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Big Daddy Kane Archives - Page 3 of 4 - AllHipHop

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Greg Mack Shares More KDAY History and Discusses Racism In Radio

By: Timsanchez818Category: Features

We now conclude our two-part story with radio legend Greg Mack and for those who might dispute that, yes he is a legend. Back before the artists that you now refer to as legends became legends, they needed a home to be heard and 1580 KDAY was that place whether it was an East Coast rapper or local West Coast ones just looking for some love and to have their new songs played. The fire caught on at stations in other cities that were initially reluctant to give Rap a voice but the success of the format caused them to take notice and embrace the change. After 1580 KDAY left the airwaves (the weak AM signal couldn’t keep up with the FM stations that were adopting the Hip-Hop format), Greg Mack left programming and ventured in to the radio station ownership field and is currently back behind the microphone hosting his own R & B show every Saturday night on 94.7 The Wave. Read on as Greg challenges rappers and artists to become radio owners, gives his feelings on the current 93.5 KDAY station and talks about the racism that still exists in radio today. Put your reading glasses on once again and jump in to Part 2 of this AllHipHop.com exclusive. Click here for Part 1 Tell me about the time that you first heard “Boyz N Tha Hood” by Eazy-E before you premiered it on KDAY. I was at the Casa Camino Real and Dr. Dre came to the club and said, “Greg. I’m working with this new kid and I just did a record with him. He’s going to invest in me. I want you to hear this record and give me your thoughts.” We left the club and went to the car and popped in the cassette. We listened to it and I told him that it just might work but he needed to clean it up if he wanted it on the air. He agreed to clean it up and I agreed to try it out on the air. The kid was Eazy-E of course. That was about midnight and the next day by 2 pm, Dr. Dre had me a clean version. We played it and by nightfall it was the most requested record. People reacted to it quickly and it stayed number one for a long time. Even when Dre did a song with me and Eazy called “Radio,” it was the same thing. He called me and told me that he needed a DJ on it, so he had me listen to the record and I asked him what he wanted me to do. He told me to just talk and pretend we were on the radio. I did my part and he told me that was it. I was like, “In the first try?” And he said, “Yeah. That’s what I wanted. You nailed it.” I left, never signed anything, never got any royalties on it (laughs). I didn’t know that “m####” was going to be a platinum record. We were just cool like that. [youtube=http://www.youtube.com/watch?v=m3l5O2i3gUc&w=420&h=315] When N.W.A. started fighting with each other, were you involved in any way? You were cool with all sides. It was like you said, I was cool with everybody. I never got involved in the business side of things. Nobody ever came to you with their problems or frustrations? Yeah but only about this b*tch or that b*tch or lend me some money to help me pay for this abortion – but never really anything on the business side. I’m just a radio guy and people seem to forget that. The music side kind of propelled my name out there but that’s because the people that I played became stars. Salt-n-Pepa wouldn’t have hit if I didn’t play their B-Side “Push It” and the same with J.J. Fad if I didn’t play their B-Side “Supersonic.” I get all of that but that’s my DJ side. I didn’t go in to the studio and create anything. I don’t know how to make a hit. I’m just the radio guy. So many legendary acts came to you to break their records. Aside from N.W.A. there were acts like Salt-n-Pepa, Will Smith as The Fresh Prince, J.J. Fad and so on. Digital Underground, 2Pac, Big Daddy Kane – we can go on and list about 40 to 50 names. I’ve got a story about each and every one of them too. Big Daddy Kane, people don’t know that he was so shy and quiet. I’ve got so many stories. I’m praying that God allows me to write a book one day. There’s so much behind these people than what you see. What’s funny is that it’s all good stuff. There’s really no drama. A lot of the rappers are really good people but there’s an image that they have to uphold to keep street credibility but when you get to know them, they are really good people – even Suge Knight. I knew him before the world did and he’s a really good guy. It’s the same with Jerry Heller – he’s a great person. A lot of people in the business that have been characterized as evil, are actually good people. In Hip-Hop, a lot of bullsh*t gets said and people would rather believe the bullsh*t than hear the real story. I remember when MC Hammer and 3rd Bass had their beef, I had the group come to the station to get on the air with me and Hammer (who was on the phone) and we talked about it and I was under the opinion that we squashed it all. About 6 months later I was at a convention and their DJ Richie Rich came up to me and grabbed me by the collar. He was like, “Motherf*cker you almost got us killed! You set us up!” I was like, “What the f*ck are you talking about?” Come to find out after they left the studio that […]

Best of the Best: The 10 Greatest Hip-Hop Albums From 1988

By: Shad2487Category: Features

At that point in time, 1988, rap had a solid foundation as a result of over a decade of groundwork.  Additionally, the barriers that acts like Run DMC and the Beastie Boys had recently knocked down proved there was a market for this Bronx-born style of music.  Real money and marketing efforts started being used to bring Hip-Hop’s growing popularity to the masses. In March of that year, DJ Jazzy Jeff & the Fresh Prince won the first Grammy for Best Rap Performance, and Yo! MTV Raps debuted in August. The greatest example of Hip-Hop capitalizing on all this though was the amount of quality music  that was released that year.  There was so much of it that 1988 is widely regarded as rap’s best year ever.  And so AllHipHop.com rose to the challenge of ranking its most remarkable releases. These are the best of the best.  Here are the greatest Hip-Hop albums from ‘88.  It is referred to as rap’s first Golden Era, and for very good reason. 10). Straight Out the Jungle by The Jungle Brothers: While De La Soul and A Tribe Called Quest are often recognized for their contributions to the Native Tongues movement, it officially began with the Jungle Brothers’ debut, Straight Out the Jungle.  From sex raps to Afrocentrism, the album was clearly a well-rounded piece of work that presented the trio as daring emcees.  They weren’t afraid to explore real topics.  The trail they blazed is still being followed to this day. [youtube=http://www.youtube.com/watch?v=mmZGxFn6dgw&w=420&h=315] 9). Lyte as a Rock by MC Lyte: MC Lyte’s first album was a breakthrough in Hip-Hop.  Her commanding vocals, sense of style, and rapping abilities made her a tour de force.  “Paper Thin,” “I Cram to Understand U,” “10% Dis,” and the title track proved that she could hold her own in the male-dominated world of rap.  Public Enemy’s Chuck D put it best, “S**t, she’s the bomb.  Lyte is the ultimate MC, with the voice, style, and the ability to cut a rhyme and make it hurt.” [youtube=http://www.youtube.com/watch?v=WH5CmB44TaY&w=420&h=315] 8). Power by Ice-T: Ice-T’s sophomore effort is one of Hip-Hop’s most honest evaluations of the crime life that would be glorified in the coming years by countless others.  However, songs like “High Rollers” and “Drama” both expose the real consequences of that lifestyle.  And as a former criminal himself, Ice-T’s rhymes are some of the best commentary on the subject that Hip-Hop has ever heard. [youtube=http://www.youtube.com/watch?v=5Vp1HzzFwb0&w=560&h=315] 7). By All Means Necessary by Boogie Down Productions: After the death of Scott La Rock (R.I.P.), KRS-One returned with this Hip-Hop classic.  From beginning to end, this 10-track set is very potent.  “Jimmy,” “Stop the Violence,” and “Illegal Business” confront sex, violence, and drugs.  And while a record like “My Philosophy” discusses BDP’s evolution, it still manages to take a subliminal shot at Run DMC.  This album has a lot to teach, but one of the most memorable lessons is “Don’t f**k with Kris.” [youtube=http://www.youtube.com/watch?v=h1vKOchATXs&w=420&h=315] 6). Follow the Leader by Eric B. & Rakim: Most people would fold under the pressure to follow up a monumental debut.  But Eric B. and Rakim aren’t most people.  Atop improved production courtesy of Eric B., Rakim again delivers of some of Hip-Hop’s greatest lyrics.  This is the duo in their prime.  Like Ra said on “Microphone Fiend”: Spread the word, cause I’m in E-F-F-E-C-T/A smooth operator operating correctly. [youtube=http://www.youtube.com/watch?v=uPfIIn5V_LQ&w=420&h=315] 5). Strictly Business by EPMD: EPMD was ahead of their time.  For a case in point, check out how “It’s My Thing” opens with helicopter sounds and samples “Seven Minutes of Funk.”  Erick Sermon’s productions served as a precursor to the G-Funk sound that would soon emerge from the West Coast.  In terms of rapping, “Jane,” another one of the albums many highlights, has the two guys from Brentwood, Long Island, seamlessly rhyming back-and-forth with each line. [youtube=http://www.youtube.com/watch?v=ULHi3GeLiC4&w=420&h=315] 4). Long Live the Kane by Big Daddy Kane: The first solo offering from Big Daddy Kane is one of rap’s best albums.  He has raps for days about how great he is, but unlike most rappers, Kane’s boasts are justified by his incredible skills.  “Raw,” “Set it Off,” and the flawless “Ain’t No Half Steppin’” are all reasons why “[his] rhymes will remain like a hieroglyphic” like he says on “Just Rhymin’ with Biz.” [youtube=http://www.youtube.com/watch?v=2l2O-JOXG_I&w=420&h=315] 3). The Great Adventures of Slick Rick by Slick Rick: This is an album which lives up to its title as a result of Slick Rick (and his alter-ego MC Ricky D) covering a lot of ground in 49 minutes and 46 seconds.  Because of Rick’s personality and amazing storytelling prowess, songs like “Treat Her Like a Prostitute” and “Lick the Balls” appear comfortably alongside records like “Teenage Love” and “Hey Young World.”  “Children’s Story” though is LP’s magnum opus. [youtube=http://www.youtube.com/watch?v=HjNTu8jdukA&w=560&h=315] 2). Straight Outta Compton by N.W.A: Never had the streets been addressed with such explicit ferocity.  “F**K tha Police” in particular got a lot of attention.  And while some of it was violent (Without a gun and a badge, what do you got?/A sucker in a uniform waitin’ to get shot), it also raised awareness about police brutality (Police think they have the authority to kill a minority).  Neither of those things should’ve been ignored.  And because of the controversy N.W.A created, they weren’t. [youtube=http://www.youtube.com/watch?v=h2YgZX9Thm0&w=420&h=315] 1). It Takes a Nation of Millions to Hold Us Back by Public Enemy: With the crack epidemic and Reaganomics in full swing, Public Enemy’s second album transcended music and served as a call for social change.  There is a sense of urgency in everything that’s heard.  And that helped create the album’s most enduring quality which is that it provides hope.  Even after a quarter of a century, It Takes a Nation remains one of the most righteous recordings of all-time. [youtube=http://www.youtube.com/watch?v=9vQaVIoEjOM&w=420&h=315] Honorable Mentions for “The 10 Greatest Hip-Hop Albums From 1988” List: Critical Beatdown by The Ultramagnetic MCs Tougher Than Leather by Run DMC In Full Gear by Stetsasonic Life Is…Too $hort by Too […]

Hip-Hop Rumors: Foxy Hopes To Sue Over Hair Slander In “Weave-gate”

By: Chuck Creekmur (@ChuckCreekmur)Category: Rumors

This is truly funny and sad at the same damb time. I didn’t see her interview on MTV, but it seems like she dropped the bomb and stated that she would be suing a hair dresser than claimed the Brown Fox stole $900 in pure Indian weave. (I really don’t know if it was pure or Indian, but it makes it sound way more devious.) Never the less, Foxy told the man Sway that she’s going to jump on the offensive side and get that chick in court. RELATED: Foxy Brown Tears Up Over Rumors About Her During Interview (VIDEO) “This last thing with the hair situation? I’ve decided that I’m going to make an example out her. We stepped back and we said ok, if no other artist is..is…is bold enough to say I’m going to sue this person, you’re not going to get away with just straight accusing someone. You’re not saying alleged…it was alleged… you’re saying this person – whatever the allegations are – you’ve run up on somebody in the grocery store with a phone! Like who does that? Who does those things!? Reputable people don’t do that. People don’t do that. That just never happens. What was alleged by this..this beast, was something that has never been attributed to my name…Ever…Ever. Foxy is known for two things: Fashion and hair. So I said you know what? I said I’m a flip it. Some many years they been trying to get me to do a hair line, so since I got all this press, I’m going do this boutique collection and just shut the game down. I have this boutique hair collection and its amazing.” RELATED: Hip-Hop Rumors: Check Out Who Gave Foxy Brown An Endorsement Deal! I told you guys that she had the hair coming, didn’t I? I was a little ahead of my time on the rumor tip. Now, go get that weave, wigga-trons. Maybe, just having natural hair is what we should do. Get More: Foxy Brown, RapFix Live, Full Episodes Damn, Big Daddy Kane was on here too! Lets hear him speak! RELATED: Hip-Hop Rumors: Foxy Brown’s Weave-Gate Gets Fully Explained “They keep us talking, but if we stop talking about them then they should worry!” -illseed. Illseed, Out. GET INTERACTIVE WITH ALLHIPHOP.COM! Follow us on Twitter! Like us on Facebook! Email illseed rumors: kingillseed@gmail.com

Big Daddy Kane Congratulates Public Enemy on Rock and Roll Hall Of Fame Induction in London

By: Bhavna Malkani (@bstarproduction)Category: MOBILE

Hip-Hop legend Big Daddy Kane performed several classic joints, freestyles and tracks off his latest project, Las Supper, in London on Thursday night (April 25). During the performance, the Brooklyn-bred rapper performed songs from his catalog,such as “Raw,” “Warm it up Kane,” “Smooth Operator” and many other tracks. Kane congratulated Public Enemy on their induction to the Rock and Roll Hall of Fame and was proud that hip-hop was a part of the museum, which archives the history of some of the best-known and most influential artists and producers around the world. He also paid tribute to artists who have passed such as Big L, Guru, Heavy D and Lisa “Left Eye”Lopes, who passed away  11 years ago, on April 25, 2002. The show is part of a two night tour at London’s Jazz Cafe. Watch Big Daddy Kane perform classic tracks “Nuff Respect” “Set it Off” and “Warm it up Kane” in the video below: [youtube https://www.youtube.com/watch?v=zzDUkH8pxrk&w=560&h=315]