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Ruthless Records Archives - AllHipHop

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Exclusive: Ty Dolla $ign Sounds Off On New EP And Imitators

Tyrone Griffin, better known as Ty Dolla $ign, started a fire in Los Angeles when he played a big role in ushering in a radio and club friendly sound which the streets called “Ratchet Music,” opening up doors for fellow hometown artists to break away from the traditional West Coast G-Funk and Gangster Rap, and getting them back on the good graces of radio and club DJ’s. After a few years of releasing free Mixtapes and a slew of guest appearances, the Taylor Gang/Atlantic Records artist is ready to make another splash with his new upcoming EP (Beach House the EP) and an album in the summer of 2014. AllHipHop.com caught up with Ty backstage after a recent show at Club Nokia with Dom Kennedy to see what’s going on in the world of Mr. Dolla Sign. Check out our exclusive interview below and a few flicks from the show and see why he’s referring to his crew as Death Row Records and certain other L.A. cats as Ruthless (no diss to Eazy). You have a new EP that’s dropping soon. Please tell us more about that. It’s called Beach House the EP. I’m keeping the Beach House name because it was successful as a free Mixtape series but now I want to make it as something that I can sell. It’s going for Pre-Sale on January 7 and available on January 20. You probably should’ve started selling your projects from the start. I wish I did but there were still a lot of people out there unaware of me. The free Mixtapes were for advertising. So what’s in for us on the new EP? Avatar 2. Avatar 2? It’s a sequel to Avatar – the best movie (laughs). Oh I see. You’re going James Cameron on us. What about an official album? I hope to have that done by June of 2014 so I can take the summer. I’m just trying to perfect it and it to the next level from Beach House the EP, because the EP is on another level than the Mixtapes. Earlier on stage, you jumped on the MPC and started playing something and you told the crowd that you produced YG’s first hit, “Toot It and Boot It.” I produced “Toot It and Boot It” and half of the songs on Beach House 1 and 2 – just like on the upcoming EP. A lot of people don’t know of your producing side. I actually taught DJ Mustard how to produce. I gave him the sounds and he passed me up on producing – so shout out to him. That’s my little n*gga, ya know? He teaches me sh*t now. The Student surpassed the Teacher. Exactly. You and DJ Mustard created a new path for artists on the West Coast, because there was a time when artists from the West couldn’t get on the radio, and that started to change after the “Toot It and Boot It” song. My big homie Big D, he put us all together; Me, YG, and DJ Mustard. We were all up at my old house in Baldwin Hills, at the top of the hill, and we would make music every day. We came up with this sound and people later on ended up calling it the Ratchet sound. Were you following a blueprint? Not really. I was listening to the Atlanta stuff because it was real popular at the time with 808’s and snaps. I took that and sped it up to how we were listening to music out here. The Bay was popping with the Hyphy sound at that time. I was on that same speed but I took the Atlanta drums and mixed it with samples because I love to sample. I like J. Dilla and producers like that. I took a little sample mixed it with some drums and made “Toot It and Boot It.” From there I just started exploring and made different types of beats from House to Cabana. DJ Mustard told me that I was tripping and to just make club sh*t and he went off on that route. Do you think that you get enough credit on the West Coast? It’s cool. I don’t care about that. I want to make good music and they are going to recognize it. The music will speak for itself. I’m not one of those dudes that will trip off it and try to get attention – I don’t give a f*ck. I’m going to make good music and all of my family is going to eat. I ask that because I saw a post on your Twitter feed where you were talking about Ty Dolla $ign and DJ Mustard imitators out there. That post was about others making up their own sh*t. That’s what we were trying to do. If it starts growing that’s cool, but try to make a new sound. I’m never going to try to copy what’s out and I felt that was the problem with music for the longest time. No matter which producer is hot at the moment, you’ve got a bunch of others trying to copy their sound. Everybody is copying each other but its better when everybody does their own sh*t. If you go back to the 70’s and listen to groups like Lakeside, The Isley Brothers and Earth, Wind and Fire – they all had their own sound. We are the Pushaz Ink band and we make our sound, and so all of the other n*ggas that copy what we do, they lose – straight up. They say imitation is a form of flattery though. It definitely shows that we are doing our sh*t. Really, I’m glad to see dudes from L.A. on. When you look back at Snoop Dogg when he first came out, everybody was trying to copy the Death Row sound. It’s cool that we are out here and we are the new Death Row and these other n*ggas are like Ruthless (laughs). […]

AllHipHop’s Night With Michel’le: Exclusive Interview and Performance

Michel’le Toussaint is known in the music world as the naturally squeaky Minnie Mouse voiced woman that can instantly transform her singing vocals in to a strong and powerful thing of pure beauty. And yes, she’s the baby mom and former fiancée’ of Dr. Dre and the former wife of Suge Knight (although Michel’le has stated of late that the two were never officially married). Michel’le released her self-titled critically acclaimed and platinum selling debut album in 1989, which spawned several hits including the classic, “Something In My Heart.” Afterwards, Michel’le wasn’t heard much of in the music world outside of the stories and rumors in regards to her love life with Dr. Dre and later Suge Knight. Fast forward to 2013, Michel’le has reemerged and has broken the silence on her life for the past 20 years by being a part of the TV One series R & B Divas L.A. Last Wednesday, October 16, AllHipHop.com spent an evening with Michel’le as she performed many of her famous songs at Club R & B Live Hollywood in Studio City, CA. After the show, she sat down with us to give us an exclusive interview about some of the things that have occurred in her career and life over the past 20 plus years. And we have an exclusive taped performance of “Something In My Heart” for you to enjoy! Read below. AllHipHop.com: When did you discover that you could project your naturally high pitched voice to a powerful singing one? Michel’le: It was in the 2nd grade but I didn’t tell anyone. I thought it was spooky because it wasn’t normal. I only did it in privacy. I made sure that nobody knew about it. AllHipHop.com: When did you decide to let your singing voice be known? Michel’le: It was for Dr. Dre when I was a teenager. AllHipHop.com: It took you that long? Michel’le: Yes because I didn’t think there was any talent on my end. I didn’t know that I had the talent to make money with it. AllHipHop.com: So your parents, grandparents and other family members had no idea of what you could do? Michel’le: No and even if they knew, they were so busy trying to feed us and doing what they do. AllHipHop.com: So how did Dr. Dre find out about your hidden singing talent? Michel’le: By singing on the World Class Wreckin’ Cru’s “Turn Off The Lights” song. I filled in for the original singer that didn’t make it that night. That’s how he heard me sing. AllHipHop.com: It was all just by chance because you were the only female around? Michel’le: Yeah. They gave the lyrics and told me to sing. They didn’t tell me what kind of melody or anything. I made that up all on my own. I was only 16 years old. Dre just looked at me in shock and I was like, “Bye y’all.” I didn’t see him for months after that. AllHipHop.com: How did you end up even being at the studio that night? Michel’le: I was there with Lonzo, the head of the World Class Wreckin’ Cru. I didn’t know Dre yet but he was the engineer/producer. I was just hanging out. He heard me sing and he gave me that “whoa” reaction. Like I said, I told them goodbye after that and went home and got up for work the next morning. I didn’t hear from anybody for a while. AllHipHop.com: When did you finally hear back from someone? Michel’le: It was when I heard the song on the radio – I believe it was on KDAY. That was a few weeks after the recording session. My Dad heard the song and was like, “I think that’s you!” I told him that I didn’t think it was but then he told me it sounded like the song that I described about from the studio that night. I heard it myself and it was true. There was no paperwork or nothing. No check. No coins. What can I tell you? AllHipHop.com: Even to this day, you’ve received nothing from “Turn Off The Lights?” Michel’le: No but God Bless, because it’s done so much for me. AllHipHop.com: This led to you signing with Ruthless Records. Michel’le: Yes, I signed to Ruthless Records, thanks to Eazy-E. [youtube=http://www.youtube.com/watch?v=UzCuooE2xYs&w=420&h=315] AllHipHop.com: One of the signature songs from your Ruthless Records/ATCO album is a song that you sang tonight, “Something In My Heart.” It’s such a beautiful song. You had an interesting video for it with everybody dressed up in suits. Michel’le: Everybody was in it! The D.O.C, Dr. Dre, Eazy-E – it was a historic video. We filmed that on the Queen Mary in Long Beach, CA. AllHipHop.com: Ice Cube used that video to diss N.W.A. in the “No Vaseline” song where he said that they looked like Bozo’s. Did you take any offense to that? Michel’le: No, I knew it was coming. That’s where music was going. We had infused R & B with Hip-Hop. AllHipHop.com: But you weren’t upset that he used your project in his diss song towards their group? Michel’le: No, I wasn’t upset and Dre wasn’t upset either to be honest with you. It was what it was. That was Ice Cube’s opinion I think, and that’s all it was. AllHipHop.com: But you found yourself in the middle of another diss song aimed at Dre when Tim Dog dissed you in “F*ck Compton.” Michel’le: I don’t even know who that is, still to this day. AllHipHop.com: You’ve never heard the song? Michel’le: I never knew who that was. People have told me but I’ve never addressed it because I don’t know who that is. I’m not hating, I’m just stating. We (Michel’le and Dre) were like, “Where is this coming from?” There wasn’t even an East Coast or West Coast rivalry at the time. Dre is above all of that. He’s a genius. He had a 5 year plan back then and it turned in to […]

Eazy-E Remembered by Hip-Hop 18 Years After Succumbing to AIDS

(AllHipHop News) Today (March 26), marks the 18 year anniversary of the passing of iconic Compton, California rapper Eric “Eazy-E” Wright. Known by many as the “Godfather of Gangsta Rap,” Eazy-E admittedly formed his label, Ruthless Records, off of drug money earned after dropping out of high school in 10th grade. Eazy-E would later go on to form N.W.A with the help of famed producer Dr. Dre, rappers Ice Cube, MC Ren and DJ/producer DJ Yella in the late 1980’s. Armed with Dr. Dre’s production, Ice Cube’s poignant lyrics and attitude, and Eazy-E’s strong business sense, N.W.A was able to reach the suburbs of white America, raising concerns amongst the media and the government that gangsta rap music was influencing the youth in America to commit violent acts. Despite uproar from the LAPD, the FBI and from the media about the lyrics of gang violence and misogyny, Eazy-E was beloved by his fans, selling millions of records over the course if his short career which includes two studio albums, three EPs, two compilation albums, and eight singles. [ALSO READ: Hip-Hop Rumors: Is Lil’ Eazy E Going to Play His Dad in NWA Biopic?] At the time of print, his solo albums Eazy-Duz-It, Str8 off tha Streetz of Muthaphukkin Compton and It’s On (Dr. Dre) 187um Killa are all platinum selling albums, with Eazy-Duz-It going 2x platinum, as certified by the RIAA. Although Eazy-E had great success, his business practices were surrounded by controversy as Ice Cube eventually would leave N.W.A over money issues and Dr. Dre would sign with Death Row/Interscope, leading to an estranged relationship with Eazy-E over contracts and money as well. In a popular interview with Arsenio Hall, Eazy-E explained to the national television audience that he would be getting paid from Dr. Dre’s records for 6 years from the date Dr. Dre signed with Interscope/Death Row. On the show, Eazy-E performed “Real Muthaphuckkin Gz,” which called out Snoop Dogg, Dr. Dre and Death Row Records. While Eazy-E was able to withstand ongoing beef in the streets and in the music industry, he tragically was unable to combat HIV/AIDS and succumbed to the disease in 1995 leaving a wife and 7 children. Take a look at the videos below as we remember Eazy-E: Eazy-E on Howard Stern with L.A. Police Chief Daryl Gates [youtube http://www.youtube.com/watch?v=kf1eICX0ioI&w=630&h=420] [youtube http://www.youtube.com/watch?v=iOnZ3YtA1Q0] [youtube http://www.youtube.com/watch?v=trDFi_zSttQ]