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Musiq Soulchild Archives - AllHipHop

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Funk Fest 2014 Hits Atlanta

Funk Fest 2014 hit Atlanta this past weekend in celebration of its 20th anniversary. The concert series made its second stop in Atlanta to celebrate with a two-day concert at Wolf Creek Amphitheater. The festival attracts music enthusiasts from across the U.S. You never know who will be backstage either! The Atlanta Funk Fest showcased legendary artists such as The Isley Brothers, Goodie Mob, Monica, Doug E. Fresh, SWV, Musiq Soulchild, Slick Rick, and Head of State. Although it was chilly outside the legendary artists brought the heat while kicking off the spring outdoor concert season! The Isley Brothers known for their performances and iconic hits brought the house down as they closed with classics like “Between The Sheets” and “Shout”. AllHipHop was there to capture all of the action! Check out our recap below. [youtube https://www.youtube.com/watch?v=qchYEEIR0k8&w=600&h=315]

Grown & Sexy: @MusiqSoulchild Readies Comeback at NYC’s Famed SOB’s

Grammy-nominated neo-soul singer Musiq Soulchild is making a return to New York City in a big way this November, as he headlines the much talked about music showcase “R&B Spotlight” at the famed SOB’s nightclub. The Philly singer, with hits including “Love”, “Halfcrazy”, and “SoBeautiful”, became an author this past summer when he released his relationship book entitled 143: Love According to Musiq. “R&B Spotlight” comes full circle at SOB’s on Sunday, November 18 at 8PM and will also feature performances from Robert Hatcher, Suzy Q, Maad Moiselle, Unique Zayas, and Gaetano Dinardi. Here’s a look back at year 2000 when Musiq first came on the music scene: [youtube http://www.youtube.com/watch?v=i7zsG3XFUd8&w=640&h=480]

The Next Great R&B Star?: Producers Carvin and Ivan Say It Could Be You

Philly-based R&B superproducers Carvin & Ivan, known mostly for their work with Jill Scott, Musiq Soulchild, Ledisi, and SWV, are looking for the next R&B star – and it could be you. In August, after hosting the monthly R&B Spotlight showcase in Manhattan, New York, the duo was inspired to give up-and-comers a chance at stardom. They teamed up with the ‘Spotlight’ showcase and are looking for R&B singers and producers who think they have what it takes to make it big. The duo adds: “We’re really excited about this project. To be able to give back and contribute to R&B music is something we care deeply about.” [youtube http://www.youtube.com/watch?v=McUj4t3TkPA] If you would like to be considered for this project, please send a “live” performance video or any other music credentials to: TalentRnBSpotlight@gmail.com. The dead line to submit your materials is by Oct 1. The album is scheduled for a late 2012 release.

R&B Review: Brian Culbertson Preps "Dreams", Features Vivian Green and Stokley from Mint Condition

Smooth Jazz instrumentalist Brian Culbertson is prepping his upcoming album, Dreams, and he’s got some pretty cool features, too. On the album, he spotlights R&B voices Noel Gourdin, Vivian Green, and Stokley Williams of Mint Condition, all of whom provide a few vocals throughout. When you press play on this record, you’re immediately required to stop what you’re doing on Earth, and transport to Brian Culbertson’s world. And – that’s the way it should be. Having produced or performed on over 25 #1 records, you’d expect nothing less. Melodic, smooth, catchy, and honest are all words that describe Dreams. It begins with “Later Tonight”, the first cut that unapologetically grabs you and pulls you in. Combination of the bass and piano (and I’m sure lots of other instruments, too!) make this a replay track. [youtube http://www.youtube.com/watch?v=CEr5-cg4mf4&w=853&h=480] When Stokley Williams from Mint Condition begins to sing, you understand he’s quite different, and you like it. That’s how “No Limits” opens up, with a crooning Williams expressing the urgency to see his woman as soon as possible. He rides the beat effortlessly, not outshining it, but meshing and creating a beautiful song worthy of play during date nights by the fireplace. Of course, with a glass of Chardonnay. While I’ll forever feel John Legend should’ve been called to lay a few vocals on this, I’ll live with the instrumental of “Your Smile”. While listening, you’ll imagine being whisked away to your lovers beach house, showered with cool breeze and lots of sand in between your toes. I assume this is why the album is called Dreams. It’s where we’d all like to be, however, since we’re not, let’s keep this on repeat. “Still Here”, featuring Vivian Green, comes in at the perfect time on this record. Totally reminding you why you’re still here, with your lover, fighting for what’s right. The instrumental lays low, giving Vivian time to shine, and sing words that you think she herself even believes. Conviction, in the beat, and her voice, pulls you in and keeps you listening. You almost feel like she’s about to provide relationship advice, and she is, if you listen. “Still Here” f/ Vivian Green [soundcloud url=”http://api.soundcloud.com/tracks/44237147″ params=”auto_play=false&show_artwork=true&color=ff7700″ width=”100%” height=”166″ iframe=”true” /] It starts off slow, reflective almost. After that huge event just happened in your life, you have gone into reminiscent mode, playing back in your mind all things that once mattered, and still do. That’s “In The City” for you. Rhythm & Blues is one of the genres that will never die. Here’s why: There’s a need for soul. A need for music that resonates with your heart. “You’re My Music” featuring Noel Gourdin does just that. Gourdin croons, and at best, can’t help himself when he aggressively says, “Let’s make music!” to his lover of choice. This is one for the replay. The title track “Dreams”, almost makes you feel like it’s the last song on the record. Celebratory in nature, “Dreams” reminds you of the good job you’ve done, and it’s okay to pat yourself on the back. Whether you’ve landed your dream job, finally approached the girl (in my case) of your dreams, or finished a semester-long research paper, this song offers smooth, clean, celebration music. “Madelena” is a stand-out track, coming in with a purpose to make you take it serious. Gentle, yet, forceful, pulling you away from the drama of the streets, and into the dreamy world of Culbertson. [youtube http://www.youtube.com/watch?v=ne_TpC-ibyQ&w=853&h=480] One of the most pressing tracks on the album, “Lights Off”, is all instrumental. The beauty of this is that you can add your own words, your own thoughts and use your imagination to fill in the blank. Do that. You’ve been taken on a ride, and now it’s time for the trip home. “The Journey” is just that. Bringing things to a close, Culbertson is taking you out with a bang. Almost as if it’s waiting on you to take action. Though it’s the last song, with the album on repeat, it will effortlessly flow into the first track, and give you the perfect encore. In the past, Brian has collaborated with artists including Musiq Soulchild, Ledisi, and even Brian McKnight. We’re glad Brian wasn’t on McKnight’s latest work, though. Dreams is a near-perfect effort from Brian Culbertson as he smoothly presents to you the best of the best, with little room for anything less. A leading smooth jazz instrumentalist, Culbertson takes no short cuts, and even brings a few of his friends for the ride, all of which makes for a solid effort. Dreams will be in stores and online June 12. Pre-order here.

Former 702 Lead Singer Meelah On Her “Green” ’90s, Her Man Musiq Soulchild & Why 702 Couldn’t “Get It Together”

The year was 1996. That’s when R&B group 702 was introduced on the scene, courtesy of New Edition’s Michael Bivins. After several notable hits, including “Steelo”, “Get It Together and their biggest “Where My Girls At?”, former lead singer Meelah decided to step out and is now finally ready to begin her solo career. AllHipHop.com caught up with Meelah to talk new music, working with her partner, Musiq Soulchild, and why 702 just couldn’t seem to “get it together”: AllHipHop.com: What’s been going on? Meelah: Life has been going on since 702’s last album, which was in 2003, which I cannot believe was almost 10 years ago. We all just kind of went our own ways and did our own things, and I chose to keep hustling at this music thing. I ended up working with other artists, doing featured backgrounds, writing. I took a break to have a child, who just turned three. I have a son, so I’m a mommy now, but all the while I was definitely still in and out of the music industry. Just more-so behind the scenes. I’ve been blessed and fortunate enough to still be able to have that as my livelihood. Now, I’m ready to get back out there; I’m so ready to get back in front where I feel I belong, and do my thing. I’ve been in the studio currently recording solo material, and it’s really coming along great, I’m super excited. AllHipHop.com: Why did you decide now. It’s been about 16 years since 702’s debut, almost 10 years since the last album. Why now? Meelah: I feel like the industry has definitely changed immensely since 702 was first introduced on the scene. I think there’s just such a great opportunity these days, with social media and technology and iTunes. All this new stuff that allows you as an artist to just really get out there, promote yourself and do your thing. Why not take advantage? Also, because I really strongly feel in my heart, it’s just wide open. There’s a lane for R&B music, or R&B soul artists who are true vocalists. Those of us that came up in the game when it wasn’t about imagery. It wasn’t about selling sex. It wasn’t about getting raunchy and just having to be naked as a female artist. It was really about the music and the vocals. I’m a vocalist, I’m a singer, I’m a true singer. I’ve always been heavily into great music, great singing, as a child. I’ve always loved that, even before 702. The love of music has always been my passion. I just don’t feel right just sitting down on it. I feel like it’s a God-given gift and blessing, and I feel like it’s my purpose to keep it going. AllHipHop.com: Right, so you think we haven’t heard the best of Meelah? Meelah: Absolutely not! I think what you heard was a very young, gifted, but very green Meelah that was blessed with the opportunity to be a part of something that was great. I do feel that there’s even greater to come. I know that there’s even greater to come. I definitely feel like the world has yet to see Meelah at her full potential. AllHipHop.com: Now, when “Where My Girls At?” came out, Destiny’s Child was out, Total was out, K-Ci & JoJo – it was a good time. And then all of a sudden, things stopped. Even though “Where My Girls At?” was the hottest track. Meelah: Yeah. “Where My Girls At?” was huge. It was on the Top 100 for like 40-plus weeks; it did a special job. Unfortunately, after “Where My Girls At?”, I feel like MoTown dropped the ball. [laughs]. Straight up. I don’t know what happened. It was just like a lack of promotion after that. Because “Where My Girls At?” was doing so well and great on its own, the label just got excited, and I guess they were expecting the momentum to just continue, but we still needed that support. It didn’t happen for us that way. They released “You Don’t Know” as the second single. That song had auto-tune on it, so, we did the whole auto-tune thing before it even became.. AllHipHop.com: Right! Before T-Pain was out… Meelah: Yeah! Before it became this infamous it-thing of the millenium. Actually, that song was huge overseas. Every time I travel overseas, people always mention that record. They love that record over in London. They dropped “You Don’t Know” second, we did a video for it, but there was no proper support. Things just kind of unraveled, slowly but surely. We even had a third single, but by that time it was completely dead. AllHipHop.com: Had y’all broken up at that point? Meelah: No, this was still the second album, we were still together, but the label had kind’ve fallen off in terms of in terms of living up to their end of the bargain. I’ll be honest, internally, we started going through some things as a group. That never helps anything. By this time, we were on a high, but we just didn’t know what happened with all those other singles. We just took a little break, a two-year break, and then we went back in and then we came back with another record. It took some time, but we came back out with a third album. AllHipHop.com: Star? Meelah: Yeah. Star, which pretty much bombed before it even came out. AllHipHop.com: Noooo. Meelah: There was definitely no support for that one. That one had zero support whatsoever, no promotion, no marketing, nothing, hardly. Very minimal. AllHipHop.com: And that became the last record. Meelah: We had some issues after the second album. We had some business issues, managerial issues, that we couldn’t agree on that ultimately led to our demise. There had already been some underlying issues amongst us, within the group. There was a lot of animosity and a lot of tension, and I think eventually […]