AHH Stray News: Nicki Goes After Jay-Z, Producer Koolade Holds Contest, Gay Rapper From Pittsburgh Disses Mac Miller,
NICKI GOES AFTER JAY, KOOLADE HAS BEATS, GAY PITTSBURGH RAPPER DISSES MAC AND WIZ!
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action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /wordpress-versions/6.7.2/wp-includes/functions.php on line 6114NICKI GOES AFTER JAY, KOOLADE HAS BEATS, GAY PITTSBURGH RAPPER DISSES MAC AND WIZ!
NICKI MINAJ SPEAKS ON BEING A WOMAN IN HIP-HOP
“What do you believe in Heaven or Hell ?/ You don’t believe in Heaven cuz we’re livin’ in Hell” -“Heaven or Hell”, Raekwon and Ghostface Killa While making a surprise visit to WLTI 144FM, last week, Platinum-selling artist, Emperor Nero D, was asked for the millionth time about the rumors that he was a devil worshiper. Obviously annoyed, the artist vehemently denied the accusation and flashed his $50,000 golden cross necklace to prove his point. However, on his way out he tagged the station’s celebrity graffiti wall with “666,” winked at the DJ, and faded into the New York night… Although the issue of Hip-Hop and Spirituality has been discussed over the last couple of years, Nicki Minaj’s “exorcism of Roman” performance at the last Grammy Awards show has once again sparked the discussion. Has Hip-Hop lost its soul? Since its genesis, Hip-Hop has had a strong link with Spirituality. As far back as the early ’80s, Melle Mel was preachin’ that “God is smilin’ on you/ But he’s frownin’, too” on “The Message,” and RunDMC told Hip-Hop kids to “stop playin’, start prayin’” on “It’s Like That,” so the spiritual connection has always been there. During the mid to late ’80s, Hip-Hop began to embrace other forms of spirituality outside of the traditional “Western” theologies, when Boogie Down Productions put sections of Ella Hughley’s book “The Truth About the Black Biblical Hebrew-Israelites ” into lyrical form on “You Must Learn.” Also various groups like Brand Nubian started teaching the doctrines of the 5% Nation of Islam (NGE) and Jaz-O and others embraced the “Factology” of the Nuwaubian Nation. Even Jay Z was, at least, exposed to Factology as evidenced by his appearance in Jaz-O’s video “The Originators.” Hip-Hop has also had a darker side. As early as 1991, Bone Thugs-n-Harmony were playing with Ouja Boards, and in 1994 The Gravediggers introduced “horror core” into Hip Hop. However, it was not until Snoop Dogg’s “Murder Was the Case,” that same year, that the notion of rappers selling their souls to the Prince of Darkness become believable. The next year, the group Three-six Mafia was accused of devil worship because of its name and song lyrics. However, when properly understood, people who rep 666 (or according to some scholars, 616) are actually paying homage to to the Roman Emperor Domitian (81-96 AD) who the early church thought was Nero reincarnated according to James Efird’s book “How to Interpret the Bible.” Also, Dr. Hugh Schonfield in “Those Incredible Christians” wrote that those who did not wear the Emperor’s stamp (the Mark of the Beast) on their right hands or foreheads would not be able to buy or sell.” (Kinda like if a rapper doesn’t have tattoos and saggin’ pants, he won’t be able to get a record deal.) The reason why the dark side has been able to dominate Hip-Hop today is that we have been trained to accept half truths and lies with questioning them. According to Alan Watts in his book, Myth and Ritual in Christianity, “Christian mythology involves problems of interpretation because it is a strange confusion of two types of knowledge metaphysical (beyond nature) and science.” Much of the discussion about Hip-Hop and religion has dealt with metaphysics which cannot be proven nor disproven, so we must deal with it as a science, which can. In his book, The Origin and Evolution of Religion, Albert Churchward wrote that all religions derived from either the ancient Stellar, Lunar or Solar cults thousands of years ago. So all religions have a common origin. Dr. Yosef ben-Jochannan in his book, African Origins of the Major Western Religions, argues that the traditional religions of the “indigenous African people” are the forerunners of the “Nile Valley Religions” which produced the mystery systems from which Judaism, Christianity and Islam are derived. However, the “Euro-Christianity” that was introduced by Portuguese missionaries was not a spiritual practice, but a tool to colonize and later enslave Africans. Also, it must be noted that during chattel slavery, it was illegal for Black people to read the Bible so, they had to accept the slave owner’s version as the Gospel. This has caused a confusion regarding religion that has been inherited by the Hip-Hop generation. Although America prides herself as being a “Christian” nation according to Anthony Browder in his book, Nile Valley Contributions to Civilization, the founding fathers of this country were not only slave owners but also deists who believed that man could know God through reason and refinement of intellect,” even though they were well aware of the power of African culture. (Just look on the back of that dollar bill in your pocket.) As Erykah Badu sang on “On and On,” “Most intellects do not believe in God, but they fear us just the same.” So, this country has a tradition of reppin’ a religion that it never truly practiced. (Just like the rapper who wears a Jesus piece but has never set foot in a church.) And the masses have accepted myths as reality. It must be noted that the Western concept of “Devil” and “Hell” are taken from a combination of Greek myths and Dante’s “Inferno,” but the real power of the Luciferian doctrine lies in “deception,” and since the oppressed have been robbed of the knowledge of their spirituality, they can be easily deceived – so much so that Jay Z, can reportedly say that he “believes in God but not the Devil,” and people accept this without question. Even though it defies all laws of physics. And Nicki Minaj can perform a ritual on stage, and people accept it as Hip-Hop. Spirituality is a major part of any civilized culture, and without it the culture spirals downward into absolute chaos – the type that is present in Hip-Hop in 2012. With all the mayhem going on around the planet, it is imperative that Hip-Hop gets back in touch with its spiritual side. As Craig Mack said on “When God Comes,” “I […]
Rumor has it Drake was supposed to be on the cover of the February issue of VIBE , but he came to the set eight hours late and refused to cooperate with the styling for the issue. VIBE contributor Lola Ogunnaike revealed: “He was slated to appear on the cover of VIBE magazine to accompany this story [The Dark Side of Aubrey Graham]. But he fouled that up when he arrived more than eight hours late to the shoot and refused to wear any of the wardrobe provided for him.” “He brought his own clothes, which was mostly Hemès and leather bomber jackets,” revealed a source at the shoot. “But it was a shoot about spring fashion. He was going on and on about wearing his leather bomber, and wasn’t letting it go. He said the [female] stylist was too aggressive, that he wasn’t a model and he wasn’t feeling the vibe. He hopped in his SUV and left.” Do you think Drake had a good reason to walk out n the shoot? One man’s loss is another man’s gain…or in this case – woman! Nicki Minaj ended up scoring the cover instead. Check out Nicki’s cover below:
NEW NICKI MINAJ FT. LIL WAYNE “ROMAN RELOADED”
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ADELE AND WHITNEY DOMINATE THE CHARTS; GRAMMY SALES STILL ROLL IN
ALLHIPHOP.COM STOPPED BY THE STUDIO TO CHECK OUT TYGA BEFORE THE RELEASE OF HIS “CARELESS WORLD” ALBUM!
THE NBA GOES HIP-HOP FOR THIS YEAR’S ALL STAR GAME!
WHITNEY CDs FLY OFF SHELVES; ARTISTS GET A BOOST IN SALES FROM THE GRAMMY AWARDS
Nicki Minaj has her sights set on becoming more than just a rapper and actress…she wants to be a mogul! In the new issue of Allure, Miss Nicki reveals that she’s coming for Jay-Z’s spot. Check out what she said below: “I had a little conversation with Jay-Z at the Victoria’s Secret fashion show,” she told the magazine. “He said, ‘Congratulations on all your success.’ And I was like, ‘Yeah, I’m coming for you. I’m coming for your spot, Mr. Mogul.’” That’s very ambitious of her. Jay-Z was probably laughing all the way to the bank at her comment!
PEOPLE ARE NOT HAPPY AT NICKI’S RACIALLY CHARGED RAPS
NEW NICKI MINAJ SONG “STARSHIPS”
CATHOLIC LEAGUE PRESIDENT CALLS NICKI MINAJ A “FOOL,” DENOUNCES GRAMMY PERFORMANCE!
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(AllHipHop News) This year’s Grammy Awards hosts, LL Cool J and Nicki Minaj, teamed up recently to record spots for a memorable promo campaign. The newly-released commercial features Nicki Minaj dancing and rapping, while LL Cool J beat boxes. She even heckles him, asking him to “speed it up,” and Cool J responds, “How fast do you want my lips to move?” In true, zany Nicki Minaj fashion, she yells back, “PAUSE!” Watch the commercial below: [youtube http://www.youtube.com/watch?v=ZEPVJnCbwqc] Minaj is nominated for Grammys in the categories of Best New Artist, Best Rap Album and Best Rap Performance. The 2012 Grammy Awards airs this Sunday, February 12 at 8/7c on CBS.
NFL APOLOGIZES FOR M.I.A.’S MIDDLE FINGER!
RAPPERS REP AT THIS YEAR’S SUPER BOWL!
BET BANS NICKI MINAJ’S “STUPID HOE” VIDEO!
Nowadays, discovering a new female rapper face happens frequently, but we can’t forget any of the ones that have previously prevailed. Just like fellow seasoned female spitters Gangsta Boo, Trina, Diamond, and more, Atlanta’s rapping “Georgia Peach” Rasheeda is amongst the group, utilizing convergence of the rap industry into today’s times. The “Got That Good (My Bubble Gum)” rhymer recently dropped her latest effort, Boss B#### Music 4, the latest installment in her Boss B#### Music series. AllHipHop.com had a quick chat with Rasheeda, the 10+ year rap veteran, to hear about her experiences in the game, her new project, and what she thinks of the new-age ladies of Hip-Hop: AllHipHop.com: You have had a good amount of experience in your career, both with major labels and indies, as well as working some Hip-Hop heavyweights along the way. How has that prepared you for running your own situation now? Rasheeda: I think the best way to learn anything is through experience, and as an artist and a business woman, you have to learn what works best for you. I have seen varies sides of the music business and I wanted to have control of my music destiny. Being in different major label situations helped me to understand the methods of launching an artist – unfortunately, that was never me – but I was able to see first hand why certain artist get certain places and it’s not always about the talent. Being independent, you deal with way less bullsh*t, and although the machine isn’t as big, if you do the right things and have patience, you can get far. I also tell people this, you don’t have to be mainstream to be successful in this business. AllHipHop.com: What do you see that is different about the game now then when you first broke in? Rasheeda: Huh!? Where should I start [laughter]. Well when I first broke in it was all about real music, having real records. As time passed, we saw so many half-hit wonders and gimmicks surface. It was all about radio and now it’s all about the Internet and visual awareness. It was more about passion when I first started; now, it’s about whatever a person can do to get 15 minutes of fame. The record companies are folding, sh*t is just getting weirder and weirder. It used to be more about chasing the dream than chasing the check. Hell, and they ain’t cutting them anything like they used, too. AllHipHop.com: Your new mixtape, Boss B*tch Music 4, just dropped, the series has seemed to successfully build momentum, if you would say. Rasheeda: I’m looking for it to take my movement worldwide. If I have to do it 10 fans at a time, it doesn’t matter long as I get there. The series is building my brand, bringing people into my world and showcasing my music and with each release my fan base gets bigger and bigger and that’s ultimately what I want growth. [youtube http://www.youtube.com/watch?v=MozJX7kKRBU] AllHipHop.com: There are suddenly a lot of female emcees coming up in Hip-Hop with the likes of Iggy Azalea, Azalea Banks, Kreayshawn, and of course, Nicki Minaj, Diamond, yourself, and others. Rasheeda: If you pay attention to Hip-Hop over the years, there has always been a female era at one time or another, and it has come to surface again. With the success of Nicki Minaj, it has really shined the light on female MCs now. It’s all about what we do while the light shines. I also think people are ready to hear something else beside the male Hip-Hop artists and definitely wanna see some sex appeal… little t*tty and *ss [laughter]. AllHipHop.com: You have managed to maintain and increase you fan base on your own over time in a business that can be very here today, gone tomorrow. What is it about you and your music that you think fans attract to? Rasheeda: The realness, I just talk real sh*t and in the process I uplift, motivate and give people a sense of truth and inspiration. I make them dance, I make them think, I empower, and I reassure women that we are worthy and strong. Plus, I keep it ‘hood. AllHipHop.com: What’s next for Rasheeda this year? Rasheeda: A lot more musically. I will release an album this year, too. I also have several television opportunities I’m working on. I just launched my website ImBossy.com and I’m looking to expand that. This year a lot more people will know Rasheeda and that’s for sure. Follow Rasheeda on Twitter (@Rasheeda).