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#AHHPowerfulWomen: From Hip-Hop to Sports to Politics, Google Executive Valeisha Butterfield-Jones Finds Her Purpose in Empowering All

(AllHipHop Features) Recognized by ESSENCE Magazine as a top 40 executive under 40, Valeisha Butterfield Jones has blazed a humanitarian and entrepreneurial trail for nearly two decades. Valeisha currently serves as the Head of Black Community Engagement for Google, responsible for strengthening and deepening the technology giant’s affinity to the Black community globally. She is also the current Co-founder and CEO of the Women in Entertainment Empowerment Network and author of the highly acclaimed book, The Girlprint, a mentorship guide for women to propel their dreams into action (available at Amazon.com). ​ As a college student, Butterfield Jones began working full-time for music legends Wu Tang Clan and for former heavyweight boxing champion Mike Tyson. After graduation, Valeisha was recruited by HBO Boxing and served as the Executive Assistant to the President of HBO Sports. She then returned to her North Carolina roots and served as the Field Director for Chief Justice Henry Frye of the N.C. Supreme Court. After a devastating loss on election night, Valeisha moved to New York City to further pursue her entertainment dreams and landed an unpaid internship with music mogul Russell Simmons. Valeisha was a professional standout and turned her entertainment aspirations into action by becoming one of the youngest Executive Directors of a national organization at the time. Valeisha served as the Program Manager, Director of Sponsorship and Events, Vice President and eventually the National Executive Director of the Hip-Hop Summit Action Network over a seven-year period. ​ During this time, she was introduced to then Senator Barack Obama and began serving as a volunteer for his 2008 Presidential campaign. Valeisha recruited celebrity surrogates to endorse and support Senator Obama and received a call soon after election night to serve in the Obama Administration. Valeisha served by Presidential appointment in the Administration of U.S. President Barack Obama as the Deputy Director of Public Affairs for the International Trade Administration and as the National Youth Vote Director for the 2012 Obama for America campaign. ​ Valeisha has been widely credited for her magnetic relationship with youth culture and her role turning out young Americans during the 2004, 2008 and 2012 Presidential elections. Valeisha also served as the National Ambassador for the United Negro College Fund’s Empower Me Tour in 2014 and 2015. ​ Valeisha has been recognized by Glamour, Marie Claire, Elle, Essence Top 40 under 40, Ebony Top 100, Jet, Black Enterprise and Sister 2 Sister Magazines as a leading young executive in the United States with her finger on the pulse of all things related to youth culture, entertainment and politics. Butterfield Jones has also appeared on OWN TV’s Light Girls, Aspire TV’s Exhale, Arise News, Arise 360, Centric TV’s Morning Cup, BET News, BET’s 106 and Park and others. As a dedicated mother and wife, Mrs. Valeisha Butterfield Jones shows her power of balance. She is not only a leader in entertainment but is a leader that supports, promotes and defends the progression of women in the entertainment world but also a powerful force for the black community. AllHipHop caught up with Mrs. Butterfield Jones to talk life, work, and fun as an executive in the entertainment industry. AllHipHop: What’s the most enjoyable part of the job and your duties? Valeisha Butterfield Jones: The most fulfilling part of my job is knowing that the work I do is having a direct and measurable impact in our community. I’m only inspired when I’m living my life with a clear purpose, so to be able to enjoy what I do and pay my bills while making a difference is honestly a dream come true. AllHipHop: What is the hardest part? Valeisha Butterfield Jones: Someone recently told me it takes about twenty years to become an overnight success and they were right! That’s probably the hardest part. It can take years and even decades for your work to be properly compensated or recognized, but as long as we’re staying focused on the quality of work and being consistent, I believe we’re on the right path. Also, there are racial and gender barriers that also make the work even harder, so having the strength and wherewithal to strategically fights those battles is key. AllHipHop: Can you describe a moment of adversity personal and in your career? Valeisha Butterfield Jones: Every part of your career has valleys and peaks, so you have to always expect the unexpected. However, a big moment of adversity professionally for me was when I interned at 25 years old unpaid for nearly a year. I was so hungry to break into the entertainment industry that I knew the sacrifice would pay off and I was right, but it was very humbling to sleep on friends couches and eat Ramen Noodles for months and months with no end, pay off or guarantee in sight. Also, when I turned 30 years old, I felt like a failure. I felt like a failure only because of false expectations that I placed on myself. My vision in my teens was that by 30 I would be married with a child, a huge house and a six-figure salary. All of those things eventually became true, but in God’s timing, not my own. AllHipHop: What keeps you from giving up? Valeisha Butterfield Jones: The fear of letting my community down keeps me from giving up. I’ve taken on a lot of responsibility and I honestly feel like I was placed on this earth to make a difference. The pressure I place on myself at times can feel overwhelming, but I know my calling is bigger than myself or my own personal gain. It’s about getting future generations in a position to win and to become successful, so that motivates me to wake up in the morning and go get it. AllHipHop: How did family play a role in your journey through this industry? (parents, siblings, significant other, children, etc.) Valeisha Butterfield Jones: I’m from a very traditional family and my upbringing was rooted in traditional occupations. The expectations […]

Valeisha

Soul Food Chain Roscoe’s Chicken & Waffles Files Bankruptcy

(AllHipHop News) Culinary great Roscoe’s Chicken & Waffles took the West Coast Hip-Hop world by storm serving up dishes for the likes of Game, Snoop and many other Hip-Hop greats, but now concerns are being raised that the historic franchise may be in jeopardy.  According to the LATimes, East Coast Foods Inc., the parent company of Roscoe’s Chicken and Waffles filed for Chapter 11 bankruptcy protection last Friday.  Despite the wide-spread popularity of the chicken and waffles franchise, the franchise has debts between $10 million and $50 million while assets reportedly total less than $50,000. Compton Bred rapper The Game is especially fond on Roscoe’s as the rapper catered his Jesus Piece listening session in LA with Roscoe’s Chicken, 40 oz’s of St. Ides and Veuve-Clicquot champagne.  At several points during President Obama’s term, he has visited Roscoe’s and now has a meal named after him.  Some speculate that the franchise may be going under after having to settle a racial discrimination suit that awarded a former employee $1.8 million and $1.5 in legal fees.  Roscoe’s has been in business since 1975.

Chris Rock Dissects Race In America, Bill Cosby Allegations, Obama & More

Not one to shy away from uncomfortable topics, comedian Chris Rock has built a career dissecting the hard issues while putting a clever spin on them. Topics that many of his peers are simply too afraid to touch. Sitting down with New York Magazine recently he did just that, voicing his opinion on a number of topics including America’s history with racism, the “I didn’t own slaves my ancestors did” argument,  President Obama, the loss of Robin Williams as well as the ongoing Bill Cosby scandal. Below you will find a few excerpts from the interview, now available via Vulture.com. Up next for the industrious funny man is his upcoming film Top Five, available in theatres December 5. [On race relations in America] “… the thing is, we treat racism in this country like it’s a style that America went through. Like flared legs and lava lamps. Oh, that crazy thing we did. We were hanging black people. We treat it like a fad instead of a disease that eradicates millions of people. You’ve got to get it at a lab, and study it, and see its origins, and see what it’s immune to and what breaks it down.” “When we talk about race relations in America or racial progress, it’s all nonsense. There are no race relations. White people were crazy. Now they’re not as crazy. To say that black people have made progress would be to say they deserve what happened to them before.” “Owning their actions. Not even their actions. The actions of your dad. Yeah, it’s unfair that you can get judged by something you didn’t do, but it’s also unfair that you can inherit money that you didn’t work for.” [On Robin Williams & Bill Cosby] “Comedians kill themselves. Talk to 100 comedians this week, everybody knows somebody who killed themselves. I mean, we always say ignorance is bliss. Well, if so, what’s the opposite? Some form of misery. Being a comedian, 80 percent of the job is just you notice s###, which is a trait of schizophrenics too. You notice things people don’t notice.” “I don’t know what to say. What do you say? I hope it’s not true,” he said. “That’s all you can say. I really do. I grew up on Cosby. I love Cosby, and I just hope it’s not true. It’s a weird year for comedy. We lost Robin, we lost Joan and we kind of lost Cosby.” [The Obama Effect] “So, to say Obama is progress is saying that he’s the first black person that is qualified to be president. That’s not black progress. That’s white progress. There’s been black people qualified to be president for hundreds of years. If you saw Tina Turner and Ike having a lovely breakfast over there, would you say their relationship’s improved? Some people would. But a smart person would go, “Oh, he stopped punching her in the face.” “I always say (Obama’s,) cooler than most politicians, not as cool as actual cool people. He’s not cool like Jay Z’s cool. He’s not Eddie Murphy. But in a world of politicians …