is that it’s all good stuff. There’s really no drama. A lot of the rappers are really good people but there’s an image that they have to uphold to keep street credibility but when you get to know them, they are really good people – even Suge Knight. I knew him before the world did and he’s a really good guy. It’s the same with Jerry Heller – he’s a great person. A lot of people in the business that have been characterized as evil, are actually good people. In Hip-Hop, a lot of bullsh*t gets said and people would rather believe the bullsh*t than hear the real story. I remember when MC Hammer and 3rd Bass had their beef, I had the group come to the station to get on the air with me and Hammer (who was on the phone) and we talked about it and I was under the opinion that we squashed it all. About 6 months later I was at a convention and their DJ Richie Rich came up to me and grabbed me by the collar. He was like, “Motherf*cker you almost got us killed! You set us up!” I was like, “What the f*ck are you talking about?” Come to find out after they left the studio that […]

KDAY's DJ Brandi Garcia Rebounds From Houston 97.9 Firing
BRANDY GARCIA KEEPS IT HOT FOR REAL HIP-HOP

KDAY's Class1c & DJ Dense Discuss The Station's New Sale
Folks are happy in Los Angeles because as we reported late last week, KDAY has been sold to a company that’s keeping it alive! Earlier in the year, the station was close to being sold to RBC Communications, who were looking to give Hip-Hop the boot in favor of a Mandarin Chinese format. After that deal fell through, Los Angeles company Meruelo Media stepped up to the plate to purchase KDAY and have made a commitment to bring growth to the station with the legendary call letters. AllHipHop.com paid a visit to KDAY and spent some time with the staff, including two of the most laid back and funny characters on L.A. radio: Class1c and DJ Dense of the Happy Hour (which airs from 3 to 7 pm). The two share their thoughts on the new sale, give a little insight about themselves and of course plug the station’s upcoming Fresh Fest concert (December 28 featuring The Game, Scarface, E-40, Ja Rule and more). It’s Happy Hour time! [youtube=http://www.youtube.com/watch?v=9JgbbZn7aoE&w=420&h=315]

Hip-Hop Stays Alive! L.A.’s 93.5 KDAY Sold To Meruelo Media
(AllHipHop News) Los Angeles Old School Hip-Hop Radio Station 93.5 KDAY was purchased by a group called Meruelo Media (also based out of Los Angeles) for an undisclosed amount on Wednesday December 12, although the new company is not set to take over until January of 2014. The good news for Hip-Hop fans is that the new owners plan to keep the station in its current format and also plan to invest in to its expansion, which could also mean a stronger signal – a longtime complaint of those in the L.A. area. The station was previously in a purchasing agreement with RBC Communications, who were planning on changing the station’s format to an all Chinese Mandarin format, however that deal fell through several months back. 93.5 KDAY is unique in the sense that they allow longtime fans of Hip-Hop to enjoy the music and the hits they grew up with which can no longer be heard on the radio, an outlet that tends to only focus on what’s current. It also gives a boost to artists who have catalogs of music in reaching audiences that were too young to remember their initial releases. AllHipHop.com would like to congratulate the staff of 93.5 KDAY and the new owners for doing their part in keeping Hip-Hop alive in the radio market. We also have exclusive interviews coming up with KDAY radio personalities DJ Brandi Garcia, Class1c and DJ Dense – so stay tuned for that!

Hip-Hop Rumors: The Next Hip-Hop Reality Show Is…
THE NEXT HIP-HOP REALITY SHOW….IS…

Krush Groove Interviews
OLD SCHOOL, NEW SCHOOL…ALL SCHOOLS KRUSH GROOVE!

93.5 FM KDAY’s Krush Groove (Picture Gallery)
PICS: KDAY MAY BE LEAVING, BUT KRUSH GROOVE WENT ON!

L.A.’s Classic Hip-Hop Station KDAY Could Be Facing Format Change
(AllHipHop News) Listeners of 93.5 KDAY in Los Angeles are not pleased with a suspected programming change set to come. With the proposed sale of KDAY by Magic Broadcasting to RBC Communications for $19.5 million, the station is reportedly switching from a classic Hip-Hop and R&B format to Chinese language talk radio according to nbclosangeles.com. The KDAY call letters have a long history in the L.A./Redondo Beach area. The original KDAY 1580 AM was actually the first station in the country to play Hip-Hop exclusively. KDAY also helped launch the careers of West Coast rap acts like N.W.A. As of yet the sale is not final. It still must be approved by the FCC which may mean that RBC will not take over KDAY for another 4 months at the earliest. There is also an ongoing legal matter concerning Magic Broadcasting. A previous attempt to sell the station to SoCal935 for $35 million in 2010 fell through supposedly because there was still pending ligation involving Magic owner Don McCoy and creditor/license holder Durden Enterprises. Radioinsight.com reports that McCoy is quoted saying, “I don’t understand [why] someone would buy a station with a stockholder lawsuit filed against it. It will be interesting to see what happens.” There have not been any formal public statements about a format change at KDAY from any of the parties involved. In February, KDAY’s ratings put the station in a tie for 29th place in its market. Watch the NBC report on the sale in the video below.
Exclusive FLICKS: L.A.’s 93.5 KDAY’s Krush Groove Concert
FLICKS: KDAY IN L.A. HOSTED THEIR ANNUAL “KRUSH GROOVE” CONCERT – AND WE WERE THERE!