Uh , Uhh It’s the 10 Track Commandments What!I been in this game for years, it made me an animal It’s rules to production, I wrote you a manual A step by step booklet for you to get Your beats in tact, not your tracks thrown back Follow these rules you’ll have mad bread to break up If not, 24k ….but no Jacob 1. Obtain a Copyright for All Your Material Beat makers and/ or producers, have clever methods of preventing people from copying or duplicating their work. They attach “tags”, which are audio interruptions that disrupt the actual composition. This may prevent looping, however, the savviest producers have great ears and can usually listen to a melody or arrangement and recreate it on their own equipment. The fact is, the only way to totally proof and protect your work is to obtain a copyright. By copyrighting you eliminate the possibility of your compositions being ripped by other producers. You have a firm legal basis if you ever need to step into court. These links can assist you in protecting yourselfwww.onestopcopyrighting.comwww.uspto.gov www.copyright.gov 2. Collaborations Can Make the Difference Most producers who are musically trained are one dimensional. Some can play the keyboards or piano, others may be geniuses at sampling or using an MPC. Whatever the case, combining experience is always beneficial to expanding your musical horizons. If your production relies heavily on sampling, build with others, such as keyboardists, bass players , or drummers to create a more professional sound. If you don’t know any trained musicians, contract some. 50 dollars an hour is the going rate. If you are prepared with your tracks and know what you want on them, one hour worth of keys can lace ten to 20 beats. Even if you are adept at playing multiple instruments, ideas and input from other sources can be invaluable. Incorporating opinions from people not directly involved in music production can also be an asset, they tend to just go off the vibe they get from the song. 3. Stay Up to Date With Technology While Computers, mp3 players, and CDJs are all integral elements to mixing up the style in your music, there is not one piece that you must have to create music. I used to create from a Casio keyboard with four little sample pads on it. However, if you want your efforts to be universally adaptive , having a Pro-Tools set up is an advantage. Staying up with production technology can increase the speed you record at and bang out more hits. For instance, you can record a song with an artist without actually being in his/her presence by simply sending mp3 or Wav files from your computer. 4. Sell Your Beats According to the Value of Your Time I’ve seen advertising on MySpace.com where people are giving beats away for free, or selling them for ten dollars, 50 dollars etc. Everything for sale has a price, but be leery of downgrading your own art. You might pay ten dollars to go to the movies, ten dollars for a meal at a dinner, ten dollars for a couple bootleg Cds off the street; But art takes time, effort, and creative ability, and if that’s all that you are saying it’s worth, that’s the value people will place on it. Maybe you do have hot tracks for ten bucks each, but people won’t respect it the same. That being said, giving away tracks just for notoriety or for someone to give you a shout is also a waste of artistic talent. If you give a track away, give it to someone who is either notable in a particular region, someone you feel will blow up major as a artist, or someone you completely vibe with on a creative level. Just passing off beats to any “Funky Bunch” crew is not going to build your name up. Be selective and up the ante if people want your tracks. 5. Create a Brand for Yourself The $100, 000 per beat producers are not just track masters. When you hire Pharrell Williams or Kanye West to do music for you, you get more than a beat; you get the personality, funky clothes, and skateboard images as part of the total package. There are millions of people who can make hot beats, but most don’t have any style or personality to seal the deal. Personality and swagger sell music sometimes easier than the music itself. Along with personality, business persona is just as important as your talents and abilities. Branding your name is the most effective way to get people to notice you. Sometimes I listen to the radio and feel like I could easily produce the track that I hear. Why are certain people getting all the calls? Image sells. Think about your favorite producers and what extra elements they bring to the studio sessions.Stay tuned for Part 2 of The Ten Track Commandments.
Uh , Uhh It’s the 10 Track Commandments What!I been in this game for years, it made me an animal
It’s rules to production, I wrote you a manual
A step by step booklet for you to get
Your beats in tact, not your tracks thrown back
Follow these rules you’ll have mad bread to break up
If not, 24k ….but no Jacob
1. Obtain a Copyright for All Your Material
Beat makers and/ or producers, have clever methods of preventing
people from copying or duplicating their work. They attach “tags”, which are audio
interruptions that disrupt the actual composition. This may prevent looping,
however, the savviest producers have great ears and can usually listen
to a melody or arrangement and recreate it on their own equipment.
The fact is, the only way to totally proof and protect your work is to
obtain a copyright. By copyrighting you eliminate the
possibility of your compositions being ripped by other producers.
You have a firm legal basis if you ever need to step into court. These links can assist you in protecting yourselfwww.onestopcopyrighting.comwww.uspto.gov
www.copyright.gov 2. Collaborations Can Make the Difference
Most producers who are musically trained are one dimensional.
Some can play the keyboards or piano, others may be
geniuses at sampling or using an MPC. Whatever the case, combining experience
is always beneficial to expanding your musical horizons. If
your production relies heavily on sampling, build with others, such as
keyboardists, bass players , or drummers to create a more
professional sound. If you don’t know any trained musicians, contract
some. 50 dollars an hour is the going rate. If you are prepared
with your tracks and know what you want on them, one hour worth of
keys can lace ten to 20 beats. Even if you are adept at playing multiple
instruments, ideas and input from other sources can be invaluable.
Incorporating opinions from people not directly involved in music
production can also be an asset, they tend to just go off the vibe they get
from the song.
3. Stay Up to Date With Technology
While Computers, mp3 players, and CDJs are all integral elements to mixing
up the style in your music, there is not one piece
that you must have to create music. I used to create from a Casio
keyboard with four little sample pads on it. However, if you want your
efforts to be universally adaptive , having a Pro-Tools
set up is an advantage. Staying up with production technology can
increase the speed you record at and bang out more hits.
For instance, you can record a song with an artist without
actually being in his/her presence by simply sending mp3 or Wav files from your computer.
4. Sell Your Beats According to the Value of Your Time
I’ve seen advertising on MySpace.com where people are
giving beats away for free, or selling them for ten dollars, 50
dollars etc. Everything for sale has a price, but be leery of
downgrading your own art. You might pay ten dollars to go to the movies, ten
dollars for a meal at a dinner, ten dollars for a couple bootleg Cds off the street;
But art takes time, effort, and creative ability, and if that’s all that you are saying
it’s worth, that’s the value people will place on it. Maybe you do
have hot tracks for ten bucks each, but people won’t respect it the
same. That being said, giving away tracks just for notoriety or for
someone to give you a shout is also a waste of artistic talent. If
you give a track away, give it to someone who is either notable in a
particular region, someone you feel will blow up major as a
artist, or someone you completely vibe with on a creative level.
Just passing off beats to any “Funky Bunch” crew is not going to build
your name up. Be selective and up the ante if people want your
tracks.
5. Create a Brand for Yourself
The $100, 000 per beat producers are not just track masters.
When you hire Pharrell Williams or Kanye West to do music for you, you get more than
a beat; you get the personality, funky clothes, and skateboard images
as part of the total package. There are millions of people who can
make hot beats, but most don’t have any style or personality to seal the deal.
Personality and swagger sell music sometimes
easier than the music itself. Along with personality, business persona is just as important
as your talents and abilities. Branding your name is the most
effective way to get people to notice you. Sometimes I listen to
the radio and feel like I could easily produce the track that I hear. Why are certain
people getting all the calls? Image sells. Think about your favorite
producers and what extra elements they bring to the studio sessions.Stay tuned for Part 2 of The Ten Track Commandments.
